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Meet Literary Agent Kelly Dyksterhouse

Headshot, agent Kelly Dyksterhouse

What a pleasure it has been to get to know Kelly Dyksterhouse, a literary agent with the Tobias
Literary Agency. Kelly has her MFA in Writing for Children and Young Adults and specializes in
building the careers of authors and illustrators who work on a broad range of projects from
picture books to young adult novels, graphic novels, and fascinating nonfiction for the youth
market. I know that all of our Mixed-Up Filers are eager to learn more about Kelly.

 

SK: Kelly, tell us a little bit about your path to becoming an agent.

KD: While I was pursuing my MFA in Writing for Children and Young Adults, I applied for a
position as a reader at The Bent Agency. At the time, I thought it would be a good
opportunity to learn more about how the business side of publishing worked. In that role,
I read slush and full manuscripts and wrote reader reports on the fulls. That led to an
assistant position for Susan Hawk at Upstart Crow, who was, and remains, a most
fabulous mentor. After working for several years as an assistant, I joined Jacqui Lipton
at her new agency, Raven Quill Literary Agency and began building my own list. In 2022, RQLA
merged with The Tobias Agency.

While every path to becoming an agent is a little unique, this business remains one that
is apprenticeship based, and frankly the relationship-driven part of the industry is a
major part of what I enjoy about it.

SK: What can you tell us about the Tobias Agency?

KD: I love my team at TLA! We work very cohesively and support one another well, and a
win for one of us/our clients is celebrated as a win for all.

The Tobias Literary Agency is a full-service literary representation firm established in
2016. We specialize in shepherding writers and artists from dream to reality. Our literary
agents are nimble and fierce with a collaborative spirit. We take a 360-degree view of
our clients’ intellectual property. Each project receives a targeted plan for execution of
sub rights (film/TV, foreign translations, first serial, graphic novel adaptations, and more).
Authors and artists we represent include debut authors, New York Times and USA
Today bestsellers, multiple Bram Stoker Award winners, distinguished scientists,
Emmy-nominated journalists, Coretta Scott King honored illustrators, LA Times Book
Award winners, and authors selected by Reese Witherspoon Book Club. Our literary
agents represent the gamut of genres, including the finest in horror, children’s,
nonfiction and illustration. Our literary agents and literary managers take pride in investing in
clients’ long-lasting careers.

SK: Here at MUF, we are all about middle grade. What do you love most about middle-grade novels?

KD: I love that they appeal to readers who are on the cusp of independence. Kids who are actively figuring out who they are and where they fit in their world. I think what I love best about middle grade novels is that they really respect this time of life and take it seriously, reflecting all of the beauty and struggle and confusion and joy that are wrapped up in adolescence. Books for younger readers tend to be fairly straight forward, but the middle grade novel wrestles with questions, allowing the reader to ask
questions of themselves. It’s a time in life where readers are forming opinions and can choose their own books to read. We tend to idealize childhood and forget how hard and heavy and very, very immediate and important everything feels at this stage of life. The middle grade novel carries a huge responsibility in this respect—it can open new worlds or offer solace from the real one readers inhabit, creating space to process their own feelings through those of a character, space to dream and ask questions and not be
judged for doing so.

SK: Which middle-grade book(s) influenced you most as a child?

KD: Ah, so many! But the books I return to every couple of years to reread I found in 5th
grade: Robin McKinley’s The Hero and the Crown and Michelle Magorian’s Goodnight,
Mr. Tom. As a younger reader, I plowed through C.S. Lewis’s The Chronicles of Narnia,
Madeleine L’Engle’s A Wrinkle in Time books, all of Walter Farley’s Black Stallion
books, and of course Marguerite Henry’s Misty of Chincoteague.

SK: What are some of your favorite current middle-grade novels?

KD: Aside from those of my own clients, of course, I’ve really enjoyed Alyssa Wishingrad’s
The Verdigris Pawn and Between Monsters and Marvels. I love how she uses fantasy to
probe readers to ask questions about their own world, which I think is the genre’s
superpower.

I also really loved Dan Gemeinhart’s The Midnight Children—It was brilliantly structured,
written with so much respect for the reader, and it was a surprise to read. (I love books
that surprise.) I never would have suspected that a book that wrestled such heavy
subject matter would have me laughing out loud on an airplane at the climax. (I also
love books that make me laugh!)

Finally, I recently read Erin Entrada Kelly’s We Dream of Space and was really blown
away. Perhaps because it recalled so much of my own childhood—I was the same age
as the protagonist when the Challenger exploded and vividly remember watching it live
in our school auditorium, so the book hit home in that regard. But the character work in
that book is spectacular, and it’s a wonderful study for anyone who is seeking to deepen
their craft in terms of writing character.

SK: You seem to enjoy your work, but we know it has its tough parts. What would you say are the best and worst parts of being an agent?

KD: There are so many best parts! Every day, depending on what I am doing that day, my
answer will be different. I love the excitement of finding a new project that I can’t wait to
gush about. I love that no day is the same. I can start a day working on a picture book,
break to meet with clients and editors, and then end the day working on a novel, or a
nonfiction proposal. I love, love, love getting to call a client and tell them we have an
offer! And it is just amazing to hold a book in my hands that I helped shepherd into
existence.

So in a nutshell the best part of the job is working with creative people to bring fantastic
stories into the hands of children.

The worst part is easy—waiting and rejection. It’s part of the business, but that doesn’t
mean that it ever gets easy.

SK: What do you look for in a query?

KD: A strong query tells me what the book is about (who the character is, what they want,
and what the stakes are if they can’t get it, so the major dramatic question), with strong
comps to tell me where it will sit in the market, and does so clearly and succinctly in an
engaging tone or voice.

A query is a first impression, which I liken to an initial handshake in a job interview. It
needs to be professional, confident and show the writer’s competence and
understanding of their work and craft. The primary job of the query is to make me want
to read the book!

SK: What are the top reasons you pass on a submission?

KD: The number one reason I pass is that the writing is not ready. The concept and story
may be great, but it is clear that the writer sent it off before revising deeply or taking the
time to really refine their writing craft.

Another common reason I pass on projects is that the concept feels overly familiar—not
a fresh enough take to be able to stand out in the market.

SK: What is your best guess on where the middle-grade market is headed?

KD: I am seeing a lot of calls for books that could fill the audience “gaps”—younger middle
grade and older middle grade. Shorter, illustrated books that appeal to the 8-9 year old
reader, and then books whose subject matter appeals to the older middle grade reader
who is not quite ready for YA. (Some would call those books young YA, but I’ve been
seeing them announced as middle grade—books with characters as old as 15, yet
whose story might feel younger.) And there is still a great need for books that reflect a
diversity of experience and representation.

SK: Before you go, let’s have some fun with a lightning round. Please name your favorites!

Dessert: bread pudding with vanilla ice cream

Type of weather: a crisp, clear spring or fall day

Genre of music: depends on what I’m doing. Editing, I listen to classical instrumentals,
when writing I listen to movie soundtracks (instrumental), and when running I listen to
classic 80’s rock.

Season: Spring or Fall.

Game: I am enjoying a board game called Azul right now—it’s a fun strategy game with
tiles, and it’s really pretty. I also enjoy playing Hearts and Spades and Rummikub.

SK: I know that our MUF readers are going to want to learn more about you. Where can we do that?

KD:
● @kellydhouse is my SM handle for Instagram, Threads and Twitter.
● Kellydhouse@bsky.social.com
● Website: www.KellyDyksterhouse.com
● MSWL: Kelly Dyksterhouse

Thanks so much for sharing your time and wisdom with us, Kelly. We wish you great success in
your career as an agent. I’m sure a lot of new queries are about to head your way!

Digital Media Ideas– I Was a Kid with Author Karen Romano Young

Big News, STEAM fans!

First of all, welcome to the every-once-in-a-while regular I Was A Kid posting from me, Karen Romano Young.  You may know me from novels like The Beetle and Me: A Love Story, graphic novels like Doodlebug: A Novel in Doodles, and science books like the Try This! Series, Antarctica: The Melting Continent, and Whale Quest.   I Was A Kid is a new multimedia project dedicated to sharing the stories of STEAM students and professionals, such as…

Second piece of news: The National Science Teaching Association’s new president, Dr. Alicia S. Conerly, took office June 1.  Right on time is I Was A Kid with a STEAM profile of her.

Dr. Conerly grew up in rural Mississippi, and after a twisty path through potential science and medical careers and studies, became a science teacher dedicated to improving opportunities for kids like herself.  At a conference, a fire alarm placed her in the way of a woman who would become her mentor, helping her to find her way into the NSTA and the teacher-support grants that came with it… and onward to the presidency!

Visit Dr. Conerly’s profile on the I Was A Kid website at iwasakid.com/aliciaconerly. You’ll learn all about her, while getting a taste of what’s available through my project:  going on 50 profiles of folks from previously marginalized communities, including race, religion, socioeconomic background, gender, sexuality, physical and mental ability.

My project developed at an intersection of concern by the STEAM world about the need for new and diverse perspectives in their fields; from my wish to show today’s kids that they too can have exciting research and creative lives and adventures;  and from a long standing philosophy of representation in media for young people.

Here’s a third and key piece of news: all the materials at IWasAKid.com are available free, including downloads of comics and trading cards.  To stay up to date, follow @IwasakidSTEAM on Instagram — and watch for another I Was A Kid post in September.

Finally, how about some free I Was A Kid posters — all printed out and beautiful? Subscribe at iwasakid.com and you’ll be entered EACH MONTH to win a set of 12 posters.

 

STEM Tuesday– Survival Science — Christine Taylor-Butler

Welcome to STEM Tuesday: Author Interview, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today I’m doing something different. I’m not interviewing a different author. I’m going to use the time to talk about writing nonfiction and in particular, the books I wrote as part the “Save The . . .” series developed by Chelsea Clinton and Penguin Random House. The reality is, that in studying and understanding these animals, we may in fact, be learning how to save ourselves.

How I got started: I grew up in an inner city environment surrounded by overachieving nerds at a time when the Civil Rights Act was still being debated. Back then I didn’t think much about what it took to survive. All the basic necessities were available. By the eighth grade I had a math teacher, Walter Havenhill. According to him, I was the only student who took his extra credit problems seriously. So he recommended I look into a school called MIT when I was ready for college. Years later, that’s where I received two degrees. It was during that time I realized my life was about problem solving. Back then there were no computers or cell phones. There was paper, pencil and libraries. There was no topic called STEM/STEAM. Everyone tinkered and experimented and created.

As I grew older I saw a shift in the way students were learning. I had been a college interviewer in the evenings. Over time I found quite a few students focused on how to get into a good college by being the “best” numerically. Most read only what was required to pass a test. But there were others, a small minority, who were exploring the world outside of the classroom. They had inquisitive minds and were sometimes looking around their homes for resources to use. Or going out and knocking on doors to find out how they could help on a project. Those are the students I left engineering to write for. Most of my published work is now nonfiction.

Animal survival:  A few years ago, Penguin Random House asked if I wanted to join a group of authors writing books about endangered animals with Chelsea Clinton. The project looked not only at explaining the animals and their survival instincts, but why they became endangered and how their disappearance created unexpected consequences for the human race. Even better, there was a section on how young readers could get involved.  I was all in.

The books are broken into several parts:

  1. Who the animals are and where to find them
  2. What do we know about these animals? What do they eat, where do they live, and how do they raise their young? What are methods they use to survive their environments?
  3. What happened to make them endangered?
  4. The race to save the animals. Who is helping and what can YOU do to participate.
  5. Resources so you can look up some of the information yourself.

Tiger coverIn Save The . . . Tigers. I learned that once upon a time there were enough tigers living in the wild to fill the Roman Colosseum — twice. Think about that. That was about 100,000 tigers. But now there are less than 4,000 among the six remaining species living outside of a zoo or sanctuary. All survive in various parts of Asia, that range from moist hot rainforests, to cold Russian climates.

Tigers are apex predators. That means they are at the top of the food chain and can briefly run faster than a car drives on a street or highway. They are heavy, so they don’t run for long periods of time. Just short bursts. And they sleep a lot to conserve energy for hunts. Mostly during the day. Hunting is hard work. Tigers are only successful in one out of every twenty attempts to catch prey. And yet, tigers don’t tend to eat humans. They’d rather ambush other animals.

But their bodies and furs became valuable to humans. Hunting them for sport reduced their numbers. Humans moving into their habitats to build farms and homes made things worse. It reduced the prey available for tigers to eat as well. Even so, there are now people studying the animals and helping to increase their numbers. And they’re learning a lot in the process. For instance, did you know that tigers (as well as all cat species) have structures in their eyes that we don’t have? That’s why the eyes glow in light at night. Tigers hunt in dark, so their night vision is better than ours. So watch out!

Orange and black tiger

Photo by Kartik Iyer on Unsplash

 

 

 

 

 

 

 

 

 

Blue Whales coverSave the . . . Blue Whales was harder because blue whales are rarely photographed. They are the largest mammal living in the ocean. Some grow as long as 110 feet. That is as long as a 737 airplane. But water covers about 70 percent of the planet. And our oceans are very deep. So the whales weren’t easy to find or catch. A lot of what scientists knew initially was from examining dead bodies and guessing. As humans created steam powered ships it became easier to hunt them. Whale blubber was used for fuel and explosives. Other parts of the whale bodies were used for clothing and umbrellas.

Scientists discovered that by reducing the numbers of whales, we hurt the planet. Before they were hunted, whales removed as much carbon from the atmosphere as all the forests on the planet – millions of tons. They ate krill and stored the krill’s carbon in their bodies. You would have to eat 1,000 cheeseburgers to consume the calories a whale eats in a single gulp of krill. And those whales take a lot of gulps per meal. When blue whales dive and poop those actions mix and distribute nutrients throughout the ocean. Now whale numbers are fewer and carbon dioxide on Earth is increasing. Eighty-eight countries have stopped whaling. Three continue to hunt: Japan, Norway and Iceland. There is pressure for them to decrease the amount.

blue whale

Blue Whale sculpture at the Smithsonian

Click here for an interesting video on Blue Whales

Polar Bears coverLast was Save the . . . Polar Bears. With warming climates these bears are at risk, not because of hunting but because of lack of food and sea ice in the Arctic regions. Most bears can eat a variety of foods. Polar bears are different. They eat mostly seals. One seal can last a polar bear for eleven days. The polar bear body can make fresh water from the seals as well. Also, did you know that a pregnant polar bear can go without food for the last months of her pregnancy? She’s pretty hungry when the cubs are born, so hunting seals becomes a priority. She will teach the cubs to hunt when they are older. When they’re old enough, they’ll move away and start living on their own. But seals live and hide their young on sea ice. With global warming, there’s less of that ice to find. When food is scarce polar bears have been known to enter villages. But that’s very rare.

When I first started researching this book that there were 19 populations of polar bears being studied. But NASA had been secretly tracking a 20th population for several years. Those polar bears were found with the help of indigenous tribes. They didn’t rely on sea ice for survival. Could studying the new population give us clues on how to save all the other groups of polar bears too?

polar bears

Photo by Hans-Jurgen Mager on Unsplash

Who is tracking?

There are many organizations, sanctuaries and museums listed in the books. Here are a few to get started.

The International Union for Conservation of Nature (IUCN) keeps track of efforts around the world. They’ve studied 138,000 species so far and rates them based on level of endangerment. There is a significant amount of information on animals you might be interested in studying. The link takes you to their “red list” for endangered animals.

Polar Bears International. They have scientists, Zoom sessions, web cams and tons of information kids might find useful (teachers and librarians too). Too much to describe here.

The Global Tiger Forum is an international group working to conserve tigers in the wild.

International Whaling Commission – has 88 member countries and is responsible for whale management and conservation.

Smithsonian National Zoo and Conservation Biology Institute’s global efforts help save wildlife species from extinction. They train future generations of conservationists at research facilities around the world.

What can you do? There are many ways but here are a few tips to get started:

Recycling is a good easy way to start. A lot of animals are harmed by plastics which make their way into the environment and into the oceans. Better yet, can you reduce the amount of plastic you buy? How about filling a water bottle that can be washed and reused?

Don’t buy clothes or jewelry made from animal parts. That decreases the reasons to hunt animals.

Donate to organizations that help save animals. Even a small amount will help increase animal chances of survival. And the money will help create or sustain habitats that provide a safe environment for animals to raise their young.

Look at ingredient labels on foods and other household items. Avoid ones made with palm oil. Healthy forest habitats are torn down and replaced with palm oil farms. That not only hurts the animals but hurts our environment as well. Forest are like lungs for the planet.

Know that a single individual can make a huge difference in healing our planet. Learning about animals is great way to start. The bonus is that many of their survival skills can prove useful if you’re ever in danger. Where to find shelter, food and warmth. How to avoid predators. Don’t forget, humans are animals too.

 

author christine Taylor-butler

Photo by Kecia Stovall

Your host is Christine Taylor-Butler, MIT nerd and author of Bathroom Science, Sacred Mountain: Everest, Genetics, and many other nonfiction books for kids. She is also the author of the middle grade sci-fi series The Lost Tribes. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram