Diversity

WNDMG Wednesday: Author Interview with Aida Salazar

Ultraviolet cover with a young Latina boy in technicolor

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WNDMG Wednesday: Author Interview with Aida Salazar

Welcome to WNDGM Wednesday. I’m so excited to be able to introduce you and interview accomplished award-winning author Aida Salazar today. Aida’s newest book is Ultraviolet (Scholastic) and it launches on April 2, 2024.

I absolutely love anything Aida writes. I am specifically a huge fan of her verse novels- A SEED IN THE SUN and LAND OF THE CRANES made me feel so much emotion while reading, and I hung onto every word of gorgeous poetry.

I cannot wait to dive into this new book!

I encourage everyone to buy a copy for themselves and their classrooms and libraries.

ultraviolet cover with a young Latina boy

About ULTRAVIOLET

Description taken from online:

Sometimes life explodes in technicolor.

In the spirit of Judy Blume, award-winning author Aida Salazar tells it like it is about puberty, hormones, and first love in this hilarious, heartwarming, and highly relatable coming-of-age story. Perfect for fans of Jason Reynolds, Kwame Alexander, and Adib Khorram.

* “Stunning…A story that sings to the soul.” ―Kirkus Reviews, starred review

* “A compassionate verse novel about first love, heartbreak, and vulnerability. ” ―Publishers Weekly, starred review

“This important and intensely relatable tale perfectly captures the angst of growing up. A true gift to maturing tweens everywhere.” ―Ernesto Cisneros, Pura Belpré award-winning author of Efrén Divided

For Elio Solis, eighth grade fizzes with change―His body teeming with hormones. His feelings that flow like lava. His relationship with Pops, who’s always telling him to man up, the Solis way. And especially Camelia, his first girlfriend.

But then, betrayal and heartbreak send Elio spiraling toward revenge, a fight to prove his manhood, and defend Camelia’s honor. He doesn’t anticipate the dire consequences―or that Camelia’s not looking for a savior.

Hilarious, heartwarming, and highly relatable, Ultraviolet digs deep into themes of consent, puberty, masculinity, and the emotional lives of boys, as it challenges stereotypes and offers another way to be in the world.

Interview with Aida:

I loved getting to talk to Aida about her new book and I think you will enjoy meeting her and Elio as well.

SSS: What a heartfelt description! I was intrigued right away- and I cannot wait to see how Elio’s story unfolds.

 What is the inspiration behind ULTRAVIOLET?

 

AS: The initial idea for the book came from my son, João, and his friend, Mario, who after I’d written about a Latina girl’s coming of age in The Moon Within, insisted that I write one from a boy’s perspective. Mario said, “Ms. Aida, you have to write The Sun Within.” “Yeah, mom, when are you going to write a book for me?” my son added. They wanted to see a book that showed their inner lives and brought up conversations about puberty, first crushes, gender, and rites of passages—conversations that echoed who they were as cis Latino boys.

SSS: As a mom of an almost-teenage boy, I am so protective over him. He is such a sweet emotional boy, and I love that the description honors the emotions of young boys. What emotions do you think young men feel as they grow into maturity?

AS: Our patriarchal societies have made boys victims as much as girls and women and gender expansive people. We don’t allow boys space to explore the tender parts of themselves – love, anger, rejection, grief, and hormonal confusion. They are raised to bury feelings—to be “macho” and “man up.” We rarely provide safe spaces and ways for them to move through tough feelings or offer guidance on how to rise above them. It is a huge tragedy, really. When boys deny this very human part of themselves, it deeply impacts their relationships as they grow into men. And in that loss, in that wound, they sometimes treat others with the same hurt they feel or worse. Girls and women often bear the brunt of that wound, as we have seen by the violence and wars in our society today. Through Ultraviolet, I want to offer boys examples of undoing toxic masculinity and how they can find strength through nurturing their sensitivity and vulnerability.

 

SSS: I love your answer! As a mom of a young tween who is Syrian American, I worry about how the world will view my little boy, especially with stereotypes about Muslims and Arabs. As a Latine author, does your role as a mother play a part in the stories you write? How does Elio’s book play out differently than it would for someone who was not Latine?

AS: Absolutely. I have a teen son and daughter and their lives as bi-cultural, multi-racial youth inspire me. What they have to deal with as young people is unprecedented in the history of humanity because of technology and as our racism and intolerance grows. Brown and Black children and other kids of color in particular are ever more vulnerable. But I do believe in the power of education, collective organizing, and efforts to make the world a better place. Young people have a strong moral compass and I only hope that is going to be the guide that will help them not only navigate but rise above and help solve some of the most troubling issues in the world. And some things, like love, heartbreak, and puberty are evergreen. I am hopeful that the universal experiences like those found in Ultraviolet will help boys (no matter the background) understand their hearts and where they might contribute to their own and others healing through justice.

SSS: The subject of puberty is such an important topic! I am excited to see more books centering these important coming of age stories for our young ones who may feel confused as their body’s changes.

AS: Indeed! There are only a handful of books like Ultraviolet. I had a conversation with Varian Johnson and John Schu at a conference about the need for a book like this. There was so much to explore in middle grade fiction and so much of it was hilarious! I challenged them to write one because I felt like it needed to come from a boy/man’s perspective. I think John might have a memoir coming which sounds beautiful. But when my son and his friend specifically asked me for it, I knew I couldn’t say no. This one, is my interpretation of a boy’s life as a mother and feminist.

 

SSS: Will there be more Elio (or other middle grade verse novels) in the future?

AS: Yes! I have a secret project that might involve Elio and might involve another character from another of my books. Writing these characters are pure joy. I know them so well and can’t wait to write them a new narrative with new adventures in growing up. Of course, in verse!

 

SSS: Ahhh! Amazing- I cannot wait!!

 

Link to preorder here.

Writing Process

 

SSS: When did you start writing Ultraviolet and was the process a long one?

AS: Ultraviolet was actually a graphic novel before it was a verse novel. I made the move on the suggestion of my editor at Scholastic, Tracy Mack. I struggled to transition from one to the other but then I gave it a shot. Once I wrote the opening poem, I was hooked on Elio’s voice and couldn’t stop. I wrote the first draft in about three months but the editing process took another six months. We worked hard to get the story as clear, as fun, as poetic as can be.

 

SSS: Wow so interesting!

As a fellow middle grade verse novelist, I LOVE reading verse. How do you write your verse books- do they start out as verse in your mind while you write, or do they end up that way along the revision process (as happened with me!)

AS: Yes, the characters come in verse and stay that way. I am a student of Linda Sue Park’s philosophy of writing voice in fiction. She says that “voice is word choice, rhythm, and punctuation.” I explore this wisdom from a poet’s perspective. Writing poetry gives us all the tools we need to articulate these elements of voice with an extra layer of artfulness and intention. For instance, rhythm or the song or musicality of a line is crucial to poetry. Many fiction writers don’t think about this as deeply as poets. Also, poetry needs for us to use precise and economic language. To make a line artful. How you do that is what will set the voice apart. I try to make it so that each character can be their own person, with their own artful word choice, with their own song, certainly not mine or an adult’s, so they emerge as their own poet.

SSS: One hundred percent- poetry is so special and the voice in your books always stands out beautifully!

Any advice for fellow middle-grade authors? For Debuts?

 

AS: Lean on community, be tenacious, be okay to fail or be rejected, and give yourself grace. These things have made me continue in this business when times have been tough. Onward!

For more verse novels- check out this previous Mixed-Up-Files Post!

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

AS: Ultraviolet though it might seem a light-hearted and somewhat superficial experience, really is about undoing so many hurtful practices. It takes a look at the reasons why we hurt others. There is a line in the book by Fernando, one of the leaders of the sons and fathers’ group that urges Elio to reflect when he wants to lash out against his ex-girlfriend, “Just because someone hurts you doesn’t mean you have to hurt them back.” I think about the relevance of this line and the current genocide of Palestinian people by Zionists. It is my hope that young people will understand that our wounds, as deep as they are, will never be resolved with violence. My intention was to write a feminist book for boys, to dismantle and free ourselves from these oppressive patriarchal ideas.

Thank you so much Aida for answering my questions and with such thoughtfulness and honesty! I hope everyone picks up a copy of your beautiful book.

picture of author Aida Salazar

About Aida Salazar:

Aida Salazar is an award-winning author and arts activist whose writings for adults and children explore issues of identity and social justice. She is the author of the middle-grade verse novels The Moon Within (International Latino Book Award Winner), Land of the Cranes (Américas Award Winner), A Seed in the Sun (Tomás Rivera Book Award), the picture book anthology, In the Spirit of a Dream, and the picture book biography Jovita Wore Pants: The Story of a Mexican Freedom Fighter (Caldecott Honor). She lives with her family of artists in Oakland, California.

Website: www.AidaSalazar.com    

Twitter: @aida_writes

Instagram: @aida_writes

TikTok: @aida_writes

 

Diversity in MG Lit #46 January & February 2024

Last fall was a particularly hectic time for me. I had deadlines for both a novel and a picture book. I missed a few diverse titles that I think are very worthy of attention. Those are the first three titles in this post.  But first of all I’m going to highlight two books about how elections work, because diversity needs in democracy.
Book cover: Your Vote MattersYour Vote Matters: How we elect the US President by Rebecca Katzman, illustrated by Ellen Duda is a short and highly illustrated overview of how the US government is structured, how our democracy works, and the presidential election process. Obviously this book is very timely. It’s an accessible resource for 7 to 10 year olds. If you are looking for a more in-depth book for the older end of middle grade or young adult readers please try You Call This Democracy: How to fix our government and deliver power to the people by Elizabeth Rusch. You may have missed this one the first time around because it came out in 2020. It’s very well researched and engagingly written.
book cover abeni's songAbeni’s Song by P. Djèlí Clark is a “chosen one” fantasy story set in West Africa. Abeni’s whole village is spirited away by magical forces and sent on ghost ships to distant lands. Abeni is captured by a witch and learns about her mission to return her people home. This first in a series is sure to spark conversation about the African diaspora. P. Djèlí Clark has written extensively in the adult speculative fiction sphere. This is his first book for young readers.
book cover Two Tribes Two Tribes by Emily Bowen Cohen is about a girl named Mia who is preparing for her Bat Mitzvah. She’s also coming to more deeply understand the Muscogee side of her heritage. I love how frankly and bravely Mia address people who treat her heritage unkindly. This one is a graphic novel. There is a glossary in the back for the handful of Muscogee words  in the text. This is Emily Bowen Cohen’s debut, and I certainly hope we will see more from her. It has won the School Library Journal Best Book, National Jewish Book Award, and the New York Public Library’s Best Books for Kids award.
I loved Duel by Jessixa Bagley illustrated by Aaron Bagley so much! My son was a fencer for a few years and I’m always happy to see the lesser known sports featured in a book. But even more I loved that the story was honest about the intensity of rivalry among sisters. I also appreciated that it addressed the fallout of grief, not in the moment of loss, but also long after the deceased member is gone.
book cover Drawing Deena a girl with thick curly dark hair and a yellow shirt sits on the floor and draws. yellow daisies on a green background I am the only person in my family who makes a living at the arts. Even though I was over 30 yrs old when I started, my dad was so nervous about my prospects, not because he didn’t want me to be a writer, he just didn’t understand anything about how careers in the arts worked. So I felt a kinship with Drawing Deena by Hena Khan. It’s about a girl who longs to be an artist. She struggles to make her family understand what art means to her and how it can be as practical a path as any to career success.
Amil and the After by Veera Hirandandani is the follow up to her Newbery Honor winning book The Night Diary. It follows the story of Amil in 1948 as his Muslim and Hindu family starts over in Bombay. like Two Tribes, this one delves into what it means to belong to more than one spiritual tradition. The largest growing ethnic group in this country is bi or multi-racial children, Just as many young readers belong to mixed faith families. I hope to see many more books covering this terrain.
book cover Backcountry. A girl in snow gear and a helmet hikes on a snowy mountain with a large black dog at her sideBackcountry by Jenny Goebel is about a young athlete who is diabetic and has a diabetic alert dog. This thriller follows their adventure when they get lost in the snow in the backcountry. Most disability narratives focus more on the physical side and I see medical disability less often–though No Matter the Distance by Cindy Baldwin, about a girl with Cystic Fibrosis, is really well done. I liked how Jenny Goebel’s book delves into how differently Emily is treated as an athlete when people know she is diabetic even though nothing about her athletic performance has changed.  (Scholastic)

WNDMG Wednesday: Author Interview with Maleeha Siddiqui

ANY WAY YOU LOOK cover

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WNDMG Wednesday: Author Interview with Maleeha Siddiqui

I’m so excited to be able to introduce you to accomplished middle grade author Maleeha Siddiqui today. Maleeha’s newest book is ANY WAY YOU LOOK (Scholastic) and it launches on May 7, 2024.

This book is a must have and a wonderful read, as I had the pleasure of reading an ARC, and Maleeha’s other novels are also favorites. Maleeha has a beautiful way of writing that is full of emotion and heart and craft!

Everyone should buy a copy for themselves and their classrooms and libraries.

Cover creds:
Cover illustration: Sara Alfageeh
Cover designer: Omou Barry
Art director: Elizabeth Parisi

About ANY WAY YOU LOOK

Description taken from online:

When boys from her community start harassing her, Ainy needs to figure out how to get them to stop—while still staying true to herself.

Dress Coded meets Amina’s Voice in this new middle grade novel by Maleeha Siddiqui.

Ainy is excited for summer! She plans on working at her mom’s clothing boutique, having adventures with her best friend, and maybe even starting to wear the hijab—just like her big sister. But when certain boys from Ainy’s Muslim community keep showing up at the store to give her unwanted attention, she goes from possibly wanting to wear the hijab someday to feeling like she needs to wear it to get the boys to leave her alone.

But wearing the hijab doesn’t do what she’d hoped: It doesn’t deflect the boys’ attention at all! If anything, they’ve found something new to harass her about. With the help of her best friend and her older sister, Ainy must channel her inner creative strength and find the confidence to stand her ground and get the respect she deserves.

This is a compulsively readable, feminist, and thought-provoking book about staying true to yourself by acclaimed author Maleeha Siddiqui.

Interview with Maleeha Siddiqui

I loved getting to talk to Maleeha about her new book and I think you will enjoy meeting her and Ainy as well.

 

SSS: What a compelling synopsis! I truthfully was so intrigued right away to read just based on the important topic alone.

What is the inspiration behind AWYL?

MS: First, thank you for having me! I’m thrilled to be bringing this important, thought-provoking story to readers. ANY WAY YOU LOOK is many things, but it’s primarily a story about sisterhood and finding the confidence to stand your ground and get the respect you deserve.

Unfortunately, the inspiration behind AWYL comes from many concerning stories that I’ve heard over the years from women and girls in my life – both Muslim and non-Muslim – about behaviors and comments they are subjected to that are too often ignored.

In 2020, I read Barbara Dee’s Maybe He Just Likes you. It was the first book I read that addressed the issue of sexual harassment for young kids and it made me realize that these themes can be in a book for young readers, and I had a lot to say on the topic. The day I started writing Ainy’s story, I had just come home from an event, and I was furious about a comment I had heard made to a young girl there. Female rage really drove this whole book for me.

SSS: That makes total sense and I know exactly what you mean!

As a Muslim American, reading this story resonated with me. It really feels authentic and honest, and yet very raw and hard to read as well! How was that experience for you writing it? Did you worry about the balance of marginalized representation with also the responsibility of calling out injustice, even in our own communities.

MS: I think I’m honest about how much I love the Muslim community, but I’m also not afraid to call out its flaws. Writing about certain topics in the book did make me nervous, and yes, balancing the marginalized representation with the responsibility of calling out injustice did stress me out at times. However, I constantly reminded myself who I was writing the book for and that no one’s experiences, or journey is one-size-fits-all. I try to show balanced opinions and characters in my books, because that’s the composition of the real world.

SSS: I love that!

How is Ainy as a character similar to you? How is she different?

MS: Ainy is not a lot like me, honestly. She’s a fashionista, and I’m not (at least, not anymore). She’s kind of messy, and I’m a neat freak. One thing Ainy and I do have in common is our passion for doing what we love. In my case, it’s writing and sharing my love for reading. For Ainy, it’s designing clothes and helping people feel beautiful.

 

SSS: The subject of hijab and dressing modestly is important in the book—can you talk more about how Ainy struggles to decide whether hijab is for her or not?

 

MS: Bodily autonomy is a big theme in AWYL. I will say this. If you’re the type of person that believes hijab, like the five daily prayers, should be done no matter how you feel or where you are in your spiritual journey, then this book is not for you. I always knew that I wanted to write a book about a young girl debating on whether she’s ready to observe hijab or not.

A large part of it stemmed from my frustration with global conversations surrounding hijab. How are enforcements and bans being imposed with little to no regard of the opinion of Muslim women who simply want their freedom? Don’t we get a say? Ainy’s struggle to decide whether hijab is for her or not closely mirrors my own from when I was young.

I don’t want to spoil the book, but I am the confident hijabi that I am today because I was given the time, space, and grace to explore my relationship with Allah (SWT) and connect with my faith on a deeper level before making the commitment. I wanted Ainy’s character arc to show all the different external and internal influences that can get in the way of that.

SSS: That definitely resonates!

Muslim books are so important (and a passion of mine!). How does having faith/deen play a role in your book?

MS: Having faith/deen plays a role in all my books, Alhumdulillah! Some more than others, but at the end of the day, my main characters are all Muslim and I like to show them existing on the page at different points in their spirituality. After all, I’ve been in all their shoes at one point or another!

The central Islamic message in AWYL is the importance of one’s relationship with their Creator and how, as Muslims, that – not the opinion of others – should be the driving force behind our choices. And Ainy’s got some big choices to make in this book!

SSS: Will there be more Ainy (or other middle grade) in the future?

MS: AWYL is it for Ainy, but I do have more middle grade books in the works for the future!

Stay tuned!

Link to preorder here.

Writing Process

 SSS: When did you start writing AWYL and was the process a long one?

MS: I conceived the initial idea for AWYL in 2020, but I started writing it–slowly–in May 2022. I finished 90% of the book from September 2022 – January 2023. Four months might sound like a long time to draft a 45K MG novel, but AWYL is by far the easiest book I have written so far.

It’s my most intentionally crafted book. I paid close attention to every plot beat, character arc, pacing, etc. I heard every character’s voice, especially Ainy’s, so clearly in my head. As a result, the story poured out of me effortlessly. I truly think it’s my best work to date, and I’m very proud of it.

SSS: As a fellow middle grade novel, I LOVE plotting, but I also feel like the characters have a mind of their own at times. Do you plot or pants your novels?

MS: I’m a hardcore plotter! I hate first drafts, so having a detailed synopsis makes it a little less painful. I do pants 5-10% of the story, though. Like you said, sometimes the characters have a mind of their own.

SSS: Any advice for fellow middle-grade authors?

MS: Read, read, read! Read middle grade books published in the last five years and explore different genres! I love reading horror and fantasy in addition to realistic fiction. And remember middle grade should be representative of today’s kids, not back when we were kids, though much of the pre-adolescent emotional experience remains universally the same!

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

MS: ANY WAY YOU LOOK is my third MG cotemporary and a culmination of a lot of things I’ve learned about writing craft over the years. That’s not to say I am not proud of my previous two books, BARAKAH BEATS and BHAI FOR NOW. Both are very dear to me, and it warms my heart when readers tell me reading one led them to pick up the other. Now I hear from readers that they are excited for my next book. So, while this interview is about ANY WAY YOU LOOK, I’d like to give a shoutout to BARAKAH BEATS and BHAI FOR NOW. I hope readers love Ainy as much as they’ve come to love Nimra, Ashar, and Shaheer.

 

Thank you so much Maleeha for answering my questions! I hope everyone picks up a copy of your beautiful book.

For more Muslim Middle Grade, Check out this Walter Dean Myers Honor Book here!!!

 

About Maleeha Siddiqui:

MALEEHA SIDDIQUI is an American writer of Pakistani descent who loves to tell stories for all ages about the American Muslim experience. She can’t live without caffeine, rainy days, and books with a whole lot of heart. Her previous novels, Barakah Beats and Bhai for Now, were both Junior Library Guild Gold Standard Selections. Barakah Beats was also an ABA Indies Introduce pick. By day, Maleeha works in the biotech industry. She grew up and continues to reside with her family in Virginia. Find her at maleehasiddiqui.com and on Instagram at @malsidink.

Website: www.maleehasiddiqui.com

Instagram: @malsidink