Tara Weikum has worked in publishing for decades. Starting as editorial assistant with ALA Booklist Magazine in 1996, she then spent three years as an associate editor with Disney Publishing. In 2000, she moved to HarperCollins where she’s been ever since. Beginning as an editor, she became editorial director in 2009, and vice president, editorial director in 2013. In 2024, she was promoted to vice president, publisher of HarperCollins’ new Storytide imprint. From the Mixed-Up Files of Middle-Grade Authors borrowed Tara for a quick chat to learn more about her career, influences, and Storytide in general.
MUF: Thanks for agreeing to speak with us, Tara. Congratulations on launching this new endeavor. First off, what can you tell us about the Storytide imprint? What’s its focus or specialty?
TW: The Storytide imprint publishes powerful and distinctive stories with commercial, bestselling potential as well as literary merit, across all genres. Our focus is on middle-grade and teen fiction.
MUF: What has your career path been like so far? How did you get into publishing in general, and editing in specific? What was your educational background?
TW: Like many in publishing, I was an English major. I grew up in the Midwest and after college I attended the Rice University Publishing Program, which is no longer around. That immersive experience was what convinced me to take the leap and move to New York, after a year of working at the American Library Association in Chicago, to look for opportunities in publishing.
MUF: What sort of duties and responsibilities do you fulfill in your current position?
TW: Editors wear many different hats. I currently oversee the Storytide imprint and team of editors. We are focused on shaping the imprint identity with the books and authors we publish. I manage budgets, acquire new projects, edit manuscripts, write copy, review design and marketing materials—the list goes on!
MUF: Did you always know you wanted to work with this aspect of the field? Did you ever dream of being an author?
TW: I’ve always dreamed of working with books in some capacity. I never aspired to be a writer myself but I devoured everything I could get my hands on when I was growing up, and I was always the person that friends asked for advice about their English assignments and personal writing. I grew up on a farm in a rural area so bookstores and even libraries were hard to come by. My childhood reading appetites were fed with a wide-ranging variety of books I could scrounge up from friends and relatives by authors such as VC Andrews, Shel Silverstein, Frances Hodgson Burnett, and Danielle Steel; series like Harlequin Romance; and classics like the Trixie Belden and Bobbsey Twins books, supplemented by books that were assigned at school and birthday gifts. The adage of “reading widely” was true for me by necessity and I believe it helped inform my ability to love all kinds of books across genres.
MUF: What books have inspired you along the way, whether growing up or as an adult? What books do you wholeheartedly recommend at any given opportunity?
TW: Books by authors such as Jandy Nelson, Franny Billingsley, Jacqueline Woodson, Alison Bechdel, and Casey McQuiston are some favorites over the years. Kate Atkinson’s Life after Life and Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow are two adult novels that were wonderfully devastating. And of course from my own list of middle-grade I’ll hand any of Katherine Applegate’s incredible novels to any child or adult, as well as Thanhha Lai’s award-winning verse novel Inside Out & Back Again.
MUF: What do you look for in books and submissions? What catches your attention and calls to you?
TW: If a premise feels fresh and offers a unique twist on an idea, and the writing is engaging and compelling, I’m often open to considering manuscripts. Since I’m drawn to a variety of genres I like to consider a range of subjects.
MUF: Do you have a favorite age range or genre to work with?
TW: I’m drawn to contemporary realistic novels; romance; magical realism; and light fantasy across middle-grade and teen.
MUF: What sort of tips, tricks, and advice do you have for aspiring writers, editors, or even agents?
TW: Reading widely in the area in which you’d like to write or work is definitely the top piece of advice. As a writer, what will help you see how and where your future books might sit alongside current books, or how they can be set apart in an intriguing way. And as an editor or an agent it’s important to be knowledgeable about the market. And for aspiring writers in search of an agent, research who represents your favorite writers as a first step to finding a good fit for your own work. For future editors and agents, internships will provide incomparable insight into the ways in which all manner of publishing works, and can help guide you to find out where you’d like to work.
MUF: Do you have any interesting hobbies or interests? How do you unwind and relax?
TW: I work remotely and live in Hawaii, so everything water-related is a favorite of mine, from snorkeling to swimming to stand-up paddleboard. I also volunteer regularly at the local humane society and take shelter dogs on hikes and to the beach.
MUF: Do you have any upcoming Storytide releases you’d like to plug? Any juicy announcements?
TW: Lady’s Knight by Amie Kaufman and Meagan Spooner is a raucously funny and romantic teen novel publishing in early June; The Haunting of Bellington Cottage by Laura Parnum is a gently spooky middle-grade novel coming in July; No Sam! And the Meow of Deception, Drew Daywalt’s sequel to the NYT bestseller They Call Me No Sam, is coming in September; and Thorn Season by debut author Kiera Azar is a sharp and sexy romantasy also publishing in September, in both hardcover and a gorgeously spec’d out deluxe limited edition.
Kristin Gilson is the Editorial Director of Aladdin, an imprint dedicated to quality commercial fiction and non-fiction for ages 12 and under.
The biggest joy is being able to return to characters and a world that you are already familiar with and get to know them a bit better or a bit differently. Those same things can also be challenges, because you can’t change their characteristics to fit the new story, the new story has to fit with what has already been established.
Katie Monson loves kids, and she also loves books. For 12 years, Katie was a self-employed childcare provider, watching children in her home and enjoying the privilege of being home to raise her children. But recently, she decided to massively change up her life and find a new path that still allowed her to work from home and be with her kids. That new path led her to SBR Media. 