Articles

Interview with Author/Illustrator J.C. Phillipps

By on May 8, 2026   /   Articles, Author Interviews   /   Leave a comment
Today, please join me in giving a hearty Mixed-Up welcome to author and illustrator J.C. Phillipps. Originally from Toledo, Ohio, J.C. took art lessons at the Toledo Museum of Art and went on to get degrees in art and theater from Hope College in Holland, Michigan, and Emerson College in Boston.
More recently, J. C. has been working as an artist, author, and illustrator in West Hartford, Connecticut. She has written and illustrated four published picture books as well as the graphic novel series Pacey Packer Unicorn Tracker. Her latest graphic MG novel, The Ghost in Cabin 13, has been praised by Kirkus as “A coming-of-age journey worth sharing around a campfire” and is out now from Penguin Workshop.

The Ghost in Cabin 13: A Summary

Twelve-year-old Leah is nervous to attend Camp Cottontail for the first time. She’s worried about meeting new friends, sleeping out in the woods, and being away from her family. But Leah didn’t expect to be freaked out about the ghost in Cabin 13. It’s a good thing she brought her beloved doll, Beverly, for comfort. But after getting picked on by the older girls in her cabin, participating in a séance gone wrong, and befriending—and then ditching—a possessed doll, Leah’s experience at camp goes from anxiety-ridden to straight-up spooky. Will she survive or hightail it home?

Interview with J.C. Phillips

MR: Welcome to the Mixed-Up Files, J.C! (May I call you Julie?)

JCP: Absolutely! Thank you so much for having me.

It Started with Inktober

MR: I read that the inspiration for this book came from your participation in a month-long drawing challenge called Inktober. Can you tell MUF readers more about this?

JCP: Sure. Inktober is a 31-day drawing challenge that takes place in the month of October. Each day there is a one-word prompt, like Salty or Bluff, and artists all over the world draw their interpretations and post them on their Instagram pages with the hashtag #inktober and details like the year and prompt. In 2022, one of the prompts was Uh-oh. I thought back to my childhood when my friends and I would play spooky games at slumber parties, and I drew a séance gone wrong. Four poor girls are startled by a Victorian ghost that they have accidentally summoned. I loved the memory of having fun being scared and developed that feeling into the story of The Ghost in Cabin 13.

What a Doll!

MR: Leah, the doll-toting, 12-year-old protagonist, is an extremely sympathetic character. Did you share traits with Leah at that age? Also, did you go to sleepaway camp? If so, what was your experience like? Did you encounter any ghosts? 🙂 

JCP: I absolutely shared (and still share) character traits with Leah. Leah is nervous with new people. My nightmare is a party where I only know one person. Leah wants to be part of the group but she’s afraid of being teased and rejected. I think most of us feel that way. At the end of the day, I think we all want to be around people who like us for who we are. But sometimes it’s hard to find those people, so we pretend we don’t really need them. I’m no different.

As for personal camp experience, I had a one-night sleepover camp during my Girl Scout years and I used to be a counselor for a day camp called Camp Seafaring in the Boston area. (That camp was a major influence on Book 2 in the Cabin 13 series.) I’ve never encountered a ghost, and I’m okay with that. I prefer them in fiction. 🙂

Portrait of an Artist

MR: In addition to writing the novel, you created the illustrations. What was the process like for you? Did you do both at the same time or add the illustrations later? Also, how does being an artist influence your writing and vice-versa?

JCP: I write the story first. Sometime in the first draft I might start to draw the main characters. Knowing what they look like helps me capture their voice. I probably go through two or three drafts of writing before I get serious about illustrating. And I will intentionally over-write scenes knowing that I will cut them down when I start sketching out the pages.

It’s easy to write a long conversation, but once you start to draw it, it becomes visually boring if the characters stay in the same place for too long. It’s great to be both the writer and illustrator because I can choose what I want to say visually. Maybe I want a character to respond with a scowl. Or maybe I want a panel where someone’s jaw drops open in disbelief. I can visualize those moments as I’m writing and just make myself a little illustration note in the text. I call them Notes to Future Julie because I might not draw that scene for months.

Pacey Packer, Unicorn Tracker 

MR: In addition to The Ghost in Cabin 13, you have written and illustrated the popular Pacey Packer, Unicorn Tracker series. How did your experience crafting The Ghost in Cabin 13 differ from your creation of Pacey Packer? What was similar?

JCP: The writing of both projects was similar, although I remember having more difficulty in finding the right tone for Pacey Packer Unicorn Tracker. It took me a long time to figure out how evil or silly the unicorns were going to be. But for The Ghost in Cabin 13 I knew what vibe I was going for, so I had an easier time developing that plot.

I did have a hurdle at the beginning, because in the first draft there was no summer camp. Leah and her parents went to an AirBnB with their extended family. Instead of a cabin of teen girls, Leah was being teased by her teenage cousins who made TikTok videos. But the story focused too much on the relationship between Leah and her mom and it wasn’t as very fun. I had to figure out how to get rid of Mom. Once I landed on sending Leah to summer camp, things really came together.

The biggest difference between the creation of both books was in the illustrating. Pacey Packer Unicorn Tracker has only one color, purple. The Ghost in Cabin 13 is in full-color. I’m so glad Pacey was only in purple. It was the first time I’d worked digitally and it was a lot for me to learn Photoshop, Procreate, and the fundamentals of paneled storytelling without having to deal with color theory. Now that I know how to use the digital tools, I can spend more time working on the color palette and how to use color to help with the mood and tone of the story, especially the spooky parts!

Picture Books vs. MG

MR: Besides being a middle-grade author and illustrator, you have written and illustrated several picture books. What was it like for you to take the leap to middle grade? Were there any specific challenges creating stories and illustrations for an older audience?

JCP: If anything, the jump from picture books to graphic novels was a little easier. Writing for a middle-grade audience suits my sense of humor a bit more. I can be a little more snarky. A little more myself. Picture books are shorter, but that doesn’t mean they are easier. The ideas and the execution of those ideas have to be clear and concise in picture books. In graphic novels, I have more time to explore character arcs, include a small side plot, or even develop some of the supporting characters.

In Pacey Packer Unicorn Tracker I was able to develop a comic relationship between two unicorn guards. In The Ghost in Cabin 13, I had space to give more details to the counselors and Camp Leader. I think those small details are so much fun! In picture books, I might have been able to sneak some extra details into the art, but there was never space in the text. The biggest challenges for me in creating a middle-grade horror story was staying within the boundaries of what is acceptable spooky fun for the age group without overdoing it. I want the readers to have the thrill of being scared without any nightmares.

Path to Publication

MR: Can you tell us a bit about your path to publication? Was it smooth sailing or bumpy seas?

JCP: Arg! I think, relatively speaking, it was smooth sailing, but it was a roundabout path to get there. I never planned on being an author/illustrator. I got a Bachelors Degree in Art and Theater and a Masters Degree in Theater Education. I wanted to teach college-level theater. After I had graduated from Emerson College, I got a job teaching for a K-1 classroom at an afterschool program, and every day I would read picture books to the class. This was the first time I was looking at picture books as an adult. I looked at the art and knew I could create illustrations. And I looked at the stories, similar to plays, and I knew I could write them. So I shifted my focus to creating literature for children.

I read some books on the craft and joined the Society of Children’s Book Writers and Illustrators. One day, they had an Illustrators Day in New York City. I attended workshops while agents and editors looked at my portfolio. On the Greyhound bus back to Boston, I looked at my responses (the agents and editors left cards in my portfolio) and saw that an agent was interested in me. About a year later, I had a contract for my first picture book, Wink the Ninja Who Wanted to Be Noticed.

Julie’s Writing Routine

MR: What is your writing and illustrating process like? Do you have a specific routine or word-count goals? Also, are you a plotter or a pantser?

JCP: I wish I was a plotter! I’m such a type-A person that it would make sense if I was a plotter, but no, I love to sit down with an idea and just type away and see what happens. I’m a pantser through and through.

I always compare writing with pottery. The first draft is making clay. At the end of that draft you just have a big pile of clay in front of you. Then, in revisions, you shape it, remove excess, and it starts becoming a clear story with characters, plot, theme. I usually write in the mornings when my head is clear. I don’t have word-count goals when it comes to writing. For me, the writing process is most successful when I allow myself to be organic and free-flowing.

However, illustration is completely different. I absolutely set goals for myself. Usually it’s one spread (two pages) per day. That can take 4-6 hours depending on how detailed the drawing is. I ink (in Procreate) the entire book then submit it to the editors for notes. Once the ink drawings are approved, I move onto the coloring process. Again, I have a goal of one spread per day, but sometimes I can go faster and get 3-4 pages done per day. Making a graphic novel is a marathon-type project. I have to set a pace for myself that I can maintain for a year. Sometimes it can feel long, but, all in all, I like the routine of it.

Successful Author Visits

MR: Rumor has it you enjoy doing author visits at schools. What is your secret sauce for a successful visit?

JCP: This is where my theater degree gets put to use. I trained as an actor in my undergraduate program. I do not fear a stage. I can project my voice. And I enjoy interacting with young people. When I’m creating a school visit presentation, I build in games, quizzes, and different ways I can interact with the audience. I think of it as an audience-participation show. My goal is to give a 50-minute presentation that informs and entertains, that the students can be a part of.

The Ghost in Cabin 13: What’s Next

MR: The Ghost in Cabin 13 is the first in a series. Would you mind sharing a bit about what readers can expect in the books that follow?

JCP:  Cabin 13 is an anthology series, so every book is its own individual story. Different characters. Different camp. Different ghosts/monsters. But they are all spooky and there’s always a Cabin 13. I’m not sure how much I’m allowed to say about Book 2, but here’s a clue: Arrr, mateys!

When my editor and I were discussing book 2 of the series, we debated continuing Leah’s story or expanding the world of the books beyond Camp Cottontail. I figured I could extend Leah and Beverly’s story for one more book, but it would be challenging after that. Then I started brainstorming all the fun ideas for new monsters in new camps, and that seemed a lot more exciting. Plus, after the series is built up a bit, readers can choose any book in any order, which also appealed to me. I also like the idea of having many main characters so readers can hopefully find themselves reflected in one of the books.

Merch!

MR: Last question. You have the most incredible selection of artistic merch on Redbubble, including T-shirts, mugs, notebooks, phone cases, and more. What inspired you to branch out in this way? Also, will you have merch available for The Ghost in Cabin 13?

JCP: Okay, business talk. As an artist, it’s good to have multiple revenue streams. I love making books, but sometimes I don’t have a book under contract. So, I also have art in several local galleries and gift shops. I do art fairs. I teach paint-n-sip watercolor classes for adults. I do author visits. And I upload my art to print-on-demand sites like TeePublic and Redbubble.

I started uploading work to Redbubble about ten years ago. I liked being able to print my work on bags, T-shirts, and stickers so I could sell them at my art shows. But it’s also a good way for people to find my art online. If, say, someone in Chicago who follows me on Instagram likes a painting, they could buy a print on Redbubble. Or, sometimes people tell me they like one of my Inktober drawings and ask if I’ll post it on Redbubble so they can buy a print. I’m happy to do that. Right now there are two Cabin 13 designs in my Redbubble shop, so if you wanted to check them out, you’d go to Redbubble.com and search JCPhillipps Cabin13.

Lightning Round!

MR: No MUF interview is complete without a lightning round, so…

Preferred writing snack? Pretzels.

Coffee or tea? Iced coffee.

Zombie apocalypse: Yea or nay? In fiction, Yea – all the way. I love zombies. In reality, I think the zombies would eat my brains pretty quickly. Surviving a zombie apocalypse isn’t in my skill set.

Favorite camp activity? I’d be a theater girlie: painting sets, sewing costumes, making puppets. The show must go on!

Favorite ghost story? This is a tough one. The first thing that comes to mind isn’t a ghost story, but rather a scary, creepy story and it’s Edgar Allan Poe’s The Cask of Amontillado. It’s a story about cold, calculated revenge. My favorite ghost movie is The Sixth Sense, where a little boy can see ghosts, many of whom don’t know they are ghosts. He’s scared at first, but then he learns that he can help them. Neither of these stories are for kids, although I think I read The Cask of Amontillado in high school. I love Edgar Allan Poe.

Superpower? Teleportation. I love being places, but I hate getting there. I’d love to blink my way to Paris!

Favorite place on earth? Buck Island. It’s a small uninhabited island off the coast of St. Croix. If you go on a snorkeling trip, a boating company will take you out there, you can snorkel for an hour then spend about 20 minutes on the most beautiful beach I’ve ever seen. The sand is soft and white. The water is warm. It’s so peaceful and lovely. If I need to calm down, I just take a deep breath.

MR: Thank you for chatting with me, Julie, and congratulations on the publication of The Ghost in Cabin 13! I thought it was a lot of fun, and I know readers will think so, too!

JCP: Thank you so much. What great questions! I really hope your readers enjoy The Ghost in Cabin 13.

Bio

Originally from Toledo, Ohio, J. C. Phillipps took art lessons at the Toledo Museum of Art. She went on to get degrees in art and theater from Hope College in Holland, Michigan, and Emerson College in Boston. More recently, J. C. has been working as an artist, author, and illustrator in West Hartford, Connecticut. She has written and illustrated four published picture books as well as the graphic novel series Pacey Packer Unicorn Tracker. Learn more about J.C. Phillipps on her website and follow her Instagram.

 

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest, and received certification as a life coach from NYU. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on Facebook and Instagram.

Back to Top

Read-Alouds for Middle Grades: An Rx for Reading Success in Today’s Fast-Paced World

By on April 22, 2026   /   Articles, For Teachers   /   Leave a comment
Book turning pages

Read-alouds aren’t just for younger students! Research shows that reading aloud—even for just a few minutes a day—is just as effective for intermediate grades, middle schoolers, and even high schoolers.

Whether at home or during dedicated time in class, reading aloud to students demonstrates that reading is not merely a difficult task required for testing. It transforms book discussions into opportunities for students to open up about complex topics and signals the true importance of literacy. “Never underestimate the power of a well chosen read-aloud. Even students who swear they don’t like books can be drawn in by a great story,” says Kinla Nelson, a Georgia-based educator with twenty-five years of classroom teaching under her belt.

Book turning pages

Photo by Horia Varlan

Thirteen fabulous reasons why you should read aloud to your older students:

1. Unlock higher-level thinking.

 Students can often listen and comprehend at a higher level than they can read independently.

2. Let students escape into the story.

They can experience the magic of the narrative without the struggle of decoding text.

3. Bridge spoken and written language.

Read-alouds connect oral fluency with literacy skills.

4. Model fluent reading.

Show students how a reader’s voice gives meaning to words, demonstrating how punctuation, sentence structure, pauses, and inflection shape understanding.

5. Demonstrate expressive reading.

Bring characters’ emotional states to life through tone and pacing.

6. Build active listening skills.

Students learn to concentrate on both the sounds words make and their meanings simultaneously.

7. Grow vocabulary and correct pronunciation.

Hearing words in context reinforces proper usage and articulation.

8. Improve working memory.

As students make connections between different parts of the story, they flex their memory and retention muscles.

9. Boost comprehension.

Especially for struggling readers, listening allows them to focus on the story rather than getting bogged down by reading mechanics.

10. Build classroom community.

Shared experiences level the playing field between students of all reading levels. Listeners can ask questions and feel fully part of the story, just like any other reader.

11. Create memorable experiences.

A well-told story leaves a lasting impression on the listener. And this experience is something the whole class can share.

12. Decrease stress.

Numerous studies highlight the social and therapeutic benefits for both the listener and the reader. Through the phenomenon of “Narrative Transportation,” listeners can momentarily forget their surroundings.

13. Increase joy.

As Jim Trelease noted, “Every time we read aloud to a child, we send a ‘pleasure message’ to their brain.” This reaction is triggered by feelings of happiness and self-worth when someone takes the time to invest in our enjoyment.

Why Read-Alouds Are More Important Than Ever:

  • Attention is fragmenting. In an age where digital media pulls focus, read-alouds recenter collective attention, prompting students to pause, listen, and engage deeply with language.
  • Equity gaps are widening. Frequent adult read-alouds boost vocabulary for historically underserved learners and, when structured inclusively, help close those gaps.
  • Standards demand higher-order thinking. Interactive read-alouds naturally embed inquiry, inference, and synthesis, aligning with Common Core and Next Generation Science expectations.
  • Teacher workload is growing. Measurable gains can be achieved in just a few minutes without adding to grading loads.

Find an engaging, vocabulary-rich novel (bonus points for STEM ties!) and start your read-aloud program today.

Let us know in the comments below which books you’ve found particularly great for read-alouds for older students!

Back to Top

Girl of Lore Interview with Author Melanie Dale

By on April 13, 2026   /   Articles, Author Interviews   /   Leave a comment

When I learned about a new book coming out that had a character with OCD (which I also write about) but was in the paranormal genre, I just had to read it! I’m excited to share my interview with Melanie Dale, the author of Girl of Lore, due out on April 21, 2026.

About the Book

Hi Melanie! Really fun read. Please give us a short summary of Girl of Lore.

Hi! I’m excited to chat with you! Okay summary. Fifteen-year-old loner and cemetery-lurker Mina Murray starts Lore Club to investigate local legends, but along the way she discovers a mysterious book and a body drained of blood. When a classmate goes missing, she worries that the town’s stories might be real. Is the monster lurking in the dark or in her own brain? Bahm bahm bahhmmm…

I felt a Stranger Things vibe. Any inspiration from it?

Oh my gosh I love Stranger Things and that is high praise. My inspiration came from Dracula and classic horror, but Mina and her friends do run all over town like the kids in Stranger Things. And the book is set in Georgia, where Stranger Things was filmed!

I enjoyed how you explained how people often think OCD (obsessive-compulsive disorder) means “being uber-organized and power cleaning all the time,” but how that isn’t always true. (There are many other types of OCD.) As someone with OCD, I appreciated this being addressed in the book. Can you explain what your goal was with helping the readers know more about OCD?

Yes! I have OCD as well, and when I was Mina’s age, I didn’t understand what was happening inside my head. It was scary and exhausting. I want readers like me to see themselves in Mina’s story and know that they aren’t alone and there’s help, and I want to give readers who don’t struggle with OCD a glimpse inside Mina’s head so they can understand that it isn’t like the stereotypes. My husband learned a lot about how my brain works from reading Girl of Lore! That’s what I love about reading fiction. It helps us develop empathy.

 

About the Author

Why did you want to write this book?

GIRL OF LORE is a love letter to my favorite genre and the stories that have shaped me, and it’s filled with gothic Easter eggs, obvious ones as well as tiny winks. My favorite novel of all time is Bram Stoker’s Dracula. Mina Murray is my favorite gothic character because she’s so smart and underestimated by the men. I remember when my son was in middle school I gave him a boxed set of some of my favorite horror classics, books like Dracula, Frankenstein, Dr. Jekyll and Mr. Hyde, The Call of Cthulhu, etc., and he gamely tried to plow through Dracula but petered off when Jonathan Harker was still trapped in that castle and I thought, “What if I could make this story more accessible for him? What if these characters were teens living in Georgia?” 

How are you like Mina? And how are you different?

Ooh, fun question. Nobody’s asked me this. Hmm, Mina and I both have OCD, but some of my intrusive thoughts and compulsions are different than hers. I gave her my cherry red Doc Martens and love of graveyards. But I am an extrovert and more comfortable around people. Mina is much better at drawing than I am. She’s vegan and I’m not. We both love dogs. My Maltipoo Khaleesi is asleep in my lap while we’re having this interview.  

Did you grow up reading horror/ghost stories? If so, what is your favorite?

Yes! In second grade I found In a Dark, Dark Room in the school library and read about Jenny, who wore a green ribbon around her neck. She wore the ribbon her whole life and when she was very old, she finally removed the ribbon. I’ll never forget the last line of that story: “and Jenny’s head fell off.” Oh my gosh AWESOME. I felt this delicious, visceral reaction. So ghoulish. I was hooked. I had a friend named Jenny and told her the story. She did not appreciate those nightmares. As I got older I discovered classic gothic literature and fell in love.  

 

Scripts vs Manuscripts & Adults vs Kids

I read that you also wrote episodes for the horror television show Creepshow (and one Molly Ringwald starred in). Very cool! For those of us writers who also have an interest in switching gears, please explain one difference in writing a teleplay vs a novel. 

With a novel, I’m writing all of it. Story, dialogue, setting, character descriptions. Film is very collaborative, so I learned to cut out a lot of the detailed descriptions and focus on the story and dialogue. For instance, in my first script I spent pages describing every detail on Molly Ringwald’s character’s desk and the script was twice as long as it needed to be. Cut cut cut. The set designer would make those details. I didn’t need to. And then writing a novel, the banter between characters came easily to me, but Mina’s inner thought life and fleshing out descriptions of locations was challenging. Many scenes in the book started out as straight dialogue, then I went back in and layered in actions and details.

In addition to writing for the upper middle grade market, you write for adults. Was it a difficult shift to write for a younger audience?

My books for adults are all nonfiction, so the biggest shift was switching to fiction, not the age of the reader. At the time I was writing Girl of Lore, I was raising three teenagers, which helped. That being said, I am a GenXer, so I’m thankful for early readers who noted several moments where a teen would not say that or think that.

This is me at the age Mina is in the book. I’m journaling!

And what drew you to the younger audience?

As a parent, I noticed a reading gap for my kids between middle grade and YA that I wanted to help fill. When they hit the tween and young teen years, they weren’t quite ready for some of the YA content but they wanted stories of teens like them. 

  

Writing & Research

I loved how you had a character with OCD in a horror novel (quite unusual and why I wanted to read this book!). Which part came first: the character having OCD or the supernatural element? (And you do a great job of having her conquer both.)

Thank you! The OCD and supernatural grew together, although I skirted around the OCD in the first few drafts. I had a meeting with my agent to process some helpful feedback and mentioned that I’d like to explore Mina’s OCD more but I was worried it would be too scary for middle grade. She encouraged me to go for it, and I’m so glad she did.  

With writing horror, I’m curious whether you start with knowing the ending and work your way backwards. Can you walk us through when you began (without any spoilers!)?

Dude, this was my first novel and I knew nothing. Ha, I had an idea for the concept, but I had never plotted out a story so large, so it took many drafts and invaluable feedback to point it in the right direction. I spent a long, long time creating the characters and getting them talking to each other. I wrote so many scenes that I ended up cutting. Maybe some of them will appear in future stories. I axed whole characters, gave Mina a more traumatic backstory, upped the stakes and then upped them again. My editor, Jessi Smith, helped pry my fingers off the original story of Dracula and encouraged me that Mina and her Lore Club friends were strong enough to live their own story.   

I always find it interesting the research involved in fiction. What research did you do for this book?

I worried that I’d end up on a watchlist somewhere with the kinds of things I was googling. Burying bodies, mausoleums, obelisks, crypts. A friend of mine used to work in a morgue and I called her up and asked her what to do with a dead body, then threw in “FICTIONALLY” when there was a pause at the other end of the line. I had the best time researching graveyards. I really wanted to picture Mina’s graveyard where she spends a lot of her time in the book, so I visited a ton of cemeteries. Whenever I travel, I love visiting cemeteries and try to take as many ghost tours as I can. When I was in New Orleans I visited St. Louis Cemetery No. 1. In Edinburgh I visited Greyfriars. We have a bunch of really beautiful graveyards near where I live. The older and wilder the better. 

 

For Teachers

Are you doing school visits related to this book? 

I am so excited to talk with fifth-, sixth-, and seventh-graders about writing! You can find out more about my author visits at School Visits – Melanie Dale 

How can we learn more about you? 

You can find me on my website at melaniedale.com or on Instagram and Substack @melanierdale. 

This was super fascinating. Thanks for your time, Melanie!

Thanks for having me! 

Back to Top