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NEW AGENT SPOTLIGHT: Joyce Sweeney of the Seymour Agency

Hello Mixed-Up Filers! Are we in for a treat today!

I’ve been looking forward to today’s agent interview for a while, since  it’s with someone who I’ve been friends with for a long time. Before becoming an agent, she had been a mentor to many writers and did a lot to help them become published, including me. She recently became an agent, and what’s even better is, she became an agent at the same place as where I’m represented!

Please help me welcome Joyce Sweeney of the Seymour Agency!

JR: Hi Joyce, thanks for joining us today!

JS: Thanks, this is my first interview as an agent, so I’m officially not a ‘secret agent’ anymore!

JR: I’m glad we could play a part in the big reveal! To start with, you’re an accomplished author yourself, what was your first published book, and what was your journey like to publication?

JS: My first published book was CENTER LINE, Delacorte Press, 1984. It was a contemporary YA about runaways. I won the first annual Delacorte Prize for a First YA novel, which makes it sound like an overnight success, but my then-agent had been shopping the novel for over a year, before we heard of the contest. The book sold really well and won a lot of awards and two movie options. So haha to the 34 publishing houses who rejected it.

JR: As I mentioned, you’ve been a mentor to many, and have also helped a ton of writers become published. How many has it been, and how did you first get started in that?

JS: We are up to 64 magic beans now! I award a magic bean to anyone who works with me, who secures a traditional publishing contract. It sort of evolved. I was teaching five-week writing classes through the Broward County Library system. Then I noticed people would do really well, but lose momentum once the five weeks were over. So I switched to an ongoing class, where I could really mentor people over the long haul. To my surprise, within one year of starting the group, we had our first person published. And the following year, two more, and the following, five more!  So I felt we should be celebrating all this and I started handing out the magic beans, which are the seeds from the South American Guanacaste tree. As you know (as a magic bean holder yourself) we hold a little ceremony, shake rattles, hug and cheer. It’s such a hard thing to be traditionally published, and I believe those who make it should get a celebration.

JR: The magic bean ceremony really is a lot of fun, and I still proudly have my bean! As a teacher/mentor, you had cultivated a lot of relationships with editors and agents, and one of the things I know you did was reach out to them when you thought you had a student who was ready to take the leap. It seems like such a logical progression to become an agent, yourself, since you were already advocating on behalf of your stable of authors. How did that officially come about?

JS: People have told me over the years I would make a good agent, but it seemed like a weird, distant, impossible thing to me then, like it would involve moving to New York and having power lunches. My agent, Nicole Resciniti, approached me about it last December and I was sort of stunned, along with flattered and immediately after, super excited. She pointed out it was the same job I’d been doing all my life, except now I could potentially take my mentees all the way to the finish line! So how could I not be excited about that?

JR: Nicole definitely has an eye for talent. (Wow, I love how I seamlessly got that in!) Were you nervous about making that change? 

JS: Sure. It’s a lot of responsibility to the writers I represent. But I do know how to spot talent and know when people are ready, and I am starting to have fun with the pitching and matchmaking parts. When I see my first client make a sale, I can’t even imagine how exciting that will be.

JR: Since I happen to know some of your clients, I hope that happens soon! What’s changed in publishing between the time you started and now?

JS: Technology has changed tremendously, but you don’t want to hear how I used to have to type out my whole manuscript while walking ten miles in the snow.  I think a lot of it hasn’t changed that much, except it’s more competitive, and editors have to think more about sales and marketing. The good change is that children’s literature is more diverse and inclusive.

JR: You’ve already started taking on clients. So, what sort of books and authors are you looking for?

JS: At this time, I’m mostly representing picture books and middle grades of all types; fiction or non-fiction. I’m drawn to lyrical voices and stories that elicit strong emotion. I like all genres.

JR: Are you very hands-on with your authors?

JS: I’m very editorial, obviously, since that’s my background. And I like to communicate. As you know I’m a great believer in helping writers shape their expectations and feel good about the direction things are going. Then they can be free to create. When I have a bigger list, I don’t know if I will be as communicative as I am now, but knowing me, lol, I probably will be.

JR: What advice can you give to authors?

JS: Worry more about your craft than your platform. There are lots of ways to market an author, but there is no way to sell a book that is not outstanding.

JR: What was your favorite book as a child?

JS: PETER PAN, then HEIDI, then LITTLE WOMEN. Then I started loving Beverly Cleary and read her obsessively. Then, around fifth grade, I started reading adult books so there was a big John Steinbeck period. But my all-time favorite series was called SPACE CAT. Long out of print, and not high literature for sure.  Space Cat explored the solar system and interacted with all the beings there, who strangely, were also cats!

JR: Cats, how shocking. Favorite movie?

JS: Pirates of the Caribbean, I, II, III and on to infinity.  I’m also passionate about thrillers for some crazy reason. The Hand That Rocks the Cradle is a favorite.  And musicals. And horror. Okay, I just really like movies.

JR: What’s one thing from your childhood that you wish could come back?

JS: I used to sincerely believe that anything I went for, I could achieve. Okay, I still believe that a little.

 

JR: Well, that’s still a good belief! How can people follow you on social media?

JS: Facebook, Twitter @joycegrackle, Instagram sweeney1217.

 

JR: I know that of all the authors you’ve ever mentored, I’m by far, your favorite. Okay, I know you didn’t actually say those words, but I can infer. Also, this isn’t really an actual question, just a statement that I wanted to make since I knew there’d be others reading this, but that’s neither here nor there.

JS: I think my answer is so obvious, I will refrain from commenting.

 

JR: You don’t have to, we know. Anyway, I want to thank you so much for taking the time to speak to us today!

JS: Thank you! This was fun!

 

JR: Thanks again to Joyce, welcome to Seymour Agency, and best of luck going forward!

STEM Tuesday — Earth Day 50th Anniversary Celebration– Interview with Author Mary Kay Carson

 

 

 

I’m excited to turn the tables on Mary Kay Carson, who usually does these interviews and invite her to speak about her newest (really cool) book,

Wildlife Ranger Action Guide 

 

Be a Hero for Local Wildlife!

Birds, insects, reptiles, amphibians, and mammals live all around you – and you can help protect them! Use the field guide pages to learn about which species you’re likely to see in your area. Then turn your backyard into a sanctuary by creating an animal-friendly habitat where wild residents can find food, water, shelter, and places to nest and raise their young.

 

 

Here is a spread of the inside of this awesome book:

 

 

 

 

 

 

 

 

 

 

 

 

A lot of the books you’ve written are about space or weather, how did you come up with the idea to write Wildlife Ranger?

Providing habitat for local wildlife is a real passion of mine. My husband and I live in the city, but chose to buy the 100+ year-old home we did fifteen years ago because of the acres of urban green space that surround it. We’ve been able to watch all kinds of critters take up residence as invasive plants has been removed, native plants encouraged and cultivated, dead trees left standing, and lawn abandoned! And I want kids to feel similarly empowered. To know that they can help wildlife right in their own backyards by providing one or more of the Big Four—water, food, shelter, and nests. Kids love animals, and presentations about how scientists are helping endangered animals are some of my most requested during school visits. And while kids are drawn to the well-publicized plight of pandas, tigers, and penguins, there isn’t a whole lot a young person in Iowa can do to help those faraway animals apart from raising awareness or donating money from a bake sale. But helping the wild animals that live all around us? That’s something anyone of any age can do.

I do love to write about space and weather! But biology is actually my background. My degree was biology (systematics and ecology), I served in the fisheries program as a Peace Corps volunteer, and I have quite a few animal books under my belt—Emi and the Rhino Scientist, The Bat Scientists, Do Sharks Glow in the Dark?, etc. But I’d have to say that it was my years of experience writing for Audubon Adventures that most inspired me to propose the idea of Wildlife Ranger Action Guide. I knew there were lots of fun projects out there for kids to do that would truly help wildlife.
 Was it difficult to do the research on each animal? Can you share something unexpected or unusual you learned about some of the animals.

Our home is filled with field guides, so I can’t say the research was difficult. I am embarrassed by how much I learned along the way, however. After all, these are animals I’ve seen most of my life. But somehow I never realized that green darners migrate nor knew that cottontails can have six litters a year. SIX! I’m ready for native wildlife trivia night!

Was it fun to write in this style, ie. more expository than narrative?
I like expository writing when it really speaks directly to readers. I try to imagine myself speaking to a group of kids thirsty for facts—but also a bit fidgety—when writing expository text. Clarity, brevity, and friendliness are paramount. I’m not a big fan of rambling, stream-of-consciousness, expository text for young readers.

 

This book seems to just beg for readers to take with them outside. Is that how you hope that readers use it?
This book should be filthy! Covered in dirt and warped from damp grass, smudged with paint and sticky with glue from projects. Seriously! A pristine copy of Wildlife Ranger Action Guide is just sad.

 

Can you give your readers tips on how to record data on animals they see or how to make journal?

Choose a format that works for you. Some kids are more likely to use something they’ve invested time into or personalized, like a Wild Notes Notebook. (Download template pages here.) But there are also apps for recording observations for the smart-phone savvy, too. In these times of global climatic changes, tracking when flowers bloom  and birds migrate has never been more critical.

Is there anything else you would like readers to know about the book?

My photographer husband, Tom Uhlman, did the photos of all the step-by-step kid projects. (A good number of the animal photos in the Field Guide sections are his, too.) Kudos to him for all the kid-wrangling of neighborhood and friends’ children! It was a fun challenge to think so visually. Not only how do I write up projects and information in ways that interest readers, but how (and what!) to show so they can successfully make a Paw Printer or Coffee Tub Nest Box by looking at the photos and text. Those photo shoot days were long and messy! Also, that’s our beloved cat, Shamu, on page 38.

Thanks so much for sharing your book with us, Mary Kay! If you’re interested in winning an autographed copy, please comment below or give this post a shoutout on Twitter and tag @mixedUpFiles and @marykaycarson.
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Author Jen SwansonScience ROCKS! And so do Jennifer Swanson’s books. She is the award-winning author of over 40 nonfiction books for kids. Jennifer Swanson’s love of science began when she started a science club in her garage at the age of 7. While no longer working from the garage, you can find Jennifer at her favorite place to explore the world around her. www.JenniferSwansonBooks.com Jennifer is also the creator and administrator of #STEMTuesday and #STEAMTeam2020

Re-Read-19: A Short Meditation on Re-Reading in the time of Coronavirus

Bookhoarding: Early and Often

Growing up, a favorite Sunday afternoon outing was to the famed Children’s Bookstore in downtown Toronto. It was the 1980s, the heyday of the bookshop and of me and my siblings piling into the wood-panelled station wagon for squabbling as well as other more-intentional family activities.

A 1980 ad for The Children’s Bookstore in Toronto. Can you believe the talent it attracted!?

When it was time to leave the store my parents would first have to locate me hidden in one of the aisles, deep inside the pages of a book I hadn’t bought yet. I remember the pile of my selections and then their hefty weight in the bags as we walked back to the car. Being obliviously squished in the station wagon (for once unconcerned by who got to sit in the “backy-back”) while reading on the way home. Repeat this experience, perhaps on a different Sunday afternoon, at the Judaica store where I would stock up on Holocaust literature (which as the granddaughter of survivors I was obsessed with and is probably another blog post.) And the thrill of receiving the Scholastic mail order to my classroom. And every once in awhile my mother would bring home used books for me.

I am hard pressed to find any material objects from my childhood—my family moved many times and my mother is a ruthless de-clutterer. But I hereby publicly thank my mom for somehow holding on to my copy of Noel Streatfield’s Ballet Shoes—which she bought for me used and which I then made much use of myself, reading it over and over again; and which now exists in my own home library; and which I have now read twice out loud to various children; and which my eldest has read to herself countless times.

Edition of Ballet Shoes by Noel Streatfeild (published in 1937, this edition in 1979) in our home library, except our cover has disintegrated.

Reading is… Re-reading?

What I loved most about reading was the chance to re-read the books I most loved. It was rare that I would read something only once. The fiendish gobbling down of a new book was also in preparation for the judgment of “is this worthy of re-reading?”

There are many pleasures of re-reading. Because the first read is to find out WHAT HAPPENS. And WHAT HAPPENS NEXT. And HOW DOES IT END. But when you read it again you aren’t flipping the pages compulsively to know all that: you already know it. So in the next reading and any subsequent ones, you are reading to enjoy in a different way—to meander on the path a little more, to take pleasure in the characters and language, to understand better what happens, to laugh at the funny parts like one does at a cult movie—the hilarity often being in knowing exactly what’s going to happen and what will be said, the pleasure in the anticipation and then in getting to experience it all over again. Or the heartbreak. Or the unfairness. The antagonist getting their just desserts. Indeed, the satisfaction of a satisfying ending.

Middle Grade and Re-reading

I now see this with my own children. Most young kids delight in making their parents and caregivers (and any other unsuspecting victims) read their favorite picture books over and over (and over) again. But once children learn to read they often delight in reading their favorite books to themselves over and over again. Usually the middle grade book I am reading out loud to my 9 and 11 year old sons, they will then read to themselves—sometimes reading ahead of where we are together, sometimes taking it to re-read afterward, sometimes both. They will read anything in graphic format, and our collection of Big Nates, Dogmans, Captain Underpants, Hazardous Tales, along with Raina Telgemeirs (both the memoirs and the Babysitter’s Clubs) and other coming-of-age graphic novels such as New Kid, Awkward, Roller-Girl or the beautiful Holocaust-introduction White Bird are thickened and dog-eared.

Agents and editors often say that they will only represent and acquire a manuscript they love enough to see themselves re-reading and re-reading and re-reading. One which will stand up to that amount of scrutiny. In which they love the characters enough to see them through their plot again and again and again. Fair enough!

But middle grade books seem particularly designed to be read over and over again. They are filled with emotion, empathy and adventure. They are where kids can learn about the world, themselves, and each other. And middle grade readers seem uniquely designed to be re-readers. They have the time, the curiosity, the intelligence and the emotional ability to connect deeply and expansively with books and stories that move them, engage them or even just make them giggle.

Bookshelf in my sons’ bedroom, examples of what gets lots of re-reading love.

I’ve written before about the unique pleasure of reading a childhood favorite again as an adult, and the relief of it standing the test of time. Like meeting up with an old friend and immediately connecting once again, the kinship felt both the same and different, and maybe even deeper. But as an adult, I find that it is rare for me to re-read something. I am inundated by what’s new and what’s next—it always feels like there’s something else I should be reading, I should have read already, that I need to consume. Or the book I bought as part of a haul from a bookstore visit suddenly doesn’t seem compelling at the exact moment I’m ready to start something new, but I hear of something else—on Twitter, a book review in the paper, something jogs my memory, a friend’s recommendation—that does and order it immediately.

Panic-buying books

When my kids’ schools announced they were closing six weeks ago, and threats of a lockdown were looming, I found myself not only stocking up on toilet paper and canned food, but on books. Bookstores would close, libraries too, and what if Amazon stopped delivering? It was (AND IS) so scary to think about getting sick, people dying, the uncertainty of anything beyond each day. And so—as a further manifestation of stockpiling mentality or as way of sidestepping the things too scary to contemplate— I panicked about how we would manage without something new to read. How would I nourish my soul in a lockdown? How would I nourish my children’s? It felt like it might be the difference between keeping sane and coping with whatever came our way, and not.

Small graces in a difficult time

Over these lockdown weeks, however, I have watched my older daughter, 14, work her way through the new books I bought her that had been piling up, unread for lack of time due to being a teenager (read: school, friends, Snapchat, Instagram, TikTok, Netflix.) Now there is suddenly LOTS of time. And when she finished the new ones she started reaching in her bookshelf for all the old ones. The ones she loved when she was 7, 8, 9, 10 and 11. (12 being the beginning of her literary teenage wasteland.) In one of the many surprising twists of lockdown and life in the time of the new Coronavirus, this is one of the positive ones for me, and her.

My new TBRR (To Be Re-Read) pile. I’ve started with Possession by AS Byatt.

So I have taken the lead from my children and have started re-reading again as a general practice.

For now my pantry is (thank goodness) well-stocked – and I’ve realized that I have an even better-stocked home library. I have almost every book I’ve bought or been given since college. (Unless I’ve loaned it to you and you haven’t returned it. It’s ok, I don’t mind.)  From picture book to middle grade to adult fiction, non-fiction and plays, all genres are gamely and lovingly represented (Lonely Planet Ireland circa late 1990s anyone?) Not only is self-isolation and lockdown a chance to work my way through my TBR stack, but it is also a wonderful chance to re-read the books that pleased me as an adult. Or on the cusp of adulthood. Great works that deserve more careful reading. Or which I don’t think I understood as fully in my twenties as I might now.

Indeed, with each re-reading we understand something different. The words remain the same, but we—whether it is our age or our stage or our mental place—are different each time. What new knowledge, understanding, satisfaction and joy will each reading bring?

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From the Mixed-Up Files is the group blog of middle-grade authors celebrating books for middle-grade readers. For anyone with a passion for children’s literature—teachers, librarians, parents, kids, writers, industry professionals— we offer regularly updated book lists organized by unique categories, author interviews, market news, and a behind-the-scenes look at the making of a children's book from writing to publishing to promoting.

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