Author Interviews

Author Interview with Marie Benedict and Courtney Sheinmel

cover of book: The Secrets of Lovelace AcademyWe’re excited to have Marie Benedict and Courtney Sheinmel on here today to talk about her new release. Let’s start with learning a bit more about you, and then we’ll talk more about The Secrets of Lovelace Academy.

Did you love to read as children? If so, can you tell us some favorite books?

Courtney and Marie both loved, loved, loved to read as children. While Marie has too many favorite childhood books to list, she does have special book from middle school that put her on the path to writing historical fiction about women, although she didn’t know it at the time. The Mists of Avalon, a female-centric retelling of the Arthurian legend, that opened her eyes to women’s stories hidden in the past. Courtney’s favorite childhood book was the now out-of-print The Littlest Rabbit by Robert Kraus.

girl with dog

Courtney with her dog Brandy

What was your biggest fear when you were young? Did you get over it?

Marie’s biggest fear (aside from playing dodgeball, see the below answer to a question about embarrassing grade school moments) was probably pursuing her interests, even if they were uncool. This leads to the answer to the next question…

What advice would you give to your younger selves?

Be brave sooner.

Are your pasts woven into the story? If so, how?

Elements of both Courtney and Marie’s lives can be found in THE SECRETS OF LOVELACE ACADEMY. For example, as former attorneys, they know what it’s like to be the only woman or girl in the room, which is something that they drew upon in crafting the experiences of the main characters, Lainey Philips and Mileva Maric Einstein.

childhood pic

Marie as a child

Would you be willing to share an embarrassing grade school moment?

Marie has no problem sharing that she could never, ever climb to the top of the rope in elementary school gym class. And she still has nightmares about being pummeled in dodgeball.

When did you know you wanted to be a writer?

While Courtney has always known she’d like to be a children’s book writer, Marie was more of a history lover, who didn’t realize that she could uncover the hidden voices in history through fiction until she already an attorney.

What is your favorite or most challenging part of being a writer?

Staying patient as the book nears its end!

Can you tell us a little about the novel?

The Secrets of Lovelace Academy is a historical adventure about a young girl plucked from a London orphanage to begin attending the prestigious Lovelace Academy. Fitting in amongst the many privileged students within the schools’ ivy-covered walls presents challenges unlike the ones Lainey has faced in the past — as well as more secrets than she could have ever imagined. Terrified she’ll be cast out of the academy, Lainey grabs at her chance to prove herself by traveling to Switzerland to meet a female scientist crafting a groundbreaking theory, none other than physicist Mileva Maric, wife of Albert Einstein.

How did you come up with the idea for Lovelace Academy?

Courtney and Marie were looking for a way to engage younger readers in the stories of historical women who’ve left behind important legacies. After a series of fits and starts, they created the world of Lovelace Academy, where girls and young women are encouraged to study math and the sciences — very rare for the early 1900s — and where they have the opportunity to encounter some of these incredible women from the past.

Is there a special reason you chose to write about orphans and homeless children?

sisters

Courtney with her sister

Courtney and Marie were intrigued by the notion of a brilliant girl from difficult circumstances who was propelled by a desire to prove herself — in the classroom and outside of it. This dovetailed with their interest in sharing the hardships endured by these unfortunate children during this time period, as a way to offer a unique view on the past and some perspective on our present.

How did you come up with the character of Lainey Philipps?

Courtney was inspired by her own dear mother. She had been a stellar math student as a child, at a time when that subject was challenging for young girls to pursue.

Are your other characters based on anyone you know?

Although, of course, Marie never met Mileva Maric Einstein (she lived from 1874-1948), she has spent so much time researching her that she feels like she knows her.

What parts of the story of Mileva Maric and Albert Einstein are true?

The Secrets of Lovelace Academy contains part of the story of Mileva Maric and Albert Einstein and the manner in which their collaboration and marriage led to some of the most important theories in modern physics. This tale is shared in full in The Other Einstein, which is Marie’s heavily researched novel inspired by the real-life relationship of Mileva and Albert and the work they did together.

What historical research did you do to make the 1900s setting accurate and to detail the life of the Einsteins?Einstein information

Marie, who loves nothing more than getting lost in the rabbit holes of history, spent an enormous time researching Mileva Maric Einstein, the early years of Albert Einstein, and the time period in which she and Albert lived. This involved locating and studying the existing letters between Mileva and Albert as well as letters exchanged between Mileva and her best friend, researching early physics theories, understanding the many goings-on in Eastern Europe and Switzerland during the early 1900s, and traveling through many of the pertinent areas, including the apartment Mileva and Albert shared (and that Lainey visits in our book) which is currently a museum.

Do you have any message or advice for the teachers and parents who will be sharing your book with their students and families? What do you hope readers will take away from your book?

Courtney and Marie hope that readers — whether they be teachers, parents, or younger readers — find inspiration in Lainey and Mileva’s perseverance in a time period that wasn’t encouraging to bright young women and girls, and that helps them build the confidence to prevail in our own.

What are you working on now?

Together, Marie and Courtney are working away on something special to follow THE SECRETS OF THE LOVELACE ACADEMY. The moment when they are allowed to discuss it, they’ll share! 

Can’t wait to discover that secret! Please keep us posted. For now, you’ve made us all eager to read The Secrets of Lovelace Academy. Thanks so much for joining us, Marie and Courtney. And we look forward to seeing what you come up with next.

ABOUT THE BOOK

Lainey Philipps has lived at the Sycamore Home for Orphaned Children since she was three years old. Now nearly a teenager, her life is hard, and she doesn’t expect it to get better—until a chance encounter during an open house changes everything when Lainey meets a woman who invites her to attend the prestigious Lovelace Academy.

Fitting in amongst the many privileged students within the ivy-covered walls of Lovelace Academy presents challenges unlike the ones Lainey has faced in the past. Her life of drudgery has hardly prepared her for the aristocratic airs and cutthroat academic ambition of the other girls. Terrified she’ll be cast out of the academy, Lainey grabs at her chance to prove herself by traveling to Switzerland to meet a female scientist crafting a groundbreaking theory.

Determined to prove her capability and reach her destination, Lainey must rely on her own wit—as well as a mysterious boy who has yet to prove himself as friend or foe. But the real test is what awaits her in Switzerland, at the home of Mileva Maric, wife of Albert Einstein.

ABOUT THE AUTHORS

Marie Benedict is a lawyer with more than ten years of experience as a litigator at two of the country’s premier law firms. She found her calling unearthing the hidden historical stories of women. Her mission is to excavate from the past the most important, complex, and fascinating women of history and bring them into the light of present day where readers can finally perceive the breadth of their contributions as well as the insights they bring to modern day issues. Marie is the author of many books for adults including the New York Times bestseller The First LadiesThe Secrets of Lovelace Academy, written with Courtney Sheinmel, is her first book for kids. Visit her online at AuthorMarieBenedict.com.

Courtney Sheinmel is a chocolate-lover, mac and cheese expert, mom to Archer, and the author of nearly thirty books for kids and teens, including the acclaimed Stella Batts and My Pet Slime series for young readers. Her book She Persisted: Helen Keller was part of Chelsea Clinton’s She Persisted series. Courtney received a National Scholastic Educator Award for her work as a writing instructor at the nonprofit Writopia Lab. Visit her online at CourtneySheinmel.com.

STEM Tuesday– Naturalists– Author Interview: Danna Staaf

Welcome to STEM Tuesday: Author Interview, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re featuring Danna Staaf, a marine biologist and author of several science books. Her book The Lady and the Octopus: How Jeanne Villepreux-Power Invented Aquariums and Revolutionized Marine Biology garnered these reviews:

  • Notable Award Children’s Book Committee at Bank Street College Best Children’s Book of the Year, 2023
  • Booklist Top 10 History for Youth, 2023
  • Booklist Top 10 Science and Technology Books for Youth, 2023
  • Cooperative Children’s Book Center (CCBC) Choices, 2023
  • Booklist Top 10 Biographies & Memoirs for Youth, 2023
  • School Library Journal Best Book of 2022

 

Andi Diehn: I love your sidebar in the first few pages about historic accuracy and doing our best with what we know until we can add to that knowledge. Why include this?

Danna Staaf: Honesty really is the best policy, especially when talking to children. Both the historical and the scientific record are intrinsically incomplete—there are open questions, missing data points, ambiguous findings. I felt it was very important to acknowledge that uncertainty up front, and not to pretend that I had all the answers. At the same time, I spent years researching this book, and I did have a lot of information, which gave me the ability to make guesses in good faith about missing pieces. This is how we build a trusting relationship with readers, by saying, “I don’t know everything. I’ll tell you what I do know, and how I know it. When I have to make guesses, I’ll tell you why those guesses are reasonable. And I’ll admit that they might turn out to be wrong later.”

I think about all the dinosaur books I read when I was a little kid, and the old misinterpretations of what dinosaurs looked like and how they lived. Most of those authors were doing the best they could with the available research—and they inspired the next generation of scientists to go out and do more research, to show which guesses were right and which were wrong. That’s the iterative nature of knowledge. It’s beautiful.

AD: I like how you made it clear that Jeanne was able to study and practice science because of her privileged position as a married woman with no children – why is this important for readers to be aware of?

DS: It’s a really interesting topic! When I first began to read about Jeanne, I thought her story would be strongly impacted by sexism, both during and after her life. And she absolutely did have to contend with sexism. A man who wasn’t even a scientist tried to take credit for her work, and although she managed to join several scientific societies as their first female member, the Royal Society (the UK’s national science academy) refused to admit women until 1945! Sexism likely also played a role in how quickly her work was forgotten after her death. However, as I read more of her writing and her peers’ writing about her, I became very impressed by how successfully she advocated for herself. Now I think that the reason we know as much about her as we do, and indeed the reason I had enough material to write this book, was her own determination to publish her research and get credit for it.

But Jeanne’s ability to research and advocate effectively was greatly enhanced by her privilege. In addition to being married and childless, she was white and wealthy. Before her marriage, she struggled to support herself and couldn’t devote time to natural history, but afterward, she had the resources and the leisure to pursue her curiosity. Wouldn’t it be great if everyone had that freedom? How many more wonderful discoveries and inventions could be made? I hope it helps readers think about who has been left out of history, and why, and what we can do to create a more just society.

AD: I love your phrase on page 43 about studying “marine life instead of marine death” – why does this distinction matter?

DS: I actually think about it even more now than I did while I was writing this book! When Jeanne started working in natural history, especially in the field we now call marine biology, most people were very focused on studying dead specimens. They killed and dissected animals; they preserved skeletons and furs and shells. Even setting aside the ethics of doing science like that, they missed so much by not looking at living animals. Especially in the ocean, an animal can look completely different when it’s alive in its natural habitat—think of a jellyfish swimming gracefully through the water, which dissolves into goo if you kill it and try to preserve it. And behavior! The only way to really see how animals move, hunt, court, mate, and so forth is to observe it.

Science has come a long way from the days of pickling and dissecting everything in order to study it, in large part thanks to people like Jeanne and inventions like her aquariums. And yet there are still some stubborn remnants of this attitude. To describe a new species, it’s generally accepted that a dead specimen needs to be put in a museum somewhere. Now, I don’t want to discount the importance of museum collections in any way—those historical specimens are absolutely vital to our understanding of life, and even to the conservation and protection of living organisms, because scientists use the knowledge from those specimens to figure out things like which species are left in a coral reef or a rain forest, and how many are new to science. But now that we have high-resolution video capabilities, 3D scans, CT scans, and so forth, maybe we can shift toward identifying species without needing to kill individuals so often.

AD: She’s a scientist but also an inventor – how does scientific inquiry and invention go hand in hand?

DS: Scientists are always inventing gadgets to help them figure out the answers to their questions, from high-tech to low-tech and everything in between. When I was in graduate school studying squid, I wanted to know how temperature affected the development of squid eggs, so I worked with a really skilled technician to design a little incubator that could keep dishes of seawater at a range of different temperatures. It had a bunch of carefully machined metal pieces, all very precise. Then I took it on a research boat in Mexico in very hot weather, and I had to improvise a combination of bubble wrap and a desk fan to keep the whole assembly from overheating! Then, I also learned how to write computer programs to analyze the data I gathered. I’d say those are both forms of invention. Sometimes scientists’ inventions are very specific to a particular need, like my incubator, and sometimes they find more general applications, like Jeanne’s aquariums. You never know!

AD: What was your favorite thing you learned from your research?

DS: How can I pick just one?? I learned that that the tides in the Mediterranean Sea are more impacted by the local geography than by the moon, so when it’s high tide on one side of the Strait of Messina, it’s low tide on the other side, just a few kilometers away. I learned that an engineer named Charles Condert developed a type of scuba gear a hundred years ahead of Cousteau’s Aqua-Lung, and made many successful dives before dying in a tragic underwater accident–the first known scuba fatality. I learned that Benjamin Franklin carried around a little container of oil in his walking stick, so he could impress people by pouring it on rough water and calming the waves. But, if I have to pick, I think my favorite research gem was learning about Anna Thynne. She’d studied geology for years, and fell in love with corals because she saw them as living rocks. I love her account of collecting corals, which I didn’t have room to include in the book: “With a needle and thread I fixed the Madrepores [corals] on a large sponge, that there might be no damage from collision, and then placed them in a glass jar filled to the brim with water, and tied down with a bladder….During the journey [home from the seashore], I had the great pleasure of seeing them expand their tentacula most happily; and they arrived both at Clifton and London in a most flourishing state.”

AD: What did you like best about writing a biography? Was there anything frustrating about the project?

DS: I have to confess that history was my least favorite subject in school. I struggled to memorize the names and dates of monarchs and battles, while I had no trouble memorizing octopus species. So the historical research for this book was the biggest challenge for me. I had to read the timeline of the French Revolution and the Napoleonic Wars over and over again to make sure I was getting everything right.

That said, it might also be the thing I liked best. I found that world events became much more interesting to me when I could link them with Jeanne’s life. Writing a biography actually kindled my interest in history, and helped me see how seemingly abstract monarch names and battle dates affected real people’s lives, even impacting the course of science. Now I can remember that Napoleon was defeated at Waterloo in 1815, because it led directly to Jeanne sewing a royal wedding gown in 1816, which led in turn to her meeting her future husband, and the beginning of her career in marine biology!

 

Danna Staaf is a science communicator and marine biologist who earned a PhD from Stanford University with her studies of baby squid. Her writing has appeared in Smithsonian, NautilusAtlas Obscura, and Science, and she is the author of Monarchs of the Sea: The Extraordinary 500-Million-Year History of Cephalopods (named one of Science Friday’s best science books of the year), The Lady and the Octopus: How Jeanne Villepreux-Power Invented Aquariums and Revolutionized Marine Biology (a best book of the year of the School Library Journal and the Children’s Book Committee), and Nursery Earth: The Wondrous Lives of Baby Animals and the Extraordinary Ways They Shape Our World (hailed as “a gobsmacking delight!”). Her newest book is The Lives of Octopuses and their Relatives: A Natural History of Cephalopods. Staaf lives in San Jose, California, with her husband, children, cat, and innumerable plush octopuses.

 

Andi Diehn

Andi Diehn works as an editor for Nomad Press and has written many STEM books for kids!

Interview with Sarwat Chadda, Author of STORM SINGER

In Storm Singer, twelve-year-old Nargis, who has the ability to communicate with elementals, is caught up in an epic struggle for the fate of the land of Bharat after she encounters Mistral, prince of the eagle garudas who rule over the kingdom. He’s on the run after a coup which imprisoned his parents. Nargis reluctantly agrees to aid him, thus setting the unlikely allies on a dangerous adventure.

The cover of the book Storm Singer. A girl with a crutch and a bird-like boy with wings pose against a storm.

 

MUF: Thanks for taking the time to speak with us. Storm Singer is a fascinating story, and I’m excited to learn more. What inspired this story? What elements led to the creation of the world and the characters?

SC: Nargis inspired it. I wanted a hero that represented the weakest and the most downtrodden, and show how someone like her can rise up and overthrow a tyranny. Ultimately what inspired it was the awareness of how unjust the world is, that it is overflowing with resources, and yet those resources are horded by the few. I wanted to write about climate change, but in a fresh way, and fancied creating a cool magic system!

MUF: While taking place in a secondary world, Storm Singer invokes the Arabian Nights and Hindu mythology in the form of the birdlike garudas. Can you tell us more about your use of folklore and myth, and how you adapted it for this tale?

SC: I wanted to create a whole fantasy world that was entirely eastern, but not too bound to one setting or another, hence mixing Indian mythology with the Arabian Nights. Plus I wanted to fill the tale with magic that didn’t owe anything to western/European fantasy. Ironically the concept of elves, dwarves, knights, dragons, etc are now so common they no longer feel ‘fantastical’. I wanted to bring that feeling of the weird and wonderful back, hence creatures like garudas and rocs.

MUF: Courtesy of a childhood accident, Nargis now uses a crutch to walk. What can you tell us about this aspect of her character?

SC: There’s not much to tell. It is just part of who she is. I took a lot of advice on how to portray her in a matter-of-fact, day to day way. Thematically it magnified the difference between her and Mistral, who can after all fly but is, for the most of the story, trapped on the ground as well.

MUF: You like to travel and to incorporate your experiences into your work. Did any of that come into play with Storm Singer? What sort of research or references did you use in developing this?

SC: I recently went to Morocco, so that will flavour the writing. But the main theme, the vast gap between those with wealth and power and those without, comes from the news, and just seeing what the world is. Covid certainly exposed many injustices between the classes, and that inspired Nargis’s story. The garudas in many ways represent the 1%, those rich enough to ignore the troubles of the world, while often being responsible for them.

MUF: What do you hope readers will take away from this story?

SC: Two things, love of the characters, and the awareness of injustice.

MUF: You’ve released 16 books in 16 years. How do you maintain such an impressive output in so many different genres and themes?

SC: I always say ‘yes’! Ask any freelancer and they’ll all tell you the same thing. You don’t turn down work. Themes come as you write, often they’re based on what’s happening in the world, but viewed through the distorted lens of fantasy. My first novel, Devil’s Kiss (2009), was written in response to the Iraq War and Storm Singer was heavily influenced by Covid, and the disparity between the haves and have nots. On top of the novels I’ve written Legend of Hanuman and Baahubali: The Lost Tales for Disney Hotstar and Amazon in India, about 12 seasons all in all. Now that I’ve been around quite a bit I do get editors approaching me with projects, and recently I’ve got jobs based on pitches and sample chapters, rather than having to write the whole thing. There are times when I do get burnt out, I must admit. But in the end I really like writing. There are so many different stages of the process. Research, first drafts, revisions, getting the cover art!

MUF: You’ve said that the best way to learn storytelling is to play role-playing games. Can you expand on that thought? What other advice would you give fledgling writers?

SC: RPGs are pure story-telling. I wrote my own adventures for years for our group, I still do. You can use them as testing grounds to your plots! Also, you have a live audience, your players. You can see what works and what doesn’t. They will ruthlessly exploit any plot holes! My other advice is FINISH. There are no more important words in a manuscript than ‘The End’.

MUF: You wrote a fantastic, apocalyptic Mesopotamian myth-inspired duology, The Adventures of Sik Aziz,for Rick Riordan Presents. What was it like working with that imprint, and is there any chance you’ll do more with them?

SC: IT WAS AWESOME! Rick and I had crossed paths previously, he was an early fan of my Ash Mistry trilogy and a huge supporter of my work throughout, plus we shared an editor, so there was a lot of overlap prior to being invited to join. I knew I wanted to write a Muslim protagonist, but the Arabian Nights angle had been done to death. The whole RRP gang are a great bunch, I’ve never felt such camaraderie amongst writers before. First time in my life I got to hang out with the ‘cool kids’. I do have something coming up soon, not quite RR-related, but VERY CLOSELY connected!

MUF: What’s next for you? Do you have anything else planned for the world or the heroes of this book?

SC: The sequel, The Crow’s Revenge! Oh, Sickle, my beloved crow assassin from the first book, has not finished with Nargis quite yet.

MUF: Bonus question: You’ve expressed a love of dragons as “boss-level creatures.” Which dragon from any aspect of literature, myth, or popular culture is your favorite?

SC: Easy! Tiamat! The goddess of chaos from Mesopotamian mythology out of whose corpse the universe was created. And, cough cough, the big bad in my novel, Fury of the Dragon Goddess

 

FURTHER INFORMATION:

Headshot of author Sarwat Chadda, a dapper bald man of medium age

Sarwat Chadda is the New York Times bestselling author of the City of the
Plague God duology, the Spiritstone Saga, the Ash Mistry trilogy, the Shadow
Magic trilogy, and the Devil’s Kiss duology. He has written for Star Wars and
Minecraft as well as the 39 Clues and Spirit Animals series. Sarwat is a first
generation Muslim immigrant of South Asian descent who loves writing over
the-top adventures. His work has received numerous starred reviews and was a
Goodreads Choice Best Middle Grade Award Nominee. He has been published
in over a dozen languages. Outside of novels, he’s written plays, comic books,
and TV shows, including The Legend of Hanuman for Disney+ Hotstar. Sarwat lives in
London. Feel free to drop him a line on X (previously known as Twitter) at @SarwatChadda
and Instagram at @Sarwat_Chadda or visit him at SarwatChadda.com.