For Parents

Spooky Summer Reads to Keep You Up Past Bedtime

By on June 14, 2026   /   Articles, Book Lists, For Kids, For Parents   /   Leave a comment

Summer is the perfect time to dive into a good book, and if you ask me, the spookier the better. Whether you’re reading by the pool, at the beach, or under the covers with a flashlight, these ghostly adventures and spine-tingling tales are sure to make your summer a bit more frightful.

I’ve included some of my favorites, both old and new. These are books that have made me laugh and cry ( I’m looking at you, The Ghost Rules) sent shivers down my spine, and kept me turning pages long past my bedtime.

I hope you enjoy them as much as I did.  Don’t forget to leave the light on . . . You never know what’s lurking in the shadows. 

The Ghost Rules by Adam Rosenbaum 

Twelve-year-old Elwood McGee never asked to have “ghost-sight,” and it involves a lot more drool-dodging than he expected. Ghosts are the WORST—and they’re all over the place in this sharp-witted middle grade debut novel. Ghost Rules book cover

Did you know that ghosts love coffee? They’re not trying to be scary. They’re just deprived of an appropriate amount of caffeine! They also bump into things by accident, are occasionally nosy, and get a little nervous when they’re seen by the living.

Elwood McGee knows these ghost facts because he’s one of those rare people with the gift of ghost-sight. And it turns out ghosts are everywhere! Especially in the small Tennessee town where Elwood and his family had to move following the death of his big brother Noah, which Elwood thinks was his fault.

Once Elwood figures out he can see ghosts, he becomes single-mindedly determined to use his powers to see Noah and talk to him once last time. With the help of two girls who live on his street, Elwood embarks on a journey through the surprisingly funny world of ghosts and faces the realities of letting go.

The Inn Between by Marina Cohen

The Inn Between by Marina Cohen is a deliciously creepy horror story for middle-grade readers that is as smart as it is full of heart.

11-year old Quinn has had some bad experiences lately. She was caught cheating in school, and then one day, her little sister Emma disappeared while walking home from school. She never returned. book cover The Inn Between

When Quinn’s best friend Kara has to move away, she goes on one last trip with Kara and her family. They stop over at the first hotel they see, a Victorian inn that instantly gives Quinn the creeps, and she begins to notice strange things happening around them. When Kara’s parents, and then brother disappear without a trace, the girls are stranded in a hotel full of strange guests, hallways that twist back in on themselves, and a particularly nasty surprise lucking beneath the floorboards. Will the girls be able to solve the mystery of what happened to Kara’s family before it’s too late?

Midnight at The Barclay Hotel by Fleur Bradley

Hunting ghosts and solving the case before checkout? All in a weekend’s work.

When JJ Jacobson convinced his mom to accept a surprise invitation to an all-expenses-paid weekend getaway at the illustrious Barclay Hotel, he never imagined that he’d find himself in the midst of a murder mystery. He thought he was in for a run-of-the-mill weekend ghost hunting at the most haunted spot in town, but when he arrives at the Barclay Hotel and his mother is blamed for the hotel owner’s death, he realizes his weekend is going to be anything but ordinary.
book cover of Midnight at The Barclay Hotel
Now, with the help of his new friends, Penny and Emma, JJ has to track down a killer, clear his mother’s name, and maybe even meet a ghost or two along the way.

The Polter-Ghost Problem by Betsy Uhrig

One haunted orphanage + two types of ghosts + three freaked-out friends = plenty of trouble.

Best friends Aldo, Pen, and Jasper are braced for a boring summer. And equally dull summer journal writing assignments. That is, until they see a slightly transparent boy with a bad haircut appear by the soccer field and then disappear into the woods beyond. The boys follow him and discover the long-abandoned Grauche Orphanage for Orphans, a house in the woods that is most definitely haunted. book cover of The Polter-Ghost Problem

But the ghosts are not the problem. They have been trapped at the orphanage by a cranky poltergeist who erupts into violent tantrums if they put even a spectral toe across the property line. The ghosts ask the boys to help free them—but who is the angry poltergeist and what does it want? To solve the mystery, the trio must investigate the orphanage’s dark past, evade Aldo’s ghastly older brother, borrow a skeptical librarian, and duck lots of flying furniture, all while failing to agree on almost anything. Can they defeat the evil entity and rescue the ghosts before their parents catch on and ground them for eternity?

The Haunting of Walker Pond by Nancy Tandon  

Frankie Wilkins waits all year for her favorite thing—summers in coastal Maine. This time, she and her best friend, Parker, are Leaders-in-Training at Camp Asticou on nearby Walker Pond. For Frankie, it’s not just about proving her skills but also the hope that a successful LIT run will convince her dad and stepmom to stay in the area, rather than move them all to Long Island.

During their first night there, the LITs learn about a local legend called The Bride of Rippowam. A young woman named Eugenie fell in love with a sailor, but after a tragic accident, she and her fiancé, Raleigh, both drowned. And weird happenings have occurred at the camp ever since, with incidents increasing in recent years. book cover Haunting of Walker Pond

People suspect that something is keeping Eugenie from officially crossing over, and Frankie realizes Eugenie is trying to send urgent messages about what really happened with her and Raleigh. With their campers in danger, Frankie, Parker, and the rest of the LITs are determined to help Eugenie cross over. But are they willing to break almost every camp rule to do so, and will they find what Eugenie is after—and why—before tragedy strikes again?
Small Spaces by Katherine Arden

After suffering a tragic loss, eleven-year-old Ollie who only finds solace in books discovers a chilling ghost story about a girl named Beth, the two brothers who loved her, and a peculiar deal made with “the smiling man”—a sinister specter who grants your most tightly held wish, but only for the ultimate price. Book cover of Small Spaces

Captivated by the tale, Ollie begins to wonder if the smiling man might be real when she stumbles upon the graves of the very people she’s been reading about on a school trip to a nearby farm. Then, later, when her school bus breaks down on the ride home, the strange bus driver tells Ollie and her classmates: “Best get moving. At nightfall they’ll come for the rest of you.” Nightfall is, indeed, fast descending when Ollie’s previously broken digital wristwatch begins a startling countdown and delivers a terrifying message: RUN.

I Text Dead People by Rose Cooper

You can’t block the dead! The first novel in the Dead Serious series, in which a middle school girl bridges the gap between the living and the dead with her phone.book cover of I text Dead People

Annabel Craven hopes she’ll fit in—maybe even be popular—at the Academy. She’s worried she’ll stay friendless and phoneless (it’s true). But when she finds a mysterious phone in the woods near the cemetery, one of her problems is solved . . . and another one is just beginning.

Someone won’t stop texting her. And that someone seems . . . dead. How is Annabel supposed to make friends when her phone keeps blowing up with messages from the afterlife? And what will happen if she doesn’t text back?

Includes morbidly-cute black-and-white illustrations!

The Haunting of Aveline Jones by Phil Hickes

Aveline Jones loves reading ghost stories, so a dreary half-term becomes much more exciting when she discovers a spooky old book. Not only are the stories spine-tingling, but it once belonged to Primrose Penberthy, who vanished mysteriously, never to be seen again. Intrigued, Aveline decides to investigate Primrose’s disappearance.
book cover of The Haunting of Aveline JonesNow someone… or something, is stirring. And it is looking for Aveline.

Grandpere’s Ghost Swamp by Rachel M. Marsh 

Basil Theriot has spent her entire life in New Orleans—in her family’s famed Cajun restaurant in the French Quarter, really—but she’s never been out to the bayou where her grandfather grew up. She’s also never seen a ghost, even though dozens of ghost tours pass by the restaurant every day and her best friend Tommy is determined to be a ghost hunter.

But then Grandpere’s ghost appears. And he has a mission for her.

Basil wouldn’t mind being haunted if Grandpere could be helpful and share his secret recipe that might save the restaurant. But instead, he’s intent on connecting Basil with her Cajun heritage. He sends her out to the bayou to meet his friends: an airboat captain, a shrimper, and a scientist rebuilding Louisiana’s fast-disappearing coastline.

For fans of Gracie Under the Waves and A Strange Thing Happened in Cherry Hall, Grandpere’s Ghost Swamp has a little bit of everything: a pinch of spookiness, a dash of environmental activism, and a heaping of family.

Ghost Scout’s Honor by Carey Blankenship-Kramer

The Ghost Scouts were created to keep the ghosts of Savannah in line. It’s an honor to serve.

Evey’s never wanted anything to do with ghosts, but after best friend, Laura, dumps her for no reason, Evey wants revenge. To take the student of the year award from her ex-bestie, she’ll have to join the Ghost Scouts. She’ll be the best Ghost Scout Savannah has ever seen.book cover of Ghost Scout's Honor

Only this year the ghosts seem different. They are angrier than usual, and they seem to be growing in power. No problem, Evey can get to the bottom of why and send all the ghosts back to their cages.

But what she uncovers makes her angry too. What if the ghosts don’t deserve to be caged? What if they have every right to be furious?

I hope you’ve discovered a few new spooky reads to add to your summer TBR pile. And if you enjoy a book, please tell a friend about it. Word of mouth is one of the most powerful ways to support authors and help great stories find new readers.

May your summer be filled with just the right amount of chills and thrills. 

Happy reading!

 

 

 

 

 

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A Summer of Creativity: Writing Exercises to Bring Back the Fun, Break Out of a Rut, and Inspire Young Writers

By on June 12, 2026   /   Articles, For Parents, For Teachers   /   Leave a comment

Summer is here, and school is out. Why not use some of your extra free time to work on a writing project? By writing a little each day, you could end the summer with an entire collection of poems, short stories, essays, journal entries, or even the first draft of a novel. Writing regularly is one of the best ways to improve as a writer. Doing the same thing over and over, however, can be a sure path to boredom.

Whether you are drafting a middle-grade novel, helping a young writer find their voice, or simply trying to make writing feel joyful again, flexibility and exploration are key. With that in mind, below are five creative writing exercises to bring some play into your own writing and into the work of the young writers in your life.

 

1. Switch up the genre or form

We all tend to have genres and forms that feel most comfortable. That does not mean, however, that we always need to write in that vein.

Do you typically write prose? Try a poem, a verse novel scene, a list poem, or a haiku. I regularly participate in #HaikuSaturday on X and Bluesky and love the supportive community. You may want to give it a try. Do you typically write fiction? Spend 20 minutes writing creative non-fiction, a personal essay, or a journal entry. If you usually write serious scenes, try humor. If you usually write realistic fiction, try a fantasy premise.

Writing outside your comfort zone can freshen up your practice. It can also help you acquire and strengthen skills that you can use in your main work. For example, even though I write primarily in prose, I spent years studying and practicing poetry. As a result, I use poetic techniques in everything I write.

Try this with young writers: Ask them to retell a favorite summer memory three ways—as a poem, a journal entry, and a one-page story.

 

2. Try out a new craft element

Take a look at your current read, or a book that inspires your writing project, and pick one or two writing techniques used by authors you admire. Study how the author uses the technique in the work. Then try it out in your draft or current project—perhaps in just one scene or on just one page.

You might study how an author begins a chapter, builds suspense, reveals character through dialogue, uses setting, or ends a scene on a question. Emulation is a great way to break through a writing rut and grow in your craft.

Try this with young writers: Read the opening paragraph of a favorite middle-grade novel. Then invite them to write a new opening using the same kind of feeling, whether mysterious, funny, fast-paced, quiet, or surprising.

 

3. Re-read your favorites

Whether they are your favorites in the genre in which you are writing or just your overall favorite books, revisiting books that have shaped you as a writer and reader is important. This time, read with two sets of eyes: reader eyes and writer eyes.

What techniques do you find especially effective in connecting with you as a reader? How does the author make you care about the main character? Where do you laugh, worry, wonder, or turn the page faster? How can you borrow from those techniques in your own work?

This is an especially useful practice if you are feeling lost or stuck. Favorite books can remind us why we wanted to write in the first place.

Try this with young writers: Ask them to choose one favorite scene and explain why it works. Then challenge them to write a scene that creates a similar feeling without copying the plot.

 

4. Go on some observation adventures

Pulling from lived experiences, overheard conversations, and other observations is a classic writing tip, but it is easy to forget how much material is waiting just outside our doors.

Go outside to a park, a mall, a restaurant, a library, a farmer’s market, a ball field, or wherever your curiosity leads you, and take a notebook with you. Write down as many observations as possible, no matter how obvious or random. Notice sounds, smells, gestures, snippets of conversation, clothing, weather, signs, and small conflicts. Even ten minutes in your neighborhood is enough to fuel an abundance of ideas.

This is a great way to jumpstart your creativity on days when you are feeling restless or uninspired.

Try this with young writers: Challenge them to write down ten things they notice, then choose three and turn them into the beginning of a story.

 

5. Change point of view

No matter what genre you are writing, perspective is key. Try rewriting your current project, or a part of it, from a different perspective—or even more than one.

If you feel as though you need to get to know a character more, rewriting a scene from that character’s point of view can reveal new things about them. If you feel as though a scene isn’t working, this exercise can send it in a new direction. If you feel as though the tone of your piece is flat or ineffective, a new perspective can drastically change that.

For middle-grade writers, this can be especially helpful. How is the scene viewed from the point of view of the protagonist? What about the point of view of the best friend? What about the point of view of the younger sibling? What about the point of view of the adult who misunderstands everything? Don’t be afraid to play with this core element.

Try this with young writers: Challenge them to rewrite a familiar fairy tale or family story from the point of view of a side character, pet, villain, or object.

 

Wherever your writing is taking you right now, I hope these ideas can bring some exploration and fun into your process. By the end of the summer, you and the young writers in your life may have a notebook full of poems, stories, scenes, characters, questions, story sparks, and maybe even the start of a novel. Even better, you may have rediscovered the joy of writing for the fun of it.

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Interview with Author Angela Hsieh and her graphic novel: Lu and Ren’s Guide to Geozoology

By on October 22, 2025   /   Articles, Author Interviews, Diversity, For Kids, For Librarians, For Parents, For Teachers  

Welcome to From the Mixed-Up Files, Angela! It’s a pleasure to talk to you about your amazing graphic novel, Lu and Ren’s Guide to Geozoology. The graphic novel was released on May 27, 2025, by Quill Tree Books (HarperCollins). Here’s the blurb from Bookshop.org:

Lu dreams of being a great adventurer, just like her ah-ma, who is a world-renowned geozoologist. Ah-ma has traveled far and wide, researching unique animals like dreamy cloud-jellies, enormous sunfish, and playful mossgoats. There’s nothing Lu loves more than reading Ah-ma’s letters about her quests, even if she and her mom struggle to understand the Cylian language Ah-ma writes in.

But when Ah-ma’s letters suddenly stop, Lu becomes worried. So when a nearby town needs a geozoologist, Lu decides to go on the journey to find Ah-ma. She charts a course with the help of Ren, an old friend turned new travel buddy.

As they follow in Ah-ma’s footsteps, Lu begins to discover the complex relationships between geofauna—and between people. What stories has Ah-ma never told her? And what’s Ren hiding from her?

What is Lu and Ren’s Guide to Geozoology’s origin story?

As I get to know myself as an artist and writer, I’m realizing that there’s no one single origin for any of my stories. Lu and Ren’s Guide to Geozoology is a combination of things I love and that have shaped my life: animals and nature, the relationships with the people around me, and growing up as part of the Taiwanese American diaspora. That being said, I can show you the very first illustration I ever made in the world of Geozoology:

Several years ago, I made a birthday illustration for a friend who really loves guinea pigs. My thought process was: “What if guinea pig… but BIGGER?” To really set the scene, I wrote a short travel postcard-style description on the back with fun facts about this guinea pig mountain’s behavior and ecology.

Needless to say, my friend loved it. So did a lot of other people, it turned out. So I set about drawing more giant landscape-animals (with proto-Lu for scale) and writing facts about them. The project transformed several times: from a series of illustrations that I thought I might turn into a calendar, to a picture book, to a graphic novel (though one very different from the Lu and Ren’s Guide to Geozoology that was eventually published). 

Four years passed between that initial illustration and signing the contract for the book; another four passed before it was published. That’s a lot of years for ideas to meld together, come apart, and change. That’s also a lot of time for me to change as an artist. 

Can you share Angela Hsieh’s origin story as well?

I was one of those kids who loved reading and drawing. I had a vague idea that it’d be cool to make a book one day, but I wasn’t one of those “one day I’ll grow up to be an author” kids, you know? I read lots of manga and comics and watched a lot of animated films, so I knew that other people were out there making cool stories, but it all felt impossibly distant for me. I also thought I’d be going into the medical field for the majority of my education, so making my own stories was lower on my list of priorities for a long time. 

I don’t think there’s any one specific turning point in my life when I decided to make my own book, but rather a collection of events that led me down this path. One such moment was walking into my local Barnes & Noble as a high schooler and picking up the Flight comics anthology. Until then, I thought of comics as either 20-volume epic manga series (unattainable by its enormity) or daily funnies (something I enjoyed but didn’t want to make). Reading Flight made me feel like making comics could be an achievable goal. The seed was planted. I didn’t do anything with this revelation until about 15 years later, after I’d gotten an undergraduate degree in biology and finished my illustration degree, but I got there eventually. 

When did drawing evolve into visual storytelling for you? Have you always been drawn to telling stories with your art, or is it more of a long and winding path to get where you are today?

I both drew and wrote from a young age, but I didn’t really take the idea of combining the two seriously until I was an adult. And even then, I didn’t find my way to comics until after I graduated from art school. I thought I’d be an editorial illustrator, which often requires a more symbolic/conceptual approach than a narrative one (though the two aren’t mutually exclusive). I found myself more drawn to the narrative approach than the conceptual one. I realized the things I wanted to say could not be encompassed by one illustration.

To be completely honest, I resisted making comics for a long time because of the amount of time and work they require. But at some point, I came to the conclusion that they’re the best medium to tell the kinds of stories I want to tell (at least for now), so I just had to take the dive. 

As a MUF STEM Tuesday contributor and career scientist, my reader’s radar activates when I see STEM used in a fantasy story.  You used real-life science and nature in Lu and Ren’s Guide to Geozoology to create a believable world by grounding the fantasy with recognizable natural elements. How important was it to you to get the natural elements right, but with enough fantastical elements to engage the reader?

I hope I got that balance right! I was a nerd child who read Audubon’s First Field Guide: Birds from cover to cover. I also loved reading the Pokédex entries in Pokémon. Since Lu and Ren’s Guide to Geozoology is more about exploring and learning about the world and less about, say, which geofauna would win in a wrestling match, I aimed for somewhere in between Pokémon and Audubon’s First Field Guide on the spectrum of fantastical to factual. 

In terms of telling a compelling story, the balance was less about fantastical vs. realistic and more about weaving the science-y stuff into the plot to such a degree that learning about the world felt like a natural progression of the story. I tried to approach worldbuilding in, well, a scientific way. If I change one thing (i.e., there are big animal mountains), what else will change? In a world where people have to live among these big animal mountains that move around, how would people interact with them? Some people, like Lu and Ah-ma, would try to learn as much as possible about them. If we follow these characters, we’ll learn about the world through their eyes. 

The geofauna’s behavior is based on that of real animals, and their geological features are based on real-life locations. The most fantastical things about them are that they’re (a) huge, and (b) made of rocks. Otherwise, most of their biology and ecology is pretty similar to the way nature works in real life. I didn’t feel the need to put a fantastical spin on something like hydrangeas changing color based on soil pH because it tied in neatly into the world and the story I was trying to tell. And because the natural world is already pretty magical, if you ask me. 

One part of your book I enjoyed was the use of the Cylian (Mandarin Chinese) language heritage to drive Lu’s interest, need, and frustration in understanding Ah-ma’s writings from her letters and travel journals. How challenging was it to incorporate the Cylian language into the story? (You did a beautiful job of this, by the way!)

Thank you! I very quickly came to the conclusion that whenever written Cylian showed up on the page, it would not be actual Chinese. The practical reason: My Chinese is not nearly at the level required to write letters, much less scientific field notes. The conceptual reason: Even readers who can read Chinese wouldn’t be able to read Cylian, so all readers would be put in Lu’s shoes when she struggles with the language barrier. 

My parents sent me to Chinese school when I was a kid, so my hand still remembers the shapes of the characters, even though I’ve largely forgotten what they mean. I was able to write characters that resembled Chinese, which, upon closer inspection, were incomprehensible. I took a lot of inspiration from Xu Bing’s installation, A Book from the Sky. I wasn’t aiming for semantic meaning as much as I was aiming for the emotional tension you feel when looking at something you “should” understand but just can’t wrap your mind around. 

Like many second-generation Asian Americans, I speak my parents’ mother tongue all right, even if my reading and writing leave much to be desired. My team and I went back and forth a couple of times when trying to figure out how best to represent Cylian (Mandarin Chinese) vs. Lirrish (English) dialog. We tried chevrons and colored speech bubbles, but we ultimately decided that the most elegant solution was to use colored text (purple for Cylian, black for Lirrish) and add a short note at the beginning to explain the difference to readers. The reader, like myself and Lu, will be able to understand spoken Cylian, but be at a loss when confronted with the written form. 

The drive Lu feels to understand the language deepens her connection with Ah-ma and reveals her strong curiosity about the world. How did you connect Lu’s curiosity to her problem-solving skills of following Ah-ma’s trail?

Curiosity and problem-solving often go hand-in-hand in real life. I find that people who want to understand how the world works are also the same people who’re driven to create interesting solutions to challenges. It only made sense to me that a curious kid like Lu would try to understand the world as her ah-ma, her idol, would see it in order to find where she’s gone. Lu wants to know things. The only way to know things is to go out and find answers!

Page 70 might be my favorite page of the book. It’s a masterclass on how to represent the passage of time and space on a single page. The four panels at the top of the page depict the passage from night to dawn and are set over a sweeping landscape establishing shot of Lu and Ren entering Ambyton. (Wonderful work in my opinion!) How difficult was it to come up with a solution to the problem of representing time and distance in such a compact space? 

Thank you! Playing with the passage of time is one of my favorite things to explore in comics, right up there with the page turn. It makes me feel clever when I’m able to pull it off, haha. One of the interesting challenges of making a graphic novel that involves a lot of traveling is showing the days on the road without the story dragging or the pages getting repetitive, but still getting across to the reader that days or weeks have passed. On a comic page, the gutter—that is, the space between the panels—represents the passage of time. More, smaller panels will slow the reader’s eye down and make it feel like more time has passed. It’s one of those things that I didn’t think about consciously when I was just reading and not yet making comics, but now that I’m creating comics, I’ve learned it can be used to great effect when done with intention. 

For this particular page, it wouldn’t say it was terribly difficult—mostly because I’d been itching to use this technique ever since seeing other artists do it. Shaun Tan has a breathtakingly understated spread in The Arrival that depicts a lengthy journey by ship via the changing shapes of the clouds, day by day, in a grid of sixty square panels. This is followed by a page turn to a splash page of the ship on the ocean, a small shape dwarfed by the cumulonimbus clouds towering above it. Just gorgeous. When I see someone do something well, I want to try it too. 

As creators, we are interested in the creative processes of other creators. In my graphic novel critique group, it’s an oft-discussed topic. Three members of our group are sketch-to-script creators, while I’m firmly grounded in the script-to-sketches camp. For your graphic novels, what’s your approach?

You can’t see me, but I’m giving you a script-to-sketches fist bump. I do some visual development ahead of time for characters and locations, but when it comes to the story, I have to write it down first. I don’t draw very fast, so I want to make sure the beats and pacing are right before I commit to drawing hundreds of pages. I work in a fairly straightforward way, from script to thumbnails to sketches/pencils to colors. (Since I worked in a lineless style for Lu and Ren’s Guide to Geozoology, I skipped inks and went straight to colors.)

Having the script first means I can plan for putting speech bubbles on the page from the moment I begin drawing the book. I always make sure to plan the layout of the speech bubbles when I thumbnail. Dialog takes up a lot of space! Even with a “finished” script, I ended up cutting lines as I drew, trying to keep only what was necessary so that the pages didn’t feel overly cluttered. 

Do you have a critique group or a group of fellow creators/friends with whom you bounce your work and ideas off?

I do! I’m part of a few groups, both local and online. I’ve got a couple of trusted friends who see the early stages of my work, before they’re anything near a fleshed-out story, and I’ve got critique partners who see the more refined draft and help me work out the rough spots. I try not to bring too many critique partners into any particular story I’m working on. There’s definitely such a thing as too many cooks in the kitchen. 

I’ve got to give a special shoutout to Middle Grade Escapades. It’s not a critique group, per se; it’s a marketing collective made up of 2025 middle grade debut authors. It’s been invaluable to have the support of folks who’re also going through the same roller coaster of an experience that is putting a book out in the world.

Apart from art and your creative practice, how do you spend your free time?

I’m a big believer in doing things that aren’t directly related to my creative practice. It both expands my world and gives me things to make art about. I love baking. My sourdough starter from 2020 is still alive and contributing focaccia to the household. I also practice (very amateur) bonsai. Every time I pass my window, I can’t help but stop and stare at the little garden we’ve got out there. One of my favorite things to do is hang out on my couch with a book or a crochet project and a cat on my lap. I play D&D and do my best to carve out time to spend with friends. 

After the release of Lu and Ren’s Guide to Geozoology into the world, what’s next on your plate? Book promotion? School visits? Back to work on the next graphic novel?

I’ve spent my summer jetting about the US on my self-styled “book tour”—as of writing this, I’ve just gotten back from the wonderful Bigfoot Kids’ Book Festival in Washington—and I’m ready to hibernate in my apartment and just work on my next book! Though I met many wonderful readers and fellow authors this year, book promotion takes a lot out of me, and I found myself without any energy left to create. I’m looking forward to getting back into the rhythm of making things again. 

The From the Mixed-Up Files family wishes you and Lu and Ren’s Guide to Geozoology the very best of luck, and hope it finds its readers! Thank you, Angela, for being our guest! Your book is absolutely fantastic. 

Thank you so much for having me, Mike!

Links

Angela Hsieh Website

Kids Comics Unite! Interview

Lu and Ren’s Guide to Geozoology Publisher’s Page

 

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