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Here There Be Unicorns: Creating Fantasy Worlds

Are unicorns real? People through the ages have wondered about these shy, elusive creatures. Although sightings are rare, and captures even rarer, we can’t help being curious about these magical animals with their single horn and healing magic.

Writers have long been attracted to unicorns, and many have written about these wonderous beasts. Readers, too, love these one-horned magical animals. Unicorns alight from the pages of books to fly through our imaginations.

If you’d like to invent your own fantasy world inhabited by unicorns, dragons, fairies or other magical creatures, here are a few steps to follow:

1) Research – It’s important to know what’s already been written by other authors so you’re aware of what most people already believe.

I asked Amie Borst, author of the Unicorn Tales series, to tell us a little about how she created her unicorn world:

After a trip to Scotland in 2017, my childhood love for unicorns was rekindled. In the spring of 2018, I had set out to write a series of unicorn stories. By fall of 2018, I threw myself into the unicorn universe!

I knew the unicorns needed to have powers (water, air, earth, fire) but wanted to expand upon that even further. At the time, someone had suggested Greek mythology. That suggestion was like a lightbulb moment. Unicorns are the national animal of Scotland, so it seemed appropriate that the stories be somewhat linked to Celtic mythology.

So, I quickly ordered books and got to work, reading up on Celtic Gods and Goddesses. The research was fascinating and also overwhelming. But there was so much inspiration to be had.

Tons of research later, I developed the Isle of Avonlea, the world where my unicorns reside. A system of government was put in place. The islands four kingdoms (Wintersend, Springsmorn, Summerstart, and Autumnseve) each represent the seasons. They also have their own unique export. The unicorns all work in tandem to maintain the balance on the island while also discovering their magical talents and abilities.

The Isle of Avonlea is a huge universe with many other mythical creatures. Each unicorn on Avonlea has a familiar; a fairy who is a physical manifestation of that unicorn’s powers.

Like Amie, as one of the authors for the Unicorns of the Secret Stable series, I started my journey by reading unicornhistory and lore. I’m jumping into a world already created by Whitney Sanderson, where two girls, Iris and Ruby, are Unicorn Guardians. Even though, the fantasy world for this series already exists, I read everything about unicorn history from ancient Greece, Rome, and China into the Middle Ages, when scribes jotted down tales of unicorn sightings and captures. Two books I found helpful were Behind the Legend: Unicorns by Erin Peabody and A Natural History: Dragons and Unicorns by Paul and Karin Johnsgard.

2) Set Up the Rules of the World – After you know what other writers have done, it’s time for you to get creative. You can use what you’ve learned to shape your world, or you can come up with a totally new and different reality.

Once you’ve set down rules, you’ll need to keep them consistent. For example, in the Birch Tree Chronicles series I’m cowriting with Shelley Day Jewell, only people who believe in magic and have pure hearts can see fairies. If we suddenly change that rule partway through the story and let anyone, even the villain, see fairies, readers will be confused unless we find a way to explain why it happened.

3) Decide on a Time and Location – Along with rules, you’ll need to decide on a time (past, present, future) and location (real world, pretend world, another planet). If it’s set in the real world, you need a portal or passage to get to the fantasy world.

In the Unicorns of the Secret Stable series begun by Whitney Sanderson, only two humans know of the secret place where the unicorns dwell. The two young girls, Iris and Ruby, are Unicorn Guardians of the Enchanted Realm. They have jeweled keys to unlock the gate at Magic Moon Stables. To everyone else, the land behind the fence appears to be an empty pasture. But once the girls pass through the gates, they enter a world of wildflowers and unicorns and magical lands like the Diamond Desert, Fire Mountains, and Fairy Forest. For these books, that gate is the portal to the unicorn world.

4) Invent the Creatures – If you reinvent mythical creatures that readers already know about, you’ll need to make sure readers know how your characters are different.

Most readers think of unicorns as having one horn and healing magic. They’re often depicted as gentle, kind, and shy. If your unicorns have three horns and are mean and cruel, you’ll need to present them that way in the beginning of the story.

If you make up characters that have never been seen before, it’s important to paint a strong word picture so readers can visualize your creatures. Better still, have an artist create a drawing to include with the story.

5) Create a Map – Many fantasy books have maps. This not only helps the author to keep places and names and landforms straight while writing, but maps also help orient readers.

What is equally as fascinating is how authors create the fantasy worlds these creatures inhabit. Many fantasy books contain maps of the world the author has developed. It helps to orient readers and to remind authors of the obstacles their characters might face when traveling from one place to another.

Shelley Day Jewell, who is cowriting the Birch Tree Chronicles series with me, shared these tips with me:

Creating a fantasy world starts with an idea—just like a story—and then evolves. I research to find a seed, and then the world seems to create itself. I’d read that it’s common for fairy worlds to have four seasons at the same time. From that one seed, a new realm was born.

Shelley sketched a rough map that Birch, the eleven-year-old main character, might have drawn. The first map of is of the fairy world. The second is of Birch’s neighborhood.


 

 

 

 

 

 

 

You can make your map as simple or fancy as you’d like. Think about unusual shapes and landmarks that have meaning to your characters. In sharing about her map of the Isle of Avonlea, Amie Borst said:

Creating a map of the universe was one of the first steps before even writing the stories. Without a visualization of this world, it would have been difficult to develop the characters and their corresponding stories. So that’s when I started sketching on a sheet of paper, drawing a shamrock and dividing the island accordingly. I soon moved into a notebook and began character interviews and detailed each kingdom right down to the types of plants that grow there.

It’s been a blast writing this series and with thousands of copies sold, I think readers love it as much as I do!

I’m sure they do too, Amie! Thanks so much for sharing your secrets with us.

6) Plot Your Story – This is the most important part of making your fantasy world real. Give your characters strong desires, flaws, and goals. If readers can connect with your magical creatures, they’ll want to stay in your fantasy world until the end of the story.

Consider the Rule of Three. Often in fantasy stories, main characters need to try three times to reach their goal or escape from a villain. Each try should be harder than the last. At that point, the main character feels like giving up. There seems to be no way to succeed. But with one final burst of courage, the character makes that final try, and this time, reaches the goal.

Because this rule is used frequently in fantasy, readers come to expect it. You can keep to their expectations by using it or surprise them with something different. You’re the author so, you decide.

7) Let Your Imagination Go – The nice thing about fantasy is that you don’t need to stay in the realm of what’s possible. Let your mind wander to the impossible.

If you get stuck while writing, try asking yourself: What if? Don’t criticize any ideas as you brainstorm. This is a fantasy world, after all, so anything can happen. Just let your mind drift to any odd and unusual ideas. Jot them down as you go, and soon you’ll have many different bits and pieces that might end up being the perfect puzzle pieces for putting your world together.

And if you prefer to read stories others have created rather than creating your own world, you have plenty of unicorn stories to keep you happy, including some classics. Even if you can’t capture a unicorn for yourself, you can still capture their luck and magic in the pages of these books:

The Last Unicorn by Peter S. Beagle

The Last Battle by C.S. Lewis

The Unicorns of Balinor series by Mary Stanton

Here There Be Unicorns by Jane Yolen

Series and books for middle-grade readers abound. Here are just a few:

Unicorns 101 by Cale Atkinson

The Unicorn Rescue Society by Adam Gidwitz

Beasts of Olympus: The Unicorn Emergency by Lucy Coats

Unicorn Island by Donna Galanti

Unicorns of the Secret Stable by Whitney Sanderson

Unicorn and Yeti by Heather Ayris Burnell (for young readers)

Uni the Unicorn by Amy Krouse Rosenthal (for younger readers)

 

I want to thank these authors who shared their helpful tips:

Amie Borst believes in unicorns, loves glitter, and keeps a stash of chocolate hidden away from her chocolate-stealing family. She is the multi award-winning author of several books for children including the Scarily Ever Laughter series (Cinderskella, Little Dead Riding Hood, Snow Fright), the Doomy Prepper series, and Unicorn Tales. She was a judge on Rate Your Story for several years, and a founding member of the group blog, From the Mixed-Up Files of Middle-Grade Authors, where she contributed for nearly a decade.

Website: www.amieborst.com

Blog: www.amieborst.blogspot.com

Twitter: www.twitter.com/amieborst

Facebook: www.facebook.com/amieborstauthor

Pinterest: www.pinterest.com/amieborst

Instagram: www.instagram.com/amieborst

Shelley Day Jewell has been a writer in her head since grade school, but didn’t start the real thing until ten years ago. She’s had short stories published in Boys’ Quest, Hopscotch, and The School Magazine. She’s been an honorable mention in the Women On Writing flash fiction contest three times and a third place winner once.

She grew up in New England surrounded by mountains, meadows, and forests, which is where many of her stories take place. She resides in the mountains of Northern New Hampshire with her family and a plethora of pets.

When not at her day job, Shelley is currently working on an MG adventure series, a YA mystery, and YA fantasy, traipsing through the woods, climbing mountains, or enjoying the spectacular sunsets will drinking coffee, reading, or knitting. You can connect with Shelley at her blog.

 

 

STEM Tuesday– Celebrating Diversity in STEM– Writing Tips & Resources

Author’s Purpose

Why do authors write what they write? I’ve thought about this question a lot lately. Authors explain their purpose in prologues, epilogues, introductions, or author’s notes. For me, these parts of a book are often as interesting as the main text.

This month’s Celebrating Diversity in STEM– Book List reminds me of why it’s important to have perspectives from diverse authors. As nonfiction authors, we always put ourselves — our passions, our personalities— into our books. Our race and cultural background is part of what makes us who we are. It can influence what stories —and whose stories — we choose to tell. And it also affects how we write our books, adding authenticity and heart. 

A Closer Look at Author’s Purpose

Let’s look at what four of this month’s authors say about their purpose for writing.

In HIDDEN FIGURES, Margot Lee Shetterly writes that growing up she “assumed the face of science was brown,” because her father and people in her community worked in science, math, and engineering. Shetterly soon learned the world was very different when her father was a child. And when Shetterly discovered African-American women mathematicians had worked at NASA Langley Research Center for decades without recognition, she was determined to spotlight their contributions to American history. As Shetterly writes in her prologue, “The contributions made by these African-American women have never been heralded, but they deserve to be remembered and not as a sidetone in someone else’s account but as the center of their own story. …This is their story.”

In WHAT COLOR IS MY WORLD, Kareem Abdul Jabbar also aims to inform readers about overlooked historical figures: “Unfortunately, many of the greatest American inventors have been ignored by history textbooks based on the color of their skin or their gender. …By telling of their unsung but vital contributions, I hope to celebrate these overlooked role models so that we can all appreciate one another in meaningful ways.”


William Kamkwamba (THE BOY WHO HARNESSED THE WIND) writes to persuade other youth, especially Africans, to pursue their dreams, “I want you to know your ambitions just as important and worth achieving, however big or small. …Think of your dreams as tiny miracle machines you can tough. The more faith you put into them, the bigger they get, until one day they’ll rise up and take them with you. (Epilogue)” In her introduction to PATH TO THE STARS, Sylvia Acevedo has a similar purpose for telling her story, to inspire young people to “dream big dreams and make those dreams come true.”

Whether the book is a biography or an autobiography, each author’s deep personal connection and passion shine through in their writing. They’ve crafted stories only they can tell.

FINDING YOUR PURPOSE – Story Sparks

That deep, personal connection that ignites our writing is something every good writer aims for. And it starts with the stories or angles we choose — our story sparks. So pull out your writer’s notebook, and let’s get going.

Turn to a clean page in your notebook, and title it “STORY SPARKS.” Now let’s fill it up with ideas.

  • First, what subjects excite you? They could be school subjects like biology, hobbies like knitting or building robots, pets, or your favorite sport. 
  • What kind of books do you like to read? What about TV shows, movies, and music?
  • Are there certain news stories you find most appealing?
  • Maybe there are special places you like to visit, like the beach or a quiet forest.
  • Next think about themes and ideas that interest you. Is it underdogs? Bullies? Being the youngest? Are you interested in social justice or the environment?
  • Finally, like the authors on this month’s book list, think about your personal history, traditions, culture, and community. Do they give you inspiration for stories to tell? If so add them to your list too.

As you make your list, see if you notice any patterns, similarities, or connections that fire up other ideas. If not, try smashing two ideas together like environmental issues plus your favorite spot— the beach? After a little digging, you add ocean pollution to your list.

Here’s the good news. You can use your story sparks to find focus even if your teacher assigns topics for informational writing. Have to write a presidential biography? Is space your jam? Why not pick John F. Kennedy, who launched the U.S. into the Space Race?

Whenever you learn something new and find yourself thinking, “Hmmmmm, that’s interesting,” jot it down. You’ll never run out of ideas. Happy writing!

O.O.L.F.

 


Kirsten W. Larson used to work with rocket scientists at NASA. Now she writes books for curious kids. She’s the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), A TRUE WONDER: The Comic Book Hero Who Changed Everything, illustrated by Katy Wu (Clarion, 2021), THE FIRE OF STARS, illustrated by Katherine Roy (Chronicle, Fall 2022), along with 25 other nonfiction books for kids. Find her at kirsten-w-larson.com or on Twitter/Instagram @KirstenWLarson.

Sydney Taylor Book Award Blog Tour — Interview with Honor Book Award-winner Tziporah Cohen and a GIVEAWAY

The Mixed-Up Files is thrilled to be a part of the 2021 Sydney Taylor Book Award Blog Tour! (For the full schedule click here.)

The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. As someone who has followed the award closely for many years (and was honored to be a past winner of their manuscript award which recognizes unpublished manuscripts) as well as a member of the review team for the Sydney Taylor Shmooze, a ‘mock’ version of the awards, I am especially thrilled and delighted to welcome author Tziporah Cohen, whose debut novel No Vacancy —about an 11-year-old Jewish girl who, with her Catholic friend, creates a Virgin Mary apparition at a drive-in movie theater to save her family’s failing motel—is a 2021 Sydney Taylor Award Honor Book in the middle grade category.

SEE BELOW for a chance to WIN A COPY of NO VACANCY by Tziporah Cohen!

 

About the book:

SYDNEY TAYLOR BOOK AWARD HONOREE!
Shortlisted for THE NATIONAL JEWISH BOOK AWARD FOR CHILDREN’S LITERATURE! 

 

“With effortless mastery, Cohen weaves the opposing forces of innocence and corruption, right and wrong, love and hate.”—Inderjit Deogun, Quill & Quire starred review

Buying and moving into the run-down Jewel Motor Inn in upstate New York wasn’t eleven-year-old Miriam Brockman’s dream, but at least it’s an adventure. Miriam befriends Kate, whose grandmother owns the diner next door, and finds comfort in the company of Maria, the motel’s housekeeper, and her Uncle Mordy, who comes to help out for the summer. She spends her free time helping Kate’s grandmother make her famous grape pies and begins to face her fears by taking swimming lessons in the motel’s pool.

But when it becomes clear that only a miracle is going to save the Jewel from bankruptcy, Jewish Miriam and Catholic Kate decide to create their own. Otherwise, the No Vacancy sign will come down for good, and Miriam will lose the life she’s worked so hard to build.

 

 

Author Interview:

And now, here’s No Vacancy author Tziporah Cohen joining us here on the Mixed-Up Files!

MD: Hi Tzippy, what inspired you to write this story?

TC: The whole idea began while on a mini-vacation in Hershey, PA, where we stayed a couple of nights in a tired motel one summer while I was working on my MFA degree. There was a boy hanging around—maybe 7 or 8 years old—and it turned out he had moved there with his family and they were running the place. I thought it made a great, unique premise for a middle grade novel—a kid living in a motel that her parents were managing. (Kelly Yang’s fantastic novel, Front Desk, hadn’t come out yet.) The boy we met was South Asian, and Hershey is a pretty white town, and I wondered what that was like for him and his family. I had been thinking of writing something from my own Jewish experience, so the boy became an eleven-year-old Jewish girl named Miriam. I wrote the first chapters in that hotel room after my kids went to sleep!

MD: As a debut author, can you tell us about your journey to publication?

TC: It was a long one, as they usually are! I had an idea for a picture book back in 2006 and took an adult education course on writing picture books, which led to some online writing courses, which eventually led to an MFA at Vermont College of Fine Arts. I never saw myself writing a novel, but since you can’t do a two-year MFA just writing picture books, I wrote the first draft of No Vacancy over three semesters there. It took several more years of work after graduation before it was ready to submit. I had started looking for an agent but had also submitted the manuscript to Groundwood Books in Toronto, where I now live. When Groundwood sent me an offer of publication, after screaming with excitement, I approached the agents I was interested in with the offer in hand. So my road was a bit backwards at the end.

(The irony is that I never did write that picture book idea that started this whole journey!)

MD: I loved your interview on the Book of Life podcast where you talk about mentor texts—can you briefly explain what a mentor text is, and how you used them when writing NO VACANCY?

TC: Mentor texts are books (in this case) that a writer studies to learn how another author tackles a topic or how they use their craft to form a story. In my case, I wanted to see how other writers tackled the topic of religion and faith in their middle grade novels. There weren’t many out there, but I went back to a childhood favorite, Judy Blume’s Are You There, God? It’s Me, Margaret. and the more recent Confessions of a Closet Catholic by Sarah Darer Littman, both of which feature girls struggling to sort out their religious identity and what role they want Judaism to play in their lives.

MD: How did you choose the setting of upstate New York?

TC: I love upstate New York. I spent four years at Cornell University, in Ithaca, and while that’s not a small town, it was certainly very different from where I grew up on Long Island, about an hour’s drive from Manhattan. I’ve done many drives through upstate New York since then, going back and forth from Toronto to Long Island, and so it all felt very familiar and easy to picture in my mind.

MD: Are any of these events true to your own life?

TC: Unfortunately, the only event in the book that’s true to my life (outside of the religious observance) is the anti-Semitic experience that Miriam’s mother had. While I was never assaulted like she was, I had the experience of having pennies thrown at me in the halls of my junior high school. Like Miriam’s mom, I remember feeling ashamed. I wish I could redo that moment by confronting the person and—best case scenario—educating them about the hateful origins of that stereotype. And I would have liked to have felt proud rather than ashamed.

MD: I really love how you show both interfaith and interdenominational cooperation between Jews and Christians, as well as how even within Judaism that there are differences of observance such as between Miriam’s immediate family and her Uncle Mordy. Can you talk a little about that?

TC: It was important to me to show some of the diversity of Judaism—how differently people who identify as Jewish see their relationship to Judaism and how many different ways people practice it. I wanted Jewish children from a variety of religious backgrounds to see themselves and their families in the book, and I wanted non-Jewish children reading it to understand that there isn’t just one Jewish experience. So it was very intentional that the different members of Miriam’s family observed Judaism in different ways. My extended family’s Judaism is just as diverse as Miriam’s!

In the book, Miriam’s Christian neighbors support them after an act of anti-Semitism. My favorite stories, in real life and in fiction, are when different communities come together to fight hatred, because we are so much stronger when we are there for each other.

MD: What does it mean to you to win the Sydney Taylor Honor Award?

TC: I grew up reading Sydney Taylor’s All-of-A-Kind-Family books, which were probably the first books I read that were about a Jewish family, if you don’t count The Carp in the Bathtub! I grew up reading books with the Sydney Taylor Book Award stickers on them, and I’ve read innumerable winners to my children. I never even imagined I would write a book for kids, let alone one that would have its own Sydney Taylor Award sticker. It’s mind-blowing and humbling to me that I’m part of this club. I’m still pinching myself!

MD: Wow—congratulations and Mazal Tov, Tzippy! Thanks so much for these thoughtful responses and for sharing your journey with us here on The Mixed-Up Files! Readers can find Tzippy on Twitter at @tzippymfa and on her website http://www.tziporahcohen.com.

Giveaway! Enter! Win!

To enter for a chance to be the lucky winner of a copy of Sydney Taylor Honor Book NO VACANCY by Tziporah Cohen, click the link below and you can: comment on this blog post, tweet it out and tag us at @MixedUpFiles, or like our post on Instagram at @mixedupfilesmg. (US and Canada winners receive a hard copy, international winners receive an e-book and signed bookmark.)

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