Posts Tagged writing tips

STEM Tuesday — The Living Seas– Interview with Patricia Newman

STEM Tuesday

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today I have the pleasure of interviewing Patricia Newman, award winning author of the newly released Planet Ocean.  Combined with Annie Crawley’s stunning photography, Patricia’s research provides an immersive experience for readers of all ages. You’ll also meet some of the people fighting to maintain the ocean’s vital role in sustaining life on our planet.

Before you start, check out this fascinating trailer featuring video shot on location and fascinating facts about the ocean ecosystems:  “Why your library needs Planet Ocean”

Planet Ocean is a beautiful book. It explains the subject material in a beautiful way and the photographs are incredible.  A must read with your children. 

Jeff Bridges, Academy Award winning actor and environmentalist

* * *

Patricia NewmanChristine Taylor-Butler: Patricia, in a past life you have been a teacher, a computer programmer, and an Assistant Director for Cornell University’s regional office. In those capacities, you’ve traveled all over the world, including Kenya with a geneticist as a volunteer for the San Diego Zoo. Do you ever slow down?

Patricia Newman: My husband asks the same question, Christine. I confess I have a hard time sitting still and I enjoy working on multiple projects simultaneously. That said, I relish quiet time, too, to read, soak up nature, and allow my brain to make the connections that ultimately inspire book ideas.

 

CTB: You received the Sibert Honor award for your book Sea Otter Heroes. You mention that a teacher once described fiction as “heart” and nonfiction as “facts.” You said it hurt your feelings. Could you elaborate?

Sea OttersPatricia: The conference speaker was asked to define fiction and nonfiction. She said, “Fiction is the heart and nonfiction is the facts.” And you’re right, Christine. That bland, watered down definition hurt my feelings because she implied nonfiction authors don’t add heart to their work. What about children’s biographies profiling people that empower children to reach for the stars? What about the scientists in books such as Sea Otter Heroes who inspire the next generation of scientists? What about books on focused topics, such as sharks, bugs, or space, that feed the curiosity of young readers? Nonfiction authors write from personal experience and passion. Our topics come from who we are as people and light fires within us. And we want to share that passion with young readers – both as they read our work and as they write. I’d advise teachers out there to pick up a copy of Nonfiction Writers Dig Deep edited by Melissa Stewart. Share with students the essays from 50 nonfiction authors and try to mimic our pre-writing process to add heart to student work.

 

CTB: Your body of work is such a joyful exploration of both science and the human spirit that seeks to explore and improve the environment. Where did that passion come from?

Patricia: When I was young, I watched bugs. I grew vegetables. I scoured tidepools. I compared the shapes of leaves. Like all children, I was a natural scientist, and my questions led my “investigations.” I guess I’m one of the lucky ones because I never lost that desire to question. I still spend as much time outdoors as I can. Because of my love of science, I understand our connection to our natural world – how it feeds our souls, how it supports life on our planet. Whenever I hear about an amazing scientist working to help others understand this connection, I look for the story.

I often hear librarians say that history is people. What I’d like to hear more of is history AND science is people. The scientific skills of observation, investigation, and analysis form the bedrock of the discovery process in any discipline, whether history, language, culture, or mathematics.

 

CTB: Let’s talk about Planet Ocean. It’s an amazing work. You collaborated with Annie Crawley, a professional diver and photographer who explores oceans all over the world with a dive team. How did you first meet?

Planet ocean coverPatricia: Planet Ocean is my third book with the amazing Annie Crawley. We first met while I was working on Plastic, Ahoy! Investigating the Great Pacific Garbage Patch. After the Scripps Environmental Accumulation of Plastic Expedition (SEAPLEX) returned to dry land, I contacted the scientists I wanted to interview for the book. I also contacted Annie because she was the expedition photographer, and I knew no one would have the kind of images she had. At the time, not too many people were willing to talk trash, and Annie was thrilled to showcase the expedition’s disturbing findings in a book for kids. Plastic, Ahoy! was one of the first children’s books about marine debris and it has inspired more children than I can count. One middle school reader later wrote her college essay about how Plastic, Ahoy! inspired her to study ocean plastic.

 

CTB: When Annie traveled to take location shots, she uploaded audio and video so you could stay connected with the source material. Was it hard to live the adventures vicariously?

Crawley with Whale

Crawley

Dive/Photographer Annie Crawley

Patricia: I was fortunate to travel to Seattle where Annie and I began our research for the Salish Sea chapter of Planet Ocean. We interviewed several scientists and experts by phone and in person. I also spoke to Annie’s Dive Team about communicating science through writing.

Annie already had science expeditions planned for Indonesia and the Arctic, so I knew early on that I would have to live vicariously. (One interesting note: Publishers rarely fund nonfiction research expenses.) Annie recorded and, in many cases, videoed the interviews, she traveled with my questions in hand and frequently added her own, and often included messages to me from our experts. When Annie and composer Stella Sung met for a performance of Oceana, they called me from the car to celebrate!
Note: Find out more about Annie Crawley at: www.anniecrawley.com and www.ouroceanandyou.com

 

CTB: The book is a wonderful marriage of science and profiles in courage. I was taken with the enormous diversity of people featured who are active in their local communities combating activities that threaten the health of our oceans. Who stands out the most to you? Is there one particular story that stayed with you after the book was finished?

Patricia: I feel like you’re asking me to pick my favorite child, Christine! I love all the stories – Aji Piper who’s not fighting for climate change, but human change; Eben Hopson who makes films to give his Iñupiat people a voice; Helen Pananggung and her indomitable group of children who clean their Indonesian beach every week; Nicole Helgason who replants coral; Dana Wlson who mourns the lack of salmon in his native waters; the kids and teens from Annie’s Dive Team who lobby the state legislature and made two inspiring films for Planet Ocean.

Divers

photo credit: anniecrawley.com ouroceanandyou.com.

These people and their stories are connected by their love of and their dependence on the ocean And they are working as hard as they can to make sure we all understand that connection.

The stories also demonstrate how readers can take action in their own lives and become a voice for the sea. Annie and I ultimately want readers to love the ocean because we protect what we love.

 

CTB: Planet Ocean features QR codes that link to videos of Annie and the dive team on location. It really brings the book alive and puts the reader in the middle of the action. I found myself stopping to explore beyond the text. How did that idea come about?

Patricia: I’m so happy you watched them! When I wrote Eavesdropping on Elephants, my editor loved the idea of including QR codes to hear the elephants talking just as the scientists did in the forest. The QR codes are a popular feature of that book.

QR exampleWhen Annie and I partnered again for Planet Ocean, her filmmaking skills seemed like a natural fit for QR codes. We wrote and designed Planet Ocean with an underwater perspective. The QR codes give readers the opportunity to dive below the surface to witness what happens for themselves.

 

CTB: To help you get up close and personal with the material, Annie and her team taught you how to scuba dive. What was that like?

Patricia: Annie began with a classroom lesson that included how to breathe through a regulator, how to read my portable computer to keep track of my air supply, how to clear my mask, and the science of diving.

Newman and CrawleyThen I dressed in my wet suit, flippers, mask, snorkel, buoyancy vest, and air tank. The air tank is astonishingly heavy on land! We dove in an indoor pool – the water in the Salish Sea hovers around 45 degrees and requires a dry suit and more diving skills than I currently possess. I learned how to breathe slowly, remain neutrally buoyant, and maneuver in the water with all the equipment. We also practiced safety techniques, such as communicating with our buddy. Of course, the Dive Team swam circles around me.

The real challenge was the underwater photo – holding my end of Annie’s camera housing steady while maintaining neutral buoyancy – not sinking too deep or floating to the surface.

 

CTB: You’ve written a wide range of nonfiction topics. Many people don’t know that books often start with an idea and a pitch to an editor. It’s a lot of research to conduct for a project that may not find a home. How do you find the right balance?

Patricia: Longer form nonfiction usually begins with a proposal or sales document that provides an overview of the concept, a chapter outline, and a list of the experts I plan to interview. And you’re right, Christine, balance is key.

Before beginning the proposal, I contact the scientists I’d like to feature to get their buy-in. I explain the time commitment involved after the book sells. If they are interested in working with me, I read to acquaint myself with the topic and develop a list of questions. I then set up a 20- to 30-minute interview with the scientist(s) to get at the highlights and dig deep enough to discover a possible narrative thread but not take advantage of the scientists’ time. I must be extremely efficient. If you’re interested in proposal writing, explore this article I wrote for Melissa Stewart’s Celebrate Science blog.

books

 

CTB: You’ve done a number of articles and interviews about your passion for writing. But the one that stuck out was your call to action in Publisher’s Weekly about conventions where publishers and vendors give away thousands of plastic items and tote bags in the quest to sell books. You make some sensible suggestions for sustainable options. Could you give a few here?

Patricia: All my environmental titles include a call to action because we must be grateful for nature and begin giving back. Page 53 of Planet Ocean includes several concrete suggestions. In addition, please consider the following:

  • Eat sustainably. Buy organic when possible and purchase seafood caught using sustainable fishing methods (Seafood Watch publishes handy guides to help you). Consider eating one plant-based meal per week.
  • Use your purchasing power to change corporate practices. Refuse goods packaged with too much plastic or produced by companies that pollute the planet. Some of my favorite alternatives, include:
  1. Bamboo utensils for to-go meals instead of single-use plastic. Use a refillable coffee mug for your designer coffee and skip the plastic cup/lid/stirrer.
  2. Bites Toothpaste Bits to refuse the plastic toothpaste tube, plastic dental floss box, and plastic toothbrush. Ask you dentist to stop giving out plastic toothbrushes.
  3. Etee reusable beeswax food wraps instead of plastic wrap.
  4. Who Gives a Crap sustainable toilet paper, paper towels, and tissues. They also donate 50% of their profits “to build toilets because we believe access to a safe, dignified loo is a basic human right.”
  5. Ten Tree for clothing made with sustainable materials. And for every item you purchase, Ten Tree plants ten trees.
  • Email corporations who continue to flaunt environmental guidelines. I have emails ready for Amazon and Target for unsustainable shipping practices that include loads of single-use plastic.
  • Research electric or hybrid vehicles as a family. What are the pluses and minuses of switching?
  • Take your political leaders to task at the local, state, and federal levels. Our health, clean air, clean water, and adequate food supplies start with a healthy ocean and sustainable habits.

 

CTB: You describe writing these books as “meeting the emotional need in me.” So now I’m intrigued. Is there a project you are dying to write about?

Patricia: One idea in particular tickles me, but because of the coronavirus pandemic, the time is not yet right. Hopefully in the not-too-distant future…

 

CTB: You’ve been amazing asset to children’s publishing. Do you have any books on the horizon we should keep an eye out for?

Patricia: I have a nonfiction picture book releasing in the fall of 2022 illustrated by Natasha Donovan. All I can say right now is that it’s a conservation story with a happy ending.

CTB: Thanks, Patricia, for taking time out to talk to us!

Win a FREE copy of “Planet Ocean.”

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Newman headshotPatricia Newman studied child development at Cornell University. While there, she also studied French, Italian and Childen’s Literature. Patricia’s books encourage readers to use their imaginations to solve real‑world problems and act on behalf of their communities. A Robert F. Sibert Honor recipient for Sea Otter Heroes, Her books have received starred reviews, Green Earth Book Awards, a Parents’ Choice Award, and Bank Street College’s Best Books honors. Patricia speaks at schools and conferences to share how children of any age can affect change.

To learn more about Patricia and her books, please visit www.patriciamnewman.com. You can follow her on Twitter @PatriciaNewman. Or on Facebook at https://www.facebook.com/patricia.newman.9275

 

author christine Taylor-butlerYour host is Christine Taylor-Butler, MIT engineering nerd and author of Bathroom Science, Sacred Mountain: Everest, Genetics, and more than 70 other nonfiction books for kids. She is also the author of the middle grade sci-fi series The Lost Tribes. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram

STEM Tuesday — The Living Seas– Writing Tips & Resources

STEM Tuesday

 

Change

Ah, the world of scientific understanding. It’s exciting. It’s fascinating. It’s ever-changing. And with that comes some challenges for the science writer. How’s a writer supposed to commit to providing the “truth” about a topic when the scientific understanding is likely to change in the future?

And if you are writing about the ocean—a topic in which our knowledge gets updated on an almost daily basis—you could see that as a dark abyss, a sea of knowledge your little flashlight could never hope to illuminate fully. Or, you could see it as an opportunity . . . after all, ocean exploration is the perfect metaphor for open-ended inquiry.

Looking at this month’s Living Sea book list we can scavenge strategies used by science writers to navigate the uncharted waters of scientific understanding.

  • Showcase the nature of science and engineering practices
  • Focus on enduring concepts, skills, and/or messages
  • Provide hope for the future and inspiration for the future professionals

The Next Wave: The Quest to Harness the Power of the Oceans, by Elizabeth Rusch

When we present discovery and design as a timeline, it illustrates a trajectory, helping readers visualize future possibilities for science, engineering, and themselves. For example, Rusch follows individuals Mike Morrow and Mike Delos-Reyes from childhood (component-collecting with a screw driver or building a guitar from a badminton racket), to high school (Most likely to become Mad Scientist) to professional engineers (lighting Christmas tree lights with their prototype). Young readers can “see” the future through their path.

Rusch interweaves their story with that of others, conveying the variety of different possible solutions to an engineering problem, an enduring message all young readers need. In the book’s conclusion, Rusch provides literary snapshots of where the projects stand in their process. A look at a few lines indicates the hope she leaves readers with:

“When OPT gets the green light …”

“The Mikes have set their sights…”

“Columbia Power Technologies hopes to roll out…”
This is how a writer maximizes on the opportunities presented by ocean exploration!

 

Tracking Trash: Flotsam, Jetsam, and the Science of Ocean Motion, by Loree Griffin Burns

In this book, Burns focuses squarely on the efforts of one scientist. She helps us see Dr. Curtis Ebbeseyer as an individual, to witness how his curiosity enhanced his career, and how his seemingly simple methods (tracking floating rubber duckies across the ocean) brought new understandings to light.

This Scientist in the Field approach provided opportunities to teach broad skills. Complementing engaging text with large maps of ocean currents, Tracking Trash encourages visual literacy and specific map-reading skills. Burns included sidebars on how readers can get involved themselves. And, presenting data graphically allows readers to practice chart-reading skills.

Anchoring the reader in the experiences of one individual also enabled Burns to illustrate the collaborative nature of science—from working with other professional researchers to engaging community scientists, Curtis’s story provides models for young readers.

 

Astronaut, Aquanaut, by Jennifer Swanson

An author’s unique approach to a topic can open reader’s minds to new possibilities. In this book, Swanson’s comparison of two professions opens the door to teaching enduring concepts and skills over and over again. For example, she models compare and contrast with “Differences” and “Similarities” sidebars. She asks questions about ethics “Should we have colonies on Mars?” She uses these high interest topics to teach concepts such as gravity, skills such as creating a model, and messages such as teamwork.

When Swanson discusses deep sea vents on page 71, the focus isn’t on the fun facts, it is on nature of discovery and how that changed scientists’ perspective on Earth’s crust. She concludes with “Makes you wonder how many other amazing discoveries lie beneath the deep.” It shows readers the nature of science and it inspires future scientists!

A few other tips gleaned from books on this month’s list:

  • In illustrations, avoid dated objects or use intentionally dated illustrations to convey progress through time.
  • Highlighting multiple projects increases the chance that a project from the book will be ongoing or completed once the book is published.
  • Use a different device (such as a diagram in a photo-driven book) to represent the imagined future of a project.

In what scientific subjects do you see the potential for new knowledge? Whip out your writer’s notebook and brainstorm strategies to capitalize on that brain-stretching potential!

 

Heather L. Montgomery inspires young readers to make their own discoveries! She concludes her recent title, Little Monsters of the Ocean: Metamorphosis Under the Waves, with a story of a six-year-old who discovered four new larval species! Learn more at www.HeatherLMontgomery.com

STEM Tuesday — Natural Disasters– Writing Tips & Resources

STEM Tuesday

Disasters

Hmm…

How is one supposed to write a Writing Tips & Resources post tied into natural disasters? Besides being an apt descriptor of 99.9999% of my writing drafts, the tragedy of a natural disaster has very little to do with writing, right?

Well, my work here is done. Stay safe everyone, take care, and I’ll see you for my next STEM Tuesday post in three months!

(STEM Tuesday Voice-Over Narrator: Hays went back to watching college basketball. Again, he’s taken the easy way out and shirked his duties as a STEM Tuesday “expert”. All in favor of banishing him from ever taking another step onto the STEM Tuesday stage, say—)

Wait! Don’t banish me yet. I’ve just had a revelation, albeit a revelation triggered by my favorite team’s upset loss in the tournament and a completely busted bracket. Nevertheless, it’s still officially classified as a revelation.

Natural disasters actually can tie into a Writing Tips & Resources post. How? Let’s pull back and have a look at the big picture.

This image is created from eight images shot in two sequences as a tornado formed north of Minneola, Kansas on May 24, 2016. Photo by Jason Weingart Creative Commons Attribution-Share Alike 4.0 International

Natural disasters affect everyone. They can come without warning or they can come as forecast. They come by land, sea, and air. They come in all shapes and sizes, just like writers. There is one thing, however, common to natural disasters. They wreak havoc. Take another look at the excellent book list for Natural Disaster Month. Havoc. Havoc. And more havoc.

Three things a writer of any age can learn from natural disasters.

Modeling & Predicting

There was a news blip from the time period after the worst of Hurricane Katrina had passed and before the 2008 financial crisis. It was the usual politics vs science funding BS that is so frustrating for a basic research scientist. A politician went on a rant about the “wasteful” funding in an appropriations bill about a grant awarded to a scientist at a major Texas university to study using GPS to determine and map exact heights on the earth’s surface. As you can probably imagine, the politician ranted on and on about the sheer stupidity of such an endeavor. If the scientist wanted to know how far something was off the ground, why don’t they just go outside and look at it instead of bloating their budgets with tax dollars? 

When the reporter tracked down the research scientist, he explained his research was focused on developing this aspect of GPS technology to better map elevation data. The ultimate goal was to be able to model geographical regions most susceptible to dangerous flooding with specific rainfall patterns. (I wish I could find the source reference but I can’t. I will continue to search for it, though, and post it here if I find it.)

Establishing models by establishing the science. That’s the goal. Better models help explain the world around us. Better models help us to predict the natural world, including natural disasters. The ability to model and predict allows us to stay safer and survive when Mother Nature strikes.

A writer does something similar. They experiment to find out what processes work for them and what doesn’t work. Their individual writing process becomes the model and the model allows them to tell whatever story they want to tell. That’s kind of like a prediction for creating stories that accomplish what the writer wants to accomplish. Janet Slingerland did an exceptional STEM Tuesday In the Classroom post last week that highlights mapping, which is a form of modeling, as a tool.

Planning & Preparation

Being a lifelong resident of tornado alley, we are brought up to plan and prepare for the tornado season. Tornado drills, safe havens indoors and out, supply boxes, and many other preparations are part of everyday life from March to November. We learn to pay attention to the weather report. We learn to know what to do in case of a tornado watch and a tornado warning so when these situations arise, we can be ready.

Planning helps a writer by providing a course of action and a direction. Preparation through practice and learning gives the writer the tools needed to successfully reach that destination. Through planning and preparation, a writer knows what to do when situations arise and is ready to tackle those hurdles.

React & Recover

The cost to humanity from natural disasters is beyond measure. There is no price tag to the emotional, physical, and mental toll a disaster leaves in its wake. However, there is often a sliver of hope that arises from the destruction and chaos. People help each other. Families, households, neighborhoods, communities, nations come together to help each other recover. Out of the rubble springs a new future. Rebuilt and, hopefully, rebuilt better.

Writing is similar. The first draft, and in some of our cases, the second, third, and fourth drafts are often chaos. Havoc on the page. We recover through revision. We revise through community. Writing groups, critique partners, beta readers, etc. all help our writing spring anew from the rubble of an early draft. Just as one would rely on the kindness of a community to recover from a natural disaster, rely on the kindness of the writing community to lift your words.

Tree ridge in flames during the 2018 Woolsey Fire, California, US. Photo courtesy of Peter Buschmann, United States Forest Service. https://www.flickr.com/photos/usforestservice/45923164272 We’re All In This Together

There you have it. A few ways to learn from natural disasters ways to improve your writing. Never forget, however, no matter how much havoc and chaos exist internally and externally, there’s a great community of writers there for support and encouragement.  

Just write. 

Start with one word and then follow with the next word. Repeat.

Just write. 

This is perhaps the best of the whole list of STEM Tuesday Writing Tips & Resources.

Just write.

The world needs your story.

Typhoon Molave on October 27, 2020. Creative Commons Attribution-Share Alike 4.0 International

Mike Hays has worked hard from a young age to be a well-rounded individual. A well-rounded, equal opportunity sports enthusiasts, that is. If they keep a score, he’ll either watch it, play it, or coach it. A molecular microbiologist by day, middle-grade author, sports coach, and general good citizen by night, he blogs about sports/training-related topics at  www.coachhays.com and writer stuff at www.mikehaysbooks.comTwo of his science essays, The Science of Jurassic Park and Zombie Microbiology 101,  are included in the Putting the Science in Fiction collection from Writer’s Digest Books. He can be found roaming around the Twitter-sphere under the guise of @coachhays64.


The O.O.L.F Files

Natural disasters are serious business to which a serious amount of STEM both contributes and is advanced. The drive to learn more about natural disasters continues with the ultimate goal of protecting life and limb. This month’s O.O.L.F. Files explores some of these entities and how they work to advance the knowledge base to keep us all as safe as possible.

National Oceanic and Atmospheric Administration (NOAA)

  • From the NOAA About web page:
    • NOAA is an agency that enriches life through science. Our reach goes from the surface of the sun to the depths of the ocean floor as we work to keep the public informed of the changing environment around them.
    • From daily weather forecasts, severe storm warnings, and climate monitoring to fisheries management, coastal restoration and supporting marine commerce, NOAA’s products and services support economic vitality and affect more than one-third of America’s gross domestic product. NOAA’s dedicated scientists use cutting-edge research and high-tech instrumentation to provide citizens, planners, emergency managers and other decision makers with reliable information they need when they need it.
  • That first line just about says it all! Enriching life through science!

Federal Emergency Management Agency (FEMA)

  • Due to the increase in the sheer number and severity of disasters and emergencies, FEMA has catapulted to one of the most important federal agencies in coordinating disaster response.

National Weather Service Storm Chaser Info Page

  • Uh…where has this site been all my life? I need to jump down this rabbit hole and find out what’s down there. 

Managing Fire by the U.S. Forest Service (USDA)

Japan Tsunami 2011

  • This month brings the ten-year anniversary of the Japanese earthquake and tsunami. The tragedy is an example of the multi-layered effects of a natural disaster at its worst.

Chaos Theory

  • Chaos by James Gleick
    • I recently checked this book out and started reading it. Chaos Theory has been a mind worm since the time I first read Jurassic Park. So far, so good!

Chaos: Making a New Science Cover

Mathematician Edward Lorenz

“When a butterfly flutters its wings in one part of the world, it can eventually cause a hurricane in another.” – Edward Norton Lorenz

  • One of the key figures in the development of chaos theory and its application in meteorology.

Popular Science: How Science Has Battled Natural Disasters

  • This is a pretty cool article about several historical methods scientists used to fight natural disasters.