Posts Tagged “writing for children”

STEM Tuesday– Extinction– Book List

By on October 4, 2022   /   Extinction, STEM Tuesday  

They say “extinction is forever” – but is it? These books address the very real threat of extinction of the living organisms that share our planet. They also show what we can do about it, how some species have recovered, and some even ask whether we should bring back “lost” species.

Animals at the EDGE: Saving the World’s Rarest Creatures by Marilyn Baillie

Dinosaurs are not the only animals who’ve gone extinct; the last marsupial Tasmanian tiger died just 75 years ago. Meet the scientists searching for proof that eleven rare animals (the last of their kind) still exist. Discover what they’ve found and their next steps in either finding or surveying and protecting these amazing animals. The conversational tone, mini biographies, “field note” sidebars, and map make this a wonderful introduction to these animals.

Gone is Gone: Wildlife Under Threat by Isabelle Groc

After explaining extinction and tallying losses, the author examines the numerous ways scientists track and evaluate species numbers and their habitats, as well as the threats each faces. Then highlights the efforts by scientists and citizens which have rescued species (eagles, condors, and right whales) and current efforts to save many others (northern white rhinos, tortoise, and ducks). “Act For Wildlife” sections focus on ways kids, and others, have made a difference.

American Jaguar: Big Cats, Biogeography, and Human Borders by Elizabeth Webb

A jaguar in the U.S.? This book starts with the discovery of a jaguar near the Arizona border and examines the hazards of habitat fragmentation on animals and plants and the work of scientists, citizens, and governments to create corridors (protected areas or over/underpasses) to save numerous species from genetic islands and extinction. Geared for slightly older readers, it uses the history of science and scientists, legends, case studies, conservation connections, and calls to action, as well as great photographs, charts, & graphs to make it very accessible.

Giraffe Extinction: Using Science & Tech To Save the Gentle Giants by Tanya Anderson

Discovering a 40% population drop (in just 30 years), scientists are racing time to study, count, and track nine subspecies of giraffes. The book details the genetics, spot identification software, specific case studies, and spotlights seven conservation efforts. It also offers citizen science suggestions and provides an awesome giraffe guide detailing each of the subspecies physiology, spot patterns, and extinction risk. The photos, charts, and graphs are both gorgeous and heart-breaking.

DeExctintion: The Science of Bringing Lost Species Back to Life by Rebecca Hirsch

Can we and should we bring back a wooly mammoth, passenger pigeon, or Tasmanian tiger?
Or maybe use the technology to prevent current threatened extinctions, such as reviving the “vanished” American chestnut trees, whooping cranes, and the black-footed ferret (once thought extinct, until a small population was discovered in 1981). An interesting look at cloning, DNA mapping and manipulation, and how frozen tissue collections have been used to create diversity in Giant pandas. Hirsch also addresses extinction in two other books: Where Have All the Birds Gone? : Nature in Crisis, in which she notes the warning signs of extinction events; and Where Have All the Bees Gone? featured in an earlier STEM Tuesday post.

Condor Comeback by Sy Montgomery, photographs by Tianne Strombeck

In 1987 the California Condor was declared officially “extinct in the wild.” Fortunately, scientists, volunteers, and everyday people worked together to return condors to the wild. Through it all, readers learn about condor society, behavior, and biology.

Save the People! Halting Human Extinction by Stacy McAnulty, art by Nicole Miles

This is a book about the potential demise of our planet: events that have occurred, are currently underway, and – hopefully – will never happen. Written with humor and sass, the author outlines a few “favorite threats” to the human species: plague, asteroids… But the biggest, most immediate threat is human-caused climate change. She lays out the problems and potential solutions and offers a To Do list at the end.

Rewilding: Giving Nature a Second Chance by Jane Drake and Ann Love

A handbook for those who want to halt extinction in its tracks. This book shows how it is possible to create core areas for wild species, corridors to connect them, and ways to support the keystone species in those habitats. Examples of rewilding include projects in urban environments as well as vast spaces.

Champion, The Comeback Tale of the American Chestnut Tree by Sally M Walker

American chestnut trees were once plentiful in our eastern forests, until 1904 when a fungus wiped out entire forests. But when that fungus showed up in Europe, some infected trees survived. Now scientists want to know if it’s possible to breed a blight-resistant variety, and others are exploring biotechnology options, such as inserting a fungus-fighting gene into the chestnut’s DNA.

For kids who love to choose their own adventures:

Can You Protect the Coral Reefs? : An Interactive Eco Adventure by Michael Burgan

Coral reefs face threats of extinction from increasing ocean temperatures and pollution. In this choose-your-own-adventure, readers learn about coral reefs and then choose a scientific research project to join (there are 3 of them, and you can come back to join another). There’s a lot about ocean research packed into this interactive informational book.

This month’s STEM Tuesday book list was prepared by:

Sue Heavenrich, who writes about science for children and their families on topics ranging from space to backyard ecology. Bees, flies, squirrel behavior—things she observes in her neighborhood and around her home—inspire her writing. Visit her at www.sueheavenrich.com

Maria Marshall, a children’s author, blogger, and poet who is passionate about making nature and reading fun for children. When not writing, critiquing, or reading, she watches birds, travels the world, bakes, and hikes. Visit her at www.mariacmarshall.com

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STEM Tuesday — A River Runs Through It– Author Interview

By on September 27, 2022   /   Living Seas/Oceans, STEM Tuesday  

Welcome to STEM Tuesday: Author Interview, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Patricia Newman, author of the new book A RIVER’S GIFTS: THE MIGHTY ELWHA ROVER REBORN, illustrated by Natasha Donovan. “An illuminating glimpse at the Elwha River and its gifts…Beautifully illustrated and informative,” says Kirkus in a starred review.

Andi Diehn: I love how this is a story of scientific progress told alongside the story of a culture, the Strong People, who witness the destruction of their river and work for its return. How did you find a balance between discussing the engineering of the dams and story of a people?

Patricia Newman: When I write about the environment, I always discover a wonderful overlap between science, history, culture, and current events. This connection to all parts of our lives draws me to nature writing. That said, I do have to make some decisions regarding the pacing of the story—some details are omitted while others are expanded upon. During the research phase of A RIVER’S GIFTS, I took my lead from my experts who co-mingled science and culture. In this region, it is impossible to talk about the Elwha River without also considering its cultural significance.

AD: What inspired you to write this particular story?

PN: My husband came home from work one day with a book idea after a conversation with one of his colleagues. After 38 years of marriage, my husband has developed exceptional book-idea antennae! The story had it all. Nature. Environmental justice. Water (a happy place for me). A conservation success story. All those pieces and their assorted layers made this idea a go.

AD: You do a great job describing the tension between some forms of progress – such as electric lights in homes and businesses – and the adverse effect of that progress on the natural world. What are some other examples of progress versus environmental health?

PN: I remember an economics professor in college explaining the term “opportunity cost”—what we give up by choosing one thing over another. Life is filled with opportunity costs. I don’t blame the early Elwha River settlers one bit for preferring a life with electricity over a life without it. I grumble when my electricity goes down for a few hours! But we also need to include nature into our calculations when we make decisions.

For instance, at the time the Elwha Dam was built, Washington had a law stating all dams must include fish ladders to allow salmon to pass. For some reason, government officials waived this law for Thomas Aldwell, builder of the Elwha Dam. Why? No one knows. And in hindsight, this waiver is particularly maddening because the law was written with consideration for nature.

Including nature in our plans probably won’t be the easiest or cheapest solution. Look at gas-powered vehicles. They’re convenient. They’re fast. But they come with an enormous opportunity cost. We’re sacrificing clean air and clean water. Our temperature is rising because excess CO2 left over from burning fossil fuels clogs the atmosphere. Arctic ice is melting as the ocean warms. Heat waves, fires, and droughts dominate the news.

Way back, we chose leaders who prioritized progress over nature. Now, when we elect new leaders, we need to consider balancing progress and nature to live more sustainably.

Patricia Newman

AD: Are there other dam dismantling success stories? Any examples of dam dismantling gone wrong?

PN: Dams themselves aren’t evil. They provide a clean source of energy for millions of people, but they do come with consequences. River flow and flood patterns change. Fish populations change. Changes in the river channel change the surrounding forest. Dams are man-made structures that interfere with the natural functions of nature, functions we often don’t fully understand.

Every dam removal is a success story because we return a river to its free-flowing state to manage flooding, resupply the water table, manage wildlife populations, and nourish the ecosystem. Nearly 1,800 dams have been removed in the U.S. since 1912. I don’t know of any dam removals gone bad, but I do know of several projects that, like the Elwha River Restoration, are taking years of legal wrangling and governmental maneuvering.

AD: These illustrations are both gorgeous and scientifically fascinating! Why did the team think it important to add labels to the different species?

PN: I’m glad you like Natasha Donovan’s work. She is Métis and lives in the general area of the Elwha River, so she was able to create from her heart. In her art I can hear the river flow and feel its power.

In my original proposal, I provided lists of trees, plants, and wildlife for possible spot illustrations in the margins. I thought readers would feel the scope of this project if they knew about the vast array of biodiversity being saved. Art Director Danielle Carnito had the brilliant idea to add the labels directly to Natasha’s illustrations. The small but informative labels gave Natasha a lot more room for her gorgeous art.

spread from A River's Gift

AD: Why include real photographs of the dam being built and dismantled, not just illustrations?

PN: As a nonfiction author, “real” is important to me. Illustrations seemed a better fit for A RIVER’S GIFTS overall because the book begins back when the river first formed tens of thousands of years ago. But I worked from photographs. My research files are loaded with photos that show a sense of time and place. I think the photos provide a telling look at the size of these dams and the engineering magic that occurred to build them.

AD: One of the takeaway lessons from this book is that it’s never too late. We can undo past mistakes once we know better, such as dismantling dams. Why is this important to explore in children’s literature?

PN: We are all under attack by environmental headlines that spew gloom and doom. That’s why I write about our CONNECTION to nature. I want my readers to understand how it sustains us and how our habits affect it. With understanding, comes a sense of gratitude for nature and all its gifts. With gratitude comes action. And with action comes hope. Nature will heal itself if we move out of the way. We just need to learn which way to jump.

 

Patricia Newman is an award-winning author of nonfiction books for children.

Natasha Donovan is an illustrator with a focus on comics and children’s illustration.

Today’s host, And Diehn, is an editor at Nomad Press and has published 11 nonfiction books for kids.

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Author Spotlight: Natalie C. Parker + a GIVEAWAY!

By on September 16, 2022   /   Articles, Author Interviews  

In today’s Author Spotlight, Natalie C. Parker, author of the acclaimed young adult Seafire trilogy among other YA titles, chats with me about her MG debut, The Devouring Wolf. Hailed by Kirkus as “An easily devoured, chilling, and suspenseful adventure,” the fantasy novel is out now from Razorbill. Plus, scroll down for a chance to win one of THREE copies! 👇

But first…

A Summary

It’s the eve of the first full moon of summer and 12-year-old Riley Callahan is ready to turn into a wolf. Nothing can ruin her mood: not her little brother Milo’s teasing, not Mama N’s smothering, and not even Mama C’s absence from their pack’s ceremony. But then the unthinkable happens—something that violates every rule of wolf magic—Riley and four other kids don’t shift.

Riley is left with questions that even the pack leaders don’t have answers to. And to make matters far worse, it appears something was awoken in the woods that same night.

The Devouring Wolf.

The elders tell the tale of the Devouring Wolf to scare young pups into obedience. It’s a terrifying campfire story for fledging wolves, an old legend of a giant creature who consumes the magic inside young werewolves. But to Riley, the Devouring Wolf is more than lore: it’s real and it’s after her and her friends.

The Interview

MR: Welcome to the Mixed-Up Files, Natalie! Thanks for joining us today.

NCP: Hi Melissa! Thank you so much for having me.

MR: Anne Ursu describes The Devouring Wolf book as “A compulsively-readable, big-hearted story,” and I concur. Can you tell us what inspired you to write it? Also, what is it about werewolves that fascinates you?

NCP: Inspiration is always such a sprawling, semi untraceable thing. I feel like I could give you twenty different answers that are all true; I was inspired by mythology and queer families and the love I have for my home state of Kansas! But in this case, I have to say that the inspiration to shift from writing for young adults to writing for middle grade readers belongs to all my nieces and nephews. I wanted to write a story for them.

As for werewolves, I have adored many over the years, starting with Wolfman from the timeless classic, The Monster Squad. As I started thinking about what kind of story I wanted to tell for middle grade readers, I realized that the majority of werewolf stories I was familiar with seemed to focus on adults where the metaphor of shapeshifting was something about the animal inside. When I considered what the metaphor looked like if kids on the verge of puberty were the ones learning how to shift, things got really exciting and the story sort of unraveled from there.

Message to Readers

MR: The novel centers on a community of werewolves, yet Riley, the 12-year-old protagonist, experiences feelings that are universally relatable: the desire to belong; the need for friendship; the importance of family; the fear of the unknown… What was the message you wanted to convey to readers?

NCP: When I was Riley’s age, I was very concerned with what was happening to my body. I was also worried about falling behind my peers and I struggled when things turned out differently for me than they did for others. A lot of this was wrapped up with being a queer kid and not having the language for it. I poured all of those feelings into this story and into Riley’s experience in particular who struggles when she doesn’t shift in spite of having an incredibly supportive family and community. There’s no guidebook for what she and the other four kids are going through, not even the adults can explain it to them. It’s scary and hard and ultimately something that Riley and the others have to figure out for themselves, and that is something I hope readers take away from this story. That sometimes our experiences align and sometimes they don’t and there are many ways of belonging.

Interview with a Werewolf?

MR: While we’re on the subject of werewolves, what kind of research did you do for the book? I’m pretty sure you didn’t interview a werewolf. 🙂

NCP: I wish! But alas. At the time of writing this book, no werewolves were available for an interview. The majority of my research was actually historical, most of which will never show up on the page. But because I was crafting communities of werewolves (and witches!) who reside alongside everyone else, I needed to approach the book as something of an alternate history, of the country and more specifically of the state of Kansas. The werewolves in the book are based in my own hometown of Lawrence and while I know a lot about our recent history and present state, I wanted to make sure everything I set up about the werewolves felt like it could be true.

Diversity and Representation

MR: The characters in your book are diverse in terms of race, gender, and sexual orientation—something that’s desperately needed in children’s publishing. Notably, Riley has two moms, and her friend Kenver is nonbinary, using they/them pronouns. What do you think needs to happen to make diverse representation the norm rather than the exception?

NCP: I think we need books that tackle questions of identity politics head-on and we need books that reflect a diverse world without demanding that authors or readers explore their pain on the page. Along those lines, queer normativity is intensely important to me and my work, so while Riley has two moms and is starting to crush on another girl, those things are woven into the fabric of her life as “normal.” She may have a little anxiety about her crush, but she never questions whether or not she should have those feelings.

We also need to keep finding ways to support our gatekeepers who are currently fighting to keep diverse books in libraries and schools.

Writing for Middle Schoolers

MR: You’ve written novels and short stories for young adults, but The Devouring Wolf is your first foray into middle-grade fiction. What prompted you to write for this age group? Did you encounter any specific challenges while writing the book?

NCP: When I think about who I’ve been as a reader, I have never felt as transported or taken care of by books as I did when I was reading middle grade. Books were an adventure, but they were also a deeply important refuge. I have always wanted to write a book that does for someone else what Madeleine L’Engle and Susan Cooper and Lloyd Alexander did for me. But it was intimidating to think about. I knew I had to wait for the right story. The one that landed with so much clarity that I had no choice but to try. And that’s exactly what happened with The Devouring Wolf.

MG/YA Switcheroo

MR: As a follow-up, is it tricky to switch from YA to MG? From MG to YA…?

NCP: I actually find it refreshing. Both YA and MG require precision and clarity, but it’s different for each and I find the challenge of moving between the two rewarding and enlightening.

Built for Speed

MR: The book moves at a speedy, page-turning clip. What is your secret to writing fast-paced prose?

NCP: This is one of those things that I didn’t realize I was doing until people started to tell me. So, sadly, there is no secret, but I can say that I never start a chapter until I know what the emotional movement will be within it. Whether I’m building anticipation little by little, or tipping that over into a moment of major disappointment, each chapter puts something new in place. That way, no matter what is happening with the plot, there is a feeling of forward momentum. At least, that’s how I think I do it. Another answer could just be that I love coffee and drink copious amounts when I write.

Secret to World-Building

MR: Also, please tell us the secret to fantastical world-building—something you nailed in The Devouring Wolf. How do you create a setting that feels other-worldly and earthbound at the same time?

NCP: That description makes me very happy because that’s exactly what I was trying to do. I think this answer goes back to what I was saying about research. I wanted this world—the werewolves and witches and hunters—to land so close to ours that it felt possible. I wanted young readers to finish reading and imagine that the next patch of woods they passed was secretly hiding a community like Wax & Wayne. I wanted them to reach for a silver bracelet and wonder if it was a wolf cuff. I wanted them to look at the first full moon of summer and hold their breath to see if they could hear the call of First Wolf. I built every piece of the world on top of something that was already familiar from history to mythology so that the magic felt like it was within reach.

Natalie’s Writing Routine

MR: What does your writing routine look like, Natalie? Do you have any particular writing habits or rituals?

NCP: I am mostly a chaos person when it comes to writing rituals, by which I mean, I am envious of them, but have never managed to keep any for myself. I love the idea of writing rituals, but am ultimately too Sagittarius to make them stick. I’m also easily distracted, so one of the best things I’ve discovered are writing sprints. I find a buddy (and honestly, this only works for me if there is a buddy in the picture), then we agree on the starting time, the sprinting time, and the rest period and get to work. And who knows why, but it really works for me. There is something about setting the timer for twenty minutes and typing “GOOOO!” that engages the productive part of my brain and for that I’m grateful.

Up Next…

MR: What are you working on now? Enquiring Mixed-Up Files readers want to know…

NCP: I am hard at work on a follow-up to The Devouring Wolf along with my next YA project, both of which will come out next fall. We should be releasing titles and names of each very soon, so keep a look out!

MR: And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack?

Coffee!

Coffee or tea?

Coffee!

Werewolves or vampires?

How could you do this to me??? Okay, okay, okay. Werewolves.

Zombie apocalypse: Yea or nay?

I’m a Sagittarius and you cannot convince me I wouldn’t survive the zombie apocalypse so I say BRING IT ON.

Superpower?

Telekinesis!

Favorite place on earth?

Kyoto!

If you were stranded on a desert island with only three things, what would they be?

A water purifier, a knife, and shovel. (And on the off chance you were looking for a less Sagittarian answer: an eReader, some SCUBA gear, and fuzzy blanket.)

MR: Thank you for chatting with us, Natalie—and congratulations on the recent publication of The Devouring Wolf. I thoroughly enjoyed it, and I know MUF readers will too!

And now…

A GIVEAWAY!

For a chance to win one of THREE copies of THE DEVOURING WOLF, comment on the blog–and, if you’re on Twitter, on the Mixed-Up Files Twitter account for an extra chance to win! (Giveaway ends on 9/18 at 12am EST.) U.S. only, please. 

About Natalie

Natalie C. Parker is the author and editor of several books for young adults, including the acclaimed Seafire trilogy. Her work has been included on the NPR Best Books list, the Indie Next List, and the TAYSHAS Reading List, and in Junior Library Guild selections. Natalie grew up in a Navy family, finding home in coastal cities from Virginia to Japan. Now, she lives with her wife on the Kansas prairie. The Devouring Wolf is her debut MG novel. Learn more about Natalie on her website and follow her on Twitter, Instagram, and Facebook. You may also subscribe to her newsletter here.

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