Posts Tagged middle-grade readers

Nostalgia and Those Childhood Favorites: Which books are we just sentimental about, and which books stand the test of time?

By on September 23, 2019   /   Articles  

Fresh or Frozen?

For many of us of a certain age, there comes a time where we want to impart to our children, or children we know, the culture that we got at their age that essentially made us “us.” What I mean is, when our child is nine, we really want them to love the books that we loved when we were nine. That we read over and over again. That we can instantly recall incidents and episodes from; as well as the smell of the couch we would lie on when we read it; the ache of our hearts and taste of our tears from the sorrow of a character dying, experiencing cruelty or even just going through heartbreak. The same goes for movies. Cue me excitedly putting on Grease for my then-nine-year-old daughter in the hospital room TV as she waited to be wheeled down to surgery for her tonsils to be taken out. Wow, bad idea on so many levels. She didn’t enjoy it, not just because she was a nervous wreck about the impending surgery, but also because she didn’t get it. The movie went right over her head—thankfully. (I was mortified to be watching it with her. And felt like the worst parent!) And let’s just say the film has not aged well in terms of values, in terms of feminism, in terms of #metoo, in terms of America as a white world, in terms of anything frankly. But happily, for the most part, many of the books I loved as a child I have been able to read to my children with more confidence in my parenting skills—and with the added bonus that my kids loved these books too.

What is the Common Denominator?

Jonathan Rosen spoke here on the MUF blog about his nostalgia for the books he read as a child which have inspired the spooky books he writes today. And Marjorie Ingall, who reviews children’s books for the New York Times and is a culture columnist at Tablet Magazine, while on the faculty of the TENT writing residency mentioned The Carp in the Bathtub “as a book that holds up for today’s kids and isn’t purely a nostalgia exercise for adults.” I started thinking about this idea of nostalgia when I was planning a tribute to Judith Kerr and the relevancy of When Hitler Stole Pink Rabbit.

A nostalgic-feeling cover of the All-of-a-Kind Family series from 2014

What other middle grade books from my own childhood stand the test of time—both for me and for my own kids? Is there a common denominator? When I first started writing my middle grade novel HONEY AND ME, my eldest daughter was at an age where I had begun to read to her some of my favorites as a child— Ballet Shoes, Anne of Green Gables, tons of Judy Blume, all the Ramona books, and All-of-a-Kind Family. My daughter is now fourteen, but I have been reading these to my sons too—currently ages eight-and-a-half and nearly eleven—and they’ve also loved them. One of the things I think connects these books is writers who deeply understand the magnitude of the smaller dramas of every day life, and are interested in the details of them. (What I particularly loved about the All-of-a-Kind Family books was that they did this about being Jewish, in a way that was both integral and incidental.) I very much try to bring this sensibility to my own writing.

If Not Now When?

Beverly Clearly’s Ramona books (the first one is from 1955), all the Judy Blume books, but especially the Fudge series (first one is from the 1970s) and All-of-a-Kind Family (first one is from 1951) all particularly still feel fresh and relevant. But I do wonder: could these books be published today?

I clearly like the old-fashioned—or lets say the character-driven and safe-feeling. But in my own writing I constantly feel like I come up against (probably rightly) what works for today’s audience. It would seem that with all the above books all still in print, the market generally does keep the books worth keeping. However at the same time, the fashions have changed so when it comes to what is being published today even when something has an old-fashioned feel to it, it’s still done in a modern way. I’m thinking for example of The Vanderbeekers of 141st Street by Karina Yan Glaser—it’s reminiscent of Elizabeth Enright’s beloved The Saturdays, but when I tried the episodic The Saturdays with my then-eight and ten-year-old sons they were bored—whereas The Vanderbeekers has a modern-feeling plot structure and they were immediately sucked in. (Just to say also, I think of my sons’ reading tastes as a litmus test—if they don’t like something it’s not necessarily conclusive, but when they do like something, especially novels that you wouldn’t automatically think to hand to tween boys, it is telling about the strength of that particular book.)

A range of eras in these covers from my personal evergreen library

 

…. Then again, just because something has gone out of print doesn’t mean that is deserved. I recently tracked down two 1980s favorites to read to my kids: This Can’t be Happening at MacDonald Hall by Gordon Korman, about the antics of a duo called Bruno and Boots at their boarding school—which was still hands-down hilarious to both my sons and me; and Here She is Ms. Teeny Wonderful by Martyn Godfrey about a girl who likes to jump BMX bikes and to her utter dismay becomes a finalist in a national beauty pageant. I haven’t read this last one to my sons yet, it’s next on the list (we’re currently on Rita Garcia Williams’ One Crazy Summer: historical fiction and over their heads that they’re still enjoying)—but when I read it again myself I was delighted to see that notwithstanding the cover, it was still funny, fast-paced and feminist. I should also mention that the Bruno and Boots books (there were several sequels) I was able to find were a 35th anniversary edition, reissued by Scholastic in 2013, and the Kindle editions are still available for purchase.

Some things never change

So perhaps this is all to say: a well-constructed book with sympathetic characters, emotions you can relate to and dramas you feel invested in no matter how similar or foreign they might be to your own life, will always have the power to suck a young reader in so the pages keep turning. And long after they have turned the last page and closed the book, or perhaps even started the whole thing again from the beginning, —the story, the experience of reading it, and the memories of that experience—will become baked into their very being. And one day, many years later, they will wish to impart this multi-faceted cultural experience on to the important young people in their own lives. Just as we did to them.

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Indie Spotlight: EyeSeeMe bookstore, University City MO

By on September 11, 2019   /   Articles, Diversity, For Kids, For Librarians, For Parents, Indie Spotlight  

Two years ago, we interviewed the owners of EyeSeeMe in St. Louis(www.eyeseeme.com) which was and still is the country’s only African-American children’s bookstore. We’re returning today to celebrate the store’s unique mission and congratulate the owners on its success in its four short years.

Like many founders of independent bookstores, Pamela and Jeffrey Blair had little experience in the business when they started in 2015, just a passionate vision of what a bookstore could be. As the store’s name suggests, they wanted to provide a place where children could find stories about and by people who looked like them, stories they would feel part of and be eager to read.
But their vision was even larger. When Pamela was a girl, she treasured the wonderful stories her father told her about glorious cultural heroes of Africa. Yet her children were coming home from school saying that all they heard about in history was slavery and segregation and civil rights, with blacks mostly the passive victims. Pamela and Jeffrey wanted their children, and all children, to know the positive cultural heritage of African Americans. They knew it would not only make them eager to read, but inspire them growing up.

EyeSeeMe has a solid collection of books about slavery and civil rights of course, including those about the African-American heroes in that history. But here is a small sampling of the books you won’t find just everywhere.

How about Africa is Not a Country, by Margie Burns Knight which shows how contemporary kids live in various countries across the African continent? Or The Kidnapped Prince: The Life of Olaudah Equiano, by Ann Cameron? African Folk Tales, by Hugh Vernon-Jackson is a good introduction to traditional stories.

For general African American History, try 100 African Americans Who Shaped American History, by Christine Beckner or A Kid’s Guide to African American History by Nancy I. Sanders.

EyeSeeMe carries countless compelling biographies, including Bad News for Outlaws: The Remarkable Life of Bass Reeves, by Vaunda Micheaux Nelson, the Zora and Me books by T.R. Simon (based on the early life off Nore Zeale Hurston, and The Undefeated,
by Kwame Alexander.

Poetry books include One Last Word: Wisdom from the Harlem Renaissance, by Nikki Grimes and My Black Me: A Beginning Book of Black Poetry, edited by Arnold Adoff.

 

What Color is My World?: The Lost History of American Inventors, by Kareem Abdul Jabbar,  and Hidden Figures Young Readers’ Edition, by Margot Lee Sheerly explore the little-recognized contributions to science  African Americans have made.

Of course for middle-graders there have to be series! One in great demand at the shop is Miles Morales, The Ultimate Spiderman, by Brian Michal Bendis.  The Robyn Hoodlum Adventure Series by Kekla Magoon cleverly reworks the Robin Hood Legend. Spy on History, by Enigma Albert is a lively historical chapter book series.  .

The store  has extended its outreach with book fairs in area schools.  Don’t live in the St. Louis area?  They also arrange on-line book fairs for groups and schools

EyeSeeMe has definitely inspired its readers.  When Sydney Keys III’s mom took him to the store, he started picking up books he couldn’t put down, and he got an idea. Why not start a boys’ book club?  So at age 11 he founded “Books and Bros,” meeting at the shop. The club started with seven members and grew into a large group of boys from the area. They now wear “Books and Bros” T-shirts and agree that reading rocks. In the process of leading “Books and Bros,” Sydney has overcome his tendency to stutter. He has also appeared on Steve Harvey’s Show, and earned on-air praise from Oprah Winfrey.

One of the things that has surprised and gratified the Blairs is the number of people who are not African American who come to  the store.  This includes parents who bring their preschoolers to story hours, wanting them to know these stories, too.

EyeSeeMe’s popularity has made it possible to move  to a newer, larger space recently.  Now they can hold more author events and classes.  They are also expanding their collections to include more bilingual books and stories about Latino, Asian, and Muslim people.

So give your hope a boost. Visit EyeSeeMe at the shop or online in the very near future!  It is a treasure for all who imagine an inclusive America where everyone can grow up proud of their own heritage and aware and respectful of the heritage of others.

 

 

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Interview with Jess Redman, debut author of The Miraculous

By on August 23, 2019   /   Author Interviews  

There were times when I had to set The Miraculous aside as author Jess Redman’s prose addressed death, grief and the belief that joy exists in the midst of, and often as a result of loss.

We meet eleven-year-old Wunder on the eve before his little eight-day old sister’s funeral. Wunder is a self-proclaimed miracologist. As in, he records stories about residents of his little town with miraculous outcomes. But after the loss of his baby sister, Wunder doesn’t believe in miracles any longer.

Faye, a cape-wearing mascara-making-raccoon-eyes member of Wunder’s Unexplainable and Inexplicable Phenomenon Society swoops into his life. Together they discover a mysterious woman (who just might be a witch) living in an abandoned house near the cemetery. The old woman asks Wunder and Faye for help. She sends them on a mission that leads them to adventure, healing, friendship and a renewed belief in miracles.

Ultimately, Jess Redman’s debut offers “Because there can be miracles even in the midst of unfathomable sadness and anger, even in the depths of grief and confusion. And these, these are the hidden ones, the ones we must search for.”

Jess Redman is a therapist and an adjunct professor of psychology. She currently lives in Florida with her husband, two young children, and an old cat named Soul Pie. The Miraculous is her debut novel.

To learn more about Jess, visit her website, www.jessredman.com

JKR: Thank you so much Jess for your time. I understand you are a fan of the Mixed-Up Files of Middle Grade Authors! Welcome!

The Miraculous openly addresses death and grief. What have you learned through your experiences as a therapist that you felt were really important for young children to understand through your book?

JR: As a therapist, I think that the middle-grade years—ages 9 to 13—are a very special time. These are the years when kids are beginning to look out and beyond for the first time, years when they are starting to ask big questions and to develop a more nuanced understanding of emotions and life—and death.

By this age, most kids know someone who has died, even if it isn’t a family member or close friend. Yet, many adults are hesitant to discuss grief, and death is frequently seen as scary, forbidden, too intense, and too painful to even bring up. But kids are thinking about and worrying about and trying to figure out these topics anyway.

With The Miraculous, I wanted to tell the story of one young person’s thoughts and feelings and experiences coping with death. I wanted it to be an honest and open look at how the main character, Wunder, moves through grief, while still telling a story full of mystery and magic.

It was important to me that young readers hear that there are many ways to grieve and many ways to express emotions and that their questions, no matter how big or overwhelming, are valid and important. It was also important to me that the story show the power of friendship and community in coping with loss.

JKR: You offered that after sending out ARCs to readers that it was suggested that The Miraculous might help both children working through grief as well as adults. How does this make you feel?

JR: When I wrote The Miraculous, I was very aware of my young audience. I wanted to tell a story that was honest about grief and loss but was also gentle and hopeful and magical. The book has only been in the world for a few weeks, but already I have heard from young readers who have experienced losses of many kinds and who have connected with the story, and that brings me so much joy. When I do school or library visits, young readers will talk with me about their losses because The Miraculous opens the door for that conversation, and it’s an honor to hear those stories.

But what I feel about The Miraculous is what I feel about many middle-grade stories: they are for everyone. Since ARCs started going out, I’ve also heard from many adult readers who have lost siblings, parents, and spouses, and from those who have lost precious children, from devastating miscarriages to the unexpected death of an adult child. It has been an incredible privilege to hear these stories as well and to know that The Miraculous has contributed healing and hope. Adults, I believe, also need stories about grief and loss that are gentle and hopeful and magical.

So to the adult readers of this story who have lost a loved one, I want to say:

I see you.

You are not alone.

And yes, this story is for you too.

JKR: As a bereaved parent, I could so relate to topics including “the wrong things people say but they really just don’t know how to say I’m sorry,” and how we all grieve differently. I can only imagine that children, especially those who have experienced death within their circles, will relate to these passages as well. Can you offer anything on this?

JR: One of my best friends lost her father when we were nine. It was one of the first deaths I really understood, and I remember vividly my own uncertainty when I watched my friend board the bus on her first day back at school. How would she behave? Would she cry? What would I say? How would I comfort her?

I think it’s so important for kids to learn that grieving, like many emotional experiences, is a complex and individual process. There isn’t a wrong way to grieve, and in The Miraculous, characters grieve in many different ways.

I think it’s also important that kids learn how to support a friend who is grieving. In The Miraculous, Wunder’s parents do not talk to him very much about his sister’s death. His best friends don’t know what to say, so they don’t say anything. Wunder’s loss is compounded by these additional losses until he finds support in new, unexpected places.

To be able to accept someone else’s emotions, to say, “I’m so sorry this has happened” and then to sit with them and allow them to feel without trying to change or fix or explain—that can be really hard. Hard for kids, hard for adults. Yet, it’s what we so often need when we’re hurting.

JKR: I love the term miracologist. How did you come up with this?

JR: When I first started thinking about Wunder, I knew that he would be someone who believed in impossible and magical things, but I wasn’t sure how that would work out on the page exactly. It slowly came to me that what Wunder really believed in was miracles—miracles of all types, from the everyday miracle of sunrise to the inexplicable miracle of a loved one healed from an illness. I love stories that are infused with a little bit of magic, and I love characters that have quirks and unusual hobbies, so miracle-collecting was perfect. And who better to collect and study miracles than a miracologist?  Although I, like Wunder in the first chapter of the story, did try terms like miracler and miraclist before settling on miracologist.

You address friendships, and the challenges one faces as being both an older friend to someone who has experienced loss, as well as a new friend. Can you expand on this theme?

Yes, themes of friendship and community are very important in this story. Wunder has two best friends. Neither are sure how to respond when Wunder returns to school after his sister’s death. Tomas acts as if nothing has happened, while Davy is too nervous to say anything at all. Wunder is left feeling more isolated and confused.

Then he meets a new friend, Faye, who has just lost her grandfather. Faye isn’t the most cuddly, touchy-feely of souls, but she talks to Wunder about his sister. She acknowledges his sadness. As the book progresses, Wunder and Faye’s friendship deepens. It is a friendship forged in mutual vulnerability and shared emotional experiences, which is something I see happen often for clients who are in the midst of loss.

In the end, Wunder’s old relationships shift and change too. Having relationships, old or new, where you can safely and fully express your emotions is so important to mental health, and I hope kids see that in Wunder’s relationships with his friends.

JKR: Finally, what was the greatest takeaway that you hope your readers will experience through reading of Wunder’s journey?

JR:In the story, Faye says something to Wunder that I think sums up the message of the story: “Sometimes the brightest miracles are hidden in the darkest moments…but you have to search for them. You can’t be afraid of the dark.”

I don’t believe in glossing over sadness or just looking on the bright side or forcing ourselves to see the silver lining. But I do believe that we can find joy and meaning and deep relationships and new purpose after and even within great loss. I believe that our pain can be transformative. I believe that there is always light, no matter how dark the darkness. The path to that light is very personal and cannot be rushed or forced, but I believe we can get there, and that we can help one another along.

I understand you have another work coming out next spring. Can you share a bit about your next book?

My second middle-grade book, QUINTESSENCE, comes out on July 28, 2020. In the story, 12-year-old Alma Lucas moves to a new town. She’s lonely and friendless and she begins experiencing panic attacks. And then she sees a star—a star that looks like a child—fall into her backyard. With help from her school Astronomy Club and a mysterious shopkeeper, she goes on a sometimes-magical quest to get the star home—and to find home within herself.

It’s a story I’m so excited about, full of science and mystery and, of course, light and dark. It’s here on Goodreads: https://www.goodreads.com/book/show/46223313-quintessence

JKR: Is there anything else you care to add?

If you’ve read The Miraculous, thank you so much! It has meant so much to me to have this story that holds so much of my heart out in the world and to know that it’s being read.

JKR: Thank you so much Jess for your time!  Jess has kindly offered a copy of The Miraculous to one lucky reader. For a chance to win,  enter using the Rafflecopter widget below.(For U.S. readers only please!) The winner will be announced August 30. Good luck!

 
a Rafflecopter giveaway

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