Writing

The Magic of Writing Middle Grade: It’s All About Remembering the Child’s Perspective

Middle grade is without a doubt magical.

And by magical, I don’t mean that it’s all witches, elixirs, and pixies. But there’s certainly plenty of that. You’ll find gobs of delicious magic in lauded books such as The Girl Who Drank the Moon by Kelly Barnhill and The Marvellers by Dhonielle Clayton.

However, middle grade encompasses so many kinds of books, from contemporary realistic fiction to science fantasy from biography to adventure.

What I mean by magic—is the magic of childhood itself. After all, middle grade focuses on kids ages 8 until twelve—the very center of childhood. This is when you’re old enough to have hours of independent time away from your parents and yet not ready for the individuation shuffle away from parents and caregivers. At this age, while friendships and peers rule the day, children seek the guidance of kind and wise mentors. This might be parents, teachers, coaches, club advisors or yes, a witch, wizard or conjurer.

However, you don’t need to write about mystical creatures like, say, unicorns in order to find magic. You just need to remember what it is like to be a child.

When I was writing one of my middle grades, Queen of Likes, I momentarily forget what it was like to be a kid. In that book, 12-year-old Karma Cooper gets her phone taken away. At first, I got right to this punishment and had Karma communicating her regret.

Wrong! I had forgotten what it felt like to be a seventh grader. Instead, I was writing the text like—gulp–a mom. At the time, I hated how my kids and their friends were on the phone in the car and didn’t talk to each other. I didn’t allow phones at the kitchen table. I constantly made them put their phones away. But a kid might feel different. She might feel as though Mom is patently unfair. In revision, I had to remember how Karma felt about her phone, not me, the Mom. When I had Karma name her phone Floyd, I got back into a child head space.

One of my favorite authors is Beverly Clearly because she remembered what it was like to be a child.

For example, Cleary’s Ramona Quimby, Age 8, focuses on tension over a beloved eraser. As an adult, it is too easy to forget the attachment that children have to small inanimate objects. Sometimes as grown-ups, we see things merely as tools whereas to a child an eraser is an entire sensory experience and imbued with magic. When Ramona first receives her eraser, this is how her new treasure is described: “smooth, pearly pink, smelling softly of rubber, and just right for erasing pencil lines.”

Unfortunately, this treasure is taken away from her on the bus by some boys. To an adult, losing an eraser may seem trivial, but to Ramona, it’s a catastrophe. From an eight-year-old perspective, it is not just a common school supply, but a “beautiful pink eraser.”

It’s so easy to forget what it’s like to be truly young. In order not to forget, my kids’ preschool teacher, Mz. Lori, would have us adults do this exercise.

  1. Lift up your hands over your head.
  2. Hold them there for 3-5 minutes (it’s not easy) and march in place.

That is what is feels like to be a young child out on a walk and holding an adult’s hand.

What do you do to get back into the child mindset?

Hillary Homzie is the author of the Ellie May chapter book series (Charlesbridge, 2018), Apple Pie Promises (Sky Pony/Swirl, 2018), Pumpkin Spice Secrets (Sky Pony/Swirl, 2017), Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009) as well as the Alien Clones From Outer Space (Simon & Schuster Aladdin 2002) chapter book series. She’s also a contributor to the Kate the Chemist middle grade series (Philomel Books/Penguin Random House). And her nonfiction picture book, If You Were a Princess: True Stories of Brave Leaders From Around the World is a look at historical and current princesses from many diverse lands who have made their mark (Simon & Schuster, August 2022). During the year, Hillary teaches at Sonoma State University. In the summer, she teaches in the graduate program in children’s literature, writing and illustration at Hollins University. She also is an instructor for the Children’s Book Academy.

She can be found at hillaryhomzie.com and on Instagram, her Facebook page as well as on Twitter

How To Write A Novel Without Feeling Lost

It’s a commonly held statistic that 97% of people who set out to write a novel never finish it. 97%! I don’t know where the statistic comes from, but as someone who has finished novels (11 of them) and has struggled with every single one, I don’t doubt this statistic at all. Writing a novel isn’t for the faint of heart. Novels, even middle-grade novels, are big unwieldy things that can feel like putty running through your fingers. It’s very easy to get lost.

Take it from Lisa Simpson:

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Recently I taught a new class specifically to help with this problem. The class proved so popular, I ended up teaching it twice: once at the Austin SCBWI annual conference and once for the Writers League of Texas. The class was called “How To Write a Novel Without Getting Intimidated” and it got great reviews, with attendees saying they felt more like they could tackle their project. I was excited it helped. When I first started writing middle-grade, I felt VERY intimidated and got lost often. Here are some of the tips I passed on:

START SMALL

I used to read books and think, “How can I do this? This whole thing?” Well, the truth is, you don’t have to do create the whole thing, not immediately. All you need to start is an idea, even the smallest idea of an idea. When I wrote THE BOY, THE BOAT, AND THE BEAST, all I started with was a question: What if a boy woke on a deserted beach with no memory of who he was or how he had gotten there? Big trees are grown from a tiny seed, and your book will start with a small idea. You don’t have to know everything when you begin. Discovery is a big part of the fun of writing.

A LITTLE PLANNING GOES A LONG WAY

Many writers start writing as soon as they have their idea. They get excited and want to jump right in. And that’s wonderful! It’s good to be excited. But not knowing much about your story can make you get lost quickly and feel like giving up. I mean, imagine if you got the idea to make pancakes because you read about them in a book. You don’t have a picture or a recipe or anything, you just know they’re going to be great. So you go into your kitchen and… Just like in cooking, a little planning for your novel goes a long way. You don’t have to know everything about your character, your world, or your plot, but the more you do know, the less likely you’re going to get lost.

Some good things to figure out up front are:

  • basic info about your character (age, name, home)
  • basic info about your setting (rural, city, another planet)
  • your main character’s problem/goal (what they’ll solve over the course of the story)
  • and the main obstacle (another person, aliens, nature, or the character themself)

There are plenty of other things you can brainstorm before you begin, but if you have at least these ingredients, you’ll be much less likely to get lost and give up.

OUTLINE A LITTLE OR A LOT

I started out as a pantser (writing solely by the seat of my pants and following the story wherever it went), but I quickly learned there are more efficient ways. Now, I can hear some of you saying, “I don’t want to outline. It stifles my creative freedom.” But done right, outlining can help to build your creative freedom! (I wrote about my outlining journey on my blog.)

To keep me from getting lost when I’m writing, I find it useful to have a map, even if I venture away from it. An outline for a novel can be as simple as just a few story highlights or as in-depth as a plan for every scene of the book. I like to think of mine as a GPS. I know where I’m heading, and if I veer off course, I can take a different route. Outlines don’t have to stay the same as you write. Mine change constantly. But having one, even a really basic one, helps me stay the course.

KEEP YOUR FOCUS

Even if you’re not into outlining, there are still tools you can use to keep you focused as you write your whole novel. Your story is about your character trying to achieve their goal, so as you write, keep that goal handy. One way is to write a one-sentence pitch. A one-sentence pitch has your character, their problem, and what they need to do about it. So for my novel ARROW, the one-sentence pitch would be: A boy who grew up in a magically hidden rainforest must figure out how to fix the magic before outsiders from the dry, arid world exploit his home.

Write a one-sentence for your book, then keep it available as you pants through your story. When you get stuck, pull it out and see what you can do to get your character back on track. If a one-sentence pitch is too hard to write right now, this also works with jacket copy. Write the copy that will be on the back or inside flap of your book when it’s published (because it will be if you finish and revise) and use that to keep yourself motivated.

REVISION IS INEVITABLE

I used to compare my first drafts with the already published books I was reading, and I’d get frustrated because I knew mine wasn’t as good. But I was forgetting that all the books on my shelves were revised over and over and over again. First drafts are just that: Firsts. Knowing that I’m allowed as many other drafts as I need freed me up from thinking my first draft had to be perfect.

DON’T RUSH

I get it. You’ve got dreams of walking into your local bookstore and seeing your book on their shelves. You want that day to be tomorrow, even today! But publishing journeys are loooooooooooong, and the best way to get an agent or editor interested in your work is to create great work. So don’t stress. Take your time. Even if you spend five minutes on your novel every day, you will one day end up with a full novel. Then you’ll be like Kermit and beat 97% of other writers.

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Happy writing!

Creativity Boosts

Sometimes, a month or so before the end of a long, dark winter, I start to feel my creativity wane. Everything feels a little cold. A little hidden. A little like it’s waiting for some magical thing to energize it. This year it’s taking longer than usual for that energizing force to show up. And, I’m not alone here. Even the buds on my fruit tree aren’t bursting forth yet. Maybe it’s the still too dark days, or the snow storm in the middle of April, or maybe it’s just not yet time yet. Whatever the reason, I weary of waiting, so I have been poring through my bookshelves, the internet,  and the local library, looking for inspiration. Here’s a list of what I’ve found:

Fairy Tales, Folktales, and Archetypes.

The symbolism of the shoes in Cinderella. The archetype of the Dark Man in dreams. The Ugly Duckling. The Baba Yaga. I’ve dug up old stories, new to me stories, and some new ways of thinking in the following books.

Fearless Girls and Wise Women, and Beloved Sisters

Dismayed by the predominance of male protagonists in her daughters’ books, Kathleen Ragan set out to collect the stories of our forgotten heroines. Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.

Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.

 

Women Who Run With the Wolves

Within every woman there is a wild and natural creature, a powerful force, filled with good instincts, passionate creativity, and ageless knowing. Her name is Wild Woman, but she is an endangered species. Though the gifts of wildish nature come to us at birth, society’s attempt to “civilize” us into rigid roles has plundered this treasure, and muffled the deep, life-giving messages of our own souls. Without Wild Woman, we become over-domesticated, fearful, uncreative, trapped. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller, shows how woman’s vitality can be restored through what she calls “psychic archeological digs” into the bins of the female unconscious. In Women Who Run with the Wolves, Dr. Estes uses multicultural myths, fairy tales, folk tales, and stories chosen from over twenty years of research that help women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype. Dr. Estes collects the bones of many stories, looking for the archetypal motifs that set a woman’s inner life into motion. “La Loba” teaches about the transformative function of the psyche. In “Bluebeard,” we learn what to do with wounds that will not heal; in “Skeleton Woman,” we glimpse the mystical power of relationship and how dead feelings can be revived; “Vasalisa the Wise” brings our lost womanly instincts to the surface again; “The Handless Maiden” recovers the Wild Woman initiation rites; and “The Little Match Girl” warns against the insidious dangers of a life spent in fantasy. In these and other stories, we focus on the many qualities of Wild Woman. We retrieve, examine, love, and understand her, and hold her against our deep psyches as one whois both magic and medicine. In Women Who Run with the Wolves, Dr. Estes has created a new lexicon for describing the female psyche. Fertile and lifegiving, it is a psychology of women in the truest sense, a knowing of the soul.

 

Creative Kick Starters

I picked up a couple of old favorites and some new reads for a fresh perspective, a pep talk, and a reminder to just keep going.

Big Magic:  Creative Living Beyond Fear

A must read for anyone hoping to live a creative life… I dare you not to be inspired to be brave, to be free, and to be curious.” –PopSugar

From the worldwide bestselling author of Eat Pray Love and City of Girls the path to the vibrant, fulfilling life you’ve dreamed of.

Readers of all ages and walks of life have drawn inspiration and empowerment from Elizabeth Gilbert’s books for years. Now this beloved author digs deep into her own generative process to share her wisdom and unique perspective about creativity. With profound empathy and radiant generosity, she offers potent insights into the mysterious nature of inspiration. She asks us to embrace our curiosity and let go of needless suffering. She shows us how to tackle what we most love, and how to face down what we most fear. She discusses the attitudes, approaches, and habits we need in order to live our most creative lives. Balancing between soulful spirituality and cheerful pragmatism, Gilbert encourages us to uncover the “strange jewels” that are hidden within each of us. Whether we are looking to write a book, make art, find new ways to address challenges in our work, embark on a dream long deferred, or simply infuse our everyday lives with more mindfulness and passion, Big Magic cracks open a world of wonder and joy.

 

Keep Going:  10 Ways to Stay Creative in Good Times and Bad

In his previous books Steal Like an Artist and Show Your Work!, both New York Times bestsellers, Austin Kleon gave readers the keys to unlock their creativity and showed them how to become known. Now he offers his most inspiring work yet, with ten simple rules for how to stay creative, focused, and true to yourself–for life.

The creative life is not a linear journey to a finish line, it’s a loop–so find a daily routine, because today is the only day that matters. Disconnect from the world to connect with yourself–sometimes you just have to switch into airplane mode. Keep Going celebrates getting outdoors and taking a walk (as director Ingmar Bergman told his daughter, “The demons hate fresh air”). Pay attention, and especially pay attention to what you pay attention to. Worry less about getting things done, and more about the worth of what you’re doing. Instead of focusing on making your mark, work to leave things better than you found them.

Keep Going and its timeless, practical, and ethical principles are for anyone trying to sustain a meaningful and productive life.

 

The War of Art: Break Through the Blocks and Win Your Inner Creative Battles

A succinct, engaging, and practical guide for succeeding in any creative sphere, The War of Art is nothing less than Sun-Tzu for the soul.
What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor-be it starting up a dream business venture, writing a novel, or painting a masterpiece?

Bestselling novelist Steven Pressfield identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.Whether an artist, writer or business person, this simple, personal, and no-nonsense book will inspire you to seize the potential of your life.

 

 

Write for Life: Creative Tools for Every Writer

Julia Cameron has been teaching the world about creativity since her seminal book, The Artist’s Way, first broke open the conversation around art. Now, in Write for Life, she turns to one of the subjects closest to her heart: the art and practice of writing.

Over the course of six weeks, Cameron carefully guides readers step by step through the creative process. This latest guide in the Artist’s Way Series:

– Introduces a new tool and expands on powerful tried and true methods.
– Gently guides readers through many common creative issues — from procrastinating and getting started, to dealing with doubt, deadlines, and “crazymakers.”
– Will help you reach your goals, whether your project is a novel, poetry, screenplay, standup, or songwriting.

With the learned experience of a lifetime of writing, Cameron gives readers practical tools to start, pursue, and finish their writing project. Write for Life is an essential read for writers who have completed The Artist’s Way and are looking to continue their creative journey or new writers who are just putting pen to paper.

 

The Creative Fire: Myths and Stories on the Cycles of Creativity

In Search of La Chispa: The Elemental Source of Your Creativity

An expanded edition of the classic on creativity by Dr. Clarissa Pinkola Estés, this spoken-word masterpiece guides you through the dark labyrinths of the psyche in search of la chispa–the ember that is the elemental source of all creative work.

Dr. Estés teaches about the hidden aspects of creativity, including the negative complexes that prey upon creative energy. The Creative Fire includes many special insights for people who create for a living: artists, writers, teachers, and others who must depend on their creative instincts every day.

 

Fun

I treated myself to some books that were just fun. Playful books. Silly books. Joy for joy’s sake books.

Fortunately, the Milk

An absolute delight of a madcap story for the young (and young-at-heart) by New York Times bestselling author Neil Gaiman, with equal parts pirates and piranhas, adventure and aliens, oddity and love.

“I bought the milk,” said my father. “I walked out of the corner shop, and heard a noise like this: t h u m m t h u m m. I looked up and saw a huge silver disc hovering in the air above Marshall Road.”

“Hullo,” I said to myself. “That’s not something you see every day. And then something odd happened.”

Find out just how odd things get in this hilarious story of time travel and breakfast cereal, expertly told by Newbery Medalist and bestselling author Neil Gaiman and illustrated by Skottie Young.

 

Framed

Get to know the only kid on the FBI Director’s speed dial and several international criminals’ most wanted lists all because of his Theory of All Small Things in this hilarious start to a brand-new middle grade mystery series.

So you’re only halfway through your homework and the Director of the FBI keeps texting you for help…What do you do? Save your grade? Or save the country?

If you’re Florian Bates, you figure out a way to do both.

Florian is twelve years old and has just moved to Washington. He’s learning his way around using TOAST, which stands for the Theory of All Small Things. It’s a technique he invented to solve life’s little mysteries such as: where to sit on the on the first day of school, or which Chinese restaurant has the best eggrolls.

But when he teaches it to his new friend Margaret, they uncover a mystery that isn’t little. In fact, it’s HUGE, and it involves the National Gallery, the FBI, and a notorious crime syndicate known as EEL.

Can Florian decipher the clues and finish his homework in time to help the FBI solve the case?

 

I’m still trekking through the woods, but I’m starting to see the beginnings of a pathway out of the creative darkness. The breadcrumbs left by these books helped me. How about you? What are your go-to reads during tough creative times? I’d love it if you’d share in the comments.