Posts Tagged homeschool

STEM Tuesday — Spiders– Writing Tips and Resources

Finding a way into a challenging topic: Writing about something scary

“Look, there’s a spider!”
If someone says that to you, would you jump away? Or lean in closer?

Spiders elicit widely varying emotional responses—appealing to some and appalling others—which makes writing about them a fascinating task.

With such wide-ranging reactions, how do you reach readers to teach them about these marvellous creatures without scaring them away?

Here are some tried and true tricks:

  1. Zoom in! Think of your scary, spooky subject as a character. Who are you writing about? What are their goals? Fears?
  2. Put your character in a scene (using facts!) – what are they doing, where…?
  3. Give your character a social setting – with whom are they interacting, how and why?
  4. Find your hook – What about your subject is most fascinating?

Believe it or not, you can apply these questions to your nonfiction writing and research. Let’s take a look at these examples that are as different as they are similar.

Jumper: A Day in the Life of a Backyard Jumping Spider
by Jessica Lanan (Roaring Brook Press, 2023)

This story uses two key tactics to engage readers. First, it elicits curiosity and empathy by asking “What if?” questions to help readers imagine being a spider and how their lives parallel the main character’s life.

Second, the spider is written as a charming main character. She has a name—Jumper—a mission, and superpowers to help her reach her goals. As readers get to know this personality-filled character, their sense of connection grows.

Appeals to readers who: like to imagine; enjoy getting to know a character up-close.

Book cover: "The Secret World of Spider Webs"

The Secret World of Spiderwebs by Jan Beccalon and Namasri Niumim (Thames & Hudson Ltd., 2025)

To get immediate buy-in, this story focuses on one of the most fascinating elements of spiders: their webs. This hook is beautiful, not scary, which helps draw in readers who might not reach for a book on spiders.

The book then treats each type of spider as a character: describing the setting, names, and social interactions (hunting, living with others, making and repairing their homes and traps) that make each spider inherently fascinating. These details help explain the type of web each spider weaves.

Appeals to readers who: like to learn deeply on a topic; enjoy comparing different experiences.

The Pet to Get: Spider: Everything You Need to Know About Cool and Unusual Pets by Rob Colson (Wayland, 2017)
This book dives deep into details. Multiple small sections on each page address diverse topics (e.g., types of spiders, how to care for them, their life cycle, and the best homes and food) plus large, detailed photos. With so much to learn, readers will quickly move from hesitation to fascination.

Appeals to readers who: want a pet spider; like to get up close with the details of crawly creatures.

Spiders: The Ultimate Predators by Stephen Dalton (Firefly Books, 2008)
In this book, spiders are organized by hunting style. The text is heavy on facts, uses a more scientific voice, and reads a little bit like an extended encyclopedia article. Even still, the spiders are presented as characters (albeit scientific ones) who exist in their specific worlds with their specific goals. Best of all, the photographic images of the spiders that illustrate the text are surprisingly playful, energetic, and beautiful. Together, the images and text show spiders as individuals alive and trying to survive in their environments, while inviting readers to look closely and make their own discoveries.

Appeals to readers who: like straight forward facts and real-life pictures, and who want to spend time learning about spiders without having to follow a storyline.

SCIENCE COMICS: Spiders Worldwide Webs by Tait Howard (First Second NY, 2021)
Talk about storylines! This graphic novel follows two kids turned spider-sized who go on an unexpected adventure through the world of spiders. Using fact-filled humor, illustrations, and easy-to-follow text, this story covers everything you might want to know about spiders. Like, did you know they don’t breathe through their mouths? They breathe through special organs called book lungs! (And when you see the illustrations, you’ll know why they’re called that.) This book would probably technically fall in the informational fiction (vs nonfiction) category since there is, you know, a shrink ray and a talking spider in a tiny lab coat.

Appeals to readers who: learn visually and/or like when facts are woven into a good story.

Activity

Now it’s your turn. What scary topic or creature interests you? Make an idea web about your creature—what are its character traits, what setting does it inhabit, what is its social world?—and then write about it.

Bios

Alexandra Millarhouse
Kamilla Milligan

Alexandra Millarhouse (she/they) is a researcher, science communication professional, and writer focused on the intersection of nature, science, and self. Her nonfiction picture book, THE ANIMAL QUEENDOM, comes out in Jan 19, 2027 with Simon & Schuster. Living in Vermont, Alexandra is often tracking wildlife across a cemetery, or sitting by the water with a sketchbook. Visit them online at https://www.foxandindigo.com/

Kamilla Milligan is a kidlit writer who explores themes of home, connection with nature, and cultural diversity in her stories. Kamilla has lived in Canada, the southern US, and Russia, and applies her PhD in education to her work in equity and human rights. Outside of reading, Kamilla enjoys gardening, fibre projects, and nature walks. Visit Kamilla online at http://kamillamilligan.com/

STEM Tuesday — Spiders– Book List

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It doesn’t matter where you are, inside or outside, there’s a good chance that a spider is watching you! Unless you are in Antarctica. For the most part, those spiders are perfectly content to go about their day eating garden pests and leaving cobwebby silk strands in the corner of your bathroom. But somehow, spiders get a “spooky” reputation. So, let’s take a closer look at them!

Book cover - 2 spiders in webs on upper corners, a spider dangling down left side, and a large spider on bottom right corner.

Spi-ku: A Clutter of Short Verse on Eight Legs by Leslie Bulion

From leafy treetop to forest floor, this book introduces readers to happy spiders, diving spiders, social spiders, and more. Each spread features poems and information about how they kill and digest their prey, engage in foolery – and even how they become prey themselves. Back matter includes hands-on spider activities and how to write your own spider poems.

Book cover - large spider on an enlarged leaf background.

Jumping Spiders (Creepy Crawlers in Action: Augmented Reality series) by Sandra Markle

Six chapters introduce the jumping spider’s world, with information on the spider from the inside out.  Because jumping spiders spend a lot of time hunting, readers are invited on a hunting expedition – from the spider’s point of view. Readers with smart phones and the appropriate app can scan Augmented Reality icons to watch the spiders “come to life.”

Collage of six book covers - all witha large image of a spider.

Super Spider Series (Black Widow, Cave, Funnel-Web, Tarantulas, Trapdoor, & Wolf Spiders) by Lisa J. Amstutz

These hi-low or younger MG books each focus on a specific spider and combine fascinating photographs, wonderfully concise, detailed information on each spider’s life-cycle and unique characteristics, a warning (when necessary), as well as a fun activity, jokes, glossary, and additional resources.

Book cover -  spider holding a big bubble in front of it.

The Secret of the Scuba Diving Spider … and more! by Ana Maria Rodriguez

Readers are taken into the field with animal biologists to find the diving bell spider, the only spider that lives underwater. Only as long as a grain of rice, they’re hard to find in the water and they are becoming rare because of habitat loss and pollution.  In addition to diving bell spiders, readers meet whistling caterpillars, signal-jamming bats, and zombie ladybugs. https://archimedesnotebook.blogspot.com/2018/01/scuba-diving-spiders-and-hugs.html

Book cover - big spider on a palm leaf.

Spiders! Strange and Wonderful by Laurence Pringle

At this very moment there may be several spiders lurking close to you. The good news: they are so focused on living their own lives that they really don’t want to have anything to do with us. An attitude that has served spiders well for the past 380 million years or so. Close-up portraits reveal things you usually don’t get close enough to see.

Book cover  - a large spider at the bottom and two spiders in the upper corners.

Spiders: We’re Not Scary, We’re Amazing by Ruth Owen

Written as an address to the readers, this ingenious hi-low or younger MG book uses amazing photographs, microscopic images, and illustrations, along with an illustrated, lab coat-wearing “spider-scientist,” and bite sized bars of text to examine the physiology, special traits, life cycle, actual danger, science behind our fears of spiders, and some absolutely amazing spiders.

Book cover - spider in the center of an elaborate web.

The Secret World of Spiderwebs by Jan Beccaloni, illustrated by Namasri Niumim

Using conversational text and visually and tactilely engaging close-up illustrations (with a couple of stunning rotated spreads), this book highlights the beauty, strength and mysteries of thirteen types of webs and the 20 spiders (listed in the “spider spotters guide” at the end) who build these special webs. Like the Amazon social spider’s colony web or a lampshade web in a cave. A step-by-step guide walks the reader through web building, and a series of close-ups explore spider anatomy, how spiders make silk, and some of the different types of spider silk. 

Book cover - big spider with really large eyes.

Spidermania: Friends on the Web, by Alexandra Siy

This is a great book for younger MG readers. It begins by clarifying the differences between spiders and insects and then dives into spider lives. The book introduces readers to a diversity of spiders, and shows off their web skills. Stunning photographs and brightly colored electron micrographs show spider eyes and claws up close.

BIOGRAPHY

Book cover - female scientist holding a spider in a jar.

The Spider Lady: Nan Songer and Her Arachnid World War II Army, by Penny Parker Klostermann, illustrated by Anne Lambelet

Entomologist, Nan Songer collected butterflies and moths, beetles, caterpillars and spiders. But instead of killing and mounting them in display boxes, she kept a living collection in jars all over her house. When a friend mentioned he used spider silk to replace the crosshairs in his surveying scope, Nan wondered whether she could harvest spider silk and sell it. This book takes readers into her lab, showing her experimental process and the important role her research played as the US headed to war.

GREAT GUIDES 

Book cover with 15 different spiders.

Spiders (North American Field Guide) by Samantha S. Bell

A browsable guide containing the spider’s common and scientific names, “Fun Fact” blocks, extra information sidebars on webs, diving, and vision, amazing photographs, “How to Spot” sections with individual spider statistics, and succinct paragraphs about eighteen categories of spiders. Including crab spiders, a cat-faced spider, and a hammock spider.

Book cover with 13 different spiders.

Spiders of the World: A Natural History edited by Norman I. Platnick

Beginning with a detailed diagram and electron microscope images of a spider’s anatomy, it explores specific orders and subgroup of spiders. Stunning photographs accompany short descriptions, world-wide distribution maps, and characteristics lists for well over hundreds of spiders, including Spitting, Ogre-faced, Pirate, Diving Bell, Green Lynx, Beach Wolf, and ant-mimicking and beetle-mimicking Jumping spiders. It is a fascinating read, with a glossary, additional readings, and an index.


 This month’s STEM Tuesday book list was prepared by:

Photo of author Sue Heavenrich looking up into the trees.

Sue Heavenrich is an award-winning author, blogger, and bug-watcher. A long line of ants marching across the kitchen counter inspired her first article for kids. When not writing, she’s either in the garden or tromping through the woods. Her books for middle-grade readers include Funky Fungi: 30 Activities for Exploring Molds, Mushrooms, Lichens, and More and Diet for a Changing Climate. Visit her https://www.sueheavenrich.com/

Photo of author Maria Marshall with roses in her garden.

Maria is a children’s author, blogger, and poet who is passionate about making nature and reading fun for children. She was a judge for the Cybils Awards since 2017 and a judge for the #50PreciousWords competition since its inception. Two of her poems are published in The Best of Today’s Little Ditty 2016 and 2014-2015 anthologies. When not writing, critiquing, or reading, she bird watches, travels the world, bakes, and hikes. Visit her at https://www.mariacmarshall.com

STEM Tuesday — Computers–Questions to Ask Yourself About AI Use in the Classroom

AI in Schools Has a Cost: Impacts and Responses

by Kamilla Milligan and Alexandra Millarhouse

 

Are you being asked to incorporate AI into your work or classroom? How do you feel about that?

The push for AI seems to be everywhere these days, including in many classrooms. As educators, parents, and creatives, we have concerns.

What does it mean for students? For our future?

We wanted to offer you some of the research we have gathered about AI use in the classroom. We believe that it is important to take into account all of the issues with AI when considering how you can contribute to the conversation in your own district.

While this post aimed at educators, we hope that this information serves anyone who is interested in learning more about the costs and impacts of AI on students and beyond.

AI Impacts in the Classroom

Let’s start with how AI affects students in the classroom. Research conducted by Abdulrahman (2024) identifies ten categories of potential negative impact from AI (see Table) while Ahmad et al. (2021) points out six risk areas. Some of these include:

  • Loss of human connection. Students report a reduction in connections with teachers and other students.
  • Reduced critical thinking, problem solving, and creativity. Research has shown a link between AI use and cognitive decline in students. When machines generate solutions, students lose opportunities for learning and development of creative solutions. For example, there is a cost to using AI at any stage of the writing process.
  • Social knowledge and skill-building risks. AI use has been found to reduce interpersonal skills and tolerance for difference. Current AI models are sycophantic, agreeing with and supporting the logic of users. Those who use AI regularly show reduced ability to respect different perspectives, and increased rigidity in the rightness of their viewpoints.
  • Accuracy and functional risks. AI has significant errors in output and frequent hallucinations, including false information and research citations. 

The Big Picture of AI Impacts

In addition to classroom use, educators should be aware of the larger drawbacks of AI. The harms caused by widespread adoption of AI technologies* to our physical, social and economic environments are well documented, including: 

The Classroom Context: Pressures on Teachers

The push to adopt AI is creating practical and ethical challenges. While many want to take a thoughtful approach to adopting a brand-new technology, they may not have been given time or support to understand the full scale of AI’s potential impacts, let alone make independent choices about if or how it might belong in a classroom. As you look into AI, it’s crucial to understand the context within which AI is being rolled out. 

It’s also important to note that while AI is being pushed in some districts, it’s being paused in others, including NYC and Los Angeles, for many of the reasons noted below. 

Time savings/personalized learning. Educators face increased responsibilities: learning shortfalls and exacerbated gaps in learning; lower attention spans among students; and funding cuts that are deeply impacting school resources (as well as publishing). 

Many schools and school boards assume that AI addresses these systemic problems, for example, by providing time savings (such as in filling out report cards) or by personalizing assignments. This is not necessarily true.

The push for AI use can increase pressures on educators as they are assumed capable of taking on more responsibilities. Instead, they have to manage, review and edit AI products as well as deal with the unintended impacts in the classroom, along with the other, ongoing parts of their jobs.

Additionally, AI creates an even thinner overall system by committing limited resources to AI programs instead of addressing real resource needs since human learning requires interactions with humans, even if technology can play a role. 

“Future-proofing” students’ skills. Some argue that students must learn to use AI to be competitive in the job market. But this assumes a future where AI is ubiquitous. It also assumes that we can “future-proof” students’ skills using current technology. 

However, as one example, writing code was touted and prioritized a decade ago as the skill every student needed to succeed. Yet, as those students enter the job market, coding is now increasingly considered redundant as it is outsourced to AI. 

A future based in AI is also far from guaranteed. Currently (and foreseeably), AI is unsustainable economically and environmentally, and is running out of training materials required to continue to grow. 

"Is AI Profitable Yet?" No. Comparisons of expenses and revenue for major AI companies.

[from https://isaiprofitable.com/]

No matter what the future holds, students will need skills in reading, writing, scientific and math literacy, and critical thinking. 

No Single Solution

We recognize that each school, each classroom, each person is different. But no matter your context or circumstances, the most important thing is to educate yourself enough to make an intentional, researched plan so that you can help guide the conversation in your own area. Recognizing the complexity of this topic, we will leave you with questions rather than answers:

How can we continue to think and talk critically about this technology, and who benefits from its use and widespread rollout?

What choices do we have as individuals in our interactions with AI? What other options are possible, even with systemic pressures encouraging its use?

How can we have higher-level conversations about the root causes that are driving the push to implement AI?

What skills are needed to create a sustainable, equitable future for all on the planet? How is the use of AI building or destroying those skills in students? 

And ultimately, how do we develop informed citizens who are equipped to navigate a changing world, and are capable of understanding their choices and the impacts of those choices on each other and the planet? 

The world is changing. We all need to be problem-solvers, to have the full functioning of our brains, bodies, and humanity actively engaged in facing the challenges we’ll encounter over the coming decades. 

*AI encompasses a wide range of technologies and applications. This overview focuses on those more commonly used in classrooms and by the public, including generative AI, chatbots, use of AI by teachers to generate content or reports, and AI companions.

 

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Kamilla Milligan is a kidlit writer who explores themes of home, connection with nature, and cultural diversity in her stories. Kamilla has lived in Canada, the southern US, and Russia, and applies her PhD in education to her work in equity and human rights. Outside of reading, Kamilla enjoys gardening, fibre projects, and nature walks. Visit Kamilla online at kamillamilligan.com

Alexandra Millarhouse is a researcher, science communication professional, and writer focused on the intersection of nature, science, and self. Her nonfiction picture book, THE ANIMAL QUEENDOM, comes out in Jan 19, 2027 with Simon & Schuster. Living in Vermont, Alexandra is often tracking wildlife across a cemetery, or sitting by the water with a sketchbook. Visit Alexandra online at: foxandindigo.com