Posts Tagged diversity

Author Interview with Emma Otheguy

When I had the pleasure of meeting Emma Otheguy, I got a taste of her passion for introducing history to young readers. In addition to writing early readers and picture books, she is the author of middle grade novels, Silver Meadows (Knopf, 2019) and Sofia Acosta Makes a Scene (Knopf, 2022). I am excited to share our recent discussion featuring the launch, both in English and in Spanish, of her upcoming book, Cousins in the Time of Magic. (February 25, 2025). In this time travel adventure, three cousins get transported to 1862 to play an important role in the Battle of Puebla, the reason we celebrate Cinco de Mayo today.

 

 

Interview with Emily

(This interview has been edited for length and clarity.)

 Jen: Cousins in the Time of Magic comes out in THREE DAYS! Can you tell me about how you came to write for young people?

 

Emma: I was always interested in children’s books. I read a lot as a child. I also took multiple courses with the children’s author Donna Jo Napoli when I was an undergraduate. I thought I was going to be a history professor and went to graduate school to get a doctorate. One of the things that was really exciting about being in graduate school is that I started to learn a lot about Latin American history, which as we all know is not well represented in our school curriculums here in the United States. That’s really concerning because Latin America is our nearest neighbor, a quarter of the people in the United States are Latinos, and a high concentration among them are young people. I think there’s a real need for everybody to learn this history. I felt that it was affirming and meaningful to learn the history of my own people. I really missed doing something that was creative and something that had a public focus. When I first started writing, I wrote straight fantasies for children, things that had nothing at all to do with what I was studying. I also wrote my first published book Marti’s Song for Freedom, which does have a colonial Latin America theme. It was partially an escape, and partially a way to make public all of the amazing things I was learning.

Jen: When did the history bug bite you?

Emma: I was always interested in history. My parents came to the United States as exiles from Cuba. They talked a lot about their culture and about their understanding of the events that precipitated them coming to the United States. I think that being a child of immigrants always comes with a story. This interest in the stories of the past naturally led me to an interest in history. I also had really incredible teachers in high school A handful of teachers at my school went above and beyond on a level that is incredibly rare. Now as a parent, I read to my children and I see stories as a vessel for what we want to tell our children, whether it’s an immigration story or another type of story.

Jen: What are some of the ways that you bring history alive for your readers?

Emma: The key to Cousins in the Time of Magic is that the readers meet kids their own age who are like them. Jorge, Camilla and Siggy are contemporary kids who live in Miami in the modern day. They travel back in time and meet kids their own age in the historical time periods they are visiting. The whole journey and all of the historical themes are revealed to the reader through the eyes of children. This is a powerful connection because this is how kids are able to socialize and connect with the experience. The other thing that I think really made Cousins in the Time of Magic accessible to kid readers is the illustrations. Poly Bernatene really brought the characters to life. Kids reading the book see the characters expressions on their faces, and their body language. I think the pictures add another layer of connection and immediacy, as well as excitement and an emotional depth to the character’s experiences. The style of the illustrations adds a kind of wonder and magic to the book. They also make it easier to visualize certain historical technologies, such as a telegram test transmitter and an ironclad.

Jen: What are some ways you approach difficult topics such as colonialism and racism?

Emma: My hope is that kids get sucked into this big exciting magical adventure and are swept along by the story. There are those bigger historical issues that a kid might not pick up on the first time reading through, especially a younger reader. My approach to talking about difficult topics in history with kids is to be up front and to use words that they can understand. It’s not complicated to talk about things like racism and colonialism, right? It’s actually fairly simple. Europeans made a lot of money enslaving people and growing crops like sugar. That’s why they wanted to hold onto power, and hold onto these territories. In some ways because it is so basic, it is the most simple thing in the world to understand. It’s greed. The reason adults make these concepts complicated is that we’re trying to sanitize events for children. We don’t want to tell kids, yeah, there are emperors and they want to colonize people and hold on to power because they want to be powerful. Kids understand that. It’s never easy to talk about racism or the history of slavery for kids. Part of what made it clear to me that this was the path we need to follow was thinking about who those narratives serve to protect and who I was trying to speak to. I’m just trying to be really honest. I also think that if kids don’t know what racism and colonialism look like, because we’re constantly trying to sanitize it and make it more palatable to them, then we can’t expect them to notice it when it starts to sneak up on them and their own lives.

Jen: What surprised you most while writing this book?

Emma: I was surprised how hard it was to find research material for my book. I very rarely meet somebody who, when I say, “I’m writing a book about Cinco de Mayo,” who says, “Well, what’s that?” Everybody knows it’s a holiday but very few people know the history. It wasn’t that big a thing in Mexico, it’s a much bigger deal here in the United States. It was so hard to find relevant books in the United States. Eventually I went to Mexico where my cousins lived. We went to Puebla, so I got to see the sights in real life with my own eyes. I went to a bookstore and brought home a bag of books written in Spanish. That is how I did the research for the Mexico part of the book.

Jen: I know you have never been through a time traveling portal, but what parts of this book are closest to your life? Are you close with your cousins?

 Emma: The place where the kids begin their adventure is inspired by two houses. One is my grandmother’s house in Miami, where I spent a lot of time with my cousins playing in her yard and running around. The tinajón, the big clay pot that the kids climb into to time travel, was inspired by my father’s house, and the house my father grew up in in Cuba. He had a painting that my grandmother had made of that house so I always had this image in my mind. That’s where the premise of the portal came from.

Illustration by Poly Bernatene in Cousins in the Time of Magic

I’m close with cousins on both sides of the family. One of my cousins who lives in Mexico was very helpful with the research for this book, because he hosted me. My cousins in Miami were also helpful. I kept texting them things like, where would these kids live and, what street would this be near? I’m lucky to have a lot of different cousins all spread out in different places, Jorge, the youngest cousin in the book, reminds me of one of my uncles, who must have broken more bones than I can count. He’s my mom’s youngest brother and always kind of doing athletic and somewhat headlong things.

 

 

 

Jen: Jorge, Camilla and Siggy all embrace their Latino identity. Can you expand upon this aspect of the book?

Emma: The three cousins are growing up in a predominantly Latino city, and they spend a lot of time with each other. All three of them are bilingual, they’re all Latinos on both sides, although their parents come from different parts of Latin America. On the one hand they experience this real pride and comfort with their Latino identity. On the other hand, they live in a society and in a moment that tends to project hostility toward Latinos. So my vision for the book is that by learning about their own history and especially learning about their people’s role in the establishment, founding and shaping of the major moments in US history, they start to feel more pride of identity that goes beyond just their experience within their own community. I also wanted them to have the valuable experience of traveling back in time and meeting other kids who are Latino and who speak Spanish.

Jen: Can you give an example of how this appears in your book?

Emma: I highlight this in a scene where the cousins are in their magic boat and they’re trying to make land. They are in Virginia on the peninsula during the Civil War era. A boy runs into their boat shouting in Spanish. He’s a Union drummer boy, but he’s Cuban American. He’s a fictional character, but there was a well-known Union officer who was Cuban American and who spoke Spanish. I made this child up so that the kids would have an experience that really existed in history. Although we don’t talk about it, a very large percentage of the Union army was foreign born or second generation. Another important piece of this character’s identity is that the kids learned to counter the narrative that there is something new or different or odd about Latinos in the United States.

Jen: What are some of your favorite middle grade novels?

 Emma: This question is hard for me because I read so many different books and it’s always hard to choose one book or one author. I’m thinking about my own colleagues in children’s literature. Tammy Charles is one of my critique partners and so I read absolutely everything she writes. I’ve gotten to read some of her work in manuscript form. I feel like Angela Cervantes is somebody who’s a colleague and has always been one step ahead of me. She wrote Gaby Lost and Found, an incredible that book came out shortly before my first book came out, so I’ve always been following her path and her trajectory. Those are just two authors I love to read and I could probably go on and on and on, but I’ll just give you those two.

Jen: Is there anything else that you would like readers to know about Cousins in the Time of Magic?

 Emma: I want them to know that I consider this history to be vital. Any time you write about a group like Latinos that are not a majority group, you run the risk of your book being put on the shelf in the corner. You run the risk of tokenism. You run the risk of your book being trotted out at Hispanic heritage month and never again. This history is especially relevant to Latinos, but I think that everybody should know this history. I don’t think it’s incidental. I didn’t go dig up a story so that I could find a way to fit Latinos into the history of the United States. It’s actually the real history. So I hope that kids read it and it reshapes their understanding of the United States. I hope this is not too ambitious to say, but this is my hope.

Jen: Now that your wonderful book is out in the world, what’s next?

Emma: I’m working on another manuscript about the cousins that will take them to meet some really important Latino intellectual figures in the 20th century.

Illustration by E.L. Konigsburg in From the Mixed-Up Files of Basil E. Franweiler

Jen: Do you have any connection to the book The Mixed Up Files of Basil E. Frankweiler?

Emma: It is one of my favorite books I grew up on that train line that E.L.Konigsburg talks about. That moment when the kids are on the cement platforms of the Metro-North train is a moment that always made an impression on me as a kid coming into the city from the suburbs. I think she captures so well going to the Metropolitan Museum of Art like I did with a lot of my friends growing up. Konigsburg once said she had never seen kids who were so comfortable on the outside and so uncomfortable on the inside. This made a big impression on me.

 

 

 

 

 

No MUF interview is complete without a lightning round so …

Favorite place to write? Lately any one of the many coffee shops in Astoria, Queens

Dark chocolate or milk chocolate? Milk chocolate!

Superpower? Getting rid of stuff! My family lives in a small apartment but I have never once complained of not having enough storage. I’m ruthless.

Dream job when you were a kid? I was lucky that the grown-ups in my life rarely asked me this question as a kid. I got to focus on what I liked to do, especially reading, so for many years I was pretty sure I would grow up to be a fairy, a princess, or a mermaid!

Jen: Where can readers find you if they want to reach out?

You can connect with me through my website https://emmaotheguy.com/childrens-literature/

 

 

 

 

 

 

 

 

 

 

 

STEM Tuesday– Fossils– Author Interview

Welcome to STEM Tuesday: Author Interview, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Alison Pearce Stevens, author of Rhinos in Nebraska. Rhinos is the tale of a supervolcano, its aftermath, and the intrepid scientist who discovered one of the world’s greatest paleontology sites–an ancient Nebraska waterhole filled with the fossilized skeletons of hundreds of animals that look like they came straight out of Africa.

This book is a Junior Library Guild Gold Standard selection that’s won three Nebraska Book Awards!

Andi Diehn: Time as a character – there’s a lot of discussion of time in your book – the time that’s passed since ancient animals lived in Nebraska, the time it takes to turn bones into fossils, how time can change a landscape and make it hard to find the exact location where a fossil was found. Why is geological time an important concept for kids (and adults) to understand?

Alison Pearce Stevens: How often do we say we’re “running out of time” or “don’t have time” for something? I know I say it a lot. Time is this commodity that always seems to be in short supply, but our concept of time is limited by our (rather limited) experience. I think taking a step back to get some big-picture perspective can be really helpful. On a geologic time scale, we humans exist for the blink of an eye. Given that, maybe some of the issues we feel pressured about aren’t actually so pressing. I think temporal perspective-taking can help us prioritize what’s really important in our lives, so we can be more content with what we have and put our energy into bigger, truly pressing issues.

As a side note, time played a big role in how this book came to be. I was working at University of Nebraska State Museum on a series of exhibits about Nebraska’s past, present, and future, and one section focused on the Ashfall Fossil Beds. Now a state park, it’s the site of an ancient water hole filled with hundreds of skeletons of ancient animals, from camels and rhinos to crowned cranes and turtles. There were elephants around then, too. It looks like something you would find in modern-day Africa—but it’s in the middle of North America. One day, it hit me—twelve million years ago, those animals were running around in what’s now my backyard. It was kind of mind-blowing. That’s the moment I knew I had to write Rhinos in Nebraska.

Andi: I love the descriptions and discussions of tools – field notes, GPS, topographic map, scanning electron microscope. 

Alison: Field notes tie to any kind of journaling or record-keeping. Writing down what we see, feel, and experience gives us a way to track what’s happening in our lives, so we can gain some perspective on things as they play out—or simply have a record of them that we can refer back to. I track things like rainfall and bloom time and when I see migratory birds in my yard, and I regularly go back to see how those things have changed (a lot, it turns out).

If you’ve ever tried to catch them all in Pokémon Go, you’ve used GPS. It’s also essential for geocaching, if families have done that. GPS is how the map app in a phone or car knows where you are and tells you where to turn next.

Topographic maps are commonly used by hikers. They’re super useful when there are multiples trails, so you can tell which ones are steep or have lots of hills, and which ones provide a gentler hike.

If you look up SEM images, they are super cool—the detail on tiny things like pollen grains are beyond anything you’ve imagined.

Andi: I love this line about Mike Voorhies: “It was the best he could do at the time with the information he had available.” How does this quote reflect the scientific process?

Alison: To me, that line summarizes the scientific process. One of the main things I wanted readers to take away from the book was how we know about things that happened millions of years ago. I think people tend to think of science as a bunch of facts. We do have facts that are the outcome of scientific investigation. Barrel-bodied rhinos used to live in Nebraska, for example. We can say that with certainty after discovering their fossils, but answering other questions—like when the volcano that buried the Ashfall animals erupted—takes time and patience. Science is a process, and our ability to figure something out is limited by the available equipment and technology.

I like to think there are similarities between scientific investigation and the justice system. Both collect and analyze evidence and use it to reach a conclusion. I would certainly hope that if new evidence comes to light during (or after) a trial, the jurors or judge would be willing to reconsider the conclusions they had reached up to that point, and science is no different.

Andi: Convergent evolution – I love the idea that similar traits can evolve in organisms from different parts of the world. How might kids think about convergent evolution as it applies to organisms they’re familiar with?

Alison: Convergent evolution happens when different organisms living in different places come to share specific characteristics. It happens over time as certain traits help individuals survive and reproduce. The example I use in the book is hummingbirds and sunbirds, which live in Africa. Both have long, curved bills to drink nectar from trumpet-shaped flowers. Birds with longer bills would have been able to drink from tall flowers more easily, so they would have gotten more food. That means they can have more babies, all of which would also have long bills.

The appearance of falcons, hawks, and other birds of prey is actually an example of convergent evolution, as well. DNA evidence tells us that peregrine falcons are more closely related to parrots than hawks or eagles—but those sharp talons, forward-facing eyes, and curved beak help them hunt, so they’ve come to look more like hawks and eagles than their parrot cousins. Another example is eyesight, which evolved separately in vertebrates (animals with backbones) and squid and octopus. Even though we all have eyes, an octopus’s eye is structured differently than ours.

Andi: Details like fossilized seeds stuck in rhinos’ teeth are great! Also great that when the paleobotanists got involved, this was more evidence of a growing team. How does teamwork improve science?

Alison: Teamwork is essential for science, and that’s especially true when you’re studying something as vast as the Ashfall Fossil Beds. Scientists develop expertise in specific areas, so when they encounter something outside their area, they need to find another expert to weigh in. Mike Voorhies studied extinct mammals, so he needed other experts to help with plants, birds, and even dating the age of the volcanic ash. I think some of the best science comes from coordinated team efforts—when lots of people collaborate, you get more creative ideas about how to answer a question and a variety of approaches to call upon to collect the data you need. And collaboration is fun! If you’re part of a good team, you enjoy the work more than you would toiling away on your own.

Andi: There are many times when it seems like the team fails – why is that an important part of the story?

Alison: Every success comes on the heels of a series of failures. That’s a pretty standard story in science—and in life! The process of figuring something out isn’t always easy and usually requires some serious creativity (scientists have to be creative—they don’t get much credit for that!), so there are failures and false-starts and partial successes until they finally get an answer. And then the answer might not be what they expected—so they have to re-evaluate, ask new questions, and start the process of investigation all over again.

Andi: I love Matt Huynh’s illustrations – how do they help make the story accessible?

Alison: Matt’s illustrations are perfect for the book. His woodcuts bring these ancient animals to life in such an unusual way, and they help readers envision what North America might have looked like twelve million years ago. Although the animals were similar to modern African species, there were some key differences, and Matt’s illustrations show our ancient animals as they might have looked. Plus, they’re just fun.

 

 

Alison Pearce Stevens has an M.S. in zoology and Ph.D. in ecology, evolution, and behavior. She has researched and written hundreds of articles for Science News Explores, Highlights for Children, and ASK magazine, among others. Her book Rhinos in Nebraska (Henry Holt BYR) details the discovery and excavation of one of the world’s premier paleontology sites, and Animal Climate Heroes (Henry Holt BYR) showcases four incredible animals working to protect their ecosystems—and us. Both were Junior Library Guild Gold Standard Selections. She and her husband have three dogs, one of which would make a great detective dog.

 

 

Andi Diehn works as an editor for Nomad Press and has written many STEM books for kids!

The Liberation of Lefties

Lefty book cover

I grew up as the youngest of five very ordinary children. Well, we each had our individual personalities, preferences, and idiosyncrasies, but we were mainstream in the obvious ways — like being right-handed.

 

So, when my niece’s son turned out to be left-handed, it was a source of great curiosity and excitement in the family. This trait was viewed as unique. Cool. Special. And then his sister turned out to be left-handed as well. Then two of my three grandchildren turned out to be lefties. The excitement was almost too much to handle!

 

A Book Called Lefty

With love for so many lefties, you can imagine my delight when I learned about the book Lefty: A Story That is Not All Right (Union Square Kids, 2024), with words by Mo Willems and pictures by Dan Santat. Oh, how I smiled. Well, the work of these two creators often makes me smile, but this was different. This book evoked images of some children who are very dear to me, so I smiled for a really long time. In fact, I’m still smiling.

Lefty book cover

 

The book opens with a question: “Did you know there was a time when you could get into trouble…really, really big trouble…for being left-handed?” The question is being asked by a left hand, held puppet-style, who happens to be speaking to a right hand.

 

The right hand is incredulous, as many young readers might be. But the book goes on to explain that left-handedness was once feared, maligned, and viewed as something sinister…because it was a variation from the norm.

 

While that might sound crazy to children who are free to use the hand that feels naturally dominant, it wasn’t that long ago when people were still forcing children into right-handedness. I remember this happening to a few friends from my childhood. The rationale was that life would be easier for them as a right-handed person. 

 

To my horror, I later discovered that in some communities, left-handedness was interpreted to be a sign that the child had been “touched by the devil.” When I first started teaching, I actually had students who referred to a left-handed classmate as “evil-handed.”

 

According to a 2015 Time magazine article entitled “How Lefties First Gained Acceptance,” the association of evil with left-handedness goes back to the Middle Ages. (Believe me, I did NOT start teaching in the Middle Ages. These attitudes hung around for a LONG time.) The article goes on to identify some very famous and highly-regarded southpaws, including Leonardo da Vinci, Marie Curie, Bill Gates, and Barack Obama.

 

A book like Lefty can be very powerful in helping us normalize a trait that, according to the National Institute of Health, has belonged to 10% of the population dating back to the time of Neanderthals. This made me wonder….Are there middle grade books that celebrate left-handedness? Yes, there are! Here’s a sample of some literary lefties middle grade readers can enjoy.

 

Middle Grade Books Featuring Left-Handedness

 

The Left-Handed Shortstop cover

The Left-Handed Shortstop (Yearling, 1989) by Patricia Reilly Giff

When fourth-grader Walter Moles is assigned the role of shortstop in the big rivalry game, he’s overcome with the fear of failure. After all, there hasn’t been a left-handed shortstop since 1892! This book was published just a couple of years after one of my students was referred to as “evil-handed.” I hope that in its time, it found its way into the hands of some kids who needed it.

 

Choosing Up Sides cover

Choosing Up Sides (Viking Books for Young Readers, 2000) by John Ritter

Lefty Luke Bledsoe discovers that he has a talent for pitching. It’s the first time he’s felt good about being left-handed. That’s because Luke’s dad is a pastor who believes that the left hand is the side of Satan. This award-winning book evokes empathy for lefties as well as for those who struggle to balance family expectations with personal passions.

 

The Clue of the Left-Handed Envelope cover

The Clue of the Left-Handed Envelope (Simon and Schuster, 2004) by George E. Stanley

Left-handedness is right there in the title. It’s a clue to solving the mystery of who sent Amber Lee Johnson an anonymous letter. This chapter book is the first in a mystery series that will delight young readers while building a bridge to longer texts.

 

Little Lefty cover

Little Lefty (Bella Rosa, 2009) by Matt Christopher

Despite his small size, Bill Bailey can throw harder than anyone else on the team. He’s encouraged when he hears stories about “Little Lefty,” a small pitcher who made it into the big leagues. However, a freak accident puts Bill Bailey’s dream in jeopardy. Matt Christopher has pulled many reluctant readers into the world of books with his sports stories, and it’s great to know that this one features a left-handed protagonist.

 

The Left-Handed Fate cover

 

The Left-Handed Fate (Henry Holt & Co., 2016) by Kate Milford

Lucy and Max try to end the war between their home country of England and Napoleon Bonaparte’s France. But then the plot thickens when their ship, The Left-Handed Fate, is taken by the Americans. Some exciting historical fiction with a twist of left-handedness makes for a highly engaging story. (And for some added trivia, Napoleon Bonaparte happened to be a lefty.)

 

Literary Liberation

How lovely to live in a time when lefties are liberated! And how wonderful to know that literature can build a sense of belonging by featuring characters and situations that help us become comfortable with our differences. In a world that finds solace in sameness and order in the ordinary, may we continually look to literature as a means of dispelling fear and building empathy.

Do you know of other middle grade books that feature left-handedness? Please share them in the comments! And remember to share all of these books with young readers who might identify with the characters, grow in empathy, or just simply enjoy a good book.