Posts Tagged children’s books

Book List: Just Right Poetry for Middle-Graders

It’s National Poetry Month!  What better way to celebrate than to explore some of the great poetry books available for readers ages 8-12?  As you read poetry this month or anytime, remember that poets tune in to the sounds of feeling and the feelings of sound. Please READ  POEMS ALOUD to fully enjoy them.

Here are some appealing collections by single poets:

Marilyn Singer in Mirror Mirror: A Book of Reverso Poems, ingeniously turns familiar fairy tales like Snow White and Cinderella upside down in poems that you can  read forward and backward for opposite meanings! Her other books in reverso form are Follow Follow (featuring more tales like The Little Mermaid and The Tortoise and the Hare) and Echo Echo, based on Greek myths. All three are illustrated by Josee Masee.

Patrick Lewis’s Everything is a Poem: The Best of J. Patrick Lewis, Illustrated by Maria Cristina Pritelli, earns its title. It includes a range of poems written our third Children’s Poet Laureate. Subjects include animals, people, reading, sports (some of the best baseball poems I’ve read–take that, Casey at the Bat!), riddles, and funny epitaphs.

In Animal Poems, Valerie Worth captures the uniqueness of animals ranging from bear to porcupine to mole to jellyfish in brief but rich free-verse word pictures.  Stunning paper-cut animal illustrations by Steve Jenkins accompany the poems.

Joyce Sidman is our premier nature poet for children.  Her extraordinary books explore the natural world with vivid poems in various forms, based on solid science. Ubiquitous: Celebrating Nature’s Survivors depicts animals that have adapted around the world and are definitely not endangered. See also her other titles , including her Caldecott Honor Winner Song of the Water Boatman and Winter Bees 

A good way to discover new poems and poets you love is to browse through anthologies with a variety of poets and poems. 
In Out of Wonder: Poems Celebrating Poets, Kwame Alexander, Chris Coldly and Mary Wentworth have written poems in homage  to great poets past and present who have inspired them., reflecting their styles and ideas.  The subjects include  Maya Angelou, Basho, e.e.cummings, Emily Dickinson, Walter Dean Myers, Pablo Neruda , Mary Olver, Rumi, and even Chief Dan George.  A joyful book with bold illustrations by Ekua Holmes.

Poet Naomi Shihab Nye is also a superb anthologist with a special interest in poems from less familiar voices.  See The Space Between our Footsteps: Poems and Paintings from the Middle East, and This Same Sky: A Collection of Poems from around the WorldShe also compiled a collection of poems written by her students in poetry-in-the-schools classes over the years: Salting the Ocean: 100 poems by Young Poets. 

More and more novels in verse are appearing, most of them for at adult readers.
A wonderful exception is Kwame Alexander’s be-bop and free verse Newbery Award winner The Crossover. Here’s what Publisher’s Weeklyhad to say in its review of the book: “The poems dodge and weave with the speed of a point guard driving for the basket, mixing basketball action with vocabulary-themed poems, newspaper clippings, and Josh’s sincere first-person accounts that swing from moments of swagger-worth triumph to profound pain.” A page turner, even if you’re not especially a sports fan.  See also the other books in his Crossover series: Booked and Rebound.

Home of the Brave by Katherine Applegate is a spare, quieter free-verse novel published in 2007 that still resonates in the present moment. This touching story of a young Sudanese war refugee trying to find his way in America is told through his own eyes and voice.

Middle Graders love humor.  Here are some books that take pitch-perfect aim at the middle-grade funny bone.

I’m loving Chris Harris’s I’m Just no Good at Rhyming and other Nonsense for Mischievous Kids and Immature Grownups.  Of course he is good at rhyming, but kids will find the title poem hilarious.

Caleb Brown is also a humor treasure, especially his Hypnotize a Tiger: Poems about Just about Everything.  See also The Ghostly Carousel: Delightfully Frightful Poems.  He has a new book coming out in June, Up Verses Down: Poems, Paintings, and Serious Nonsense.

Douglas Florian is  best known for his slightly younger books of clever word-play and paintings.  But he has two big books of humor: Poem Depot, Aisles of Smiles and Laugh-eteria. He has also collaborated with  J. Patrick Lewis in the wildly clever Poem-Mobiles: Crazy Car Poems.

Younger middle-grade fans of Shel Silverstein are in for a treat with his posthumously published book of spoonerisms  Runny Babbit: A Billy Sook.

What about middle-graders who would not only like to read poetry but to write their own?  Of course the best way to learn to write is to read and write and write some more.  But the following books may give young writers some encouragement and inspiration:

Kathi Appelt, Poems from Homeroom : A Writer’s Place to Start

Ralph FletcherPoetry Matters: Writing a Poem from the Inside Out and Writer’s Notebook: Unlocking the Writer Within You.

Paul B. Janeczko, A Kick in the Head: An Everyday Guide to Poetic Forms

Ted Kooser, The Poetry Home Repair Manual: Practical Advice for Beginning Poets.

 

 

Readers, the hardest part about compiling this list was choosing from all the possibilities!  Please use the comments to add poetry titles you think or know from experience middle-graders would love.  Then let’s all get to our bookshelves, independent bookstore, or local library and celebrate National Poetry Month!

STEM Tuesday– Celebrating Women’s History Month– Interview with Catherine Thimmesh

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Sibert-winner Catherine Thimmesh about Girls Think of Everything: Stories of Ingenious Inventions by Women. This new edition of her classic 2000 book has been revised and updated. Horn Book says, “Today’s readers will find a laudable increase in the subjects’ diversity as well as a more contemporary focus…A resource as informative as it is empowering.”

Mary Kay Carson: Why did you write this book? 

Catherine Thimmesh: I’ve always been drawn to the idea that creativity is not something “merely” relegated to the arts, but that it is a tool used across disciplines and particularly for problem solving. To me, “inventing” is just one word taking the place of three: “creative problem solving.” Also, I’ve always felt strongly about how society treats and depicts (or ignores) women and girls, and so I set out to write a book combining these two interests of mine.

MKC: How did you decide who to profile?

Catherine: The inventors I chose to feature meet subjective criteria I have:  do I find this invention cool and fascinating? Do I think kids will find this invention cool and fascinating? Can I make the invention relevant in some way to today’s reader? Will the invention itself expressly turn away boy readers? (Which I don’t want — boys like these stories too, despite the title — and it’s important they see stories of women and girls inventing, not only stories of men.) And, importantly, can I show as much diversity as possible within the pages? (In the original, I didn’t have the internet as a research tool and it was exceptionally difficult to find inventors of color. The new version has   a more balanced mix of inventors of different ethnicities and of different countries.

MKC: What makes inventors such an engaging topic for kids?

Catherine: I think kids like reading about inventions and inventors because they recognize themselves in the pages. Even if a kid has never physically invented something, and never tinkers in a maker space, kids think about these things all the time. They’re inventing things in their minds and in their creative play. And they are wildly inventive. So, I think they connect with the idea that anyone, at any age, can invent. And, possible invent something others would use, and maybe even make money!

Catherine Thimmesh is the author of many creative nonfiction books for children, including the Sibert medal-winning TEAM MOON: How 400,000 People Landed Apollo 11 on the Moon and CAMP PANDA: Helping Cubs Return to the Wild — a Sibert Honor recipient. She lives in Eden Prairie, Minnesota. www.catherinethimmesh.com

MKC: Do you choose to write STEM book or have a STEM background?

Catherine: Girls Think of Everything (2000 edition) was my first book. At that time, STEM (as STEM) didn’t even exist. I don’t technically have a STEM background — I have a liberal arts degree, but I took my fair share of required, and many elected, STEM related classes. I love science! But with my books, I don’t approach them as “STEM books” or “this would fit in with STEM curricula” — and thus, in the writing process I’m never trying to write to any guidelines. I choose my book topics in almost the very same way I chose who to include in the inventor’s book: What topic am I excited about/or passionate about/or intrigued with? What topic am I really curious about? What topic do I think kids are curious about? Excited/passionate/or intrigued with? Does my curiosity/interest overlap with kids’? Can I make the topic relevant and accessible to kids? Actually, I think it’s kind of interesting that the majority of my books are STEM books, though I don’t set out to write STEM books. I just set out to satiate and better understand my curiosity. But isn’t that exactly where scientists begin? With curiosity? And isn’t that what kids’ have in abundance?

Win a FREE copy of Girls Think of Everything!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host is Mary Kay Carson, author of Alexander Graham Bell for Kids, Mission to Pluto, Weird Animals, and other nonfiction books for kids. @marykaycarson

Children’s Authors Travel to Israel and Inspiration Blooms

Leslie Kimmelman in Israel

 

 

 

 

 

 

                                         Author Leslie Kimmelman has just returned from a tour of Israel, as one of eighteen  picture book and middle grade authors sponsored by the  PJ Library Organization. I wondered what a trip with so many creative and zany minds would be like. How would Israel look through their eyes? What details did they see that might go into a book? Did they come up with story ideas? Leslie is one of the most creative people I know and I couldn’t wait to ask when she returned.

Annabelle: Was there a single experience that you would like to share with young readers?

Leslie:Every single experience was a revelation–I think one of the most important things in life is to let go of preconceived notions as much as possible and be open to new adventures. The trip was everything I expected, only in the sense that it was an incredible trip. But it opened my eyes and enriched me in ways I never could have anticipated. You can see how meaningful the trip was to me by counting my (over)use of adjectives in answering your questions!         

Annabelle: What surprised you the most? How would you explain or dramatize it in a book?

Leslie: I’m not up to that yet–still processing everything that happened, and waiting to see what rises to the top. I will say that two things stood out to me. The first was how moving it was to be in a place with thousands and thousands of years of history. I am a huge history enthusiast, but I don’t think I’ve ever felt so strongly that feeling of walking in the steps of civilization after civilization–civilizations that thrived, then were gone, then replaced by another, and so on. Particularly in Jerusalem. We had an underground tour that gave me goose bumps. Being connected to the generations that came before us is one of the most compelling traditions of Judaism, I believe, but in Israel I felt that in a visceral way. I’m trying to get over the feeling that I may not have the words adequate to describe what I experienced. (Not something a writer wants to feel!) 

The second thing that struck me quite strongly and unexpectedly is how many disparate communities make up the country. Standing in Jerusalem and seeing and hearing so many different cultures, all at the same time–a bar mitzvah at the Kotel, the call to prayer from the minaret, the holy places of Christianity. I am not diminishing the very considerable problems of these groups living together in close proximity, but it was amazing to see. We also toured an extremely impressive school where Jewish and Arab children learn together in both languages. The person who showed us around and does outreach for the school is from, improbably, New Jersey. Either of these two themes would be a good underpinning for a children’s book.

Annabelle: Wow, agreed! So was traveling as a group of writers like being in an idea laboratory? Did you and your colleagues bounce ideas off each other?

Leslie: It wasn’t so much that we bounced ideas of each other, though there was some of that. It was more that we were experiencing all of these new and fantastic adventures in the company of a group of incredibly talented and thoughtful people, who just happened to also be children’s book authors and artists. (And did I mention funny? There were definitely a lot of really funny people on the trip.) It was exciting to be able to see each new experience through the eyes of so many interesting colleagues. Everyone had a different take, something to add.  As far as specific ideas go, I think we were all too busy taking it in to formulate specific ideas. At least, I was…. I can’t wait to see what kind of books this trip inspires from everyone.

Annabelle:Neither can I! Now tell me –did anything unexpected happen?

Leslie:  Everything was unexpected, especially for me, as I’d never been to Israel before. The trip was planned so beautifully. It approached Israel from every possible perspective: historical, archaeological, political, cultural, aesthetic. Each experience added to the mosaic. We got to do things that even Israelis don’t get to do–like a behind-the-scenes, close-up look at the Dead Sea Scrolls. That was very emotional. Kayaking on the Dead Sea was magical: The Israelis I spoke with didn’t even know that was a possibility! Celebrating Shabbat in an Israeli home (we divided into groups of three authors per home) was inspiring. From a purely practical standpoint, nothing unexpected happened, which was kind of unexpected! No one got lost or sick–oh, except that one person’s luggage didn’t arrive with the rest. (He was a really good sport about it.) Mostly everything went like clockwork. Everyone got along as if we’d known each other for years. Pretty awesome.

Annabelle: What stood out about the culture? In writing about it, would you focus on history, food, music, art, or something else?

Leslie: Again, I think the history and the multicultural aspect resonated most with me. I definitely want to find out more about some of the people who loom large in Israel’s history. We saw the kibbutz home of David Ben Gurion, the first president of Israel, and it was remarkably modest. But check back in a few months. And I have to add: The food was excellent, too!

Annabelle: Thanks, Leslie. I can’t wait to see how this experience blossoms into one of your books!

Leslie Kimmelman’s latest books are BELLY BREATHE, A VALENTINE FOR FRANKENSTEIN, and WRITE ON, IRVING BERLIN, a Sydney Taylor Notable Book.