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THE LOST GIRL by Anne Ursu & New Information

There’s much to love about Anne Ursu’s latest middle grade book, THE LOST GIRL. The shifting relationship of twin sisters, Lark and Iris, who are reluctantly being pushed toward independence. How the separation upsets the balance in both their lives. The odd new shop in town with its mysterious secrets. Lark and Iris finding new connections through activities and friends. All these things combine to make a beautiful and fantastical contemporary middle grade novel…with ravens!!! MG fans, read this book!

As a parent of fraternal twins, this book appeals to me on many levels. All that wonderful stuff pales in comparison, though, to what hit me on a two-and-a-half page stretch of THE LOST GIRL. The monumental turn which stuck in my craw and won’t go away starts on page 150.  Iris asks her mother a question as her life spirals beyond her comfortable and normal level of control.

(Iris) “I have another question.”

(Mom) “Shoot.”

(Iris) “Is there stuff you learned at school that you found out later wasn’t true? Like everybody believed one thing and they were wrong?”

There it is. The monumental question in this wonderful book I can’t get out of my head. How do we react when the knowledge previously learned and the things considered truths are no longer true? When new information upsets our apple cart of truths, what’s the next step?

The question made me think of the shifting truths in nutrition, the environment, climate change, food security, health, education, and politics, to name a few. In science, we deal with changing information daily. New discovery and fresh inquiry push science forward. New knowledge replaces old knowledge. But this is not always universally accepted. As in other walks of life, the birth of new knowledge and its acceptance is not a smooth process. It’s sometimes hard for the “old guard” to accept the new knowledge and move forward. They often don’t have the desire, the energy, or the resources to shift thinking and move from the mapped and paved superhighway of their past knowledge base onto the bumpy and shifting ground of new discovery.

The mother in THE LOST GIRL answers that there were things she learned which are now considered wrong.

  • Pluto as a planet
  • Brontosaurus
  • Pterodactyls
  • How margarine was so much better than butter but one day became “…basically death on a stick.”

Iris is confused by this revelation as her whole world seems to be knocked off balance and laments to herself, “It would just be nice to be able to believe in the things she did know.”

The new information problem in my head drifted to art, reading, and writing, especially the endeavors aimed at children. New information about past and present children’s literature may lie at the core of the biggest kidlit issues of our generation. Representation. Diversity. Criticism/Backlash. Misinformation.

Dr. Rudine Sims Bishop proposed the idea of “Mirrors, Windows, and Sliding Doors” in her classic 1990 paper. Dr.Bishop presented the need to increase diverse choices and voices in our children’s literature universe to give children from diverse and marginalized backgrounds a mirror to see themselves represented and provide a window for others to see into their existence.

How many times in the past several years have we heard about problematic children’s literature and/or problematic creators? At least a few times, right? Hopefully, we are paying attention to these conversations and criticisms happening all around us. The struggle with new information is real and presents challenges almost daily in this information age. We must learn to analyze, accept, and adapt to new and different information.

With apologies to Dr. Bishop, I would like to add another function to the mirror. A mirror for us to analyze ourselves as adult creators and gatekeepers. We need to study our own beliefs toward new children’s literature information. Do we hold onto problematic children’s literature with clenched fists because it is dear to our heart? Do we study the facts and make informed decisions about problematic books and/or problematic creators? Do we ignore the issues because a book or a creator holds such a revered place in our own formation?

Honestly, I do not know the answers. These are individual questions we must ask ourselves. We have to decide whether to accept the new information or turn a blind eye. We have to decide how new knowledge affects our view of the problematic content as we move forward. We need to do the best we can and when new information arises, be willing to adjust.

The goal is to try and get things right in a constantly changing world by making informed decisions via a willingness to keep learning and relearning. Nothing is ever truly written in stone. Knowledge changes. Process information with an open mind.

As I’ve soapboxed before, the single greatest skill our young people will need in the digital age is the ability to sift through the mountains of data and the wave of available information to determine the truths. (Or the truths at that particular time?)

Perhaps Iris’ mom has the best advice about dealing with an ever-evolving knowledge base:

(Iris) So what do you do?”

(Mom) I guess… we just do the best we can with the information we have, you know? And stay open to the idea that there’s a lot we don’t know.”

Do the best with the information we have. I like that.

Wield knowledge wisely and to great benefit. It’s okay to be wrong IF you learn to be right.

Knowledge is powerful, not power.

Thank you, Anne Ursu, for THE LOST GIRL. It is a very good book. Also, a debt of gratitude for those two-and-a-half pages. They raised a deep question that wormed its way into my brain and won’t let go. THE LOST GIRL made me think and that’s one of the greatest gifts a story can give.

 

Note: Below is a link to the replay of the 2019 May Hill Arbuthnot Honor Lecture presented on April 13, 2019 by Dr. Debbie Reese, host of the  American Indians in Children’s Literature web site and blog. It was an exceptional presentation about diversity, representation, and the #DiversityJedi in children’s literature. 

An Indigenous Critique of Whiteness in Children’s Literature replay from Wisconsin Public Television.

 

 

STEM Tuesday– Mixing Science and Poetry/Verse — Special NSTA Conference Edition

Yes. It’s April–National Poetry Month. Yes. It’s STEM Tuesday, and our theme this month is STEM in verse. Yes, our book list for the month includes books with poetry in them that are devoted to STEM themes.

But April is also the time when the National Science Teachers Association holds its annual conference, and the usual STEM Tuesday post in line for this week is all about connecting STEM books to the classroom. This year NSTA did something bold and exciting that is begging for recognition on this particular post, so that’s what this week is all about.

With J. Carrie Launius coordinating, NSTA invited a slew of nonfiction authors who write on STEM themes to participate in a 5-hour Linking Literacy event over two days–including 5 panel discussions, an opportunity for science educators and authors to mingle, and a book signing. Wow! As you can imagine, it was an opportunity to revel in creativity, caring, and collegiality. After a kick-off panel discussion featuring Steve Light, Melissa Stewart, Jennifer Swanson, Tracy Nelson Maurer, Shanda McCloskey and presiders Jacqueline Barber and E. Wendy Saul, four break-out panels delved into various themes.

There was a lot happening, often simultaneously. As I was a panelist and mixing-and-mingling author, I’m quite sure I missed a bunch, but still, I hope to share some of the take-aways from the conversations that took place informally and in some of the panels. I’ve tried to stick to the topics that most directly connect to bringing STEM books into the classroom.

STEM-themed biographies and scientist stories are for everyone. Laurie Wallmark, biographer of women in STEM, reminded us that while it is great to share books about women, people of color, or other underrepresented groups in STEM with girls or kids of color only, it’s even better—and vitally important—that we share these stories with all children (and adults). It’s also key to break out of biographies and include stories for middle grade readers of scientists doing science. Need some examples? How about Patricia Newman’s Eavesdropping on Elephants or Mary Kay Carson’s The Tornado Scientist?

Cross-disciplinary content is a natural part of many STEM books, especially those that feature topics that lure children in. Cheryl Bardoe, who writes picture bookCheryl Bardoe speaking with mic in hand biographies, pointed out that individual STEM thinkers are specific to their place, time, and social contexts. Meanwhile, books about technology, including, for example, my Running on Sunshine or Jennifer Swanson’s Super Gear, root conceptual information in strong, motivating contexts. (It was wonderful to chat with teachers who appreciate the connections between their curriculum about “the sun” and solar energy technologies. This is just the type of connection-making that the NGSS emphasizes.)

 

The rich visual imagery in STEM books can help readers connect to content and spark their interest and imagination. Of course, this is true of the illustrations in picture books, such as Steve Light’s Swap! But there’s more to look for. Keep your eyes peeled for  primary source materials in picture books, such as photographs related to a remarkable discovery in Darcy Pattison’s Pollen. Keep in mind–as Jen Swanson pointed out–there’s also powerful imagery in books for middle grade readers.

 

It’s important to consider the whole range of roles that various STEM books can play in education.

E. Wendy Saul and Jacqueline Barber’s thoughtful questions and insightful reflections helped us consider some of these roles. Some books are great at fostering curiosity before a classroom unit on a given topic, while others are perfect resources to bring in after children have had a chance to try to make sense of their first-hand experiences and are looking for factual resources. STEM reading can inspire children to see themselves as competent STEM learners and future STEM professionals. Putting the right book in the  hands of a particular child may be a pivotal moment in that child’s life, honoring and responding to  his or her curiosity, interest, or moment of need.

 

Books and experience go hand-in-hand.

Educators check out simulated canine vision with Jodi Wheeler-Toppen (center). They hold blue viewmasters to their eyes and peer at slides that are mounted on wheels and inserted into the viewmaster.

Educators check out simulated canine vision with Jodi Wheeler-Toppen (center).

Weaving my way through the tables during Linking Literacy’s informal time, I was struck by the many ways we authors link our books to opportunities for readers to experience the world. Of course, we generally provide teachers’ guides, but we also offer dynamic activities and interesting artifacts. I saw evidence of the added value of visiting with an author. For example, I showed visitors how I simulate stars orbiting mystery objects and how that relates to finding black holes. In addition, to extend the content of Dog Science Unleashed, Jodi Wheeler-Toppen provides customized Viewmasters that offer comparisons of human and canine vision. Meanwhile, Heather Montgomery shows off a fox pelt (among other artifacts) that she prepared as part of her research for Something Rotten. Truly, STEM authors can bring their own brand of multi-dimensional learning experiences and inspiration to the NGSS’s emphasis on 3D learning.

 

The STEM stories we share are a powerful aspect of creating a culture that honors STEM literacy. Do you have a story to share—some way in which you have used a STEM book in a middle grade classroom or out-of school setting? Let us know; leave a comment below. And keep your eyes open for NSTA ’20 (in Boston). Hopefully, Linking Literacy will be a recurring and integral component of future conferences!

Six of the STEM Tuesday crew at NSTA19!

 

 

 

 

Diversity in MG Lit #8 Black Girls

For the month of April I’m featuring books with amazing black girls.
With the Fire on High  by Elizabeth Acevedo, Harper Teen
This YA novel will appeal to mature MG reader. The main character Emoni is a teen mother in her senior year of high school. With the help of good friends and a mentor teacher/chef, Emoni discovers a passion for cuisine and hones the discipline she will need to succeed. There is some mild swearing but there is also a romantic relationship with a boy respectful of Emoni’s boundaries making it a nice choice for older middle grade readers on the cusp of their dating years.
Black Enough: Stories of being Youn and Black in America edited by Ibi Zoboi, Balzar & Bray
This anthology is a mix of MG and YA short stories about the wide ranging experience of being African-American in all its variety: urban and rural, immigrant and 10th generation American, wealthy and struggling. I’m a big fan of short stories for kids who are almost ready for YA and feeling unsure about where to start. This collection features 17 of the strongest Black writers being published in this decade.
Blended by Sharon M. Draper, Atheneum
Biracial children are the fastest growing demographic so I was particularly thrilled to see Blended take on such an important topic head on. Sharon Draper uses the conflict between her protagonist Isabella’s divorced parents to illuminate Isabella’s own conflicting feelings about her identity. This book addresses the pain of micro-aggressions head on and the topic of lynching comes up in a history class so although this is a solidly MG title it is also gritty in the very best way.
A Good Kind of Trouble by Lisa Moore Ramée, Balzar & Bray
It’s always great to highlight debut authors. Lisa Moore Ramée’s story features a tender-hearted 12 year old who gets very anxious about conflict. A transformative experience at a Black Lives Matter rally helps her face her fears and learn to stand up for change even when the consequences of change are hard. There’s plenty of humor and heart even as this book takes on difficult topics.
Love Like Sky by Leslie C Youngblood, Hyperion
Another debut, this one from Leslie C Youngblood is set in Georgia and covers the challenges of moving into a blended family, into a new neighborhood and into a period of family illness. It should resonate with blended families and is a lovely tribute to the bonds among sisters.
My Life as an Ice cream Sandwich by Ibi Zoboi, Dutton
This delicious summer read will be out in August but I couldn’t help talking it up now. The cover is charming. The fairly familiar ground of a middle school aged child moving from a small town (Huntsville, AL) to a big city (Harlem, NY) is made fresh and engaging by introducing a grandfather who was a NASA engineer. He inspires his grandchild’s fascination with space and feeds her science fiction habit. The story is set in 1984 and includes a few very short sections of graphic novel. Sure to be a winner with Star Trek fans and space enthusiasts.
A Streetcar to Justice: How Elizabeth Jennings won the right to ride in New York by Amy Hill Hearth, Greenwillow
I’m going to end with a really terrific biography of Elizabeth Jennings the woman who was a forerunner to Rosa Parks and Claudette Colvin. In 1850 in New York City she was forcibly ejected from a public streetcar. She took the trolly company to court and won the right of black citizens to ride a public street car alongside white passengers. In 1850! I had not heard of her before this book and I’m thrilled to see it join the canon of books about civil rights. It’s a slim volume but it’s packed with maps and photographs and first person sources.