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Mixed-Up Files interview with Adam Borba, author of The Midnight Brigade!

By on September 21, 2021   /   Articles  

Hello Mixed-Up Filers!

Hope that you’re enjoying the first few weeks of the school year as now dive into Fall!

In case you’re sad that summer is now officially over, we have a treat for you that we hope will cheer you up. We’re thrilled to have Adam Borba with us, the author of the recently-released, The Midnight Brigade from Little, Brown Books for Young Readers!

Hi Adam, and welcome to Mixed-Up Files!

JR: To start with, can you tell us a little about The Midnight Brigade and the impetus for writing it?

AB: It started as a concept for a movie. My day job is to help develop and produce movies for a production company called Whitaker Entertainment which is based at Walt Disney Studios. I wanted to find a story about a troll to adapt but couldn’t find what I was looking for. Then on a trip to Pittsburgh, I fell in love with the city, and was wowed by the number of bridges – there are over four hundred. Statistically speaking, if you have four hundred bridges, there has to be a troll under at least one of them, right? So, I started making notes for a movie. Ideas about how great it would be to be a kid who found a troll. And how fun it would be to keep that troll secret with your friends. Usually, the outlines we do for films are about three pages, and then my colleagues and I will pass those outlines off to screenwriters who will work with us while making those stories their own. But my notes for this story became more and more detailed, and eventually I realized I had started writing a novel and I just kept going until I finished it.

JR: The book has a lot of humor in it, but there are also some more serious themes. How difficult did you find it to keep that balance when writing?

AB: It’s the only way I know how to do things. When we’re making movies – no matter what it is – I’m usually the one who says things like, “Hey, doesn’t it feel like a joke should go here?” Life is funny, right? Even during the tough times. And when I’m telling stories or having an important conversation, I just can’t be serious for too long. Conversely, I don’t think I’m funny enough to write or produce a traditional comedy. Plus, my story instincts tend to steer me away from big comedic set pieces and more towards emotional or dramatic moments.  

JR: Carl is an endearing main character and there’s a great dynamic between him, Teddy, and Bee, and actually, Frank, too, for that matter. How much of yourself or your experiences did you put into him?

Thank you! I think I’m a little like all of my characters. Like Carl, I was a quiet kid who spent a lot of time wanting to say more but worrying that I’d say the wrong thing. I think I was and am a dreamer like Teddy. And I was often a loner like Bee who took – occasionally too much – pride in my opinions. Lately, I’m feeling more like the troll, Frank – grumpy and tired, but I hope with my heart in the right place.

JR: Pittsburgh plays front and center in the book. What is it about that city that lends itself to stories with monsters and magic?

AB: Pittsburgh has so much character. It’s a beautiful city with over two hundred and fifty years of history, culture, and food. And its background with steel gives it a feeling of strength. But the big thing with this story is the bridges. Pittsburgh has so many bridges because three rivers flow through the city. The bridges are gorgeous, and it’s unusual for a city to have so many. And unusual leads to the possibility of the unexpected: monsters and magic, of course.

JR: So, what supernatural creatures do you believe in?

AB: I’m open to the possibility of any supernatural creature being real. Certainly trolls. And I’ve personally seen two ghosts, a griffin, and a leprechaun. Also, my cousin’s neighbor knows a guy who was trampled by a herd of unicorns.

JR: We’ll have to have you back to discuss the ghosts! You were one of the Producers on the Pete’s Dragon remake a few years ago. What were some of your other favorite movies or books with monsters in them when you were growing up?

Well, the original Pete’s Dragon was my favorite film as a four-year-old. E.T. was (and is) a big one for me. The Neverending Story, Gremlins, Labyrinth, The Dark Crystal, Willow, and The Flight of the Navigator were all on heavy rotation in my family’s VCR. In children’s literature, certainly The BFG. Alice in Wonderland, The Lion the Witch and the Wardrobe. And I was a massive fan of rodent-lit: Mrs. Frisby & the Rats of NIMH, Stuart Little, Ralph S. Mouse, and the Redwall series.

JR: Loved all of those! Who were some of your influences?

AB: The list is constantly growing. But as a kid the big ones were Louis Sachar, Roald Dahl, Beverly Cleary, Jerry Spinelli, and Judy Blume for books, and Steven Spielberg, Joe Dante, Robert Zemeckis, and Tim Burton for films. Storytellers driven by a mix of wit, warmth, and wonder.

JR: So, The Midnight Brigade gets made into a movie. Who’s in your dream cast?

AB: The Muppets is always the correct answer to this question.

JR: I think it’s actually the answer to just about any question for that matter. Will there be a sequel to The Midnight Brigade?

AB: I like that the story stands on its own, with things wrapped up but still presenting threads for readers to guess what might happen next. But maybe someday if I come up with an idea that I just can’t keep to myself I’ll write another!

JR: What are you working on next?

AB: I’m working with my editor at Little, Brown Books for Young Readers, Alexandra Hightower, on a new middle grade novel. It’s another nearly grounded story with a bit of magic. On the movie side, I’m currently in post-production on an epic live-action adaptation of Peter Pan & Wendy for Disney, which David Lowery directed. Both should be coming out towards the end of 2022.

JR: Can’t wait for both of those! How can people follow you on social media?

I’m on Twitter @adam_borba and Instagram @adamborba

To purchase The Midnight Brigade:

https://www.lbyr.com/titles/adam-borba/the-midnight-brigade/9780316542517/

 

JR: Adam, thank you so much for joining us today, and good luck with The Midnight Brigade!

AB: Thanks so much for having me!

 

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STEM Tuesday — Reptiles — Writing Tips & Resources

By on September 21, 2021   /   Reptiles, STEM Tuesday  

GREAT REPTILES IN HISTORY

Opening movie scene.

Fade in.

Cue the David Attenborough or Morgan Freeman narrator voice:

GREAT REPTILES IN HISTORY… 

For some reason, the title was the first thing that popped into my head when I sat down to draft this post. I have no reason why. But, what the heck? I felt obligated to the STEM creative muse to run with it.

Great reptiles in history!

This image has an empty alt attribute; its file name is Green_turtle_in_Kona_2008-1024x823.jpg

Brocken Inaglory, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons

Man alive, there sure are a lot of reptiles. How do you even start to make a list of the greatest ones when they’re all pretty dang awesome?

You start by making a fully-loaded, everything-you-can-think-of list. Just as in writing the first draft of a manuscript, the thing you wish to make won’t be a real thing, a thing full of possibility, until you put it to paper first. 

Nothing can be finished until it is started.

So make your list. Write that first word. And follow it with another. And another. And another. Make it real by making it a real thing.

Make that !@#$% first draft. (That has to be in Morgan Freeman’s narrator voice because David Attenborough’s narrator voice doesn’t seem appropriate saying, “!@#$%”)

Writing and Great Reptile Lists. Great Reptile Lists and writing.

Gadow, Hans, Public domain, via Wikimedia Commons

The important bit in creating something is to first make it happen. Once you make something happen, it exists. If it exists, you can make it better. You can eliminate all the really, really good reptiles from the list to make a better, more meaningful list for someone interested in discovering Great Reptiles in History. With writing, you can cut everything from the !@#$% first draft that doesn’t belong in the story thread to make a more meaningful narrative for the reader.

Once the work exists, it can also be shared with others to mine the expertise and skill of a trusted network. With my now pared-down list of great reptiles, I can share it with other herpetology fans/experts to get their revision ideas, criticism, and advice on which reptiles belong on the list and which don’t. The writer can benefit from critique partners, writing groups, and beta readers to identify what works and what doesn’t. By sharing your work, your work can improve your writing. 

Creating better work. Isn’t that our ultimate goal?

Whether it’s the ultimate list of great reptiles in history, your first manuscript, or your 20th manuscript, get the words down.

Make them real.

Make them better.

Make them available.

Make them shine.

Cue the David Attenborough or Morgan Freeman narrator voice:

GREAT REPTILES IN HISTORY!

APPRECIATE THEM.

TAKE CARE OF THEM.

GIVE THEM THEIR SPACE ON THIS PLANET.

Fade to black.

THE END

Mike Hays has worked hard from a young age to be a well-rounded individual. A well-rounded, equal opportunity sports enthusiast, that is. If they keep a score, he’ll either watch it, play it, or coach it. A molecular microbiologist by day, middle-grade author, sports coach, and general good citizen by night, he blogs about sports/training-related topics at  www.coachhays.com and writer stuff at  www.mikehaysbooks.com. Two of his science essays, The Science of Jurassic Park and Zombie Microbiology 101,  are included in the Putting the Science in Fiction collection from Writer’s Digest Books. He can be found roaming around the Twitter-sphere under the guise of @coachhays64.

The O.O.L.F Files

This month’s Out Of Left Field (O.O.L.F.) Files slither into the glorious world of reptiles. By land, by sea, and by air, here are some links to make the herpetologist in all of us a tad bit happier.

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Writing For Children: 11 Ways to Rediscover Your Childlike Wonder

By on September 20, 2021   /   For Writers, Writing  

When I was a kid I used to sneak into people’s coat closets when visiting with my parents, hoping to find a Narnia world on the other side. I would huddle in the dark, beneath winter coats, imagining an older world long gone as I hid among musty wool. If I sat long enough I just knew I’d be transported there!

Now, as a children’s book author and writer of fantasy, I get to step through doors into other worlds. The easy part is stepping into that new world. The hard part is creating a world, characters, and story from a child’s point of view. How to get into that view? By finding my childlike wonder again.

Do you remember what filled you with wonder as a kid?

I do. Or at least I try. I walked along rock walls under the stars when the world was asleep. I climbed trees and sang songs to the woods. I swam all day becoming as brown and leathery as an armadillo. I reveled in first snows and made snow angels. I hid away in rose bush caves to write – all the while believing that magic existed, and every day held little miracles.

But what evokes childlike wonder now as a grownup? And as adults writing for children, how can we recapture that? 

Regaining a childlike sense of wonder isn’t about returning to a childlike state, it’s about letting yourself be awed by the little things in your grownup life. Our mundane responsibilities can often dull our wonder, but just because every day is filled with little things it doesn’t mean they aren’t miraculous.

However, keeping our childlike wonder can be difficult when grownup duties mount. In order to do my job well as a children’s author, I often need to rekindle and sustain my kid wonder. But how?

Here are 11 ways to evoke childlike wonder:

  1. Re-visit pictures of ourselves as kids. Search through specific memories. Journal in our voice from that moment. What were we excited about? What did we most desire? What made us sad?
  2. Did you write diaries as a child or teen? Re-read them to inspire that voice of youth in your own writing.
  3. Look at the world from an unfamiliar perspective. Make a snow angel. Hide in a closet. Climb a tree. Be pulled along in a little red wagon (if you can fit!). There are Big Wheels for grownups now. Try it!
  4. Create a new bucket list with your kids or grandkids. What do they dream of doing that you could do together?
  5. Do your kids write stories? Read them to grasp a worldview through their own words. What do they notice? How do they feel?
  6. Revisit the age of your characters. Go back to that time in your life and draw a map of your neighborhood. Walk through it in your mind and journal about it. What do you see? How do you feel? How did you react to events there?
  7. Do a stand-up dramatic read-aloud of a scene in your story.
  8. Face a childhood fear (mine was going down in our creepy 200-year-old cellar where I was sure bodies were buried).
  9. Engage in child’s play with your kids. Hide-n-Seek, Tag. A favorite of my son and mine was battling sock wars to Irish music.
  10. Eavesdrop on kids at the mall or park. Take notes of their conversation.
  11. Visit those places you spent time at as a child. Walk in your childhood shoes again.

I did #11 not so long ago. I resurrected an old manuscript rich with one of my childhood settings. It prompted me to go back in time to the campground my parents owned and operated in New Hampshire. When I drove up, I was zapped back to the 1970s.

Suddenly, I was nine-years-old again. I swam in the pool, fished with my dad, romped through the woods, collected dead butterflies and shotgun shells, whizzed about on strap-on roller skates, played pinball machines, and spun 45 records on the jukebox.

Returning was an emotional gut punch. I could be a child again in that place of innocence but just as it resurrected joyous moments from childhood, it also brought back painful ones.

I also rediscovered how every day as a kid was about being lost in the magical moments. Like finding tiny miracles over and over–in the little things.

What did I take away from this trip for my writing?

  • Vivid feelings of childhood – the good and the bad – to enrich my writing.
  • Revisited my creative foundations and reinforced my yearning to write for kids.
  • Fortified the connection from childhood to adulthood.
  • That I can mend my past while forging my future from it.
  • A renewed sense of childlike wonder, boxed up with a crooked bow and broken seams.

Most importantly, I remembered how awesome it was to be a kid again, to be lost in the moment. And that every day as a kid held magic. By renewing my own sense of childlike wonder, I could once again be lost in it while writing – and tap into the magic of the little things.

I also realized that in order to do my job well as a children’s author, and to find joy in it, I needed to rekindle my kid wonder not just once—but again and again. Just as I pondered this, a video of babies going through tunnels popped up in my Facebook feed. I couldn’t help but laugh at their wonder—and knew I would keep finding mine and seek it out in unexpected places that surround us every day.

How do you tap into your inner childlike wonder and write from a child’s point of view? Share your tips!

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