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Author Spotlight: Landra Jennings + a GIVEAWAY

 

In today’s Author Spotlight, Jo Hackl chats with author Landra Jennings about her new middle-grade novel, Wand (Clarion Books, October 31). She’ll share her inspiration behind writing it, the works of literature that influenced it, and the surprising muse for the bird characters! Plus, there’s a chance to win a finished/signed copy of Wand if you enter the giveaway. Scroll down for details.

 


Book Summary:

A dazzling story of grief and found family wrapped in a spellbinding fairy tale, perfect for fans of Anne Ursu and Jodi Lynn Anderson.

Eleven-year-old Mira wishes everything could go back to the way it was. Before she changed schools and had to quit gymnastics. Especially before Papa died. Now she spends her days cooking and cleaning for her stepsisters and Val—who she still won’t call mom and still won’t forgive for the terrible thing she did.

When a mysterious girl named Lyndame appears out of the woods wielding a powerful wand, she makes Mira an offer she can’t refuse: she will grant Mira three wishes.

What if magic isn’t just pretend after all? What if these wishes could fix everything? But in the quiet town of Between, Georgia, where secrets lurk and rumors swirl of strange creatures, nothing is as it seems, and everything comes at a price.

Rising talent Landra Jennings weaves together an enchanting, modern fairy tale with eloquence and compassion about finding hope after loss—and finding belonging in the places we least expect.

 

Interview with Landra Jennings

JH: Welcome to the Mixed-Up Files, Landra! Thanks for joining us today.

LJ: Thank you so much for having me.

JH:  First I have to tell you how much I loved Wand. The story felt gothic and suspenseful, like your first book, and I loved the adventure. I enjoyed  the fairy tale elements. Can you please tell us about your inspiration to write it?

LJ: Thanks so much! You’re right about the fairy tale elements. I’d say I had three areas of inspiration. Firstly, this is my take on Cinderella for middle grade. I wanted to figure out what a happy ending looked like for eleven-year-old Mira, whose story starts in in modern-day Georgia. Her father has passed away, leaving her with a stepmother and two step sisters, and she’s still grieving. Similar to other modern interpretations of Cinderella, I wanted Mira to figure out her happy ending for herself versus finding a literal ‘prince.’ Secondly, I’ve also realized in the process of writing that I start stories with some big emotion and build from there. My first book was focused on the difficulty in detaching from that one friend (or sibling) that you’ve become too dependent on and learning how to become an independent person. Wand is about grief; how once we’ve experienced the pain of losing someone, whether it be through death or some other way, we can build those walls around ourselves to protect from future pain, and how that can isolate us from the world. We might really want something magical to fix everything and take our pain away versus facing the pain head-on. I wanted to explore the process of breaking down those walls from the perspective of a child. Finally, while I was editing Wand, I read The Hazel Wood by Melissa Albert, an amazing YA portal fantasy and that book started me on a binge of reading and re-reading portal fantasies, mostly middle grade works. So those other fantasies were also influential as I developed the plot.

Portal Fantasy Influences

JH: Why a portal fantasy? Please tell us more about that.

LJ: Portal fantasy is a very broad category, really. A character travels from one world to another through a “portal,” a passageway of some sort, whether it be a tornado as in L. Frank Baum’s The Wizard of Oz, or a mysterious wooden door, as in Neil Gaiman’s Coraline.

Sometimes the characters stumble onto the portal as in C.S. Lewis’s The Lion, The Witch and the Wardrobe. Sometimes they deliberately seek it out, as in the Hogwarts Express train in J.K Rowling’s Harry Potter and the Sorcerer’s Stone. Or sometimes (and this is really fun) they create the portal themselves as in Philip Pullman’s The Subtle Knife or in Kwame Mbalia’s Tristan Strong Punches a Hole in the Sky.

I’ve mostly been reading about portals where characters travel from our ordinary world to the fantasy world. Sometimes they’re escaping a bad situation or boredom, and other times they’re searching for something specific. As readers, a book can be an escape to begin with and I love the function of a portal in taking the reader that much further away from their reality. It’s a very different world readers enter and they can work out their big emotions in a place far removed from their own problems. In Wand, the portal to the other world is a pond. My main character, Mira, is searching for her true family and a place she can belong. Mira has built up those emotional walls, protecting herself. Leaving the modern world and going to a new one by jumping into the pond is a way of avoiding confronting her powerful emotions.

The Role of the Wand and Magic

JH: Let’s talk about the wand. It’s in the title obviously, and I noticed its significance in the story. What is the role of the magic wand in the book?

LJ: The wand in my book represents the wish to “magic away” your problems. And the use of the wand in the narrative tracks along with Mira’s journey of processing her grief. In many versions of Cinderella, like Disney’s version, the heroine does not have the ability to use the magic wand herself. She is dependent on powerful others, such as a fairy godmother, who can wield it. The fairy godmother character in Wand is a teen named Lyndame who offers to grant Mira wishes, misrepresenting the power of the wand and her purpose in offering the wishes. Once Mira figures that out, she does get the wand for herself and she can wield it. Even though Mira’s intuition tells her that she shouldn’t use it, she does use it, to disastrous effect.

Favorite Character

JH: Who was your favorite character to write?

LJ: Lyndame, the antagonist. She’s so independent, yet so angry. She is processing her grief very differently than Mira, becoming a cautionary tale and demonstrating the emotional wreckage that can happen if an individual can’t work through grief and move on.

Favorite Scene

JH: What was your favorite scene to write?

LJ: I think one of my favorites is the girls together, upstairs in Mira’s bedroom. Mira’s been sent to her room without dinner and her stepsisters bring up a board game and some mushy microwave pizza. There’s not a whole lot of dialogue and it’s not a complicated scene, but there’s a lot of sub-text about demonstrating care for someone else.

Inspiration for the fascinating bird characters

JH: Can you tell us about the inspiration for the bird characters in the book? I noticed there are actually two in the main cast!

LJ: I love birds of all sorts. That love started as a child. I remember when I was 10 years old, using my last 50 cents to buy a used bird cage at a garage sale and begging my mother to let me have a parakeet. She didn’t! (I now recognize the wisdom of this decision). As an adult, I was finally able to get a parakeet: Momo. He became a tiny and beloved member of our family, moving with us from Chicago to Greenville, and living for 11 years.

Lately, I’m fascinated by wild birds, like hummingbirds and crows. I loved the idea of a crow to support Mira in her journey. As Bandit the crow is from the ordinary world, it was important to me that he be an ordinary crow. However, there’s no reason to enhance crows from the way they actually are. They are extraordinary to begin with, very intelligent, and there is so much research available from which to draw. I read about some crow species using found objects as tools and I knew I had to include that behavior in the book.  Source: https://news.harvard.edu/gazette/story/2019/08/like-humans-crows-are-more-optimistic-after-making-tools-to-solve-a-problem/. I had a little more leeway with the character of Edwin, the golden bird who made it into the cover art. He’s from a magical land so I could make him a little more human-like. Overall, I enjoyed the parallel of having both the protagonist and the antagonist having bird companions.

To the Heart of Wand

JH: What would you most like for readers to take away from the book?

LJ: At its heart, the book is about family. However, you define family—whether it be the family you are born into or the one you find along the way. About recognizing that your family might not be perfect (can’t be perfect) but might be what you need to support you in your life, anyway.

Lightning Round!

No MUF interview is complete without a lightning round, so. . . .

Favorite cities (besides the one you live in):

Chicago. My kids were both born there.

 Scale of 1 to 10—How good of a driver are you?

Eh. Maybe an 8. I’m very cautious and slow (careful about distracted driving!) but my reflexes aren’t what they used to be.

Would you rather be able to speak every language in the world or talk to animals?

Talk to animals!

 Favorite ice cream?

Mint chocolate chip.

 Dawn or dusk?

Dusk. Such a gorgeous and mysterious time.

 Favorite childhood TV show?

Well, that really dates me. My favorite was Space Giants. When I look back on that now, it’s kind of an embarrassing choice because the scripts and special effects weren’t exactly top notch.

 What’s the best advice you ever received?

Be accountable. Follow through on what you’ve promised and if you make a mistake, apologize.

 

 JH: How can readers obtain a copy of the book? And for our educators and librarians, do you offer reading guides?

LJ: The book can be preordered at your local independent bookstores, Barnes and Noble, or Amazon, or any place books are sold. Personalized copies can be preordered at Fiction Addiction in Greenville, SC: https://www.fiction-addiction.com/quicksearch/author/landra%20jennings. And yes! I have an amazing curriculum supplement, with tons of fun and educational activities, to accompany my first book, and a curriculum supplement is soon to come for Wand. My multi-talented and multi-credentialed (EdS and M.Ed.) sister, Kinla Nelson, created both of these. And both will be available on my website.

 

And now. . . .

 

For a chance to win a signed copy of Wand, comment on the blog—and, if you’re on Twitter/X, on the Mixed-Up Files  Twitter/X account, for an extra chance to win!  (Giveaway ends September 18, 2023, MIDNIGHT EST.) U.S. only, please. Book will be mailed after publication. To enter, click here

 

About the Author 

Landra Jennings is a Greenville, South Carolina-based writer, author of middle-grade fantasy novels The Whispering Fog and the forthcoming Wand (October 31, 2023) published by HarperCollins Clarion Books. She holds an MBA from Northwestern University and an MFA in Writing for Children and Young Adults from Hamline University in Minneapolis where she won the Anne Tews Schwab Scholarship for Excellence in Critical Writing and the Walden Pond Press Scholarship in Middle Grade Fiction and Non-Fiction. She is passionate about encouraging a love of reading and writing in children. You can learn more about Landra on her website. You can follow her on Instagram and Goodreads.

10 Reasons I Love Middle Grade Spooky Books

We’re heading into the spooky season, but I’m a member of a group of writers, Spooky Middle Grade, that promotes the fact that spooky books are favorites year-round. We’re not the only ones who think that. Years ago I was listening to a panel of school librarians. When they were asked what genre of children’s books are asked for the most, they all agreed it was horror. Horror and spooky go hand-in-hand for middle-grade. I like to think of horror as the being on the scarier side of the spectrum with spooky lighter, but some people use them synonymously. So, here are 10 reasons why I love reading (and writing) middle-grade spooky books.

Bookcover of middle-grade novel Don't Want To Be Your Monster by Deke MoultonMG Spooky books can be funny

Laughter and scares are two sides of the same coin, and spooky middle-grade books shows that wonderfully. One of my favorites is THE TOTAL ECLIPSE OF NESTOR LOPEZ by Adrianna Cuevas. This award-winning novel is as hilarious as it is spooky. I’m also excited to read DON’T WANT TO BE YOUR MONSTER by Deke Moulton. Called “humorous and delightfully spooky”, MONSTER was just released a couple months ago.

MG Spooky books can be mysteries or adventures

Many spooky middle-grade books are also mysteries, liked Fleur Bradley’s MIDNIGHT AT THE BARCLAY HOTEL, and Marina Cohen’s THE INN BETWEEN. And Janet Fox’s THE ARTIFACT HUNTERS and Sarah Cannon’s TWIST are both spooky and adventures.

Bookcover of middle-grade novel The Nighthouse Keeper by Lora SenfMG Spooky books can deal with tough topics

Young readers are just learning how to deal with tough topics, like grief and depression, and many spooky middle grade books can be guides. Some of my favorites are Kim Ventrella’s SKELETON TREE, Ally Malinenko’s THIS APPEARING HOUSE, THE NIGHTMARE HOUSE by Sarah Allen, and Lora Senf’s THE CLACKITY. Bonus, Lora has a sequel, THE NIGHTHOUSE KEEPER, coming out on Oct. 17.

MG Spooky books have a spectrum of scary

I’ll admit it: I, a grown woman, found HIDE AND SEEKER by Daka Hermon pretty scary. (Of course, I was listening to the audiobook while alone painting a closed powder room with only a flashlight, so that could have contributed.) But I can’t wait to read Daka’s latest, NIGHTMARE KING, which came out on Tuesday. Lindsay Currie’s latest MG horror, IT FOUND US, looks like it’s going to be higher on the scary chart too, judging by the cover. But there are spooky titles that are lighter, like S.A. Larsen’s MOTLEY EDUCATION series, A TOUCH OF RUCKUS by Ash Van Otterloo, and NIGHT OF THE LIVING CUDDLE BUNNIES by Jonathan Rosen.

Bookcover of middle-grade novel Mari and the Curse of El Cocodrilo by Adrianna CuevasMG Spooky books can show us different cultures

I mentioned Adrianna Cuevas above, but her books deserve to be in this category as well. Her newest, MARI AND THE CURSE OF EL COCODRILO, weaves Cuban culture and myth into an adventure about breaking a curse and comes out on Oct. 3. One of my favorite spooky books from the past few years is JOSEPHINE AGAINST THE SEA by Shakirah Bourne. In this book, mythology from the Caribbean is written into a story about a mischievous girl in real-world Barbados.

MG Spooky books can be graphic novels

If you haven’t checked out the spooky fun in Ira Marcks’ SHARK SUMMER or Reina Telgemeier’s GHOSTS, you must! Not only are the stories great, but the artwork is fantastic and heightens the spookiness, but in a fun way. You should also read the WARREN THE 13TH series written by Tania Del Rio and illustrated by Will Staehle. They’re not graphic novels, but highly illustrated.

Bookcover of the middle-grade novel The Afterlife of the Party by Darcy MarksMG Spooky books make great series

Middle-grade readers love a good series, especially ones that also have fun scary worlds. There’s a reason why there are like a thousand Goosebumps books. But I also love the FRIGHT WATCH series by Lorien Lawrence, THE BOOKS OF ELSEWHERE by Jacqueline West, and Darcy Marks’ series of GROUNDED FOR ALL ETERNITY and the newer THE AFTERLIFE OF THE PARTY. A newer series I’m excited about comes from Rob Renzetti: The first book, THE HORRIBLE BAG OF TERRIBLE THINGS, came out this year and THE TWISTED TOWER OF ENDLESS TORMENT is due in 2024.

MG Spooky books help children build their bravery

Teachers, librarians and students often ask me why spooky middle-grade books are important, and I always tell them the same answer: Spooky MG books help children build their bravery in a safe place. Our real world can be very scary to kids. There are strange noises, zooming cars, tense conversations they don’t understand, dark closets and corners. Kids deal with these and more every day. When kids read books that scare them, however, if they get to a part that’s too scary, they can snap the book closed and walk away until they’re reading to face that fear again. And they will get ready quickly, because they’ll want to see how the story ends. Spooky middle-grade books are places where kids can explore their fears while knowing they’ll always have an exit.

MG Spooky books are great teaching tools

Spooky books encompass so many different types of story-telling, while also giving young readers really fun stories that they love. This makes them great teaching tools for plot, suspense techniques, and even language. My book THE BOY, THE BOAT, AND THE BEAST uses a lot of figurative language and I know teachers who use the book in their classrooms. To help, I developed some creative writing lesson examples from the book and they’re downloadable for free on my website.

MG Spooky books are written and read by awesome people

Yep, I’ve met some of the most wonderful people since my THE BOY, THE BOAT, AND THE BEAST came out. They like to write stories that give our readers goosebumps, but they also like to make readers laugh, be brave and feel. I’m honored to be among them.

What’s your favorite spooky middle-grade book?

Monsters, Marvels, and Middle Grade with Alysa Wishingrad

graphic showing The Verdigris Pawn and Between Monsters and Marvels book covers

 

 

 

 

 

 

 

 

I first met Alysa Wishingrad on Clubhouse. If you’re not familiar with the app, just know at one point it had become a haven for writers seeking community with like-minded scribes—however short-lived. Alysa and I would meet up with a few others and have writing sprints and I recall being so excited to one day read Between Monsters and Marvels. This middle-grade fantasy comes out on September 12, but dear friends, NetGalley has finally started to show me some love, and amongst the ARCs (advanced readers copies) that I basked in this summer, was Alysa’s lovely, second middle-grade novel. Between Monsters and Marvels blew me away.

I had the true pleasure of interviewing Alysa about this treasure of a story, her writing process, and all things Dare—the gritty main character that readers will fall in love with. Read on below.

Let’s start with some questions for the writers out there researching MG books!

Ines:

“The coarseness of our weave scratches their more refined sensibilities, but our thicker fibers make us more durable.”  When you write delicious lines like these, are they the result of revisions or do they pour out of your head during your drafting process? So much of the writing in Between Monsters and Marvels is lyrical and visual. I guess what I’m really asking is, how do you do it? What does your writing process look like?

Alysa:

Ines, thank you so much for having me, I’m so happy to be chatting with you!

I tend to say that my process is kind of sloppy because I’m not a traditional outliner, I don’t use notecards or have a big whiteboard. But there is a logic and system at work, it’s just very slow. I have to let ideas stew in the back of my head for a good long time until I can begin to see the world in my mind’s eye — I need to be able to see it like a movie. I am an acolyte of paper and pencil so as soon as I begin to get the first whiffs of an idea I start a notebook and get to jotting down ideas and questions. Lots of questions. Who are they? What do they want? Why do they want it? Why are they where they are, and what forces had to coalesce to get them there? I push myself to try to look around corners and really search for the hidden truths hiding out of sight so I can learn as much about my characters, their world, and the problems they’re facing as I can.

Then eventually the writing begins, and I start playing around to try and find the voice. That’s the key for me- once I find the voice then I can begin in earnest. On those days when I’m in the voice, words flow. But by flow, I do not mean they rush out of me. I am a pretty slow, line-level drafter, and will work out a moment until it’s just the right set piece. BUT, and this is the important part, just because a line or beat sets me up to find the rest of the scene or chapter, that doesn’t mean it ultimately stays in. I used to think being able to string together a pretty line was the key to good writing. Silly me, pretty lines are all fine and well, but they have to hit at the heart of the tale you’re weaving.

Finally, my process on both THE VERDIGRIS PAWN and BETWEEN MONSTERS AND MARVELS involved chucking either a completed (and sold) draft, or large swaths and beginning again from the blank page. I’ve done all the hard work at this point, I know the arc, the world, and my MC, so now I have the knowledge and the freedom to roll the story out the right way.

Ines:

It’s so easy to lose oneself in Between Monsters and Marvels and feel like you’re running right alongside Dare in the Must or on the shores of Barrow’s Bay. What is your favorite piece of advice for middle-grade fans who want to write stories like yours, with such deep world-building and character development?

Alysa:

That’s very nice of you, Ines! I’d say take your time! Ask lots of questions. Interrogate your choices, ask yourself why you’ve made the choices you’ve made. Don’t settle for, “that works.” Push yourself beyond your first, second, or even your third idea.

Just as it takes time to get to know a new person in your life, getting to know a character or your world, is about seeing through all the layers. I try to look at my characters from many different angles and put them through a kind of stress test. How would they respond in any given set of circumstances? And is how they respond how they’d want to? Do they understand how others perceive them? Do they like it? Do they even care? How do they want to be seen, and why is that so important to them?

It’s one thing for me to understand a character by their outward persona— how they present themselves to the world. But they truly begin to come to life when I dig to find out what lies behind the mask. What stories are they telling themselves about themselves?

As far as world-building, I say consider everything – how does the society function, what’s its history, how did it come to look the way it does now. While so much of this work might never wind up on the page, having a full and complete understanding of your world’s geography, history, belief system, etc., helps bring a place to life. And do your research, but unless you’re writing straight historical, I’d say don’t do too much so that you feel hemmed in by it.

Ines:

For the writers wishing to write in the third person, how did you manage to make us feel so very much in the head of Dare? The narrator’s voice, though third, allows us to feel Dare’s humor, her curious mind, and her perspective.

Alysa:

Third is tricky, but it’s my favorite POV to both write and read. John Gardner’s writings on psychic distance were incredibly helpful to me. The way he talks about the lens zooming in and out just made it click— there’s that visual, movie brain again.

But it was mentor texts— reading and studying how other authors have drawn us in through close third— that were my best teachers. My copies of Laurie Halse Anderson’s middle grades are marked up in a sea of yellow highlighters! The power of her observations just always makes me feel like I am living in the skin of her characters.

Fundamentally though, I think the key goes back to truly understanding your character, knowing not only what they like or don’t like, what they want or don’t want, but how they see the world. It’s really like positioning yourself behind their eyes and experiencing life as they do. I often think of that alien that controls Vince D’Onofrio’s character in the first Men In Black!

On making connections with young MG readers.

Ines:

Dare is described as wild, tough, and gritty. But she’s also very sweet and thoughtful, and I get the impression that as much as she seems to not want to belong in Barrow’s Bay, deep down she yearns for that belonging or acceptance. For example, when she vows to be more like her father, invisible, rather than be herself.

How were you hoping children would connect with Dare, how she sees herself, and her place in her world?

Alysa:

We all feel like outsiders at some point, whether we admit it or not, and we all have different coping mechanisms. Some of us do everything we can to try to fit in, squeeze ourselves into a mold that winds up stifling us. Others rebel and dare people to try and get close. But deep inside we all just want to be seen for who we are.

Dare refers to all her points and angles (her opinions, intelligence, and her innate ability to see past the illusions people weave) as her awful. And when we meet her, she fairly revels in getting a rise out of people. Then, as she begins to worry about her father, she tries to make a deal with the stars at night to save him –she promises to try to fit in, to hide her awful. But through the course of her story, she begins to understand it’s those very points and angles that made her stick out like a rose among the lilies that are her greatest strengths.

That’s what I hope readers of all ages take away from my Dare— those things we think of as our faults and foibles are our superpowers, it’s up to us to learn how to use them.

Book reccos à la Alysa!

Ines:

Can you give us a list of your favorite middle-grade books? From when you were in middle school and from today, what books have inspired you?

Alysa:

Oh yes, this is my favorite part!

Growing up some of my most favorites were: Charlotte’s Web [still can’t think of that story without wanting to cry], A Wrinkle in Time, The Phantom Tollbooth, The Borrowers, so many of the Roald Dahl stories, and The Chronicles of Prydain. But I also read a whole lot of books that I’d pull off my parent’s shelves. I’m sure 97% that what I read at the time went right over my head, but they pushed me to consider views of the world I would not otherwise have. John Updike’s Rabbit series was a favorite when I was 12. It makes little sense. What does a 12 year-old girl have in common with a man having a midlife crisis? Well, a lot it turns out. We all face a kind of existential angst at different ages.

Some of my recent faves include:

  • The Troubled Girls of Dragomire Academy by Anne Ursu
  • Freewater by Amina Luqman-Dawson
  • Hana Hsu and the Ghost Crab Nation by Sylvia Liu
  • The Skull by Jon Klassen
  • The Plentiful Darkness by Heather Kassner
  • Adia Kelbara and The Circle of Shamans by Isi Hendrix, coming out Sept 19th!

Speaking of Inspiration…

Ines:

The setting is so clearly detailed that it’s easy for any reader to dive into the pages and travel through them to get to Dare’s world. Is there a real place that inspired the fictional island of Barrow’s Bay or the mainland (The Must/City on the Pike)?

Alysa:

Barrow’s Bay was directly inspired by Jekyll and Cumberland Islands— both off the coast of Georgia. At the turn of the 20th century, they were exclusively inhabited by the very wealthiest industrialists in the country. Mackinac Island in Michigan, was also a playground for the very wealthy. But the sense of isolation and mystery was inspired by Put-in-Bay in Ohio. I have a friend who grew up there, and her stories of being iced in over the winter and that sense of wilderness absolutely fed my imagination.

City on the Pike was inspired by the countless cities in both the US and the UK that were absolutely overrun and transformed by the rapid growth of factories during the Industrial Revolution. Sadly, the Must is any one of all too many neighborhoods in the cities that were once thriving communities that were ruined by pollution and the nearly inescapable poverty borne of the inequity of the system.

 

Thank you so much for having me, Ines, it’s been such a pleasure to chat with you!

You can pre-order BETWEEN MONSTERS AND MARVELS from your favorite indie, or from mine, Oblong Books, for signed copies and some MARVELous swag  (https://www.oblongbooks.com/between-monsters-and-marvels-hardcover-signed-alysa-wishingrad)

 

About Alysa Wishingrad

Author Alysa Wishingrad

‌‌Alysa Wishingrad writes fantastical stories for young readers, tales that ask; is the truth really true? Her favorite stories are those that meld the historical with the fantastic, and that find ways to shine a light on both the things that divide and unite us all.

She is the author of Between Monsters and Marvels and The Verdigris Pawn, which was a Junior Library Guild Gold Standard Selection.

Alysa lives in the Hudson Valley with her family, two demanding rescue dogs, and a cat-shaped dog, who is either a monster or a marvel, depending on the day.

You can find her at: www.AlysaWishingrad.com

Instagram & Threads @alysawishingradwrites

BlueSky @alysawishingrad.bsky.social

Twitter @agwishingrad

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