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STEM Tuesday — Birds — Writing Tips & Resources

Feather Fun

If you’re interested in writing and publishing children’s nonfiction, you’re probably researching the market. Ever notice that publishers can’t seem to get enough of certain subjects? Like, BIRDS!

For several reasons this subject is perennial: no matter where they live, kids can experience birds; birds are a great topic for teaching science curriculum standards; and, many book buyers (frequently grandparents and librarians) love sharing their passion for birdwatching with children.

According to a U.S. Fish and Wildlife survey, approximately 45 million people in the US enjoy birdwatching. Every year, binoculars come out and bird books get bought.

If you want to get published, write a bird book, right? If you’ve tried that, you might have received rejection letters with phrases like “too similar to books already on our list.” Submissions piles are full of competition. So, how do writers do it? How do they write on a common topic in a flooded market and still manage to get published?

Taking Action

Take a tip (or two) from this month’s STEM Tuesday book list:

 

Fun it up! You can’t read Superpower Field Guides – Ostriches by Rachel Poliquin and illustrated by Nicholas John Frith without enjoying the humor. I challenge you to find a single spread that doesn’t make you smile or chuckle.

Follow an Individual: In Moonbird: A Year on the Wind with the Great Survivor B95, Phillip Hoose gives readers a case study. Sure he presents technical information on data collection, life history, and conservation, but he does so through the lens of an observer (himself) spying on the life of one bird (B95). This does double duty, sucking readers in and letting them migrate with the birds, further supporting the scientific concepts.

Make it high concept: If listeners “get” your project with a single sentence pitch, it is high concept. Rebecca Hirsch’s Where Have All The Birds Gone? Nature in Crisis presents a problem that readers care about. Couple that with a sensory-filled opening scene, shocking examples, plus tips to empower young readers, and you may just get that acceptance letter.

Tell a Tale to Build to a Big Idea: In The Triumphant Tale of The House Sparrow, Jan Thornhill starts with a shocker: “Behold the most despised bird in human history.” Throughout the book, she uses storytelling devises like a trail of doors open just a crack to lure readers deeper and deeper into complexity: “At first, American was house sparrow heaven. At least for a while.” She builds tension: “A battle cry arose. The house sparrow had to be stopped.” She tells a tale that leads to an idea which will stick with readers: The power of resilience.

Get Personal: Sy Montgomery takes a personal approach when writing Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and One Murderously Big Living Dinosaur. This unique approach appeals to readers who might not appreciate the same information presented in a more traditional expository fashion. Great writers experiment with different approaches to reach more readers.

Get Graphic: Sure Kyla Vanderklugt’s Crows: Genius Birds takes advantage of kids’ love of visual storytelling for the narrative, but it maximizes on that approach by using it to present expository information such as a family tree of corvids. When an author or illustrator can use one device to serve two purposes, that’s gold!

 

Challenge:

Pick another common topic: metamorphosis, or dinosaurs, or one of your choosing and brainstorm options for each of the above tips. It might surprise you just how much fun you can have when a flooded market forces you to get creative!

 

Heather L. Montgomery writes for kids who are wild about animals (including birds!). An award-winning author and educator, Heather uses yuck appeal to engage young minds. Her books include: Something Rotten: A Fresh Look at Roadkill, Who Gives a Poop? Surprising Science from One End to the Other, and What’s in Your Pocket? Collecting Nature’s TreasuresLearn more at www.HeatherLMontgomery.com

Diversity in MG Lit #35 April 2022

Here’s the roundup of some of the many diverse MG books on sale in April.  As always if I’ve missed an April title please drop a mention in the comments on this page.
Contemporary
The Not-so-uniform Life of Holly Mei is the debut MG novel of Christina Matula. It’s refreshing to see a character whose biracial identity (Taiwanese-Canadian) is not the focus of conflict in the novel. Another nice twist is the immigration story is not to North America but from there to Hong Kong. Kids will find plenty to root for as Holly Mei finds her way in a new city and school. This is the first of a planned three book series.
In Shabbat Sabotage by Emma Carlson Berne, Maya’s first time at sleep-away camp is enlivened by the mystery of who stole the kiddush cup and candlesticks they need to celebrate Shabbat.
Horse Country: Can’t be Tamed by Yamile Saied Méndez is a new series centered around a western horse ranch and the power of second chances. Great to see a horse series that does not feature wealthy East coast mean girls, but rather centers on the Hispanic contributions to the American west and the healing power of horses.
book cover Karthik DeliversKarthic Delivers by Sheela Chari has elements to delight a wide range of readers. Karthic trys to help his parents hold things together financially by delivering Indian groceries around his Boston neighborhood on his bike. He loves theater, admires fellow immigrant Leonard Bernstein, and is navigating a first crush with the aid of his earnest, even aspirational, to-do lists.
My Sister’s Big Fat Indian Wedding by Sajni Patel is a YA rom-com that should have plenty of appeal for older MG readers. What I liked the most about this story of finding love amid the busy events of a traditional Indian wedding was the many cousins who are on Zurika’s side every step of the way.
Graphic Novels
In the full color graphic novel Miss Quinces by Kat Fajardo, Sue/ Suyapa was hoping for a summer with her American friends at an art camp but her mother brings her to Honduras instead to be with family and have her Quinceñero ceremony. Sue is mortified but comes to appreciate them in the end. I appreciated the way the story embraced the spiritual elements of a the ceremony, rather than focusing entirely on the more glamorous party afterward. There is back matter with more information on the meaning of the Quinceñero traditions.
Messy Roots: a graphic memoir of a Wuhanese-American by Laura Gao is a YA graphic novel that may appeal to the older end of the MG spectrum. It’s a memoir about growing up as an immigrant queer Chinese-American in Texas. It’s rare to find a book that illuminates the experience of being both an immigrant and an LGBT community member. I’m hoping it will do well enough to usher in more intersectional stories.
Fantasy & SciFi & Historical
The Last Mapmaker by master storyteller Christina Soontornvat is going to appeal to fans of popular dragon series like Wings of Fire but also to kids who like maritime adventure stories in the mold of the Horatio Hornblower books.
Memorably set on a family estate in the Himalayas, Tamarind and the Star of Ishta by Jasbinder Bilan is a tale of  culture shock overcome and family secrets unraveled.
Young chapter books
Wednesday & Woof: Catastrophe by Sherri Winston is a new chapter book series featuring a spunky black main character with juvenile arthritis and her service dog  Woof. Together they solve the mystery of a neighbor’s missing cat. Short chapters, large type and plenty of color illustrations make this an inviting first series for a new reader.

Interview with Emma Carlson Berne, author of Shabbat Sabotage!

Hello Mixed-Up Filers!

We have a treat for you today! An interview with with a friend, and author of the new book, Shabbat Sabotage, out soon from Yellow Jacket, and a PJ Our Way selection. Please help us welcome Emma Carlson Berne!

Emma, thanks for joining us today!

JR: To start with, I really enjoyed this! Maya is my daughter’s name, so I loved having the main character with the same name. Can you tell us a little bit about Shabbat Sabotage and where the idea came from?

ECB: I was a pretty fearful person growing up (actually, I’m still a total coward), and one of my sons was kind of a fearful child, so I really wanted to write about fear and secrets and how those two things can prey on each other. I like the idea that at summer camp, where adults sort of fade into the background, that’s where the characters can really roll in around in the very real, sometimes very dark, world of kids alone, together.

JR: I love a good summer camp story! Tell us a little bit about Maya.

ECB: Maya really is not a camp kid but I like to think that she becomes one over the course of the book. She doesn’t like getting dirty, she’s afraid of all kinds of things – swimming is the main one in this story – and she’s just not sure about the whole togetherness-in-a-cabin, sleeping-away-from-home thing. It takes a place like Camp Shalom and a friend like Dani to show her that she can grow to love camp while still being herself.

JR: Good advice. What are the similarities and differences between you and Maya?

ECB: I spent most – okay, all – of my childhood reading, and I didn’t like getting sweaty or dirty and I was afraid of a lot of things, like loud people, and big people, and deep water, and muddy water. . .it was a long list. I wanted to write that girl – the one who doesn’t have any desire to be the hero, who doesn’t even want to be the protagonist. She just wants to be left alone to read her book or think to herself or hide.

JR: I’d like the same thing now, but it never happens. Did you go to camp when you were Maya’s age?

ECB: Yes, I definitely did. I was obsessed with horses, so I usually went to horse camp. I was very small when I was Maya’s age and really skinny, so my main memory is of being kind of weak and unable to lift things like saddles, and unable to reach the horse’s head to put on its bridle. I remember being in a really far away part of a stable at horse camp, with everyone else off somewhere else, and trying to lift up this horse’s hoof, which was like as big as my head, and just being unable to get it up at all. It was like lifting a boulder. I think I just gave up after awhile. Probably when some adult asked me if I’d picked her feet, I just lied and said yes.

JR: You dedicated the book to Camp Livingston. How similar is Camp Livingston to Camp Shalom?

ECB: My oldest son has gone to Camp Livingston for the last few years, and we’re friends with the director, so this was a natural place for me to go in my imagination. I based the layout of Camp Shalom on Camp Livingston and the songs they sing, and the director, and some of the rituals. But I also asked my friends for their best and worst camp memories and I slapped some of those in there – like the gum tree – and I also mined my own memories as well. The girl with the pith helmet is based on a real person from my own past.

JR: What is it about mysteries that appeals to you?

ECB: Most mysteries – at least, the ones I like to read and write – are a little dark. Sometimes, a lot dark. I love thinking about secrets and hiding and what keeping secrets does to a person’s relationships. So the mysteries I write tend to be based more on the way people act together and treat each other, rather than logic puzzles, where lots of clues fall into place at once.

 JR: There are some humorous moments between Maya, Dani, and Yael, as well as some more touching ones. How difficult was it to try and strike the right balance?

ECB: Writing humor is hard, as you know, Jonathan, being a very funny guy yourself. You have to be relaxed to write funny and I’m sometimes kind of tense when I write. I want the story to go well, I want to get the words out in the right way – that kind of thing makes me tense up. So when I was writing the more loose, funny parts, I found I needed to write quickly, just splash the words on the page and not think about it too much. Then the funny comes out more naturally.

 JR: I first met you on a wonderful PJ Library trip. Shabbat Sabotage is part of PJ library’s children’s book division, PJ Our Way. Tell us a little bit about PJ Library and how they came to your book.

ECB: We met on the 2018 Author Israel Adventure and it was wonderful, wasn’t it? We went to Israel with PJ Library and a bunch of other authors and spent a week touring and learning. I took so many notes during our trip and fiddled around with many ideas, but in the end, I asked PJ, “What kind of book do you want that no one else has shown you?” and they thought about it and came back with, “You know, what we really want is kind of a girl Encyclopedia Brown, but at summer camp.” You got it, I thought. This is a story I know how to write. And boom, SHABBAT SABOTAGE was born.

JR: That simple. 🙂 How hands on have they been through the process?

ECB: Very hands-on, which is exactly what I asked for. I wanted to write a book tailored for PJ, so I asked if they would look at each draft after I finished. They would give me notes, which I would incorporate into the next draft, and so on. When I was done, everyone knew what kind of manuscript they were getting. It was a great, collaborative, really rewarding process.

JR: That actually sounds great. You’ve written books in the Star Wars franchise. How cool was it to get to use official characters in a story?

ECB: Jonathan, so fun. So cool. The Lucasfilm Story Group read my manuscripts for the Star Wars books, and gave me notes, and I felt like hot s**t. But I also felt a lot of pressure – people have strong feelings about these characters and there were many, many readers and writers who know a lot more Star Wars than I do. I didn’t want to let anyone down. I also didn’t want to sound stupid. It’s a fine line.

 JR: What are you working on next?

ECB: And now for something completely different – sparkly, crime-fighting dragons! I have a graphic novel series called Sparkle Dragons coming out in May from Clarion. It’s a book about a posse again, like the girls of Shabbat Sabotage, except that these are dragons, so, different, and they live in a magical kingdom run by a selfish princess, so, also different. And they fight crime, so that’s sort of like Maya and Dani and the rest.

 JR: That sounds awesome! Looking forward to reading. Where can people find you on social media?

ECB: On Twitter, I’m @emmacberne and on Facebook, I’m at Emma Carlson Berne Books. And my Instagram looks like of sad and weird because I don’t really know how to use it, but there I’m emmacarlsonberne (I’m actually not sure if I’m even writing my handle in the right way). And my website is www.emmacarlsonberne.com. Message me to talk books and writing!

JR: Emma, thanks so much for spending time with us today, and the best of luck with Shabbat Sabotage!

 

That’s it for now, Mixed-Up Files friends. Make sure you get a copy of Shabbat Sabotage, and until next time . . .

Jonathan