Welcome back to STEM Tuesday. I’m Stephanie Jackson, and today’s zombies are in the “otherwise” category—less real, and more “otherwise,” drawing on literary theory and cultural studies. If you’re thinking along the lines of Mary Shelley’s 1818 gothic novel Frankenstein, you’re headed the right direction.
So… monster theory… have you heard of it? In the 1990s, Jeffrey Jerome Cohen wrote about monsters as metaphors and how we can decode (or encode) our stories with them. The TLDR of it is that the monsters of any given cultural text—book, film, etc—represent that society’s fears and desires. Through taboos, boundaries, contamination, and other monster lore, writers and readers explore themes of humanity and inhumanity.
First, as readers: Monster theory makes the English classroom fun again, allowing students to read the text against itself, to tease out the textual society’s ideals. While maybe this seems a little lofty for middle-grade readers, it can apply to age-appropriate texts. For fiction, I think of the middle-grade novels Zombie Baseball Beatdown and Better Off Undead.
Exercise #1: Why Monsters?
Identify a favorite story about monsters. Are its monsters likeable or not, and why? Do the monsters fit or break the monster stereotype? In what ways does the monster complicate the story in a way that a non-monster character wouldn’t? What does the monster disrupt or destroy? How does the text’s main characters and society at large treat the monster(s), and what’s the takeaway? Write down your thoughts and prepare to share them with peers.
Teachers and homeschool parents, feel free to tailor this exercise as appropriate for your students. Essay? Slides presentation? How long? You decide. This type of analysis is less about finding a “right” reading of a text, and more about interpretation and engagement. As long as they’re participating, while using textual evidence as guardrails for the discussion, it’s a great opportunity to engage them in critical thinking skills. (Let them choose a story they love, even if it’s a picture book or movie. Child-led learning sparks joy!)
And now, without further ado, exercise two…
Exercise #2: Perspective
- Part A) Monstrosity—and not merely beauty—is in the eye of the beholder. Select and write down an everyday object. It could be anything that, taken out of context, might seem scary, weird, or inhuman. Slime and scrambled eggs have odd textures… without sight, encountering them might be unsettling. The object could also be something innocuous, like a dandelion or cereal. Describe the object, and think about how the truth of that description might be purposefully distorted. (Remember the marble in It Fell From the Sky? It’s a perfect example of an everyday object for this purpose.)
- Part B) Next, invent a character or creature that’s scared of that object. How could this object endanger them, their society? In what circumstances might it be mistaken for something much scarier? What evidence might the character have found to support their belief that they’re endangered by it? How could they misinterpret its purposes? (Think of Strange Planet‘s descriptions.)
- Part C) Gather into groups and discuss your results with peers. What was the most interesting scenario? What makes something monstrous, vs. what makes something human? As a group, present your findings to the class.
That’s it for this week! If you’re looking for some hi-lo Zombie books for your second-to-seventh graders, you might like this one and similar titles by the same publisher. If you missed it, go back and peruse our book list. As always, I’d love it if you stopped by my website StephanieWritesForKids.com for more book recs, writerly tips, and the latest updates on my publishing journey.
Best,
Stephanie
Stephanie Jackson is a mother of four kiddos ages 4-14. Her kidlit work has been published in Cricket magazine, Dirigible Balloon, and elsewhere. She holds an English creative writing degree and writes from her book-glutted home in northern Utah.
Emily Starr: Kids love dinosaurs! That means there are a lot of dinosaur books. What made you want to create a dinosaur book, and how did you convince editors your book was different? (As if your incredible illustrations and focus on geological time don’t speak for themselves!)
Emily Starr: It can be difficult even for adults to wrap their minds around the length of time represented by billions of years. Do you have any tips for helping children to understand vast timescales?
Emily Starr: In your acknowledgements you mention your husband organized trips to museums and dig sites. What were some of your favorites? Were there specific details you learned during an in-person trip that you didn’t know from previous research?
