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Middle Grade Voice: Speaking the Joyous/Painful/Ironic/Perfect Truth

Happy almost-summer to everyone! I love writing May posts for From the Mixed-Up Files of Middle Grade Authors because it calls to mind the excitement and fulfillment of the end of the school year. For teachers, parents, students, public or school librarians, and MG writers alike, the advent of summer is a time heady with the potential adventure, change, and insights of the coming months. New, thrilling stories are practically a guarantee. Whether you read them, write them, offer them to readers, or watch them inspire your own kids on breezy summer days, middle grade works can add a lot to  your summer season.

We often discuss on this site how various elements of a story impact readers in different ways. For example, a historical setting teaches readers about an era or event. Sci-fi and fantasy genre scenarios engage the imagination in a rigorous workout. A coming-of-age theme offers a hook almost all readers can relate to. Another important, impactful fiction factor is voice.

Voice is an element of fiction that can impact readers in several ways. So much more than point of view or perspective, a character’s voice ticks many boxes: It indirectly characterizes. It engages readers and controls the mood and pace. And it delivers thematic messages about life in ways that connect to our experiences and emotions—in other words, the truth.

Strong voice is particularly effective in MG fiction. There’s this interesting paradox that occurs with MG characters in “voicey” works: Though their world view may be limited by young age and lack of independence and experience, MG characters are often highly effective at revealing the truth. They might comment as an afterthought or make a passing observance… and ironically, that offhand remark is both significant and revelatory. Or, they share a just-learned lesson in their coming-of-age, but as it is communicated by their voice, additional ideas and truths are conveyed.

Summer, with its reduced emphasis on structured lessons, is the perfect time to think about this somewhat nebulous story trait. Gathered below are some examples of voice in MG fiction, a few writing projects for students experimenting with voice in their own writing, and (for writers of MG) a brief list of tips for “turning up” your story’s voice.

Middle Grade Voice Examples

Strong voice can seem like a you-know-it-when-you-read-it element. For practice in recognizing voice, study some examples before assigning yourself a search-and-find mission in some favorite and some brand-new titles. Here are a few handy examples of MG voice:

  • Jessica Vitalis’s self-assured protagonist Fud in Coyote Queen:

“That doesn’t mean I sat around crying about how things were, because I didn’t. And I certainly didn’t think twice about magic. I was too practical for that.”

  • Jennifer L. Holm’s witty main character Beans in Full of Beans:

“When someone says they’re gonna help you, they’re just waiting to stick their hand in your pocket and take your last penny. I should know. I got relatives.”

  • Any characters from Christopher Paul Curtis. Here’s Elijah speaking certain truth in Elijah of Buxton

“But classroom learning just don’t work the same as when something happens to you personal.”

Voice Activities in the Classroom

As the school year winds down, consider having your MG students experiment with the concept of voice in their own writing. You might begin by having readers search for examples in novels they read throughout the year. Introduce the idea of voice with some focusing questions: What line or lines have vocabulary, word choice, and phrasing that tell you right away what kind of a person this character is? What line would be spoken only by this protagonist? Where is a question or an exclamatory remark that highlights the voice?

With some examples at their side, students can then try their hand at voice by writing a real-time scene from the viewpoint of a selected, existing protagonist.  Writers already may be savvy with writing from a character’s perspective; try to direct their focus on the voice of the character through word choice, vocabulary, cadence, pace, and sentence length. For a scenario that also boosts excitement for the end of the school year, students might place their protagonist in a “summer vacation” scenario.

How Writers of MG Achieve Voice

These are some common strategies for practicing and assessing voice in your MG writing.

  • While middle grade characters certainly keep secrets and remain private about some things, they typically are more open with emotion than teen characters.
  • Defy stereotypes. Offer your characters traits that conflict with common assumptions.
  • Focus on the foundational blocks of a good story: themes, plot, detail, description, characterization. Voice is the conveyance system that communicates the story to the reader in the most effective, most “hearable” way.
  • Don’t allow the writer’s goals for sharing pithy truths to become the character’s goals. The character’s goal is to pursue their objective and resolve their conflict.
  • Stick with on-level vocabulary choices.
  • Who are your beta readers? Have a few middle graders in the mix to comment on MG characters’ believability.

Thanks for reading, and have a story-filled summer!

Interview with Author Leah Cypess

I’m a huge fairy tale lover, and I just discovered Leah Cypess’s Sisters Ever After series. How did I miss this?! Her latest book in the series, BRAIDED, is coming out May 28. I’m so excited that I got to interview her for our Mixed-Up Files readers!

Please tell us a little bit about your upcoming novel, BRAIDED?

BRAIDED is the story of Rapunzel’s little sister, Cinna, who grew up longing for the return of her kidnapped older sister. The book starts right after Rapunzel’s rescue from the tower. Cinna can’t wait to help her sister take her rightful place as the heir to the throne. But Rapunzel is not what anyone—including Cinna—expected. And whoever took her might still be lurking in the castle…

I’ve always loved the story of Rapunzel (and have recently been looking at some of the origins of it myself). What kind of research has gone into writing this book (and your others)? Have you fallen down any interesting rabbit holes?

I started out by reading The Rebirth of Rapunzel by Kate Forsyth, which you’ve probably come across if you’ve been looking into the origins of Rapunzel! I found the book fascinating, but ultimately I decided to make BRAIDED more of its own story (and more related to TANGLED, despite Forsyth’s dislike of that movie). The previous book in the Sisters Ever After series, THE LAST ROSE, got about as dark as I want to go with these retellings; for BRAIDED I focused heavily on the question of, “What would make this story fun for my readers?”

I ended up doing a lot of research to flesh out the magical system in BRAIDED, since Rapunzel and her sister do magic by braiding spells into their hair. And that let me down a pretty intense rabbit hole about braids and hairstyles. For a while, Instagram was showing me nothing but hair reels all the time. And for a while, my youngest daughter’s hair was very fancy every day.

I’ve found myself drawn to fairy tales these last couple of years, and I absolutely love the idea of looking at the stories from the point of view of the siblings. Can you tell us what inspired you to write fairy tale retellings, and how these unique points of view came about?

I have always loved fairy tale retellings. There’s something about playing with a very familiar story, one baked into our cultural memory, that is both incredibly fun and enormously satisfying. Ideally, you create a twist that draws on the power of that original story while simultaneously examining and/or subverting it.

One way to do that is to tell the story from a different perspective – from the point of view of someone the original fairy tale didn’t consider important or didn’t include at all. With the Sisters Ever After series, that approach is baked into the way I tell the story. But because sibling relationships are so varied, but it still allows me many different ways to use that new point of view. I’ve been having so much fun with it.

You’ve written novels centered on Sleeping Beauty, Cinderella, The Pied Piper, Beauty and the Beast, and, now, Rapunzel. (And, I believe The Little Mermaid is up next). Did you have a favorite fairy tale as a kid? What about it did you love?

My favorite fairy tale growing up was The Twelve Dancing Princesses, about princesses who wear out their dancing shoes every night in a secret faerie realm. I think what I love about that story is how complex it is about what the princesses are doing and why. The story is pretty clear that the princesses are not being forced to dance—they are actively sneaking away and deceiving everyone around them—and yet, in the end, the dancing is what they have to be saved from. Obviously, that’s an easy story to turn on its head, but I like the tension in the fact that the faerie dancing is both fun and dangerous.

Originally, I was going to do The Twelve Dancing Princesses as one of the Sisters Ever After books! But everyone I told about the idea was confused by why on earth that story would need a thirteenth princess. In the end, I wrote two short story retellings of the Twelve Dancing Princesses but never a book. Yet.)

We’re big fans of teachers and librarians here at From the Mixed-Up Files. Could you tell our readers about a teacher or a librarian who had an effect on your reading or writing life?

I’ve been lucky to have a number of teachers who encouraged my interest in reading and writing. My first “publisher” was my first grade teacher, who compiled a booklet of students’ stories. (My story was written from the point of view of an ice cream cone.) In fourth grade, I used to sneak books into class and read them under my desk during math class. My parents told me years later that my teacher knew perfectly well what I was doing but decided to let me get away with it.

Libraries have been a huge influence on me since before I was born. My father grew up very poor, and his family could barely afford enough food; they certainly didn’t buy books. The fact that he could go to the public library and read as many books as he wanted was part of what transformed him into a reader, and the fact that he was a reader was part of what made me into a reader. I am hugely grateful to libraries.

You’ve been writing since first grade, and sold your first story while still in high school. Do you have any advice for our middle grade readers about getting started on a writing life?

Shortly after I got my first publishing contract, I saw this quote on Mandy Hubbard’s blog: “A published author is an amateur who didn’t quit. Don’t quit.” I think that’s the best advice I can give!  I would also suggest that you pace yourself in your writing development… first find your own voice and style, then find a critique group to polish it, and only then should you start worrying about publication.

Where can our readers find you?

My website is www.leahcypess.com. The place where I most reliably post writing news these days is on my Instagram, Leah Cypess. And if anyone is interested in getting a personalized signed copy of BRAIDED, I am running a preorder campaign through a local independent bookstore, People’s Book.

 

Thanks so much for visiting with us, Leah.

Readers, be sure to check out BRAIDED and the other books in Leah’s Sisters Ever After series. Do you have a favorite fairy tale? Let us know in the comments.

STEM Tuesday — Renewable Energy — In the Classroom

 

How will renewable energy be part of our future? These books explore different sources of renewable energy and how they are being used today and in the future. The possibilities are endless for energy-filled classroom discussions and activities!

Energy Lab for Kids: 40 Exciting Experiments to Explore, Create, Harness, and Unleash Energy by Emily Hawbaker, Paperback | Barnes & Noble®

Energy lab for kids: 40 exciting experiments to explore, create, harness, and unleash energy

by Emily Hawbacker

Do you want to know about the different types of energy and how they help us in our everyday lives? Potential, kinetic, chemical, radiant and thermal energy: they affect us daily. This book provides activities that explore the different components of energy: from what it is, to how it’s discovered and used, and how we can save it. If you like hands-on fun, this is the book for you!

 

Classroom Activity

How much energy do you use? Ask students to track their energy use for 24 hours. Have them write down the activity, type of energy used, time spent using energy, and where they used it. Using this information, have students answer the following questions:

  1. How many minutes of energy did you use in total?
  2. What activities used the most energy?
  3. What surprises you about your energy use?
  4. Why is it important to understand your energy use?

Have students brainstorm three ways they can conserve energy in their daily life. What changes will they have to make? How easy will it be to implement these changes?

 

See related product detailThe Boy Who Harnessed the Wind, Young Reader’s Edition

written by William Kamkwamba and Bryan Mealer, illustrated by Anna Hymas

An exciting memoir of a boy living in a drought-stricken village in Malawi, who builds a windmill from scrap, with the help of science books at the school library, and brings electricity to his home to pump water for crops.

 

Classroom Activity

After reading about William Kamkwamba’s windmill, students can harness their creativity to design and built wind-powered cars. A basic wind car design has a base, wheels, and a sail. Have students sketch a design for their wind car. Next, students can brainstorm easy-to-find materials they can use to build their cars. What will they use to build the base? The wheels? The sail? Have students gather the materials and attempt to build their design. What adjustments, if any, do they need to make to the initial design? Once the cars are built, test how well they capture wind power. Which designs perform the best? Why?

 

Green Energy

by Jasmine Ting

Have you ever considered the energy we use to power our lives? Our houses, our tablets, our handheld games and phones all require it. That won’t stop anytime soon. What scientists want to do is find sustainable energy that will lead us to a green future. This book explains what green energy is, the types of green energy available to us, and how each is put to work for us through technological innovations.

 

 

Classroom Activity

What types of renewable energy are being used in your community? Have students form small groups to research renewable energy use. How could renewable energy sources replace fossil fuels in the community? What types of renewable energy would be the easiest to implement? What types would be the most difficult? How and where would the renewable energy be used? Have each group prepare a presentation that highlights their renewable energy recommendations for the community.

 

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Carla Mooney loves to explore the world around us and discover the details about how it works. An award-winning author of numerous nonfiction science books for kids and teens, she hopes to spark a healthy curiosity and love of science in today’s young people. She lives in Pennsylvania with her husband, three kids, and dog. Find her at http://www.carlamooney.com, on Facebook @carlamooneyauthor, or on Twitter @carlawrites.