Posts Tagged writing tips

How Middle Grade Fiction Can Fuel Young Writers’ Search for Truth

In one of my Lit classes recently, students read I, Juan de Pareja, a Newbery Medal-winning novel by Elizabeth Borton de Treviño. This fictionalized account of the life of Juan de Pareja follows his childhood in 17th Century Spain to his role as servant-turned-apprentice to master painter Diego Velázquez. It’s a great middle grade book for studying voice, historical setting, and imagery. Though only a few factual consistencies are known about the life of Juan de Pareja, the author built this novel based upon those few facts, or what she called a “kernel of truth” (The Glencoe Literature Library).

This idea brought up a connected discussion regarding how events in real life inspire realistic fiction… and conversely, how fictitious characters and plotlines remind us of the real happenings in our lives. We began talking about our own “kernels of truth”—stand-out memories, transitions and moves, objects and possessions that hold special meaning, gifts given or received… so many authentic experiences that contribute to the construction of one’s identity! We then complemented the novel study with a writing project that became known as the “Kernel of Truth” creative non-fiction assignment. Each student wrote about an authentic experience that in some way contributed to or connected with his or her identity. With some established parameters and brainstorming sessions, they were well on their way to authoring excellent pieces.

Creative nonfiction is a great genre for middle graders to explore as writers. They get to jump directly into the writing process without time-consuming research or structured main points; instead, they can write what they know. It’s a way to express true narratives, nostalgic anecdotes, tales of travel or adventure, and stories of personal interest while employing storytelling techniques like dialogue, setting, plotting, and figurative language.

Best of all, creative nonfiction writing can work with any novel, and it can support another level of connection between the reader and the text. In other words, just as I, Juan de Pareja inspired my students’ ability to seek individual kernels of truth, most other novels have at least one feature (setting, history, conflict, etc.) that will inspire your students’ true stories, and their own creative nonfiction.

For example, here are a few recent realistic fiction titles along with some potential leads towards CNF writing projects that might accompany them.

Another Kind of Hurricane by Tamara Ellis Smith – What experiences have you had witnessing the power of nature? What’s the most curious coincidence in your life you can remember? Have you ever discovered a connection between you and someone with whom you originally thought you had nothing in common?

Hunger by Donna Jo Napoli – Home can be a complicated word. What joy do you find in your home (town, city, residence, or whatever home means to you)? What, if any, frustration? What situations have you encountered or witnessed in which a choice that went against the rules seemed justified (for the good of others)?

The Parker Inheritance by Varian Johnson – Any real-life mysteries in your experiences? What books have you read that have stayed with you long after you finished reading, and what does that book mean to you now?

The Orphan Band of Springdale by Anne Nesbet – What unexpected turn of events has contributed to your own “plot twist”? What curiosities have lately caught your attention, like pigeon photography caught the attention of protagonist Gusta?

Middle grade students may wonder initially how a historical or fantasy could inspire them to write about something from their own lives in a CNF piece. Take the time to brainstorm as a class, and soon they’ll see how many elements and factors about the character’s life and story are possible points of connection with their own lives.  Depending on the readers in your class or library, you may decide to give the group a lot of freedom of topic, style, and length… or that it might be better to put some guidelines down on paper. Guiding questions like the ones above or general topics and suggestions can be especially comforting to the hesitant writer. Sometimes it takes prompting and parameters for imaginations to lose their inhibitions.

Hope these ideas are useful ones for your bag of tricks! Good luck and thanks for encouraging reading and writing in middle graders.

STEM Tuesday –Planes, Trains, Automobiles, and More! — Writing Crafts & Resources

 

Getting into Character

Planes, trains, automobiles, and more – this month’s look at transportation books might seem a bit impersonal, characterless, emotionless. When I looked closer, though, I found all kinds of characters. Let’s spend a few minutes examining how authors infuse character in these books about more technical topics.

Support Independent Bookstores - Visit IndieBound.orgBiography is an obvious approach, one taken in Elon Musk: And the Quest for a Fantastic Future. Following one individual’s life, author Ashley Vance shows us the development of his passion, the technical challenges he conquered, as well as the human challenges he dealt with. The results are an in-depth look at the skills needed to develop advanced transportation systems such as spaceships and electric cars.Support Independent Bookstores - Visit IndieBound.org

When tackling a topic such as the Titanic, which incorporate so much human tragedy, utilizing character is a natural fit. In Titanic: Voices from the Disaster, author Deborah Hopkinson interweaves individual’s stories to convey the magnitude of this event.

But even in a book with a much more technical focus, such as Who Built That? Bridges by Didier Cornille, space is given to including character. A single paragraph at the beginning of each chapter presents a brief expository bio before the chapter dives into the history and a step-by-step look at how each specific bridge was constructed.Support Independent Bookstores - Visit IndieBound.org

Support Independent Bookstores - Visit IndieBound.orgUse of character isn’t limited to actual human characters. Take a look at Save the Crash-test Dummies by Jennifer Swanson and you’ll see how inanimate dummy characters play a role in conveying the mechanical and historical content.

Why did each of these authors use character? I’m thinking deeper than the obvious answer: to draw the reader in. I’m comparing and contrasting how they presented these characters. The placement in the sequence of the text, the words used to describe the characters, the impact of character development, or lack of it. In analyzing this, I’m considering how I’ll use character in future writing to present topics that appeal to a wide variety of readers.

 

Try It Yourself:

  • Compare the first two pages of the first chapter of two books. Titanic and Elon Musk work well. Highlight every word or passage that characterizes the humans. Which techniques do these authors use? How similar or different are they? Consider why.
  • Now focus on a single book, Save the Crash-test Dummies, is ideal for this exercise. Scan the book for places where the nonhuman characters are characterized. Where is that in the sequence of the book? Can you find examples of characterization in places other than the main text?
  • Think about characterization in expository versus narrative text. Look for examples of each in this collection of books. Find an example of expository characterization (as in Who Built That? Bridges) and rewrite that is narrative. Yes you probably have to make it up; that’s okay for an exercise. Find an example of narrative characterization and rewrite that as expository. Which was harder? Why? How would making that change to the text impact the larger piece of writing?


Heather L. Montgomery writes books for kids are wild about animals; she’s learned to bring characterization into her works. Her recent Something Rotten: A Fresh Look at Roadkill follows an inquisitive narrator who visits scientists who use roadkill bodies to make discoveries. Her Little Monsters of the Ocean: Metamorphosis under the Waves characterizes juvenile marine creatures to tell the story of how they each grow up.


THE O.O.L.F. FILES

Podcasts are great forgetting your regular dose of science. Here are some great ones for kids and adults:

  • Science Friday: In-depth looks at current science research. These stories dive deep into questions that are at the forefront of our minds. Their website has episodes sorted by topic (health, math, energy) as well as further reading and resources for each episode.
  • Brains On! Science Podcasts for Kids: From American Public Media, this podcast is perfect for kids and curious adults. Each week it focuses on a different fascinating question such as: How do elevators work? What is dyslexia? How do ants and spiders walk on walls?
  • WOW in the World: in this high-energy podcasts produced by NPR, the hosts take you on an imaginative trip, a journey into the wonders of the world. Inside brains, deep into the ocean, or far out in space. Perfect for the whole family.
  • Tumble Science Podcast for Kids: Hosted by a science reporter and an educator who are also parents, this podcast asks questions, shares mysteries, and interviews real scientists. Episodes include: The Secret Senses of Plants, Earth Rangers, and What Would Happen if There Was No Moon?

Nostalgia and Those Childhood Favorites: Which books are we just sentimental about, and which books stand the test of time?

Fresh or Frozen?

For many of us of a certain age, there comes a time where we want to impart to our children, or children we know, the culture that we got at their age that essentially made us “us.” What I mean is, when our child is nine, we really want them to love the books that we loved when we were nine. That we read over and over again. That we can instantly recall incidents and episodes from; as well as the smell of the couch we would lie on when we read it; the ache of our hearts and taste of our tears from the sorrow of a character dying, experiencing cruelty or even just going through heartbreak. The same goes for movies. Cue me excitedly putting on Grease for my then-nine-year-old daughter in the hospital room TV as she waited to be wheeled down to surgery for her tonsils to be taken out. Wow, bad idea on so many levels. She didn’t enjoy it, not just because she was a nervous wreck about the impending surgery, but also because she didn’t get it. The movie went right over her head—thankfully. (I was mortified to be watching it with her. And felt like the worst parent!) And let’s just say the film has not aged well in terms of values, in terms of feminism, in terms of #metoo, in terms of America as a white world, in terms of anything frankly. But happily, for the most part, many of the books I loved as a child I have been able to read to my children with more confidence in my parenting skills—and with the added bonus that my kids loved these books too.

What is the Common Denominator?

Jonathan Rosen spoke here on the MUF blog about his nostalgia for the books he read as a child which have inspired the spooky books he writes today. And Marjorie Ingall, who reviews children’s books for the New York Times and is a culture columnist at Tablet Magazine, while on the faculty of the TENT writing residency mentioned The Carp in the Bathtub “as a book that holds up for today’s kids and isn’t purely a nostalgia exercise for adults.” I started thinking about this idea of nostalgia when I was planning a tribute to Judith Kerr and the relevancy of When Hitler Stole Pink Rabbit.

A nostalgic-feeling cover of the All-of-a-Kind Family series from 2014

What other middle grade books from my own childhood stand the test of time—both for me and for my own kids? Is there a common denominator? When I first started writing my middle grade novel HONEY AND ME, my eldest daughter was at an age where I had begun to read to her some of my favorites as a child— Ballet Shoes, Anne of Green Gables, tons of Judy Blume, all the Ramona books, and All-of-a-Kind Family. My daughter is now fourteen, but I have been reading these to my sons too—currently ages eight-and-a-half and nearly eleven—and they’ve also loved them. One of the things I think connects these books is writers who deeply understand the magnitude of the smaller dramas of every day life, and are interested in the details of them. (What I particularly loved about the All-of-a-Kind Family books was that they did this about being Jewish, in a way that was both integral and incidental.) I very much try to bring this sensibility to my own writing.

If Not Now When?

Beverly Clearly’s Ramona books (the first one is from 1955), all the Judy Blume books, but especially the Fudge series (first one is from the 1970s) and All-of-a-Kind Family (first one is from 1951) all particularly still feel fresh and relevant. But I do wonder: could these books be published today?

I clearly like the old-fashioned—or lets say the character-driven and safe-feeling. But in my own writing I constantly feel like I come up against (probably rightly) what works for today’s audience. It would seem that with all the above books all still in print, the market generally does keep the books worth keeping. However at the same time, the fashions have changed so when it comes to what is being published today even when something has an old-fashioned feel to it, it’s still done in a modern way. I’m thinking for example of The Vanderbeekers of 141st Street by Karina Yan Glaser—it’s reminiscent of Elizabeth Enright’s beloved The Saturdays, but when I tried the episodic The Saturdays with my then-eight and ten-year-old sons they were bored—whereas The Vanderbeekers has a modern-feeling plot structure and they were immediately sucked in. (Just to say also, I think of my sons’ reading tastes as a litmus test—if they don’t like something it’s not necessarily conclusive, but when they do like something, especially novels that you wouldn’t automatically think to hand to tween boys, it is telling about the strength of that particular book.)

A range of eras in these covers from my personal evergreen library

 

…. Then again, just because something has gone out of print doesn’t mean that is deserved. I recently tracked down two 1980s favorites to read to my kids: This Can’t be Happening at MacDonald Hall by Gordon Korman, about the antics of a duo called Bruno and Boots at their boarding school—which was still hands-down hilarious to both my sons and me; and Here She is Ms. Teeny Wonderful by Martyn Godfrey about a girl who likes to jump BMX bikes and to her utter dismay becomes a finalist in a national beauty pageant. I haven’t read this last one to my sons yet, it’s next on the list (we’re currently on Rita Garcia Williams’ One Crazy Summer: historical fiction and over their heads that they’re still enjoying)—but when I read it again myself I was delighted to see that notwithstanding the cover, it was still funny, fast-paced and feminist. I should also mention that the Bruno and Boots books (there were several sequels) I was able to find were a 35th anniversary edition, reissued by Scholastic in 2013, and the Kindle editions are still available for purchase.

Some things never change

So perhaps this is all to say: a well-constructed book with sympathetic characters, emotions you can relate to and dramas you feel invested in no matter how similar or foreign they might be to your own life, will always have the power to suck a young reader in so the pages keep turning. And long after they have turned the last page and closed the book, or perhaps even started the whole thing again from the beginning, —the story, the experience of reading it, and the memories of that experience—will become baked into their very being. And one day, many years later, they will wish to impart this multi-faceted cultural experience on to the important young people in their own lives. Just as we did to them.