Summary
Landra Jennings chats with Guy Bass about his new illustrated chapter book, SCRAP, out September 1, 2026 from Penguin Random House.
In today’s author spotlight, Landra Jennings chats with Guy Bass about his newest chapter book, Scrap, illustrated by Alessia Trunfio, and published by Pengiun Random House on 9/1/26, just in time for back to school. Available now!
The first in an original and entertaining sci-fi series for middle school readers from the award-winning author Guy Bass. For fans of the worldbuilding in WALL-E and the themes in The Wild Robot!
The year was Something Something. Humans had spread like peanut butter across the galaxy, looking for new planets to call Somewhere… One of those planets was Somewhere Five One Three.
When the humans arrive on Somewhere 513, they discover that the robots sent to prepare the planet for humanity’s arrival have chosen to keep it for themselves. Only one robot remains loyal: K1-NG, aka King of the Robots. But even with the most powerful robot on their side, the outlawed humans don’t stand a chance.
Ten years later, Gnat and her sister Paige are the only humans left and have spent their lives hidden underground. Now they must venture out in search of the one robot that stood by the humans. There’s just one problem—the once mighty K1-NG has vowed to never help another human for as long as he lives…
Interview with Guy Bass
LJ: I’m excited to dig into SCRAP. The interplay between human and machine intelligences has never been more timely. And this one promises to add a lot of adventure to the mix! Where did you get the initial inspiration to write this novel?
GB: I was reading about the export of waste, and the vast piles that have built up all over the world. An image popped into my head of a rusty robot sitting on a pile of discarded robot bodies, each more impressive than the one he was occupying. It’s more or less the image on the cover. I liked the idea of a robot city whose citizens had become vainly obsessed with self-improvement. With enough currency (charge) they could upgrade their bodies – their cases – and then discard the ones they no longer wanted.
I knew Scrap had to start out at the lowest point possible. When he was brought online, he was the most powerful robot ever made but ended up downgraded to the rustiest, crummiest case on the planet. He’s spent years on a pile of parts, angry and bitter and resentful but at the beginning of the book he’s just starting to accept his fate … then the last humans on the planet show up and throw his life into chaos.
C3-PO and R2-D2, Star Wars
LJ: What makes you uniquely qualified to tell this story?
GB: Nothing, except that I told it! My obsession with robots is definitely not unique; a nerdy corner of my generation were co-parented by Transformers, R2-D2 and C3-PO, Machine Man, Robotman, K-9, Johnny 5, Twiki, Zax…
The Unique Twists of Scrap
LJ: How does this title differ from some of your other stories?
GB: Scrap is aimed at a slightly older readership than I generally write for so the stakes are higher, the drama is more intense and the consequences of character’s actions are more significant and far-reaching. The book is also two or three times longer than my usual, so it took me a while to appreciate how much more breathing space I had in terms of world-building and the characters’ inner monologues.
LJ: Did you ever find your characters acting in ways that even you hadn’t predicted?
GB. Absolutely, especially Paige, who’s wildly protective of her little sister. I didn’t imagine her being quite so hard-nosed and intense but the minute she and Gnat were out in the world with nothing but their quest to find the King of the Robots, I found she was unpredictable. I wanted her to warm to Scrap but she was so single-minded and suspicious I wasn’t sure it was going to happen.
LJ: It must have been exciting to see your characters and situations come to life through Alessia’s illustrations. Did you have a particular scene that you liked best?
GB: I’m a huge fan of Alessia’s work. There’s a section in the book where Scrap is trying to get his old body back. He’s convinced it’s being occupied by another ‘bot and takes him on in a gladiatorial arena. Alessia captures the moment perfectly, from Scrap’s determination to the sheer size of the task (and robot) as well as the raucous atmosphere of the ‘Bot Bout stadium.
Finding the Fun
LJ: What do you hope readers take away from this novel?
GB: I hope they enjoy it! Beyond that, I’m hoping not to hope too much. I’m trying to teach myself – badly! – not to anticipate the reader’s reaction – not to obsess too much as I write about what they might think or how I want them to feel. I keep trying to tell myself that while I write, it’s mine. And I should enjoy that because as soon as it’s finished, I have to leave that world and those characters behind and the story belongs to whoever reads it.
LJ: What’s your favorite thing about being a writer and storyteller?
GB: Doing something for my job that I did for fun. I spent my childhood making up stories with my brother and we never thought about sharing them with anyone else. It was enough that we made them. The doing of it – the making of it – was the whole point. I still can’t believe that somebody might entertain the idea of turning one of my stories into a book, and then a bunch of people might actually want to read it.
Looking Ahead
LJ: Is there anything else you’d like us to know? Do you want to share anything about other upcoming projects?
GB: Look for the Stitch Head graphic novels – full-color comic book adaptations of the original novels with artwork by the brilliant series illustrator, Pete Williamson. The Ghost of Grotteskew is the third in the series and it might be my favorite.
However, I can’t possibly suggest that you track down The Worst Thing That Could Possibly Happen. It’s a collection of short horror stories with incredible illustrations by David Roberts. But, once you read it, you’ll know about the Sideways Doors and the World Behind the World. Once you’ve read it, it can’t be unread. You have been warned.
Because no MUF interview is complete without a…
Lightning Round
Coffee or Tea?
Coffee. I’m more coffee than man these days.
Sunrise or Sunset?
Sunset.
Favorite City (besides the one you live in)?
Tokyo.
Favorite Ice Cream Flavor?
Cheesecake.
Favorite Book From Childhood:
George’s Marvellous Medicine.
If you could have one superpower, what would it be?
The power to be wittier in interviews? No wait, flight! But not the flight power I have in my dreams, where if I go too high I get nervous and start to sink back down to earth. Sheesh.
LJ: This illustrated chapter book sounds like the start to a series perfect for reluctant readers. Thank you so much for being with us today, Guy!
About the Author and Illustrator
Guy Bass is an award-winning author whose children’s books series include Stitch Head, SCRAP, Skeleton Keys, Spynosaur and lots of books that don’t begin with ‘S’ like Dinkin Dings, Anna Gain, Laura Norder and Noah Scape. In 2010, Dinkin Dings and the Frightening Things won the Blue Peter Award for Most Fun Book with Pictures.
He’s also written plays for both adults and children. He’s previously been a theatre producer, illustrator, temp, gerbil whisperer and has acted his way out of several paper bags. He spent his childhood reading comics and hoping one day to become a superhero. He spends his adulthood in more or less the same way. He lives in London with his wife and imaginary friends.
Alessia Trunfio was born in southern Italy in 1990 but grew up in Rome, where she still lives. She has wanted to be an illustrator since she was a child but she hasn’t excluded the possibility of becoming an astronaut.
After graduating in 2013 with an Animation Degree from the International School of Comics in Rome, Alessia has worked as background artist for some of the most important animation studios in Italy. She currently works as a freelance artist on various animation and illustration projects. Fundamentally passionate about cinema, anime, literature, indie music, and fried food, Alessia is an eclectic, energetic, and inexhaustible illustrator. She uses digital techniques for her art, which is constantly evolving. Powerful colors, lighting, and everything that can move her, like a beautiful soundtrack or a good book, inspires her work.
Share this:
Leave a Reply