Posts Tagged “writing for children”

STEM TUESDAY: Zoology – Interview with Author Patricia Newman and Giveaway

By on November 28, 2017   /   Author Interviews, Giveaways, STEM Tuesday, Zoology  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math! 

 

Our inaugural interview is with author Patricia Newman who wrote this month’s featured book, Zoo Scientists to the Rescue.

Patricia Newman writes middle-grade nonfiction that inspires kids to seek connections between science, literacy, and the environment. The recipient of the Green Earth Book Award and a finalist for the AAAS/Subaru Science Books and Films Award, her books have received starred reviews, been honored as Junior Library Guild Selections, and included on Bank Street College’s Best Books lists.

Zoo Scientists to the Rescue is photo-illustrated by Annie Crawley. Newman (center) and Crawley (left) traveled to the zoos featured in the book, including Chicago’s Lincoln Park Zoo where Maku the black rhino (right) resides.

Mary Kay Carson: Tell us a bit about Zoo Scientists to the Rescue and how you came to write it.

Patricia Newman: Zoo Scientists to the Rescue began as a comment from my niece, Mia, whose fifth-grade class was tasked with writing a persuasive essay about zoos, either for or against. The trouble was the teacher gave her students almost all anti-zoo material, so guess which way their essays leaned? I’ve been involved with zoos most of my adult life and I raised a zookeeper, so I knew there was more to the story than the material my niece had received. In Zoo Scientists to the Rescue I had several goals:  share some of the ground-breaking research that zoo scientists are doing to save endangered species, inspire kids to help them, and excite kids about a possible career in science.

MKC: It sounds like you spent some quality time behind-the-scenes at zoos with the featured scientists. Do you have a favorite moment or happening you’d like to share?

PN: Photographer Annie Crawley and I visited the three zoos in the book’s pages—Smithsonian’s National Zoo in Washington, D.C., the Lincoln Park Zoo in Chicago, and the Cheyenne Mountain Zoo in Colorado Springs. We spent some fabulous time behind-the-scenes with both the scientists and the animals. We got up close and personal with Maku the rhino—close enough that he charged Annie while shooting his portrait for the cover. We also drove through a blizzard to meet with the black-footed ferret scientists. At the zoo, we donned booties and surgical caps to visit the BFF breeding area. And we waded through drifts several feet deep to observe BFFs at boot camp–a training facility to get them ready for release into the wild. Through it all, my audio recorder whirred and Annie’s shutter clicked. Annie is also a brilliant filmmaker, and had the presence of mind to shoot video while we conducted our research. In addition to our trailer, videos featuring our interviews with Jeff Baughman at the Cheyenne Mountain Zoo’s BFF breeding center and Rachel Santymire’s lab at the Lincoln Park Zoo are now available on YouTube. Annie and I love the way these resources broaden the reading experience.

MKC: Why do you choose to write STEM books? 

PN: When I was a kid, my best learning happened when I could make connections to the world. I graduated with a B.S. from Cornell University in the social sciences, but my writing focuses more on environmental nonfiction. I think the thing that attracts me to science is the process of discovery. The scientists I interview have fascinating stories that I hope will inspire kids to think science is cool or encourage their parents to buy deforestation-free palm oil products to protect orangutans or instigate a Ditch the Straw Campaign in their community to reduce single-use plastic. While every author wants to tell a great story, I also want to empower kids to make a difference.

MKC: For readers who loved Zoo Scientists to the Rescue, what other middle-grade books would you suggest—nonfiction and/or fiction?

PN: For fiction, I love Carl Hiaasen’s Hoot and Eliot Schrefer’s ape quartet (of which three have been published) Endangered, Threatened, and Rescued. For nonfiction, I love Sandra Markle’s The Great Monkey Rescue: Saving the Golden Lion Tamarins and Cindy Trumbore and Susan Roth’s Parrots Over Puerto Rico.

MKC: Could you give us a peek into your process by sharing where you are right now on a current project and how you’re tackling it?

PN: My newest STEM title will release in the fall of 2018. Called Eavesdropping on Elephants: How Listening Helps Conservation, the book follows scientists from Cornell University’s Elephant Listening Project as they listen to the forest elephants of central Africa. Forest elephants are different from the more familiar African savanna elephants and Asian elephants and the dense vegetation of their rainforest home makes them nearly impossible to follow. But these scientists have opened a whole new world on the study—and conservation—of this endangered species. My editor and I have just finished the first revision pass—I call it the reorganization phase. We move entire paragraphs from the end to the beginning, we check to be sure concepts are developed throughout the manuscript and don’t just pop up in isolated places, and we clarify some complex scientific concepts for young readers. In this book, it’s the physics of sound. The next pass will involve more line edits and polishing. And there’s a multi-media surprise in store for readers of this book. But I won’t say more than that!

More about Zoo Scientists to the Rescue:

Win a copy of Zoo Scientists to the Rescue! Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book. Good luck!

Your host this week is Mary Kay Carson, author of Mission to Pluto and other nonfiction books for kids.

 

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STEM TUESDAY: Zoology – Craft & Resources

By on November 21, 2017   /   For Writers, STEM Tuesday, Zoology  

Reading Like a Writer

I am a student of nonfiction. If you hope to write nonfiction well, you have to be. When studying a book, I prefer to read it three times:

That first read is for pure enjoyment: letting the writing wash right through me and learning cool facts – did you know that venom is used to control diabetes!?!

On the second read I focus on the craft and writing techniques I can learn from.

By the third read I’m looking for specific examples of a technique that caught my eye on the second read, like how the author used sidebars to include material that is supportive but not critical to the main text.

This approach is not much different from my scientific approach to observation. When I recently came across two beetles wrestling, I first watched from above, impressed by their phenomenal horns and robotic legs; then I knelt to get a closer view and wondered why the smaller one was winning; finally, I held each one in my hand to use a magnifier. When I felt the little one’s extra spiky legs grip my finger, my questions were answered.

Want to read like a writer?

Focus on one element at a time. Reading the STEM books the first time, I noticed that many included dialog.

I wondered: Why does an author use dialog in a nonfiction book?

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To get a closer view, I focused in on Sy Montgomery’s Kakapo Rescue: Saving the World’s Strangest Parrot.

 

  • Chapter 4, page 21, starts with a direct quote, “Codfish Base from Lisa’s nest.”

That quote caught my eye and had me asking questions: What is “Codfish Base?” Who who is Lisa? Why does she have a nest? It’s a fantastic hook and has me diving into the chapter.

  • Chapter 5 includes dialog at the beginning as well, from page 29:

    “There’s a penguin in the freezer,” she announces.”

    “Really?” asks a volunteer. “What kind?”

I wondered: Who says that? Where is it “normal” to have a penguin in the fridge? If that doesn’t have you wanting to get to know these characters, I don’t know what will!

  • The dialog on pages 44-45 is entirely different. It is a tragic scene – the death of a kakapo chick.

I wondered: Why did the author choose to use dialog to show this particular scene? For me, the words of the characters played out the scene so well that I was reacting emotionally right along with the characters.

Compare how other authors use dialog. Just like with the beetles, my next step was to put texts from two different authors under my magnifying glass.

I asked myself: What are the most effective ways to use and frame quotes?

  • Support Independent Bookstores - Visit IndieBound.orgFirst I read the “Wild Rhinos” section on page 8 of Emi and the Rhino Scientist which uses snippets of quotations embedded within a paragraph:

How do you describe a rhino?

You’d probably start with size. “Rhinos are really big animals,” says Terri. Only elephants are bigger land animals. Their wide bodies are propped up on short, thick legs that end in three-toed hooves. Rhinos have thick necks with giant heads and one or two horns. A rhinon may look like a slow-moving tank as it lunmbers around, but don’t be fooled. “Rhinos can move quickly,” says Terri. They can whip around in an instant and run as fast as deer. Rhinos share speed with their close relative the horse.

I noticed how Mary Kay Carson has used dialog but the paragraph is also chock full of other information. What impact do the quotes impart? Why did Carson use quotes here instead of pure expository?

  • Support Independent Bookstores - Visit IndieBound.orgI compared Carson’s technique to other texts which make use of quotes in a similar manner. An example is the passage about bearded lizard venom on page 92 of Caitlin O’Connell’s Bridge to the Wild.

I listed ways in which O’Connell’s and Carson’s use of quotes were similar.

  • Support Independent Bookstores - Visit IndieBound.orgI contrasted those texts with a different framing, a full scene played out using primarily dialog. An example can be found on page 55 of Pamela Turner’s Gorilla Doctors: Saving Endangered Great Apes.

I asked myself: How did the framing of the dialog change the impact? In what ways were the techniques similar? Different?

What did I learn? When an author uses direct quotes from an expert, the quote often provides information and lends authority to the text, but quotes can also work to generate curiosity, create rounded characters, add humor, etc. and, how an author frames those quotes can dramatically change their impact.

Try it Yourself!

After reading and analyzing other writers’ use of dialog, try it yourself.

  1. Audio record a conversation.
  2. Write a text using quotes from that conversation.
  3. Write a different text using the quotes in a different manner.
  4. Compare the impact of the two texts. Compare to a friend’s draft.

Many people don’t think about the craft of nonfiction, but I learn heaps when I study works of gifted writers who carefully craft their text. Happy reading! Happy Writing!

What other STEM texts have great examples of dialog techniques? Share in the comments below!

—

Heather L. Montgomery writes for kids who are WILD about animals. She reads and writes while high in a tree, standing in a stream, or perched on a mountaintop boulder. Visit her at: www.HeatherLMontgomery.com

 

 

The O.O.L.F. Files

One way to really understand STEM is to illustrate the subject of interest. Our Out of Left Field (O.O.L.F.) STEM Tuesday topic this month is science illustration. Visual science allows accurate interpretation of an object by combining knowledge of the subject, visual and tactile study of the subject, and artistic skill. Learn more about science illustration and careers, see some cool examples, and even explore a free online course at the links below.

Links:

 

 

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My Kids Made Me a Writer

By on November 10, 2017   /   For Parents, For Writers, Writing  

“Mommy.”

My four-year-old daughter’s voice was a whisper in the dark. I sat quietly on a chair next to her bed, vigil against monsters and other worries.

“Mommy,” she repeated, with some urgency. “I take care of unicorns.”

Of all of my children–indeed, of all children I’ve ever met–she is the one of whom I could believe that to be true. She cares fiercely. When she walks into room, she spots the older person in pain, the lonely child, the uncertain non-English speaker. She goes to that person without hesitation, and offers a blanket, a stuffed animal, a small hand on the shoulder. She also lives a fanciful life. There is no snark in her world. Her room is pink, and so are her sunglasses.

If there are unicorns, I know she will find them, and protect them.

When I tell people I am a writer, as well as a lawyer and mom, they express amazement. “Three kids?” they ask. “How do you find time?” Advice on writing while parenting tends to be dire. You’ll need to squeeze in writing during naptime, or while sitting in the carpool lane. Don’t have more than one child. Motherhood will exact a heavy toll on your creativity and mental energy.

The message is clear that motherhood is a hindrance to a writing career. I cannot deny that the challenges are real. My own days more closely resemble a seesaw than a balance beam. But today, I want to speak not of the burden, but of the gift.

The reality for me is that if I were not a mother, I would not be a writer. My first book grew out of that late night conversation with my daughter. The book I am writing now sprouted from my realization in mother/daughter book club that all girls want to talk about in fourth grade is friendship. It turns out I have a lot of thoughts on friendship and fourth grade, too.

I am inspired by them all the time—the things that frighten them, fascinate them, make them laugh. I eavesdrop shamelessly. I steal their vocabulary and syntax.

In addition to inspiring me, my children give me the will to write. I strive for clarity and honesty because I want to show them a truth about the world. My commitment to my kids keeps me going through the long nights of toiling away. I want to create something worthy of them.

Their presence in my life is also a good salve for the slings and arrows of writing. This is not an easy business, my friends. Knowing that I have these three young ones keeps me grounded, and a snuggle on the couch cures most ills.

I would imagine many of you who write for kids do it for the same reasons. As middle grade writers, our audience is not our peers, but rather, children—our own, or those in our lives, those in the world. And aren’t we lucky?

Kate Hillyer lives, writes, and mothers in Washington, D.C. She blogs here and at The Winged Pen. You can also find her at www.katehillyer.com, on Twitter as @SuperKate, and on her book blog, Kid Book List.

 

 

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