Posts Tagged Middle Grade

Author Interview: Shea Fontana

DC Superhero Girls: Out of the Bottle Cover

DC Superhero Girls: Out of the Bottle Cover

As a proud comic book nerd, one of the coolest things about my job as a collection development librarian is  the opportunity to preview the latest in the DC Superhero Girls series, OUT OF THE BOTTLE, which was released in August, and SEARCH FOR ATLANTIS, which hits bookstores on October 2nd.

OUT OF THE BOTTLE highlights Harley Quinn as the comic book character she’s created for Ms. Moone’s art class comes to life and wreaks havoc on Superhero High. SEARCH FOR ATLANTIS introduces Raven and Mera to the team. Mera is a new student at Super Hero High, and as she and Wonder Woman becomes friends, Bumblebee becomes anxious that she’s losing her best friend. When the heroes discover that Atlantis has been stolen, the girls have to work together to get it back.

DC Superhero Girls: Search for Atlantis Cover

DC Superhero Girls: Search for Atlantis Cover

Then, I had a chance to talk to author Shea Fontana about the series.

MUF: Every book in the DC Superhero Girls series deals with an important life lesson. For example, OUT OF THE BOTTLE stresses the importance of mental health care, and SEARCH FOR ATLANTIS deals with accepting change. Do you feel that the graphic novel format makes these issues more accessible for young readers? If so, how?

The graphic novel format really gives us the space and intimacy with the reader to dive into big ideas. Plus, having these awesome, well-known characters explore these topics makes it accessible for kids. Our heroes are aspirational for kids reading the books, and we want to show kids that even heroes face hardships. When kids deal with those types of things, like mental health care or accepting change in their friendship groups, it can feel very lonely and it helps to know that superheroes are dealing with it, too! My goal with these types of stories is to always help kids feel less alone and empower them — like they have a team of superheroes that can fight and win every battle with them.

MUF: SEARCH FOR ATLANTIS has a couple of new beginnings. Both Mera and Raven are introduced, and the Teen Titans were essentially formed. Which of these new beginnings were you most excited about introducing? Was it fun brainstorming new names for the Titans? Were there any rejected names that didn’t make it into the book?

I loved integrating both Mera and Raven into this graphic novel! Both are such wonderful, and very different characters. From the beginning of the series, I knew that I wanted to build up to the Teen Titans reveal, bringing together the traditional Titans that kids know from the TV show as well as the comic book version that includes Miss Martian and Bumblebee. The misnaming thread was a fun way to build the tension toward what everyone knows is coming — of course their group name should be the Teen Titans!

MUF: Why was Brainiac chosen as the villain for this story?

We knew that Brainiac got away at the end of the DC Super Hero Girls: Intergalactic Games animated movie, so he’s been waiting in the wings for his next attack. Since in the Legends of Atlantis movie, we meet Mera and Aquaman under water on their “turf,” I wanted to do something different, but still Atlantis-oriented with this story. So, I decided to bring Atlantis out of the water. Since Brainiac is a collector of bottled cities, it seemed the perfect fit.

MUF: What was your favorite part of the story? What was the most difficult to write? What was the most fun?

My favorite part of the story is how Miss Martian steps up as a leader. She’s not the regular kind of leader that the heroes expect — she doesn’t seem as bold as Wonder Woman or as outgoing as Supergirl. But she has a quieter style of leadership that is just as valid.
The ending on this one was difficult for me to write. I really felt for and related to Bumblebee!

MUF: Who’s your favorite superhero? Who’s the most fun to write about? Why?

I loved writing Raven in this story! Her personality is a great contrast to a lot of the other characters. She has an edge and attitude that we don’t often see in kid superhero stories and it’s fun to explore that. 

MUF: Conversely, who’s your favorite villain? Who’s your favorite to write about?

We have had so many fun villains in this series, both in the graphic novels and the animation. I think my favorite is Dark Opal, because he went into villainy as a back-up career when musical theater didn’t work out. Mera’s sister, Siren, who we meet in the Legends of Atlantis animated move, is also great. She’s so controlling and manipulative.

MUF: If you could teach any class at Superhero High, which one would you want to teach?

Power Naps 101.

MUF: Right there with you! I think that would be my favorite class to take. Is there a superhero or villain that you’d like to write about that you haven’t yet? Who?

It had been Batman, as he is my childhood favorite hero, and he is not featured in DC Super Hero Girls. But now I’ve had the chance to write him in BATMAN: OVERDRIVE which will be published under the upcoming DC Zoom middle grade imprint! I can’t wait for everyone to read it — it’s some of the most fun I’ve had writing.

MUF: And finally, do you have any advice for aspiring writers and writers who would love to work on graphic novels one day?

Read a lot and do a lot! The best way to get familiar with story structure, dialogue, and how graphic novels work is by reading. But the best way to come up with stories is by doing! While the old adage of “write what you know” isn’t true (I don’t know how to fly or shoot lasers out of my eyes), the more you experience, the more you’ll have to pull from when thinking of story ideas. Whenever I need the courage to do something new, I tell myself, “Well, it could be a good experience for a story…”

Shea Fontana is a writer for film, television and graphic novels.  Her credits include developing and writing the DC Super Hero Girls animated shorts, TV specials, movies and graphic novels; Polly Pocket, Doc McStuffins, The 7D, Whisker Haven Tales with the Palace Pets, Dorothy and the Wizard of Oz , the new Muppet Babies series; two Disney on Ice shows where she wrote new material for the worlds of Mickey Mouse, Inside Out, Disney Princesses, Finding Dori, Frozen, and other Disney and Pixar properties; and the feature film, Crowning Jules. Learn more about her and her writing at http://www.sheafontana.com/.

 

 

The Cybils are Coming!

The Cybils are the Children’s and Young Adult Bloggers Literacy Awards, and they recognize authors and illustrators whose books combine literary merit and popular appeal. For the past two years, I’ve had the privilege to serve as a Cybils judge for poetry. It’s been so much fun! The best part, of course, are the books. I’ve read some truly amazing poetry. As a second-round judge, I read only the books that the first-round readers selected for the second round. Last year, that meant we got to read Kwame Alexander, Nikki Grimes, David Elliott, Michelle Schaub, Chris Harris, Margarita Engle, and J. Patrick Lewis. Amazing, right?

Almost as fun as the reading, though, is the discussion. With a group of incredibly thoughtful and experienced poets, teachers, and librarians, we discussed the pros and cons of each book, eventually (with some hand-wringing and last-minute angst) working our way into a final selection. The final joy of the process is getting to shout from the rooftops about the winner, knowing that your efforts are going to help get a wonderful book in the hands of more kids. You can see a list of all the 2017 winners here.

Applications to become a Cybils judge will open later this month. Check the website or follow @Cybils on Twitter so that you don’t miss it. If you aren’t up for serving as a judge, though, you can still take part by nominating books for the award. Nominations will open in early October. There are categories for picture books, easy readers, middle grade, and young adult, in addition to poetry, and for non-fiction, speculative fiction, and graphic novels. Nominate books in as many categories as inspire you, as a broad selection of books only enhances the awards process. The book needs to have been published in English in 2018 in the United States or Canada. Full rules on nominating are here. It’s a great way to get the word out about a book you love. And as an incorrigible book pusher, I think you can’t get much better than that.

Kate Hillyer is a middle grade writer and occasional poet. She blogs here and at The Winged Pen, and has been known to interrupt perfect strangers mid-conversation so that she can recommend books to them. She served as a Cybils judge for poetry in 2016 and 2017. You can find Kate online at www.katehillyer.com and on Twitter as @SuperKate. 

Think Like Socrates: Middle Grade Readers and Socratic Discussion

A teaching tactic from antiquity…in the MG classroom, library, homeschool group, summer reading program, or book club? Absolutely! Perhaps you’ve heard of or participated in a Socratic discussion (also called Socratic method, dialogue, seminar, and questioning). It’s been a great way to get learners thinking, listening, and expressing since Socrates encouraged his students to do the same in Ancient Greece!

Socratic discussion allows each group member to contribute ideas and to listen to the ideas of others, while thinking critically about an open-ended topic or question. Even elementary students can become skilled in the techniques of Socratic discussion—and middle graders, with their developing abilities in complex thinking and making connections, are excellent candidates for this activity. In a Socratic discussion on a book, chapter, or reading passage, middle grade readers have the chance to articulate their ideas and serve as active listeners to other readers doing the same.

What are the goals with Socratic discussion in a reading group? Whether you are a librarian, a teacher, a book club guide, a homeschooling parent, or a summer program facilitator, Socratic discussion can fulfill many reading goals for your group of middle graders:

  • provide readers with an opportunity for sharing ideas;
  • promote critical thinking skills;
  • demonstrate how each reader’s takeaway from a book can be different, and to teach acceptance of differing viewpoints;
  • allow an outlet for a variety of levels of thinking, listening, and speaking;
  • encourage and motivate readers through active learning.

How is a Socratic discussion different from a debate? Open-ended questions guide Socratic discussions—the kinds of questions that do not have defined, simple answers. There is no right/wrong, winner/loser, argument/refutation/rebuttal. Ideally, the ideas flow from all readers, and all readers listen and respond when moved to contribute. Readers can disagree with an idea, and offer a different thought for consideration—but unlike a debate, the objective is not to prove the other “side” wrong—because there is no opponent.

Also, while a debate may focus primarily on one issue, a Socratic discussion welcomes new, connected questions into play—maybe even questions that you (as the discussion guide) hadn’t considered.

Some methods for a successful Socratic discussion:

  1. Let readers know at least a day in advance that they will be participating in a special activity called Socratic discussion. They may need a quick briefing on the concept, if it is new to them.
  2. Explain that readers should arrive having read the MG book (or a particular chapter, passage, or part) in advance of the discussion day. (Consequently, Socratic discussions work very well with the “flipped classroom” model.) Each reader should bring his or her copy of the book, for handy reference during the discussion.
  3. If you have a particularly reserved group, you might let them know the discussion question(s) ahead of time, and encourage each reader to bring 2-3 ideas to the discussion.
  4. You’ll need chairs in a circle, so that readers can see each other. If the group is so large that two smaller discussion groups are warranted, the waiting group might need an activity while waiting, or they can enjoy extra reading time.
  5. Create several guiding questions that are open-ended, involve reader reaction, and can be supported or detailed with moments from the reading. Here are some examples of guiding questions for two MG novels I read recently. (Though, as open-ended questions, with a bit of tweaking they might work well for many others too.)

The Crossover by Kwame Alexander

  • Remember that a character can be dynamic or static. Relationships between characters can be dynamic, too. How are the relationships in The Crossover dynamic? (Extension question—how do dynamic characters in the book cause their relationships to be dynamic as well?)
  • How does the format (verse) of this novel impact its storytelling?
  • Choose any secondary character and describe him or her with three adjectives, explaining the moments in the book that led you to your choices.

The Inquisitor’s Tale by Adam Gidwitz (with awesome medieval-style illuminations by Hatem Aly)

  • Whose story is this, ultimately? In other words, if you had to choose, which one (and only one) character is the book mostly about—one of the three children, one of the storytellers, someone else? What events and/or character reactions lead you to feel that way?
  • What theme topic (or theme statement) comes out most prevalently in this story? What parts of the book support your choice?
  • How did the method of storytelling (multiple first-person retellings, each one acting as an omniscient narrator!) impact your reader experience? What predictions or questions did you have while reading? 

 

6. Just prior to the discussion, briefly review these guidelines with your middle graders before revealing or reviewing the guiding question to discuss:

When a reader would like to contribute an idea, he or she does so—the discussion guide does not have to acknowledge him. (Then, how to tell who has the floor? One way: the speaker simply stands to speak. This allows everyone to focus on him or her, and gives a sense of importance to the ideas being contributed. If two or more readers stand at the same time—what a great problem to have!—establish an easy, impartial rule for speaking first, such as who has the earliest (or latest) birthday date in the calendar year.)

Acknowledge other readers’ ideas, and reference the speaker by name. (Providing readers with some leads to use as models in formulating their verbal contributions allows even shy speakers to confidently contribute an idea, and encourages the forming of good discussion habits: “I agree with what John said about….” “I think another way Emma’s idea shows up in this chapter is….” “I hear what Caitlyn is saying and another way of putting it might be….” “I disagree with Hayden, because I think that character…..”)

7. After these reminders, reveal or review the question for discussion, and invite the ideas: “Who would like to begin?” Your role as a guide can be challenging—because now, you mostly need to keep quiet! Interject a guiding comment if clarity is needed—“Who can restate in your own words the idea Brianna mentioned?”—or to regenerate a hook—“Let’s go back to Sierra’s question about the main character. Any thoughts on that?” However, refrain from offering your own ideas or introducing any new content in the middle of the discussion.

Also, bring a speaker back on track if he or she drifts into lengthy personal storytelling. A quick mention of an individual experience is great to show connections—“That scene reminds me of when I took this long road trip across the state”—but an overly detailed recounting of a family vacation stalls the discussion.

8. Allow the discussion to pick up tangential ideas and new questions, as long as the readers are engaging in critical thinking about the book.

9. Wrap up the discussion when new ideas begin to wane—and before interest in the question or topic fades. Interest gained from the discussion motivates readers into the next chapter or book, which hopefully drives additional interest going into the next discussion.

With a little practice and guidance, middle grade readers can benefit from and enjoy this classical technique!