Posts Tagged middle-grade readers

How Middle Grade Fiction Can Fuel Young Writers’ Search for Truth

In one of my Lit classes recently, students read I, Juan de Pareja, a Newbery Medal-winning novel by Elizabeth Borton de Treviño. This fictionalized account of the life of Juan de Pareja follows his childhood in 17th Century Spain to his role as servant-turned-apprentice to master painter Diego Velázquez. It’s a great middle grade book for studying voice, historical setting, and imagery. Though only a few factual consistencies are known about the life of Juan de Pareja, the author built this novel based upon those few facts, or what she called a “kernel of truth” (The Glencoe Literature Library).

This idea brought up a connected discussion regarding how events in real life inspire realistic fiction… and conversely, how fictitious characters and plotlines remind us of the real happenings in our lives. We began talking about our own “kernels of truth”—stand-out memories, transitions and moves, objects and possessions that hold special meaning, gifts given or received… so many authentic experiences that contribute to the construction of one’s identity! We then complemented the novel study with a writing project that became known as the “Kernel of Truth” creative non-fiction assignment. Each student wrote about an authentic experience that in some way contributed to or connected with his or her identity. With some established parameters and brainstorming sessions, they were well on their way to authoring excellent pieces.

Creative nonfiction is a great genre for middle graders to explore as writers. They get to jump directly into the writing process without time-consuming research or structured main points; instead, they can write what they know. It’s a way to express true narratives, nostalgic anecdotes, tales of travel or adventure, and stories of personal interest while employing storytelling techniques like dialogue, setting, plotting, and figurative language.

Best of all, creative nonfiction writing can work with any novel, and it can support another level of connection between the reader and the text. In other words, just as I, Juan de Pareja inspired my students’ ability to seek individual kernels of truth, most other novels have at least one feature (setting, history, conflict, etc.) that will inspire your students’ true stories, and their own creative nonfiction.

For example, here are a few recent realistic fiction titles along with some potential leads towards CNF writing projects that might accompany them.

Another Kind of Hurricane by Tamara Ellis Smith – What experiences have you had witnessing the power of nature? What’s the most curious coincidence in your life you can remember? Have you ever discovered a connection between you and someone with whom you originally thought you had nothing in common?

Hunger by Donna Jo Napoli – Home can be a complicated word. What joy do you find in your home (town, city, residence, or whatever home means to you)? What, if any, frustration? What situations have you encountered or witnessed in which a choice that went against the rules seemed justified (for the good of others)?

The Parker Inheritance by Varian Johnson – Any real-life mysteries in your experiences? What books have you read that have stayed with you long after you finished reading, and what does that book mean to you now?

The Orphan Band of Springdale by Anne Nesbet – What unexpected turn of events has contributed to your own “plot twist”? What curiosities have lately caught your attention, like pigeon photography caught the attention of protagonist Gusta?

Middle grade students may wonder initially how a historical or fantasy could inspire them to write about something from their own lives in a CNF piece. Take the time to brainstorm as a class, and soon they’ll see how many elements and factors about the character’s life and story are possible points of connection with their own lives.  Depending on the readers in your class or library, you may decide to give the group a lot of freedom of topic, style, and length… or that it might be better to put some guidelines down on paper. Guiding questions like the ones above or general topics and suggestions can be especially comforting to the hesitant writer. Sometimes it takes prompting and parameters for imaginations to lose their inhibitions.

Hope these ideas are useful ones for your bag of tricks! Good luck and thanks for encouraging reading and writing in middle graders.

Nostalgia and Those Childhood Favorites: Which books are we just sentimental about, and which books stand the test of time?

Fresh or Frozen?

For many of us of a certain age, there comes a time where we want to impart to our children, or children we know, the culture that we got at their age that essentially made us “us.” What I mean is, when our child is nine, we really want them to love the books that we loved when we were nine. That we read over and over again. That we can instantly recall incidents and episodes from; as well as the smell of the couch we would lie on when we read it; the ache of our hearts and taste of our tears from the sorrow of a character dying, experiencing cruelty or even just going through heartbreak. The same goes for movies. Cue me excitedly putting on Grease for my then-nine-year-old daughter in the hospital room TV as she waited to be wheeled down to surgery for her tonsils to be taken out. Wow, bad idea on so many levels. She didn’t enjoy it, not just because she was a nervous wreck about the impending surgery, but also because she didn’t get it. The movie went right over her head—thankfully. (I was mortified to be watching it with her. And felt like the worst parent!) And let’s just say the film has not aged well in terms of values, in terms of feminism, in terms of #metoo, in terms of America as a white world, in terms of anything frankly. But happily, for the most part, many of the books I loved as a child I have been able to read to my children with more confidence in my parenting skills—and with the added bonus that my kids loved these books too.

What is the Common Denominator?

Jonathan Rosen spoke here on the MUF blog about his nostalgia for the books he read as a child which have inspired the spooky books he writes today. And Marjorie Ingall, who reviews children’s books for the New York Times and is a culture columnist at Tablet Magazine, while on the faculty of the TENT writing residency mentioned The Carp in the Bathtub “as a book that holds up for today’s kids and isn’t purely a nostalgia exercise for adults.” I started thinking about this idea of nostalgia when I was planning a tribute to Judith Kerr and the relevancy of When Hitler Stole Pink Rabbit.

A nostalgic-feeling cover of the All-of-a-Kind Family series from 2014

What other middle grade books from my own childhood stand the test of time—both for me and for my own kids? Is there a common denominator? When I first started writing my middle grade novel HONEY AND ME, my eldest daughter was at an age where I had begun to read to her some of my favorites as a child— Ballet Shoes, Anne of Green Gables, tons of Judy Blume, all the Ramona books, and All-of-a-Kind Family. My daughter is now fourteen, but I have been reading these to my sons too—currently ages eight-and-a-half and nearly eleven—and they’ve also loved them. One of the things I think connects these books is writers who deeply understand the magnitude of the smaller dramas of every day life, and are interested in the details of them. (What I particularly loved about the All-of-a-Kind Family books was that they did this about being Jewish, in a way that was both integral and incidental.) I very much try to bring this sensibility to my own writing.

If Not Now When?

Beverly Clearly’s Ramona books (the first one is from 1955), all the Judy Blume books, but especially the Fudge series (first one is from the 1970s) and All-of-a-Kind Family (first one is from 1951) all particularly still feel fresh and relevant. But I do wonder: could these books be published today?

I clearly like the old-fashioned—or lets say the character-driven and safe-feeling. But in my own writing I constantly feel like I come up against (probably rightly) what works for today’s audience. It would seem that with all the above books all still in print, the market generally does keep the books worth keeping. However at the same time, the fashions have changed so when it comes to what is being published today even when something has an old-fashioned feel to it, it’s still done in a modern way. I’m thinking for example of The Vanderbeekers of 141st Street by Karina Yan Glaser—it’s reminiscent of Elizabeth Enright’s beloved The Saturdays, but when I tried the episodic The Saturdays with my then-eight and ten-year-old sons they were bored—whereas The Vanderbeekers has a modern-feeling plot structure and they were immediately sucked in. (Just to say also, I think of my sons’ reading tastes as a litmus test—if they don’t like something it’s not necessarily conclusive, but when they do like something, especially novels that you wouldn’t automatically think to hand to tween boys, it is telling about the strength of that particular book.)

A range of eras in these covers from my personal evergreen library

 

…. Then again, just because something has gone out of print doesn’t mean that is deserved. I recently tracked down two 1980s favorites to read to my kids: This Can’t be Happening at MacDonald Hall by Gordon Korman, about the antics of a duo called Bruno and Boots at their boarding school—which was still hands-down hilarious to both my sons and me; and Here She is Ms. Teeny Wonderful by Martyn Godfrey about a girl who likes to jump BMX bikes and to her utter dismay becomes a finalist in a national beauty pageant. I haven’t read this last one to my sons yet, it’s next on the list (we’re currently on Rita Garcia Williams’ One Crazy Summer: historical fiction and over their heads that they’re still enjoying)—but when I read it again myself I was delighted to see that notwithstanding the cover, it was still funny, fast-paced and feminist. I should also mention that the Bruno and Boots books (there were several sequels) I was able to find were a 35th anniversary edition, reissued by Scholastic in 2013, and the Kindle editions are still available for purchase.

Some things never change

So perhaps this is all to say: a well-constructed book with sympathetic characters, emotions you can relate to and dramas you feel invested in no matter how similar or foreign they might be to your own life, will always have the power to suck a young reader in so the pages keep turning. And long after they have turned the last page and closed the book, or perhaps even started the whole thing again from the beginning, —the story, the experience of reading it, and the memories of that experience—will become baked into their very being. And one day, many years later, they will wish to impart this multi-faceted cultural experience on to the important young people in their own lives. Just as we did to them.

Indie Spotlight: EyeSeeMe bookstore, University City MO

Two years ago, we interviewed the owners of EyeSeeMe in St. Louis(www.eyeseeme.com) which was and still is the country’s only African-American children’s bookstore. We’re returning today to celebrate the store’s unique mission and congratulate the owners on its success in its four short years.

Like many founders of independent bookstores, Pamela and Jeffrey Blair had little experience in the business when they started in 2015, just a passionate vision of what a bookstore could be. As the store’s name suggests, they wanted to provide a place where children could find stories about and by people who looked like them, stories they would feel part of and be eager to read.
But their vision was even larger. When Pamela was a girl, she treasured the wonderful stories her father told her about glorious cultural heroes of Africa. Yet her children were coming home from school saying that all they heard about in history was slavery and segregation and civil rights, with blacks mostly the passive victims. Pamela and Jeffrey wanted their children, and all children, to know the positive cultural heritage of African Americans. They knew it would not only make them eager to read, but inspire them growing up.

EyeSeeMe has a solid collection of books about slavery and civil rights of course, including those about the African-American heroes in that history. But here is a small sampling of the books you won’t find just everywhere.

How about Africa is Not a Country, by Margie Burns Knight which shows how contemporary kids live in various countries across the African continent? Or The Kidnapped Prince: The Life of Olaudah Equiano, by Ann Cameron? African Folk Tales, by Hugh Vernon-Jackson is a good introduction to traditional stories.

For general African American History, try 100 African Americans Who Shaped American History, by Christine Beckner or A Kid’s Guide to African American History by Nancy I. Sanders.

EyeSeeMe carries countless compelling biographies, including Bad News for Outlaws: The Remarkable Life of Bass Reeves, by Vaunda Micheaux Nelson, the Zora and Me books by T.R. Simon (based on the early life off Nore Zeale Hurston, and The Undefeated,
by Kwame Alexander.

Poetry books include One Last Word: Wisdom from the Harlem Renaissance, by Nikki Grimes and My Black Me: A Beginning Book of Black Poetry, edited by Arnold Adoff.

 

What Color is My World?: The Lost History of American Inventors, by Kareem Abdul Jabbar,  and Hidden Figures Young Readers’ Edition, by Margot Lee Sheerly explore the little-recognized contributions to science  African Americans have made.

Of course for middle-graders there have to be series! One in great demand at the shop is Miles Morales, The Ultimate Spiderman, by Brian Michal Bendis.  The Robyn Hoodlum Adventure Series by Kekla Magoon cleverly reworks the Robin Hood Legend. Spy on History, by Enigma Albert is a lively historical chapter book series.  .

The store  has extended its outreach with book fairs in area schools.  Don’t live in the St. Louis area?  They also arrange on-line book fairs for groups and schools

EyeSeeMe has definitely inspired its readers.  When Sydney Keys III’s mom took him to the store, he started picking up books he couldn’t put down, and he got an idea. Why not start a boys’ book club?  So at age 11 he founded “Books and Bros,” meeting at the shop. The club started with seven members and grew into a large group of boys from the area. They now wear “Books and Bros” T-shirts and agree that reading rocks. In the process of leading “Books and Bros,” Sydney has overcome his tendency to stutter. He has also appeared on Steve Harvey’s Show, and earned on-air praise from Oprah Winfrey.

One of the things that has surprised and gratified the Blairs is the number of people who are not African American who come to  the store.  This includes parents who bring their preschoolers to story hours, wanting them to know these stories, too.

EyeSeeMe’s popularity has made it possible to move  to a newer, larger space recently.  Now they can hold more author events and classes.  They are also expanding their collections to include more bilingual books and stories about Latino, Asian, and Muslim people.

So give your hope a boost. Visit EyeSeeMe at the shop or online in the very near future!  It is a treasure for all who imagine an inclusive America where everyone can grow up proud of their own heritage and aware and respectful of the heritage of others.