Posts Tagged Author Interview

STEM Tuesday– Awesome Animal Antics– Interview with Author Patricia Newman

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Patricia Newman, author of Eavesdropping on Elephants: How Listening Helps Conservation. This fascinating book is a 2019 Outstanding Science Trade Book for Students: K-12 (National Science Teachers Association and the Children’s Book Council) and won a Eureka! Gold Award from the California Reading Association.

Mary Kay Carson: Why did you write Eavesdropping on Elephants?

Patricia Newman: Back in the 1980s I visited Kenya and saw elephants in the wild for the first time. I watched the way they moved, observed their family groups, and experienced how fiercely the matriarch protects her herd when she charged our safari van. One day we took a hike outside the national park and came across a massive elephant skull. Any child who has seen The Lion King understands the circle of life, but it wasn’t at all clear to us how this elephant had died. Natural causes or poaching? The tusks were gone. Did a park official or a poacher take them? The idea that a poacher carried away the tusks under cover of darkness gave me shivers.

I must have passed my interest in elephants on to my daughter Elise, because she worked for Cornell’s Elephant Listening Project as an undergrad. She had daily contact with Katy Payne, Peter Wrege, and Liz Rowland. She explained their research to me and described how she sat in front of the computer cataloguing forest sounds. And she told stories of snatching the headphones off her ears when an elephant trumpeted a very loud alarm call. I knew then I wanted to write about them. Elise handled the introductions, and the rest…well, you know.

School Library Journal says about Eavesdropping on Elephants, “…this book does an excellent job of transporting readers and providing a clear, multifaceted picture of African forest elephants…The more you listen to wildlife, the more your mind opens up to new ideas about why the world is a place worth saving.”

MKC: How did you research this book? Did it involve travel? 

Patricia: I did not spend time with forest elephants. The scientists were not at their research station in the Central African Republic when I wrote this book, but I did sit in the Elephant Listening Project’s lab and listen to forest sounds. I had headphones on my ears and for hours I watched video and listened to sound files.

You might think listening to sounds is a poor substitute for actually being in the field, but it wasn’t. The sounds were transformative and immersive! I felt elephant rumbles and roars deep in my chest. I heard water sloshing as elephants walked through it. I literally swatted away a mosquito buzzing in my ear. I could imagine the forest mud sucking at my feet. And I learned how to identify the sounds of frogs, buffalo, parrots, gorillas, and chimps.

By allowing my ears to take over, I learned to appreciate the forest in a whole new way. And I wanted my readers to have the same experience. Eavesdropping on Elephants tells the story of field scientists helping an endangered species, but it’s so much more. Through the power of video and audio QR codes, the book allows readers to walk in the scientists’ shoes inside the forest. I always ask kids to tell me what they see in the videos or hear in the audio. Their responses would make Katy and Peter proud.

Patricia Newman’s books show kids how their actions can ripple around the world. Newman hopes to empower kids to think about the adults they’d like to become. Find out more about the author and her award-winning books at www.patriciamnewman.com.

MKC: To whom did you imagine yourself writing to while writing the book?

Patricia: Throughout, I imagined my daughter at age ten. What would she want to know? Elephant facts, for sure. But she was also interested in the “how” and “why” of the world. This book was a challenge because the narrative unfolded over the course of many years. How would I squeeze in Katy Payne’s early work with infrasound, sprinkle in some Elephant Listening Project history, and still keep the ten-year-old Elise engaged? I decided to use the passage of time to my advantage.

Science is not performed in a vacuum, nor is a long-term investigation quick. I thought the story of how Katy’s work on infrasound at the Oregon zoo morphed into ELP was a great example of real science in action. Questions and observations often lead scientists down unexpected paths and to unexpected conclusions.

Also, scientists sometimes age out of their work. When Katy retired from ELP, Peter carried on her vision but added his own flair. I thought the staff change was a great example of the inclusiveness of science—how different individuals can contribute to and build on the same project.

MKC: For readers who loved Eavesdropping on Elephants, what other middle-grade books would you suggest?

Patricia: A tough question because I don’t know of any other books about forest elephants for children (or for adults for that matter). They are just coming into their own as a species and few people know about them. Young readers interested in elephant research might consider The Elephant Scientist by Caitlin O’Connell and Donna M. Jackson, which features Caitlin’s work with savanna elephants. Also, consider Bravelands #3: Blood and Bone by Erin Hunter, the author of the Warriors series. The third installment of Bravelands is told by the African elephant—but it’s a savanna elephant, not a forest elephant.

Win a FREE copy of Eavesdropping on Elephants!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host this week is fellow elephant fan Mary Kay Carson, author of Mission to Pluto and other nonfiction books for kids. @marykaycarson

STEM Tuesday– Getting Your Comic-on with Great Science Graphic Novels– Interview with Author Illustrator Don Brown

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Don Brown, the author and illustrator of OLDER THAN DIRT: A Wild but True History of Earth. This fun, graphics illustrated whirlwind tour of the origin and workings of our home planet is guided by a geology-savvy groundhog. School Library Journal has called Brown “a current pacesetter who has put the finishing touches on the standards for storyographies.”

 

Mary Kay Carson: Do the words or illustrated characters come first in a book like this? 

Don Brown: The words always come first…otherwise it’s like the tail wagging the dog!

We wanted the book to accessible and funny while still offering solid information. I can’t remember exactly how we hit upon the ground hog and earthworm dynamic…perhaps it’s an exaggerated reflection of my and Perf’s relationship in which I ask (clueless) questions and he (patiently) answers them. (Also: the Groundhog was originally an Aardvark until we realized Ground-hog had the more appropriate name.)

We had a lot of fun with the characters and came to see them as Abbot and Costello meets the Socratic Method.

MKC: How did you end up collaborating with Dr. Mike Perfit?

Don: Dr. Perfit – “Perf” – and I have been friends since the world was young. We met in college where he dragged me over the finish line in freshman calculus. (Of which, I remember nearly nothing.) His passion for geology is infectious and I had for a long time noodled around with collaborative ideas. Finally, we struck on Older Than Dirt and went to work. Partnering with Perf is a joy; he is generous, smart, and funny. I’m trying to figure out how we might collaborate again.

Don Brown is the award-winning author and illustrator of many picture book biographies. He has been widely praised for his resonant storytelling and his delicate watercolor paintings that evoke the excitement, humor, pain, and joy of lives lived with passion. He lives in New York with his family. www.booksbybrown.com Instagram: @donsart

MKC: Do you have a STEM background? Are STEM subjects difficult to illustrate?

Don: Illustrating a book about geology was not difficult. Many geologic processes are wildly dramatic: Earthquakes, volcanoes, tsunamis, cosmic collisions, lava floods…they’re great fun to illustrate!

Older Than Dirt is my only STEM book to date. I had a brief connection to STEM in college when I studied engineering. After one semester of physics and calculus, I discovered I had no aptitude for math or science and became a history major.

A scientist I am not, yet I’m still drawn to science history, especially the human stories connected to it. And I’ve learned that if I bear down, I can understand the STEM details within science history. For example, I have finished making a book about the 1918 Spanish Influenza and along the way explored the ins and out of infectious disease, RNA, and microbiology…it was fascinating!

MKC: What’s next for you?

Don: My Spanish Flu book – Fever Year – will be published next Fall. Also publishing next year is my Rocket to the Moon, a history of rockets and the first manned moon-landing in 1969. Both books touch on STEM subjects.

Win a FREE copy of Older Than Dirt!

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

Your host this week is woodchuck fan Mary Kay Carson, author of Mission to Pluto and other nonfiction books for kids. @marykaycarson

What to Give this Holiday Season: The Hotel Between

It’s the holiday season, which means I get to pepper our readers more than usual with book recommendations AND introduce you to the authors! Yay!

Today’s pick is a lovely, lush novel by author Sean Easley: THE HOTEL BETWEEN.

HOTEL weaves the story of Cameron and Cassia, who have never known their parents. Cass thinks their father abandoned them, but Cameron is certain something happened to him. When Cam discovers THE HOTEL BETWEEN, where there are endless doors that open into countries all over the world, his instinct tells him his father’s story is there, in the hotel, and he’s determined to stay long enough to figure out what happened and find his father.

This story has magic and intrigue, international travel and fascinating people,  an intricate plot, and a dash of wry humor. (NOTE: Sean is a former Mixed-Up Files contributor.)

“In the end, people are just people no matter where they’re from and no matter what they look like. It’s how they treat one another that matters.”

One of the things I love about this blog is getting the chance to go behind the scenes with authors, being able to add to the depth and texture of great scenes by seeing them from the writer’s perspective. Here’s what Sean Easley had to say about writing THE HOTEL BETWEEN.

Author Interview: Sean Easley

The Origin Story

MUF: Of course as authors, when we love a book a lot, we always want to know the origin story. How did you come up with this world and with Cam and Cass, Agapios, Nico, Rahki, and everyone else?

SEAN: There were several factors that led to me writing this book, I think. Part of it came from growing up the son of a foreign language teacher and a world-class athlete—my sister and I were always meeting people from all over the world.

Then, one night I had a dream about a place that was a hodgepodge of halls and rooms from all over the world. The next morning I set aside another project I was working on at the time and went to work figuring out how a place like that would work. As for the characters: they’re largely the product of people and friends I’ve known over the years, all mashed up together with bits of myself

MUF: Is it okay to say I see echoes of HOWL’S MOVING CASTLE here? If so …. May I also say, I see so many lovely differences as well. Cam is desperate to unravel the mystery of his father’s disappearance and his mother’s death, so there is definitely a similar relationship theme. But there is also the best friends and chosen family theme with Nico, the moral relativity theme with when do you tell the truth to protect someone—and on that front, I found it much more sophisticated in many ways than HOWL’S. What are other themes in addition to these you hope readers will be affected by?

SEAN: Compared to the amazing Diana Wynne Jones? You flatter me too much, but I’ll take it!

When I started working on the book, I was enamored with this idea that magic—real magic—would be rooted more in the emotional/relational side of the world than in the physical. I didn’t want the kind of magic that plays out like a manipulation of the laws of physics, like fire and ice and all that. I wanted something that would be deeply, inextricably tied into the magic of who we are as human beings.

With that as a base, it just made sense to me that a magic that bonds and connects things together would also be used to bond people and families as well. Out of that came some really strong feelings of friendship and family—something that’s so very important at that age. The family we’re born with determines so much about who we are, and the family we choose determines who we are becoming.

The Magic of Best Friends

MUF: The moment when Cam and Nico bind each other as blood brothers—this was middle-grade perfect. I remember doing that with my BFF back in the day. Do you have a friendship that you modeled this relationship after?

SEAN: That part was one of my favorites when it happened during writing too. And it did just “happen”—when I was drafting I hadn’t originally planned for Nico to do that, and then all of the sudden he starts talking and the next thing I knew they were making up a contract.

I can’t point to any specific friend as the impetus for that scene in particular, but it’s always been a big thing for me to let important people in my life know that I’m not going to “drop” them. I’m typically a pretty intuitive judge of character, and when I find those folks that fit with me I want them to know.

But Nico himself does remind me a lot of a long-time friend who’s always brought a bit of trouble and mischief wherever he goes.

The Antagonist

MUF: The character of Stripe is delicious in ways I won’t reveal so as not to give spoilers. But I have to ask … did you have fun creating him?

SEAN: For sure. Interestingly, Stripe is a character that came out of a different dream way back when I was a kid. In the dream, I was with a bunch of friends when our bus broke down in the middle of nowhere. Of course back then few people had cell phones, so we had to walk somewhere to find a landline telephone. We ended up knocking at the door of this incredible mansion on a hill, where a man in a pinstriped suit and cane opened up. He kinda reminded me of Mr. Peppermint, if you ever saw that show. The man welcomed us into his mansion and said that of course we could use his telephone, but first he wanted to give us the grand tour of his home.

To say much more would be to give away big spoilers for the book, but it’s safe to say that the dream version of Mr. Stripe is very like the one who made it into the manuscript.

The Editing Process

MUF: What parts of the book stayed the same through the editing process?

SEAN: Is it a cop out to say “nothing”? That might be a little dramatic, but it feels that way.

The scene you mentioned above with Nico and Cam might be the only bit that stayed largely the same from the early drafts to the final copy. It’s the hinge-pin of the book for me, and even for the whole series (seeing as how my editor is working on book two with me right now). Aside from that, I think the Budapest scene stayed pretty close to the original, as well as the events at the Monastery, though there were some significant tweaks in both.

A fun tidbit: while working on early versions of this book, I was able to share the manuscript with a group of around fifteen middle school students who told me what they liked and what they didn’t. Kids that age are effusive in both their praise and their criticism, and a lot of how the book ended up is thanks to their brilliant input.

A Great Holiday Gift

MUF: Since I’m recommending this book as a holiday gift, can you tell us what about the book lends itself to the spirit of the season?

SEAN: The Hotel Between takes place over a holiday break from school. Cam even visits a Christmas market in Hungary, and there’s a pivotal scene that happens when New Year’s Eve becomes New Year’s Day.

Aside from that, there’s an undercurrent of togetherness in the book that I think really fits with the holiday season. Of family, and friends, and the important moments that bring us all together—and not just the people we know, but people from all over the globe. It’s all tied up in this idea that we’re all just people, living together across the world. We’re all the same in the ways that matter, and we all deserve to be cared for and connected to those we love.

MUF: What is your favorite part of the book?

I’d love to say it’s one of the poignant moments in the book, but it’s actually the scene at the Hotel pool. I had so much fun imagining what a pool-type area would look like with all the magic of the Hotel at their disposal, and every time I got to editing that piece of the story I ended up smiling.

Congratulations, Sean!

Sean Easley started writing in third grade because he was looking for adventure. He’s worked with kids and teens for well over a decade, listening to their stories, and somehow ended up with a Masters degree in education along the way. Now he’s a full-time writer living with his wife and son in Texas, where he stubbornly refuses to wear cowboy boots. Visit him at seaneasley.com and on Twitter and Instagram @AuthorEasley