Posts Tagged Author Interview

WNDMG-Interview With Ann Clare LeZotte

I am delighted to welcome Ann Clare LeZotte to The Mixed-Up Files blog to talk about her award-winning book, SHOW ME A SIGN and her new release, SET ME FREE. I’ve never met Ann in person, but we are Twitter friends, and I’m a big fan, so I jumped at the chance to get to know her a little better.  

Let’s do this! 

Lisa: Tell us about Show Me A Sign and Set Me Free.

Ann: They are the first two books in a trilogy about a girl named Mary Lambert who lives in Martha’s Vineyard in the early 1800s. Mary is deaf, but that’s not unusual. In her town of Chilmark, hereditary deafness is common (I in 4 are born deaf) and all the descendants of English colonists speak a special form of sign language, which we now call Martha’s Vineyard Sign Language (MVSL). But we see that people outside of her community view deaf people as inferior. Both books include members of the Wampanoag Nation who are fighting to keep their land. Mary is very curious and independent and had many exciting and some frightening experiences. The books are a combination of (if I may say so) well-researched historical fiction and adventure stories.

Lisa: How did you come to learn about the deaf community in Martha’s Vineyard?

Ann: I lived on Cape Cod in the 1990s and I visited Martha’s Vineyard for the first time in the winter. It was a cab driver from the airport to my bed and breakfast who told me about the island’s history of deafness. I became immediately fascinated!

Lisa: How did you research this project?

Ann: On that first trip, I visited the Chilmark Free Public Library and local bookstores. I asked a lot of questions—using my pen and pad, I wasn’t using oral speech at the time. Everyone was very friendly. From there, I visited the island other times. I walked the land I was going to write about. I studied many texts and old maps. I had sensitivity readers whose input was crucial in understanding all the perspectives in the community. I believe in showing characters in an engaging but also realistic way, prejudices and all.

Lisa: How do your life experiences impact the stories you tell?

I grew up on a different island—Long Island, New York. Like Mary, I was a beachcomber from a young age. I’m Deaf, and it’s important for me to share my history, language and culture in books. Deaf people experience a great deal of prejudice, called ableism or audism, which must be acknowledged and dismantled. There are some painful personal echoes in the books. Like Mary, I lost my brother too young. Like Ladybird, I was the victim of childhood abuse and neglect.

Lisa: How did you decide the best way to translate sign language into written text?

Ann: Many people describe what signs looks like. I think that’s fine, but I try not to do it too much. Sign languages are fluid languages and I prefer to describe character’s styles of signing. It shows the individual personality. Like Ezra Brewer whose hand are “old and gnarled” but he “gathers words out of the air.” Anytime I was stuck in a conversation (and I have to always remember to situate everyone correctly and have an interpreter in sight) I’d put myself in the scene and it naturally worked out.

Lisa: What books did you like to read when you were growing up? Do those books influence your writing?

Ann: I was language deprived as a small child. That’s not uncommon, especially as I was born deaf in the 1960s, but, sadly, even today. My parents tried to include me in the reading experience in creative ways—like the ways Mary and Ben find to communicate nonverbally. I had a book of Aesop’s fables from my grandmother. I was fascinated by the not exceptional illustrations of the animals—Jerry Pinkney did them perfectly later in my life– and made up my own story. But I was a poor student, and it took years for me to catch up. Oddly, the first middle grade novel I could easily read from cover to cover was Daniel Pinkwater’s Lizard Music.

Lisa: When did you decide you wanted to become a writer and why children’s books?

Ann: I said I was going to become a writer before I could do it—very daring! I started writing short, lyric poetry in college. That was the first time anyone told me that I could write. Once I started working at the library, with a focus on marginalized kids and teens, I saw what was and what wasn’t on the shelves. I saw kids searching for themselves and not finding good representation. Then I realized (many years later) what I’d do with that initial Martha’s Vineyard research and how I could share Deaf history with all young readers.

Lisa: What advice would you give twelve-year-old Ann?

Ann: Don’t give up! Twelve was an awful year. I was so badly bullied and ill from my pulmonary disability that the school paid for me to stay home with tutors. I felt alien, like the world somehow disallowed me. I never thought any of this was possible. It took a long time, but I somehow didn’t give up. I’d tell myself that my experiences and my story mattered and eventually someone would see it.

Lisa: What do you hope readers will take away from Show Me A Sign and Set Me Free? 

Ann: One thing I’ve asked kids for years is, which is the problem? That I can’t hear or how people treat me because I can’t hear? I want to create not just compassion but respect for d/Deaf kids. We’re capable (even remarkable) if given the chance. I like that Mary is a helper. She could stay at home after Show Me a Sign and hide from the outside world. But she learns of a deaf girl who is in a terrible situation, and she feels she has to go. She’s not a perfect tutor, by any means. At age fourteen, she’s more stubborn and passionate than ever. But she can and does make a difference. Make the leap, especially in service to others. You can be a hero too.

Lisa: What are you working on now?

Ann: There will be a third and last Show Me a Sign book in 2023, if all goes as planned. I’m working in a totally different medium, which is challenging and exciting. I can’t say anything yet. Keep your eye out.

Thank you and kiss-fist!

About Ann:

Ann Le Zotte is completely deaf and a bilingual-bicultural (ASL/English) member of Deaf community. Ann supports every kind of D/deaf person and the choices they make in terms of communication (she is oral and lipreads) and assistive hearing devices (she doesn’t wear any).

She has worked in public library youth services for over twelve years, with a focus on intergenerational ASL literacy and inclusive programming. An inclusive cis lesbian (she/her), she was a pioneer in working with LGBTQIAP+ teens in her district. She loves helping young patrons find books they like and they’ve taught her how to play Minecraft.

Born and raised in Long Island, NY, Ann has travelled widely and lived in Athens, Greece and Cape Cod, MA. She currently resides with her family in Gainesville, FL. She had a Hearing Dog named May who worked at the library with her for many years. Her bundle of joy is a small rescue dog named Perkins. He rarely barks, because he knows it won’t get Ann’s attention.

Ann’s Social Media Links:

Website

Twitter

Instagram

 

 

WNDMG — Interview and Giveaway with Karla Arenas Valenti

We Need Diverse MG Logo hands holding reading globe with stars and spirals floating around
We Need Diverse MG

Artwork by Aixa Perez-Prado

 

Loteria

Cover art by Dana Sunmar

I recently had the pleasure of interviewing Karla Arenas Valenti, author of the extraordinary new MG novel, LOTERIA. This story blends the magic with the real in the spirit of much Latin American literature, and takes places in Mexico. As a writer who strives to celebrate diversity in language and culture in my writing, I found this book especially inspiring and had lots of questions for Karla.

Diversity as a Transformative Experience

APP: Karla, I very much enjoyed reading LOTERIA! Thank you for taking the time to answer some questions.

I love it when authors mix languages and incorporate diverse cultural perspectives in literature. Is that something that you feel was important to this story, and to your other writing.

KAV: Absolutely! In fact, this was one of my objectives in writing “diverse” literature. I see diversity in storytelling as having two prongs: (a) writing or illustrating stories in which all readers can see themselves (diversity serves to ground the reader in the familiar) and (b) writing or illustrating stories that diversify the reader’s experience (diversity serves to transform the reader).Of course, I hope that readers will see themselves in LOTERIA (as I do), but I also wrote this book with the intent of diversifying the personal experience of non-Mexican readers. My goal was to plunge readers into life in a Mexican city: experiencing sounds and sights that are familiar to children in Mexico; exploring culture themes and ideas that are common and beloved in Mexico. By immersing readers in this “diverse” world, I hope they will be transformed, incorporating aspects of this new world into their existing one.

Exploring Big Questions

Illustration by Dana Sunmar

APP: I love that idea, literature as a transformative experience.This book is about one girl but it is also about a philosophical question – whether or not there is free will. How did you come to write about that and why?

KAV: I am a philosopher at heart and am always exploring big questions. As a writer for children, I always try to pose some of these big questions in my stories. This one (the one about free will vs fate) was one I had been trying to write about for many years.

I wanted to find a way to pose the question and present both sides of the argument in a thought-provoking and engaging manner for children. It occurred to me that a game of chance would provide a perfect setting. The question was, which game?

As it turned out, my father provided the answer when he came to visit us and brought a reminder of home: a LOTERIA game set. As we laid out the boards and shuffled the cards, the story began to take shape in my mind and before I knew it, Life and Death had made their grand appearance.

APP: As a  critical and creative thinking teacher, I love the idea of introducing big questions through stories. When you are writing, how important is it to you that your stories make your readers think?

KAV:All of my stories explore some “big” question, whether in a picture book format or a novel. In fact, my biggest challenge as an author is not straying too far in the weds with the big ideas. But making sure there’s enough of a plot to keep my readers engaged.

Extraordinarily Ordinary

LD

Illustration by Dana Sunmar

APP: There certainly is plenty of plot to keep readers very much engaged in Loteria! I enjoyed the relationship between Life and Death, both of whom are characters in the book. Did you base these characters’ personalities purely on your imagination or are they grounded in Mexican folklore and/or belief systems?

KAV: Catrina is a beloved Mexican figure that I cannot take credit for. And in a way, she created Life, for he needed to be her equal – as riveting and wise as Death – in order for the story to work.

APP: I found their relationship very interesting. Yet, they are not the main characters in the story. The main character is an eleven year old girl named Clara. Was it important for you that Clara not be particularly good at anything or have any special talents or abilities?

KAV: Thank you for pointing this out. Yes! This was a deliberate choice. I wanted Clara to be “extraordinarily ordinary” precisely to show that her transformation from ordinary to heroic was not the result of a special trait but rather the ordinary magic that lived within her.

Twists and Turns

APP: I love the idea of being ‘extraordinarily ordinarily’ and still being the main character in a book. As it turns out, her experience is anything but ordinary. Clara is the focus of an extraordinary game played by Life and Death. Did you invent the game of Loteria as it is played in this book, or is this based on an actual game that is played by people?

KAV: It is an actual and very popular game in Mexico. The game is a bit like Bingo with a board that has a grid of sixteen boxes on it. Each board has different images printed on each of the boxes (instead of numbers as is traditional in Bingo).

The game master (cantor) will flip a card from a deck of 54 cards and call out a riddle that relates to that image. Once the players figure out the riddle, they must find it on their board. If they have that image, they place a token on that square. The first person to get four squares in a row wins the game.

APP: Well, now I really want to play the game myself! Solving the riddles sounds like fun. On another note, I was quite surprised at how the story ended. Without giving away any spoilers, can you tell us if you changed your mind about how the story would end while writing it? Or did you know the end from the beginning?

KAV: I knew pretty early on how I wanted the story to end. However, I needed the philosophical justification to make sense. So, I was very deliberate in how I built up the arguments for free will vs fate along the way, such that by the time the reader got to the end, it would all make sense. Unfortunately, that was not at all how things panned out in my first draft.

Ironically, the fate I had planned for Clara did not unfold as I intended. And I had also argued Life and Death into a philosophical conundrum that I could not resolve. What did I do?

You’ll laugh, but I had to give Clara free will to tell the story as she wanted it told. To my great surprise (and relief!) she came up with an answer to the question of free will that I had not anticipated. And it also led to the surprise ending!

Challenge by Design

APP: Wow, that is amazing and it really works for the story. Congratulations on a masterful plot! Ia m wondering about the challenges you faced as you wrote this story.

KAV: The biggest challenge I had was making sure the philosophical debate lined up with the plot, and that every argument (for or against free will) unfolded seamlessly in Clara’s life. My second challenge was making sure I didn’t get too lost in the philosophical aspects of it all. Fortunately, my brilliant editor (Katharine Harrison), was able to give the right amount of guidance to make this work!

APP: Yay for brilliant editors, and editors who are willing to take on books that explore stories from diverse perspectives that may not quite fit mainstream narratives. I find that much Latin American children’s literature is a bit edgier than what is often published in the United States. Did you feel that your book was pushing the limits a little bit or were you confident that it would appeal to a US audience?

KAV: Yes, and that was by design (part of my attempt to diversify the experience of non-Mexican readers).

What’s Next?

APP: I think you definitely accomplished your goal! What’s next for you as a storyteller?

KAV: I am currently working on a second book for Knopf. This is not in the LOTERIA world but will have similar elements: a big philosophical question, magical realism, set in beautiful Mexico. I also have a number of picture books coming out in the next two years with Knopf and Chronicle. As well as a number of story drafts in the pipeline.

And here are some upcoming events:

APP: That is wonderful! I look forward to all of them!

And now for the giveaway! Karla and her publisher have generously agreed to give away a copy of LOTERIA, with beautiful illustrations by Dana Sunmar, to one lucky winner – U.S. entries only please.

a Rafflecopter giveaway

 

 

 

STEM Tuesday — Animal Superpowers — Interview with Author Bridget Heos

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re interviewing Bridget Heos, author of Stronger Than Steel It’s a fascinating look at biologist Randy Lewis’s work to create spider silk from genetically modified goats. Heo’s research combined with Andy Comin’s photography makes for compelling reading. Could we one day build stronger bullet proof vests? Are we one step away from duplicating the feats of Spiderman?

* * *

Christine Taylor-Butler: Bridget, I met you before you published your first book. Now you have 100 children’s books under your belt. That’s a huge accomplishment in this industry. But you didn’t start out as a writer. Can you tell me a bit about what you were doing before you dove into children’s literature?

Bridget Heos: I was an English major in college. Before I changed careers, I taught English, reading and religion at a Catholic school. I’d also been a social worker. But I’ve loved reading and writing since I was a child and eventually moved into freelance writing.

Christine: Your background in teaching helped with your transition to children’s publishing but it’s unusual to see people gravitate to science in nonfiction. Where did that come from?

Heos KidsBridget: The science part came from my son’s love of nonfiction. I read to my children all the time, but fiction didn’t engage him. At first I thought he was a non-reader. But at the library he would immediately go the nonfiction section. He loved that world. So I thought, how can I support that? Plus, I’m curious. One day I thought, “We live on a planet that has everything we need.” I would see an insect and think “ugh!” But then I started reading about them and it made me see the world in a different way. So I began writing. It changed my life and I began to relive the magic of stories. I was already writing for newspapers and magazines, but now I was passionate about writing books that would engage children.

Christine: So what was your first book?

Book_Jay ZBridget: My first book was a middle grade biography on rapper Jay-Z (Shawn Carter). That was was back in 2009. I saw an email inviting local authors to write for an editor at Rosen. I applied and was hired. Shawn Carter has such a great story. I remember spending a lot of time on it because it was my first book. I’m a journalist so I knew it had to be right. After that, I wrote more biographies. But when I had a choice, I preferred to write science books. Those were the types of books my son liked to have read to him. Even so, writing about a famous person as a first book is a show-stopper.

Christine: And then your career took off!

Bridget: I think it was partly luck and good fortune. I spent a lot of time trying to understand the business and how to make money at it. I loved writing so much I was willing to write anything. Children’s literature felt like a good fit and I began writing a lot of nonfiction. I emailed 20 publishers trying to be a good sales person. Workman hired me to write workbooks.

Christine: You also wrote: What to Expect When You’re Expecting Larvae. I remember thinking that was such a clever homage to the human series for expectant mothers and packed with so many facts. Of the sequel on marsupials, Kirkus Reviews said, “Never once dropping the pretense that this is written for pouched mammals, this manages to be both entertaining and informative.

Heos Kids What to expect

Bridget: Yes! That was first book I sold that paid royalties. I went to the library at University of Missouri – Kansas City and checked out huge books.  When I write about science I have to learn it first. I do a lot of research. It makes up for me not being the best science student when I was younger. I chose the topic because my son loved insects. But as with all things, by the time the book came out he’d moved on World War II. The book was followed by What to Expect When You’re Expecting Hatchlings (Crocodiles) and What to Expect When You’re Expecting Joeys (Marsupials).

Christine: The series is out of print now, but maybe a saavy editor will bring it back into print for eager readers now that engaging STEM and nonfiction are increasing in popularity. And especially since Kirkus loved them. They’re a hard reviewer to please.

Bridget: Yes. The books came out ten years ago and the timing might have been early for the information trend we see now.

Christine: Before we get to Stronger Than Steel, I’m going to take some artistic liberties and stray over to fiction for a minute. Can you tell us how Mustache Baby came about? It has so many good reviews and it was the winner of the 2017 Colorado’s Childrens Book Award.

Mustache baby

Bridget: Mustache Baby was my first fiction book. I had wanted to be a writer since I was a little kid. I had put the dream aside until, one day, I found a box in the attic. I realized that I’d had that dream but didn’t do anything about it. I couldn’t live with the idea that I didn’t at least try to do something about it.  but my true dream was to write fiction. I had no idea on how to proceed. People have this impression that to be a writer you have to be this beautiful serious writer, but that’s not how I am. When children were younger, I began telling them a story that had been in my head about baby who was born with a mustache that showed if he was a good guy or a villain. It made the kids laugh so I decided to write it down.

“Occasional badness has never been so good.”
Kirkus

You never know what you’ll get in the delivery room, and something isn’t quite right with this new baby. . . . Heos’s offbeat tale muses on the possibilities, playing off parental hope and panicky nightmares.”
—New York Times Book Review

The book’s sole purpose was for kids to have fun. I wrote several drafts and agonized over them. Then I mentioned it who gave me ideas then  sold to Daniel Nayeri who was at Houghton Mifflin at the time. Daniel brought on the illustrator Joy Ang. Her illustrations brought a new dimension to the story. There are now 5 books in the series. By the way, Daniel just won the 2021 Printz for his own book: Everything Sad is Untrue.

Christine: So tell me about Stronger Than Steel. I am fascinated by golden orb spiders and use them as one of the plot points in my series. I had not met anyone else in kidlit that researched them until this book so I was riveted.

Stronger book coverBridget:  I’d seen an article about spider goats and the scientist researching them. My former agent had another client who was doing a scientist in the field book and walked her through the process of proposing a book. It book was acquired by Houghton Mifflin Harcourt. That series is fun because the publisher also commissions a photographer. Andy Cumin and I traveled to Wyoming to meet with the scientist, Randy Lewis . Then Andy and I traveled to Utah State where the project was moving. It was good that we had that time to do the research. It involves learning about molecular biology. The team walked me through the process.

Christine: The goats are genetically altered to carry a gene from golden orb spiders.

Bridget: The science is fascinating. Spider silk is stronger than the Kevlar in a bullet proof vest. But you can’t farm spiders. They’re territorial. So the solution was to use goats. Randy took the gene from the spider and combined it with the DNA that creates milk in goats. I got to see the process first hand, how the team works with the goat’s milk to get to the spider silk protein. The scientists filter the milk and get it down to the protein which is a powder, then they combine the powder with a chemical. I watched the silk emerge from the process.

Spider silk

Christine: So what are the scientists doing with the silk?

Randy LewisBridget: They’re interested in it because of its toughness. In a technical sense, it’s hard to break (compression strength) and it’s stretchy (tensile strength). They’re hoping it would be a fit for fly fishing lines. The appeal is that the silk is stronger than most man made materials. But for some projects, the stretchiness is still a problem – like for bullet proof vests and parachutes. One of the other fascinating things, though, is that the spider silk can be used in the human body to repair ligaments and bones.

The book was so much work and I did so much agonizing over it. As a former journalist I wondered, “Did I get it right?” Randy read it to make sure I had not made any factual errors. I do a lot of school visits so I talk to students about the science I learned. Kids are amazing and absorb the information. They wonder if there could be a Spiderman just like there are spider goats.

Christine: So could there be a real Spiderman one day?

Bridget: You never know. The scientist isn’t raising the goats any more, Now he’s focused on comb jellies and the sticky stuff they use to catch their prey. But writing the book was a great experience. Children’s books have taken me to many states I’d never been before.

Christine: So what’s up next for you? Any books coming out we should be watching for?

Triceraopposite Treemendous Santa JawsGood Knight Mustache

Bridget: I have several books coming out in 2021: Triceratopposites, illustrated by T.L. McBeth. It’s about a dinosaur that does the opposite of what his parents say. It’s a sequel to Stegathesaurus. There’s also Treemendous: The diary of a not yet mighty oak illustrated by Mike Ciccotello. It’s the story of an oak tree from acorn to tree. Santa Jaws comes out next. It’s a rhyming book about a Christmas shark. And, or course, the next installment in the Mustache Baby series: Goodnight Mustache Baby.

 

Win a FREE copy of Stronger Than Steel

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

 

Bridget HeosBridget Heos is the prolific author of more than 100 books for children. Most are nonfiction. A former teacher and journalist, she lives in Kansas with her three sons, daughter, a basset hound and a cat.

To learn more about Bridget and her books, please visit www.authorbridgetheos.com  You can follow her on Twitter @bridgetheos

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Christine Taylor-ButlerYour host is Christine Taylor-Butler, MIT nerd and author of Bathroom Science, Sacred Mountain: Everest, Disasters Alert!, and many other nonfiction books for kids. She is also the author of the middle grade sci-fi series The Lost Tribes. Her article: When Failure Is Not An Option: Connecting the Dots with STEM appears in the Nov/Dec 2021 edition of The Horn Book. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram