Zoology

Steve Jenkins’ Books: a Middle-Grader’s Treasure

Author/Illustrator Steve Jenkins’ recent and sudden death surprised and saddened fans of his informative, engaging books about animals and the natural world

Now is a good time to celebrate and enjoy the many books we have by him (they never go out of print) and to share them with young readers. I’ll speak of Steve here in the present tense, because he is still very much alive in his books, and there are more to come!

Steve Jenkins’ career and  books combine in marvelous ways his life-long love and understanding of science, of art, and of children, how they think and wonder. He’s never lost his playfulness or his own childhood curiosity about the natural world. His book ideas often begin with an irresistible question that kids (including his own) have asked.  Or one that he has asked himself. How do different animals see? What do animals do on their first day? What animals are the stinkiest? What are tails actually for?

A great place to start reading or re-reading Jenkins is with The Animal Book: A Collection of the Fastest, Fiercest,Toughest,Cleverest, Shyest–and Most Surprising–Animals on Earth. Imagine a 208-page picture book! The Animal Book is a kind of Steve Jenkins compendium and masterwork. It combines hundreds of his stunning cut-and-torn paper collage images of animals–living, endangered, and extinct. His illustrations are so lively you expect to feel their texture when you touch the flat page. Facts in his clear language, both basic and believe-it-or-not, accompany these stunning animal portraits.

Jenkins expected The Animal Book to be one a reader could browse in, starting anywhere. But he has also organized it in a progression of themes and subtopics–from a definition of animal to family relationships, senses and defenses, to an outline of animal evolution in “Story of Life.” Jenkins always strives to lead his readers to an understanding of how the world works and how these facts fit into a larger picture. The time-lines and other infographics in the book are beautifully clear.  His seamless book design makes the topics and their subtopics easy to follow.

A real treasure comes as an extra at the end of the book.  In a section simply called “Making Books,” he shows readers how he gets his ideas and  how he does his research.

Photo by Kevin Moloney, NYT

Then he takes us into his studio, with his collection of textured papers filling color-coded drawers. We learn how he selects just the right paper to cut or tear for a jaguar’s fur or a toad’s belly, a terror-bird’s beak or a rhino’s hide.  He also includes a graphic timeline of bookmaking from idea to finished publication. This book belongs on every public, school, and home library bookshelf.

So what are the new titles  from Steve and his wife and collaborator Robin Page that we can look forward to in 2022? One of them obviously began with a question. The Animal Toolkit: How Animals Use Tools explores some surprising ways we’re discovering that animals solve problems and interact with the world.  Disasters by the Numbers came out this month, and there will be two more By the Numbers titles this year. The series has included Earth by the Numbers, Dinosaurs by the Numbers, Insects by the Numbers, and Solar System by the Numbers. These books are chock-full of accessible infographics and are a middle-grade trivia buff’s gold mine. The 2022 additions will be One Day by the Numbers and Animal Facts by the Numbers.

Steve Jenkins has always had great, serious fun deepening his knowledge of animals and the natural world. His readers will, too. When you buy a Jenkins book for a child–or for yourself–get the hardback version if you can. His books are keepers.

 

STEM TUESDAY: Zoology – Interview with Author Patricia Newman and Giveaway

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math! 

 

Our inaugural interview is with author Patricia Newman who wrote this month’s featured book, Zoo Scientists to the Rescue.

Patricia Newman writes middle-grade nonfiction that inspires kids to seek connections between science, literacy, and the environment. The recipient of the Green Earth Book Award and a finalist for the AAAS/Subaru Science Books and Films Award, her books have received starred reviews, been honored as Junior Library Guild Selections, and included on Bank Street College’s Best Books lists.

Zoo Scientists to the Rescue is photo-illustrated by Annie Crawley. Newman (center) and Crawley (left) traveled to the zoos featured in the book, including Chicago’s Lincoln Park Zoo where Maku the black rhino (right) resides.

Mary Kay Carson: Tell us a bit about Zoo Scientists to the Rescue and how you came to write it.

Patricia Newman: Zoo Scientists to the Rescue began as a comment from my niece, Mia, whose fifth-grade class was tasked with writing a persuasive essay about zoos, either for or against. The trouble was the teacher gave her students almost all anti-zoo material, so guess which way their essays leaned? I’ve been involved with zoos most of my adult life and I raised a zookeeper, so I knew there was more to the story than the material my niece had received. In Zoo Scientists to the Rescue I had several goals:  share some of the ground-breaking research that zoo scientists are doing to save endangered species, inspire kids to help them, and excite kids about a possible career in science.

MKC: It sounds like you spent some quality time behind-the-scenes at zoos with the featured scientists. Do you have a favorite moment or happening you’d like to share?

PN: Photographer Annie Crawley and I visited the three zoos in the book’s pages—Smithsonian’s National Zoo in Washington, D.C., the Lincoln Park Zoo in Chicago, and the Cheyenne Mountain Zoo in Colorado Springs. We spent some fabulous time behind-the-scenes with both the scientists and the animals. We got up close and personal with Maku the rhino—close enough that he charged Annie while shooting his portrait for the cover. We also drove through a blizzard to meet with the black-footed ferret scientists. At the zoo, we donned booties and surgical caps to visit the BFF breeding area. And we waded through drifts several feet deep to observe BFFs at boot camp–a training facility to get them ready for release into the wild. Through it all, my audio recorder whirred and Annie’s shutter clicked. Annie is also a brilliant filmmaker, and had the presence of mind to shoot video while we conducted our research. In addition to our trailer, videos featuring our interviews with Jeff Baughman at the Cheyenne Mountain Zoo’s BFF breeding center and Rachel Santymire’s lab at the Lincoln Park Zoo are now available on YouTube. Annie and I love the way these resources broaden the reading experience.

MKC: Why do you choose to write STEM books? 

PN: When I was a kid, my best learning happened when I could make connections to the world. I graduated with a B.S. from Cornell University in the social sciences, but my writing focuses more on environmental nonfiction. I think the thing that attracts me to science is the process of discovery. The scientists I interview have fascinating stories that I hope will inspire kids to think science is cool or encourage their parents to buy deforestation-free palm oil products to protect orangutans or instigate a Ditch the Straw Campaign in their community to reduce single-use plastic. While every author wants to tell a great story, I also want to empower kids to make a difference.

MKC: For readers who loved Zoo Scientists to the Rescue, what other middle-grade books would you suggest—nonfiction and/or fiction?

PN: For fiction, I love Carl Hiaasen’s Hoot and Eliot Schrefer’s ape quartet (of which three have been published) Endangered, Threatened, and Rescued. For nonfiction, I love Sandra Markle’s The Great Monkey Rescue: Saving the Golden Lion Tamarins and Cindy Trumbore and Susan Roth’s Parrots Over Puerto Rico.

MKC: Could you give us a peek into your process by sharing where you are right now on a current project and how you’re tackling it?

PN: My newest STEM title will release in the fall of 2018. Called Eavesdropping on Elephants: How Listening Helps Conservation, the book follows scientists from Cornell University’s Elephant Listening Project as they listen to the forest elephants of central Africa. Forest elephants are different from the more familiar African savanna elephants and Asian elephants and the dense vegetation of their rainforest home makes them nearly impossible to follow. But these scientists have opened a whole new world on the study—and conservation—of this endangered species. My editor and I have just finished the first revision pass—I call it the reorganization phase. We move entire paragraphs from the end to the beginning, we check to be sure concepts are developed throughout the manuscript and don’t just pop up in isolated places, and we clarify some complex scientific concepts for young readers. In this book, it’s the physics of sound. The next pass will involve more line edits and polishing. And there’s a multi-media surprise in store for readers of this book. But I won’t say more than that!

More about Zoo Scientists to the Rescue:

Win a copy of Zoo Scientists to the Rescue! Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book. Good luck!

Your host this week is Mary Kay Carson, author of Mission to Pluto and other nonfiction books for kids.

 

STEM TUESDAY: Zoology – Craft & Resources

Reading Like a Writer

I am a student of nonfiction. If you hope to write nonfiction well, you have to be. When studying a book, I prefer to read it three times:

That first read is for pure enjoyment: letting the writing wash right through me and learning cool facts – did you know that venom is used to control diabetes!?!

On the second read I focus on the craft and writing techniques I can learn from.

By the third read I’m looking for specific examples of a technique that caught my eye on the second read, like how the author used sidebars to include material that is supportive but not critical to the main text.

This approach is not much different from my scientific approach to observation. When I recently came across two beetles wrestling, I first watched from above, impressed by their phenomenal horns and robotic legs; then I knelt to get a closer view and wondered why the smaller one was winning; finally, I held each one in my hand to use a magnifier. When I felt the little one’s extra spiky legs grip my finger, my questions were answered.

Want to read like a writer?

Focus on one element at a time. Reading the STEM books the first time, I noticed that many included dialog.

I wondered: Why does an author use dialog in a nonfiction book?

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To get a closer view, I focused in on Sy Montgomery’s Kakapo Rescue: Saving the World’s Strangest Parrot.

 

  • Chapter 4, page 21, starts with a direct quote, “Codfish Base from Lisa’s nest.”

That quote caught my eye and had me asking questions: What is “Codfish Base?” Who who is Lisa? Why does she have a nest? It’s a fantastic hook and has me diving into the chapter.

  • Chapter 5 includes dialog at the beginning as well, from page 29:

    “There’s a penguin in the freezer,” she announces.”

    “Really?” asks a volunteer. “What kind?”

I wondered: Who says that? Where is it “normal” to have a penguin in the fridge? If that doesn’t have you wanting to get to know these characters, I don’t know what will!

  • The dialog on pages 44-45 is entirely different. It is a tragic scene – the death of a kakapo chick.

I wondered: Why did the author choose to use dialog to show this particular scene? For me, the words of the characters played out the scene so well that I was reacting emotionally right along with the characters.

Compare how other authors use dialog. Just like with the beetles, my next step was to put texts from two different authors under my magnifying glass.

I asked myself: What are the most effective ways to use and frame quotes?

  • Support Independent Bookstores - Visit IndieBound.orgFirst I read the “Wild Rhinos” section on page 8 of Emi and the Rhino Scientist which uses snippets of quotations embedded within a paragraph:

How do you describe a rhino?

You’d probably start with size. “Rhinos are really big animals,” says Terri. Only elephants are bigger land animals. Their wide bodies are propped up on short, thick legs that end in three-toed hooves. Rhinos have thick necks with giant heads and one or two horns. A rhinon may look like a slow-moving tank as it lunmbers around, but don’t be fooled. “Rhinos can move quickly,” says Terri. They can whip around in an instant and run as fast as deer. Rhinos share speed with their close relative the horse.

I noticed how Mary Kay Carson has used dialog but the paragraph is also chock full of other information. What impact do the quotes impart? Why did Carson use quotes here instead of pure expository?

  • Support Independent Bookstores - Visit IndieBound.orgI compared Carson’s technique to other texts which make use of quotes in a similar manner. An example is the passage about bearded lizard venom on page 92 of Caitlin O’Connell’s Bridge to the Wild.

I listed ways in which O’Connell’s and Carson’s use of quotes were similar.

  • Support Independent Bookstores - Visit IndieBound.orgI contrasted those texts with a different framing, a full scene played out using primarily dialog. An example can be found on page 55 of Pamela Turner’s Gorilla Doctors: Saving Endangered Great Apes.

I asked myself: How did the framing of the dialog change the impact? In what ways were the techniques similar? Different?

What did I learn? When an author uses direct quotes from an expert, the quote often provides information and lends authority to the text, but quotes can also work to generate curiosity, create rounded characters, add humor, etc. and, how an author frames those quotes can dramatically change their impact.

Try it Yourself!

After reading and analyzing other writers’ use of dialog, try it yourself.

  1. Audio record a conversation.
  2. Write a text using quotes from that conversation.
  3. Write a different text using the quotes in a different manner.
  4. Compare the impact of the two texts. Compare to a friend’s draft.

Many people don’t think about the craft of nonfiction, but I learn heaps when I study works of gifted writers who carefully craft their text. Happy reading! Happy Writing!

What other STEM texts have great examples of dialog techniques? Share in the comments below!

Heather L. Montgomery writes for kids who are WILD about animals. She reads and writes while high in a tree, standing in a stream, or perched on a mountaintop boulder. Visit her at: www.HeatherLMontgomery.com

 

 


The O.O.L.F. Files

One way to really understand STEM is to illustrate the subject of interest. Our Out of Left Field (O.O.L.F.) STEM Tuesday topic this month is science illustration. Visual science allows accurate interpretation of an object by combining knowledge of the subject, visual and tactile study of the subject, and artistic skill. Learn more about science illustration and careers, see some cool examples, and even explore a free online course at the links below.

Links: