For Writers

Spring Training 2022!

By Mike Hays on March 4, 2022 / Articles, For Teachers, For Writers

“Practice isn’t the thing you do once you’re good. It’s the thing you do that makes you good.” – Malcolm Gladwell, OUTLIERS.

Creating something from nothing is 100% magic. One simply has to employ the fruits of the innate gift handed down from the creativity gods. Simply grab a pen and paper, find an inspirational environment, hit the creativity switch, and wait for the muse to arrive. Simple.

WRONG!

Creative work is a doing thing. It’s work. Sometimes hard, hard, hard work but most of the time it’s rewarding work. We are wired to create. The reality, however, is it’s not magic. It’s work. Three steps that are often listed as the way to becoming a better creative are study, practice, and feedback.

Wait!

Did someone say, “Practice?”

The memory of NBA superstar Allen Iverson’s 2002 press conference popped into my head when I thought of the word “practice”. AI’s rant on practice is a favorite and often repeated saying at the Hays House.

And since creative work is a doing thing, transformation only comes from doing the thing. Whether you’re seven working on your first creation or seventy and writing a family history, doing the work to do better work is important. Sorry AI, but practice is at the core of elevating the skills.

Despite what AI might have thought back in the day, practice matters.

It’s early March 2022. Spring training time for us writers and creators (and hopefully, soon for the Major League Baseball players and coaches.) Time to take a critical look at how we treat our craft and produce our creative work. Time to evaluate how we practice and then tweak or adjust the routine as needed to take our work to another level.

It’s time to analyze how to improve and get better. Creative work is a constant move forward. Here are a few tips for better practice that I’m going to incorporate into my 2022.

Practice with a Purpose

There’s so much awesome in this video excerpt from sketchnote expert Eva Lotta Lamm’s Pragmatic Sketching Masterclass.

Video Link: Eva Lotta Lamm: How to Practice Effectively

The value of a regular and deliberate practice is transformative. Keep in mind the performance and enter into the practice with expectations.

Focus on:

The doing.
What’s going on.
Notice what’s happening instead of judging what’s happening.

Practice widely

I’m a former strength and conditioning coach. I’m also a fan of a power training guru named Marty Gallagher. I first became aware of Mr. Gallagher after reading his essay with its nod to The Band, Fitness From the Big Pink. What I’ve liked about his training philosophy is it’s a simple, multi-faceted approach to physical and mental transformation.

According to Coach Gallagher, “Your fitness efforts fail because you are one dimensional in a four-dimensional universe.”

This is also true for creative efforts. One-dimensional creative practice often results in the creator hitting a rut and losing enthusiasm. Trying a variety of activities can unlock creative growth and transformation in the desired skill or in a completely different direction. Try something new when you feel your practice hitting a rut. Transform.

Creative practice is eerily similar to physical training. A multi-faceted, well-balanced approach to any form of training is a great plan of attack for improving skills. Marty Gallagher’s balanced approach for transformational training includes progressive resistance training, cardiovascular training, nutrition, and brain-train. Creative training might include drawing, poetry, meditation, music, or free-writing. The sky’s the limit here.

Try new things. Perform them badly. Fail. Practice. Try again. Transform.

As Marty Gallagher said, “With practice, tangible gains generate enthusiasm and enthusiasm causes the trainee to redouble their effort.”

Blank Page

People often freak out about the blank page. It is intimidating. This intimidation ingrained in us since most of us were kids stems from the idea of the blank page will be eventually graded AND should strive for perfection. We should be thinking instead of a blank page as an invitation to make something instead of an assignment.

Practice is an invitation to transform the empty space in front of us with the contents of our creative brain. Instead of a place to make mistakes, we should treat the blank space as a place to make things happen.

No right. No wrong. Just a formerly blank page that is now alive with ideas.

Just Do It!

The most important thing about practicing and training your creative self is that you do it. That’s the process. One word, one mark, or one idea at a time moving forward towards transformation.

As a sign from the creative universe that this was the right topic for my post, this was in the weekly newsletter for an online drawing class I’m taking.

“You will find that, without exception, practice will reward you, so be brave, be committed, keep putting your pencil to paper and you will be pleasantly surprised.” – Drawing Nature, Science and Culture: Natural History Illustration 101 weekly course newsletter (3/2/2022).

Happy Spring Training!

Be brave. Be committed. Keep putting your pencil to paper.

Do the work. Enjoy the ride.

You will be pleasantly surprised.

Author Spotlight: Jake Burt + a Giveaway!

By Melissa Roske on February 18, 2022 / Articles, Author Interviews, Fiction, For Kids, For Librarians, For Parents, For Teachers, For Writers, Giveaways, kidlit, New Releases

My amazing 2017 Debuts author pal Jake Burt has recently released his fifth novel (!!!), but this is his FIRST time chatting with us on the Mixed-Up Files!!! Can you tell how excited that makes me? Well, CAN YOU…? 🙂

Before I turn the mic over to the mega-talented Jake Burt (besides being an author, Jake is a fifth-grade teacher, an Ultimate Frisbee champ, and a gifted banjo player), here’s a short summary of his latest MG novel, The Ghoul of Windydown Vale (Feiwel and Friends).

(Oh, and don’t miss the chance to win TWO signed copies of Jake’s books–GHOUL and Cleo Porter and the Body Electric–if you enter the giveaway. Scroll down for details! )

The Ghoul of Windydown Vale

Copper Inskeep holds Windydown Vale’s deepest and darkest secret: He is the ghoul that haunts the Vale, donning a gruesome costume to scare travelers and townsfolk away from the dangers of the surrounding swamps. When a terrified girl claims she and her father were attacked by a creature—one that could not have been Copper—it threatens not just Copper’s secret, but the fate of all Windydown.

Without further ado… heeeeere’s Jake!

Interview with Jake Burt

MR: Welcome to the Mixed-Up Files, my friend!

JB: Thank you, Melissa! My pleasure to (finally) be here!

MR: Your latest book, The Ghoul of Windydown Vale, has been described as “scarier than Scooby-Doo, but not too scary to read [to kids] at night.” What is the secret to writing a spooky book for middle-grade readers? Is there anything specific you aimed for—or avoided—during the writing of this novel?

JB: To me, the best spooky stuff is that which is unknown. I’ve never been a big fan of slasher horror, for instance: if you know from the first scene or chapter that the menace is a guy with a chainsaw, then the rest of the movie/book is just about seeing what inventive/gruesome ways said guy can terrorize people with a chainsaw. But a creeping, unseen dread? That, to me, is compelling and chilling in all the best ways. It’s particularly effective for middle grade novels, too, since ideally, we’re trying to avoid subjecting young readers to Friday the 13th-level bloodshed. I elected to go with first person present as my narrative style, too, because I wanted the reader to have that close, closed experience of navigating the spooky things right alongside my main character.

Windydown Vale and its (Vaguely) Pioneer Past

MR: Windydown Vale is set in an unspecified historical era, in an unspecified geographical location. What was the inspiration behind these fictional choices? Was it meant to reflect the secret behind the Ghoul’s true identity? Or maybe something else…?

JB: By keeping the location very local, and by locking the setting into a nebulous, vaguely pioneer past, my goal was to “trap” the reader. You don’t know what else is out there, except that Windydown Vale is surrounded in the immediate sense by deadly swamps. Better to stay in town than to risk a journey elsewhere, no? And an ahistorical time period lends itself to the tone of the book. Even if ghouls aren’t real, our characters don’t have the technology to prove it. I wanted the lore of the book to sit solidly in a temporal framework where legends and monsters are part of the science, since scary things are much more fun when everyone believes in them.

Cleo Porter and the Body Electric + a Global Pandemic

MR: Your previous novel, Cleo Porter and the Body Electric, takes place in the aftermath of a fictional pandemic—“influenza D.” Cleo Porter, the 12-year-old protagonist, experiences life from the confines of her germ-free apartment, takes classes via Virtual Adaptive Instructional Network, and enjoys computer-simulated playdates with her friends. Interestingly, this book was written a year before the appearance of Covid-19. You’re an amazing guy, Jake, but I know you’re not psychic. How on earth did you come up with this idea? Also, what was it like to have a book come out during a global pandemic—about a global pandemic?

JB: Having Cleo launch in the midst of COVID was surreal, to say the least. I was certainly worried that it would be a “too soon” situation, but reception of the book has been universally positive. Part of the reason, I think, is that the book doesn’t actually center on the pandemic; it’s about the long-term aftermath. Still, many of the themes (isolation, compassion, the value of science) are relevant. Teachers and librarians have reported finding Cleo to be a compelling resource for book groups and classroom discussions, and I’m honored that it has served that purpose, in addition to being a fast-paced, twisty adventure. Part of the reason it rings so true is that it’s based on my experience during a real pandemic–not COVID, but SARS, back in 2013. I lived in China at the time, and we went into full lockdown as the country sought to manage the spread. It was upon that time that I based Cleo’s setting.

Reviews and Feedback

MR: As a follow-up, Jake, what kind of feedback did you receive from readers following the publication of Cleo Porter? I’m guessing kids found solace in Cleo’s plight, considering that many of them were in similar circumstances. Did any of the feedback surprise you—from kids or reviewers?

JB: I was pleasantly surprised by the reception; it was certainly nerve-wracking waiting for reviews to come in! To be honest, the biggest surprise came from the New York Times. I didn’t expect them to review it, much less do so in such a positive way. It was definitely a career milestone. (To read the Times’ glowing review of Cleo Porter and the Body Electric click here.)

The Tornado + Bullying

MR: To switch gears, your 2019 novel, The Tornado (2019), focuses on two characters who are the victims of bullying but handle it in vastly different ways. Bell Kirby hides from his tormenter while Daelynn Gower—a new girl with outrageous clothes and rainbow-colored hair—confronts the perpetrators head-on. Not to stir up unpleasant memories, but were you bullied as a child? If so, how did you handle it? Also, what advice would you give to fellow educators who confront bullying in their classrooms?

JB: Heavy questions, Melissa! And important ones. Yes, I was bullied. Parker Hellickson, the bully in Tornado, is based on the guy who bullied me throughout elementary school. Everything Parker inflicts on Bell is something my bully did to me. How did I handle it? Not well. I wilted. Thus, when I saw him bullying other kids, I didn’t say a word. I hid, and in some cases, I even laughed along with my “Parker,” hoping that by supporting him, I’d stay out of his crosshairs. It didn’t work, and it left others feeling as alone as I did. Tornado is, in part, a way to explore that bystander guilt.

My advice to educators, based on my own experiences and what I’ve seen in twenty-two years in the classroom, is to call a spade a spade. Don’t be afraid to label bullying behavior as such. “Bully” is a necessarily loaded term, but attempts to tiptoe around it or explain away bullying behaviors as simply “kidding around,” “accidental,” or “a one-time thing” subtly erode an educator’s ability to address the root causes of the behavior and to put measures in place to protect the victim. I’d also advise bringing in administrators and families as soon as possible to be part of the dialogue. A teacher shouldn’t have to handle something as serious as bullying in a vacuum, and multiple perspectives can be helpful in correctly diagnosing bullying as such.

The Right Hook of Devin Velma + Social Anxiety

MR: The Right Hook of Devin Velma (2018) features a character who suffers from social anxiety. As an example, Addison “freezes” when he’s feeling particularly anxious, or when he speaks to certain adults. He’s also majorly stressed about social media. What prompted you to write about social anxiety? What sort of research was involved?

JB: Addison’s anxiety was a way to explore my own, particularly around the topic of social media. When my first novel was published, one of the requests Macmillan made was that I jump onto Twitter, Facebook, Instagram, etc. to help spread the word. I was deeply unsure about how that would go, though it turns out that all my fears are shared by a considerable number of other authors on those platforms: I don’t have anything interesting to post; I will over-post and annoy people; I will seem like an egomaniac; I will bore people and turn them away from my books with my inane ‘netprattle. Fortunately, none of that has come to pass…or just as fortunately, I’ve made friends kindly enough not to embarrass me by telling me my online act has grown stale.

Of course, social media anxiety isn’t social anxiety disorder, and so I did need to do considerable research into how it manifests, how those who have it cope, and how therapists try to address the issue and help people live with it. Like with so many anxiety-based disorders, there is no one way people experience SAD, so I tried to make Addison’s journey as authentic to him as I could, while staying true to the narratives of folks with SAD writ large. For example, there is no quick fix; Addison doesn’t suddenly wake up one day “cured” of his anxiety. He manages it as best he can, enjoying the small victories where he can claim them, in the hopes that they will ultimately build to a life more comfortable to live.

Genius at Work

MR: Of all your five books, which was the hardest to write? The most fun…? Also, what about titles? Do you come up with them yourself?

JB: Hardest: The Ghoul of Windydown Vale. Genius that I am, I decided to try to write this one during the school year. All my others I manuscripted over the summer. Trying to balance writing and teaching was daunting, and likely something I won’t attempt again any time soon. The most fun to write was Cleo. Her pragmatism and overly literal way of looking at the world made her a tremendously entertaining character to shepherd through a sci-fi world. Plus, giant insectoid drone battles are a ton of fun to choreograph.

Carving Out Writing Time

MR: In addition to being a prolific novelist, you’re a fifth-grade teacher and parent to a young daughter. When do you find the time to write? Do you have a specific writing routine?

JB: I thought I had a routine, and then COVID hit, and then I tried to write during the school year, and then I didn’t have a great routine anymore. I think many of us are in the same boat, re-learning how to be creative and productive. When I’ve got all my ducks in a row, my writing arc goes something like this: Brainstorm, outline, and research in the spring (especially spring break). Begin manuscript writing in mid-June. Finish manuscript and revise through late July. Get manuscript to second readers at the start of August. Revise again. Send manuscript to agent at the end of August. Wait for feedback. Revise more throughout the fall, until my editor is ready to proceed with copyedits. Take care of those over winter break. Then the novel is pretty much out of my hands, and I can turn my attention to the next one.

The Pedaler

MR: Rumor has it that you write while pedaling an exercise bike. I can barely walk and chew gum at the same time! How on earth do you do this? Enquiring minds want to know.

JB: It’s true: I’m actually responding to these questions right now while on a bike. I’ve found that cycling (stationary, of course) helps settle my body and quiet my mind. If I simply sit, my legs get twitchy and I’m distracted. I should note, though, that I’m not on a Peloton or something of the sort. I ride what’s usually called an “exercise desk.” Imagine a bike with a desk surface where the handlebars should be, and you’ve pretty much got it.

Meet Jake’s Next Book Projects

MR: What are you working on now, Jake? Can you give us a teaser?

JB: Only the vaguest of teasers, but yes…in question form:

Q: “What do you call a kid with three wishes?”

A: “The single greatest threat to global security the world has ever seen.”

Lightning Round!

MR: One last thing. As you know, no MUF interview is complete without a lightning round, so…

Preferred writing snack?

Nothing. Sticky fingers + keyboard = disaster.

Coffee or tea?

TEA!

Dog or Cat?

(I think this photo speaks for itself. 🙂 — MR)

Favorite song you can play on the banjo?

“Wildwood Flower.”

Zombie apocalypse: Yea or nay?

As in “Would I survive?” Yea. Totally yea. I’m up-to-date on all my literature. As in “Do you want one?” Nay. Very nay.

Superpower?

I used to go with teleportation. Then I switched to telekinesis. Now it’s “the ability to craft the details of my own afterlife.”

Favorite place on Earth?

I do love me some Disney World…

Hidden talent (besides strumming the banjo, pedaling your desk bike, and playing Ultimate Frisbee)?

After twenty-two years of practice, I think I’m really, really good at reading middle-grade fiction aloud to an audience.

If you were stranded on a desert island with only three things, what would they be?

Teleportation, telekinesis, and the ability to craft the details of my own afterlife.

MR: Thanks for participating, Jake. And congrats on the publication of The Ghoul of Windydown Vale!

And now…

A GIVEAWAY!

For a chance to win TWO signed copies of Jake’s books, The Ghoul of Windydown Vale and Cleo Porter and the Body Electric, comment on the blog–and, if you’re on Twitter, on the Mixed-Up Files Twitter account, for an extra chance to win! (Giveaway ends 2/21/22 EST.) U.S. only, please.

All About Jake

Jake Burt is the author of the middle-grade novels Greetings from Witness Protection!, an Indie Next selection, The Right Hook of Devin Velma, a Junior Library Guild selection, and The Tornado, which School Library Journal called “one of the best stories about bullying for middle grades,” in a starred review. His novel Cleo Porter and the Body Electric was praised as a “thrilling sci-fi adventure” by #1 New York Times bestselling author Alan Gratz. His latest book, The Ghoul of Windydown Vale, is available now. Jake teaches fifth grade and lives in Hamden, CT, with his wife and their daughter. Learn more about Jake on his website and follow him on Instagram, Twitter and Facebook.

GHOUL Art by Larissa Brown Marantz

Are you ready to hone your skills in Ready Chapter 1??

By Faran Fagen on January 27, 2022 / Articles, books, Editor / Agent Spotlight, For Writers

Hello Mixed-up Files! Today, I’m sharing with you an incredible opportunity for your writing journey that is taking the craft world by storm (not a stormy night) called Ready Chapter 1.

Ready Chapter 1 begins its inaugural year-long workshop dedicated to propelling writers into publishing in February.

The faculty is an All-star group of writers, agents and editors, including middle grade gurus Jonathan Maberry, Greg Neri, and Henry Neff.

Writer/illustrator Fred Koehler, who facilitates the first class on “Story Ideas the Sell”, is the mastermind behind this new and innovative project.

Here are some thoughts from Fred on the website, www.readychapter1.com, as they prepare to launch:

Writers are the nicest people you will ever meet. There is nothing quite as refreshing as finding yourself surrounded by fellow creatives who are passionate about the same things that ignite your spirit. Any place you find community within the writing world will become a refuge for you, especially as you deepen your roots. Because in those communities of like minded creatives, you discover that you are not alone. Others share your brand of weirdness. And every time you return to your normal life after hanging out with fellow writers will leave you feeling wistful. Like making friends at camp and then having to say goodbye till next summer.

There are two writers inside each of us, and success requires both of them. The first writer, and the one that comes most naturally, is the pure creative. It’s the one that revels in the descent of the muses. The one that finds joy in the perfect turn of phrase or the plot twist that not even they saw coming. The second writer is the public persona of an author. It dresses up. Pushes past insecurities. Delivers the keynote. Invites others into the circle. Without the first writer, the writing itself will be transparent and shallow. Without the second, your stories may never see the light of day.

You can’t make Luck, but Luck can make you. I have had several serendipitous moments in my writing career to which I can attribute no amount of effort or talent on my own part. There was the TV station manager I met in line at the coffee shop. A month later I was on the CBS morning show. And then there’s the editor who thinks I bear an uncanny resemblance to their firstborn son. That editor always responds to my submissions. The more time you spend putting yourself out into the world, the more chances you will have to cross paths with Luck. And if you have a great manuscript ready when Luck comes knocking–that’s when the real magic happens.

Getting discovered is a dream come true for more than you. Yes, I realize that sounds a little bit like Dr. Seuss but we’re going to run with it. Everyone gets excited about the buzz of a shiny new talent. Publishers love to debut their latest rockstar, fingers crossed for chart-topping sales. Editors and agents build reputations on bringing brilliant books to life from previously unknown voices. And let’s not forget about all of your writing friends who get to dress up for the launch party. When and if it happens, embrace it. You only debut once so enjoy the ride!

Publishing takes its own sweet time. The publishing industry is the grocery store equivalent of that person who gets in the ten items or less lane with 25 items, asks for three price checks, tries to use expired coupons, and then insists on paying with a personal check for the part that the gift card doesn’t cover. Put otherwise, publishing is slow. If you write a story about the latest greatest pop culture moment of today, it will be forgotten by the time your book comes out. So write to trends instead of fads. Better yet, write from your source and ignore everything that is currently popular.

The book is never done until the publisher sends it to print. There are so many times I have thought that a story was (mostly) perfect just the way I wrote it and nobody else better say otherwise thank you very much. The crit group loved it. The agent said it was ready for submission. Editors who got a chapter asked to read the full. The story never would have gotten that far unless it was good. But good isn’t good enough for a publishing deal, much less a publishing success. Be prepared to trust your editor when they say that it needs a lot of work. Perhaps even a substantial revision. Fight for what matters in your story. Rewrite the rest.

If you’re not careful, you can forget why you’re here. If it’s money and fame you’re after, you will never be happy no matter how much money or fame comes your way. But if you create for the simple delight of exploration, letting your curiosity roam free until it hooks on an idea you can elevate to art–you have a lifetime of joy ahead. Everything else is gravy.

In addition to Koehler, Maberry, Neff and Neri, the award-winning faculty contains authors Janice Hard, Lisa Cline Ransome, agents Michaela Whatnall and Joyce Sweeney, and editor Lorin Oberweger and Harold Underdown.

Sweeney, also an author of 14 YA novels, represents a plethora of middle grade authors and will deliver the August workshop on Stakes and Tension for Ready Chapter 1.

Here are some of her thoughts on the website:

For RC1 Academy, you will be teaching Stakes and Tension in August. Can you give us one example of who has done this brilliantly in a book?The last thing I read like that was a graphic novel. THIS WAS OUR PACT by Ryan Andrews. It was non-stop surprises, yet every plot turn was satisfying. In recent picture books, I felt it in DRAWN TOGETHER by Minh Le and Dan Santat. In middle grade, Christina Diaz Gonzalez would get the prize from me.

Describe the perfect client. No wait. Describe an imperfect client that you are willing to invest in. Perfect client participates in the process, wants to be an equal partner with me, trusts my business judgment but also holds to their own creative vision, is willing to pivot, revise or do whatever it takes to get to the goal. Is fun to talk to. The imperfect client has all the same traits, but perhaps projects that are harder to sell.

If your goal for 2022 was to finish drafting or revising a novel with a community like Ready Chapter 1, how would you prepare? I would pick a project that I know has a good hook and could sell, regardless of how much work I feel it needs. RC1 is the place to do that work. And I would write down every question I could think of to ask this amazing assembledge of teachers.

Hope this information on Ready Chapter 1 was helpful. To register, visit the website www.readychapter1.com/ The first class starts Feb. 1 and there are still some spots available.

For Writers