Author Interviews

STEM Tuesday– Naturalists– Author Interview: Danna Staaf

Welcome to STEM Tuesday: Author Interview, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Today we’re featuring Danna Staaf, a marine biologist and author of several science books. Her book The Lady and the Octopus: How Jeanne Villepreux-Power Invented Aquariums and Revolutionized Marine Biology garnered these reviews:

  • Notable Award Children’s Book Committee at Bank Street College Best Children’s Book of the Year, 2023
  • Booklist Top 10 History for Youth, 2023
  • Booklist Top 10 Science and Technology Books for Youth, 2023
  • Cooperative Children’s Book Center (CCBC) Choices, 2023
  • Booklist Top 10 Biographies & Memoirs for Youth, 2023
  • School Library Journal Best Book of 2022

 

Andi Diehn: I love your sidebar in the first few pages about historic accuracy and doing our best with what we know until we can add to that knowledge. Why include this?

Danna Staaf: Honesty really is the best policy, especially when talking to children. Both the historical and the scientific record are intrinsically incomplete—there are open questions, missing data points, ambiguous findings. I felt it was very important to acknowledge that uncertainty up front, and not to pretend that I had all the answers. At the same time, I spent years researching this book, and I did have a lot of information, which gave me the ability to make guesses in good faith about missing pieces. This is how we build a trusting relationship with readers, by saying, “I don’t know everything. I’ll tell you what I do know, and how I know it. When I have to make guesses, I’ll tell you why those guesses are reasonable. And I’ll admit that they might turn out to be wrong later.”

I think about all the dinosaur books I read when I was a little kid, and the old misinterpretations of what dinosaurs looked like and how they lived. Most of those authors were doing the best they could with the available research—and they inspired the next generation of scientists to go out and do more research, to show which guesses were right and which were wrong. That’s the iterative nature of knowledge. It’s beautiful.

AD: I like how you made it clear that Jeanne was able to study and practice science because of her privileged position as a married woman with no children – why is this important for readers to be aware of?

DS: It’s a really interesting topic! When I first began to read about Jeanne, I thought her story would be strongly impacted by sexism, both during and after her life. And she absolutely did have to contend with sexism. A man who wasn’t even a scientist tried to take credit for her work, and although she managed to join several scientific societies as their first female member, the Royal Society (the UK’s national science academy) refused to admit women until 1945! Sexism likely also played a role in how quickly her work was forgotten after her death. However, as I read more of her writing and her peers’ writing about her, I became very impressed by how successfully she advocated for herself. Now I think that the reason we know as much about her as we do, and indeed the reason I had enough material to write this book, was her own determination to publish her research and get credit for it.

But Jeanne’s ability to research and advocate effectively was greatly enhanced by her privilege. In addition to being married and childless, she was white and wealthy. Before her marriage, she struggled to support herself and couldn’t devote time to natural history, but afterward, she had the resources and the leisure to pursue her curiosity. Wouldn’t it be great if everyone had that freedom? How many more wonderful discoveries and inventions could be made? I hope it helps readers think about who has been left out of history, and why, and what we can do to create a more just society.

AD: I love your phrase on page 43 about studying “marine life instead of marine death” – why does this distinction matter?

DS: I actually think about it even more now than I did while I was writing this book! When Jeanne started working in natural history, especially in the field we now call marine biology, most people were very focused on studying dead specimens. They killed and dissected animals; they preserved skeletons and furs and shells. Even setting aside the ethics of doing science like that, they missed so much by not looking at living animals. Especially in the ocean, an animal can look completely different when it’s alive in its natural habitat—think of a jellyfish swimming gracefully through the water, which dissolves into goo if you kill it and try to preserve it. And behavior! The only way to really see how animals move, hunt, court, mate, and so forth is to observe it.

Science has come a long way from the days of pickling and dissecting everything in order to study it, in large part thanks to people like Jeanne and inventions like her aquariums. And yet there are still some stubborn remnants of this attitude. To describe a new species, it’s generally accepted that a dead specimen needs to be put in a museum somewhere. Now, I don’t want to discount the importance of museum collections in any way—those historical specimens are absolutely vital to our understanding of life, and even to the conservation and protection of living organisms, because scientists use the knowledge from those specimens to figure out things like which species are left in a coral reef or a rain forest, and how many are new to science. But now that we have high-resolution video capabilities, 3D scans, CT scans, and so forth, maybe we can shift toward identifying species without needing to kill individuals so often.

AD: She’s a scientist but also an inventor – how does scientific inquiry and invention go hand in hand?

DS: Scientists are always inventing gadgets to help them figure out the answers to their questions, from high-tech to low-tech and everything in between. When I was in graduate school studying squid, I wanted to know how temperature affected the development of squid eggs, so I worked with a really skilled technician to design a little incubator that could keep dishes of seawater at a range of different temperatures. It had a bunch of carefully machined metal pieces, all very precise. Then I took it on a research boat in Mexico in very hot weather, and I had to improvise a combination of bubble wrap and a desk fan to keep the whole assembly from overheating! Then, I also learned how to write computer programs to analyze the data I gathered. I’d say those are both forms of invention. Sometimes scientists’ inventions are very specific to a particular need, like my incubator, and sometimes they find more general applications, like Jeanne’s aquariums. You never know!

AD: What was your favorite thing you learned from your research?

DS: How can I pick just one?? I learned that that the tides in the Mediterranean Sea are more impacted by the local geography than by the moon, so when it’s high tide on one side of the Strait of Messina, it’s low tide on the other side, just a few kilometers away. I learned that an engineer named Charles Condert developed a type of scuba gear a hundred years ahead of Cousteau’s Aqua-Lung, and made many successful dives before dying in a tragic underwater accident–the first known scuba fatality. I learned that Benjamin Franklin carried around a little container of oil in his walking stick, so he could impress people by pouring it on rough water and calming the waves. But, if I have to pick, I think my favorite research gem was learning about Anna Thynne. She’d studied geology for years, and fell in love with corals because she saw them as living rocks. I love her account of collecting corals, which I didn’t have room to include in the book: “With a needle and thread I fixed the Madrepores [corals] on a large sponge, that there might be no damage from collision, and then placed them in a glass jar filled to the brim with water, and tied down with a bladder….During the journey [home from the seashore], I had the great pleasure of seeing them expand their tentacula most happily; and they arrived both at Clifton and London in a most flourishing state.”

AD: What did you like best about writing a biography? Was there anything frustrating about the project?

DS: I have to confess that history was my least favorite subject in school. I struggled to memorize the names and dates of monarchs and battles, while I had no trouble memorizing octopus species. So the historical research for this book was the biggest challenge for me. I had to read the timeline of the French Revolution and the Napoleonic Wars over and over again to make sure I was getting everything right.

That said, it might also be the thing I liked best. I found that world events became much more interesting to me when I could link them with Jeanne’s life. Writing a biography actually kindled my interest in history, and helped me see how seemingly abstract monarch names and battle dates affected real people’s lives, even impacting the course of science. Now I can remember that Napoleon was defeated at Waterloo in 1815, because it led directly to Jeanne sewing a royal wedding gown in 1816, which led in turn to her meeting her future husband, and the beginning of her career in marine biology!

 

Danna Staaf is a science communicator and marine biologist who earned a PhD from Stanford University with her studies of baby squid. Her writing has appeared in Smithsonian, NautilusAtlas Obscura, and Science, and she is the author of Monarchs of the Sea: The Extraordinary 500-Million-Year History of Cephalopods (named one of Science Friday’s best science books of the year), The Lady and the Octopus: How Jeanne Villepreux-Power Invented Aquariums and Revolutionized Marine Biology (a best book of the year of the School Library Journal and the Children’s Book Committee), and Nursery Earth: The Wondrous Lives of Baby Animals and the Extraordinary Ways They Shape Our World (hailed as “a gobsmacking delight!”). Her newest book is The Lives of Octopuses and their Relatives: A Natural History of Cephalopods. Staaf lives in San Jose, California, with her husband, children, cat, and innumerable plush octopuses.

 

Andi Diehn

Andi Diehn works as an editor for Nomad Press and has written many STEM books for kids!

Interview with Sarwat Chadda, Author of STORM SINGER

In Storm Singer, twelve-year-old Nargis, who has the ability to communicate with elementals, is caught up in an epic struggle for the fate of the land of Bharat after she encounters Mistral, prince of the eagle garudas who rule over the kingdom. He’s on the run after a coup which imprisoned his parents. Nargis reluctantly agrees to aid him, thus setting the unlikely allies on a dangerous adventure.

The cover of the book Storm Singer. A girl with a crutch and a bird-like boy with wings pose against a storm.

 

MUF: Thanks for taking the time to speak with us. Storm Singer is a fascinating story, and I’m excited to learn more. What inspired this story? What elements led to the creation of the world and the characters?

SC: Nargis inspired it. I wanted a hero that represented the weakest and the most downtrodden, and show how someone like her can rise up and overthrow a tyranny. Ultimately what inspired it was the awareness of how unjust the world is, that it is overflowing with resources, and yet those resources are horded by the few. I wanted to write about climate change, but in a fresh way, and fancied creating a cool magic system!

MUF: While taking place in a secondary world, Storm Singer invokes the Arabian Nights and Hindu mythology in the form of the birdlike garudas. Can you tell us more about your use of folklore and myth, and how you adapted it for this tale?

SC: I wanted to create a whole fantasy world that was entirely eastern, but not too bound to one setting or another, hence mixing Indian mythology with the Arabian Nights. Plus I wanted to fill the tale with magic that didn’t owe anything to western/European fantasy. Ironically the concept of elves, dwarves, knights, dragons, etc are now so common they no longer feel ‘fantastical’. I wanted to bring that feeling of the weird and wonderful back, hence creatures like garudas and rocs.

MUF: Courtesy of a childhood accident, Nargis now uses a crutch to walk. What can you tell us about this aspect of her character?

SC: There’s not much to tell. It is just part of who she is. I took a lot of advice on how to portray her in a matter-of-fact, day to day way. Thematically it magnified the difference between her and Mistral, who can after all fly but is, for the most of the story, trapped on the ground as well.

MUF: You like to travel and to incorporate your experiences into your work. Did any of that come into play with Storm Singer? What sort of research or references did you use in developing this?

SC: I recently went to Morocco, so that will flavour the writing. But the main theme, the vast gap between those with wealth and power and those without, comes from the news, and just seeing what the world is. Covid certainly exposed many injustices between the classes, and that inspired Nargis’s story. The garudas in many ways represent the 1%, those rich enough to ignore the troubles of the world, while often being responsible for them.

MUF: What do you hope readers will take away from this story?

SC: Two things, love of the characters, and the awareness of injustice.

MUF: You’ve released 16 books in 16 years. How do you maintain such an impressive output in so many different genres and themes?

SC: I always say ‘yes’! Ask any freelancer and they’ll all tell you the same thing. You don’t turn down work. Themes come as you write, often they’re based on what’s happening in the world, but viewed through the distorted lens of fantasy. My first novel, Devil’s Kiss (2009), was written in response to the Iraq War and Storm Singer was heavily influenced by Covid, and the disparity between the haves and have nots. On top of the novels I’ve written Legend of Hanuman and Baahubali: The Lost Tales for Disney Hotstar and Amazon in India, about 12 seasons all in all. Now that I’ve been around quite a bit I do get editors approaching me with projects, and recently I’ve got jobs based on pitches and sample chapters, rather than having to write the whole thing. There are times when I do get burnt out, I must admit. But in the end I really like writing. There are so many different stages of the process. Research, first drafts, revisions, getting the cover art!

MUF: You’ve said that the best way to learn storytelling is to play role-playing games. Can you expand on that thought? What other advice would you give fledgling writers?

SC: RPGs are pure story-telling. I wrote my own adventures for years for our group, I still do. You can use them as testing grounds to your plots! Also, you have a live audience, your players. You can see what works and what doesn’t. They will ruthlessly exploit any plot holes! My other advice is FINISH. There are no more important words in a manuscript than ‘The End’.

MUF: You wrote a fantastic, apocalyptic Mesopotamian myth-inspired duology, The Adventures of Sik Aziz,for Rick Riordan Presents. What was it like working with that imprint, and is there any chance you’ll do more with them?

SC: IT WAS AWESOME! Rick and I had crossed paths previously, he was an early fan of my Ash Mistry trilogy and a huge supporter of my work throughout, plus we shared an editor, so there was a lot of overlap prior to being invited to join. I knew I wanted to write a Muslim protagonist, but the Arabian Nights angle had been done to death. The whole RRP gang are a great bunch, I’ve never felt such camaraderie amongst writers before. First time in my life I got to hang out with the ‘cool kids’. I do have something coming up soon, not quite RR-related, but VERY CLOSELY connected!

MUF: What’s next for you? Do you have anything else planned for the world or the heroes of this book?

SC: The sequel, The Crow’s Revenge! Oh, Sickle, my beloved crow assassin from the first book, has not finished with Nargis quite yet.

MUF: Bonus question: You’ve expressed a love of dragons as “boss-level creatures.” Which dragon from any aspect of literature, myth, or popular culture is your favorite?

SC: Easy! Tiamat! The goddess of chaos from Mesopotamian mythology out of whose corpse the universe was created. And, cough cough, the big bad in my novel, Fury of the Dragon Goddess

 

FURTHER INFORMATION:

Headshot of author Sarwat Chadda, a dapper bald man of medium age

Sarwat Chadda is the New York Times bestselling author of the City of the
Plague God duology, the Spiritstone Saga, the Ash Mistry trilogy, the Shadow
Magic trilogy, and the Devil’s Kiss duology. He has written for Star Wars and
Minecraft as well as the 39 Clues and Spirit Animals series. Sarwat is a first
generation Muslim immigrant of South Asian descent who loves writing over
the-top adventures. His work has received numerous starred reviews and was a
Goodreads Choice Best Middle Grade Award Nominee. He has been published
in over a dozen languages. Outside of novels, he’s written plays, comic books,
and TV shows, including The Legend of Hanuman for Disney+ Hotstar. Sarwat lives in
London. Feel free to drop him a line on X (previously known as Twitter) at @SarwatChadda
and Instagram at @Sarwat_Chadda or visit him at SarwatChadda.com.

 

Octopus Moon: Interview with author Bobbie Pyron

I’m a fan of Bobbie Pyron’s books, especially A Dog’s Way Home. When I learned she had a new book out, I asked her if I could read an advanced copy and interview her. When I got the book, I was intrigued by the cover art and title. And when I read the first page . . . I was hooked. I had no idea it was going to tackle the topic of depression. And through verse! So here is a behind-the-scenes interview with Bobbie about her wonderful new release Octopus Moon.

About the Book

Hi Bobbie! I thoroughly enjoyed reading Octopus Moon. As someone who has also written a book on mental illness (on OCD), I appreciate how you show the ups and downs of depression.

Can you give us a short summary about the book?

Octopus Moon is a middle grade verse novel about a ten-year-old girl and her struggle with depression and anxiety. For as long as Pearl can remember, she’s had times when a dark cloud descends upon her, and she also worries about everything. Still, she’s been able to manage these feelings by running, hanging out with her friends, and spending time at the aquarium where her mother works. But as fifth grade approaches, these coping mechanisms don’t work as well. And then, with all the changes fifth grade brings, Pearl becomes overwhelmed by depression. Octopus Moon follows Pearl’s journey from crippling depression to hope.

 

When you began writing Octopus Moon, do you intend it to be more of a window or a mirror?

Excellent question! I think when I began Octopus Moon, I was writing it for my ten-year-old self. Having struggled since about the age of five with chronic depression, it was a book that would have been incredibly reassuring to me: I would have felt less alone, and also felt a sense of hope. But as I took a deep dive into the second and even third drafts, I also wanted readers who don’t live with a mental illness, especially depression, to understand what it’s like. How it’s different from “being down,” or “having a bad day.” So yes, at the beginning, I intended for the book to be a mirror.

About the Author

I read in your Author’s Note that growing up, you experienced something similar to Pearl (I think it’s wonderful you share this with your readers). Did you set out to do this or did the story shape itself?

Photo by Todd Blackley

As a former librarian, I was all too aware of the lack of novels for middle grade readers in which the main character had chronic depression. They are abundant in the YA world. Middle grade, not so much. Yet, I knew from my own experience that children, even young children, can have chronic depression, and certainly anxiety too. Back in the ‘60s when I was a young kid, there was no concept of children having depression. As a matter of fact, back then, any kind of mental illness in anybody was not talked about! And taking a kid to therapy? Ridiculous! Needless to say, even though I was a passionate reader, I never saw myself reflected in a book. It took quite a few years (and having success as an author) to get up the courage to write such a personal book.

 

What books and movies have influenced your writing style and/or topic choices?

Hmmm…Well, I love novels in verse! So I thought I’d try to write Pearl’s story that way. I will say, it was much harder than I’d expected it to be! Still, I think it was the right choice for this story. I was also very impressed by Kimberly Brubaker Bradley’s novel FIGHTING WORDS, which is inspired by her childhood. It’s so very honest and beautiful, heartbreaking and hopeful.

Guess which one is Bobbie?

 

Do you share any personality traits with Pearl?

I also live with this insidious illness, depression, so I share that with her. And like her, I wanted to be a mermaid when I grew up. I love the sea and all of its wonders. I also had a very close relationship with my paternal grandfather.

 

What do you do when you’re not writing?

Like Pearl, I need to be physically active. I hike, kayak, bike. I love working in the garden. And like Pearl, I love being with my friends.

 

Research/Writing

Little Bobbie and her beagle, Puck

What is something FUN from your childhood that you snuck into the book?

When I was young, we had a wonderful beagle named Puck. He was the most patient, loving, gentle, non-judgemental soul on the planet. I loved having him in my book!

 

Addressing Mental Health

You tackle a number of tough topics in this book—the main one being depression. I know it can be difficult finding a balance on what to include in a middle grade novel. Did you have any difficulty deciding how in-depth you wanted to go on the topic? And did you contemplate where to have Pearl in her journey with depression (having the book address diagnosis vs starting the book in the middle of managing depression)?

LOL, my editor, Stacey Barney, will be soooo glad you asked this question! I originally started the book on the first day of fifth grade. So right out the gate, the readers sees Pearl being overwhelmed by anxiety and depression. But my editor wanted me to back it up so that we get a sense of Pearl before things become so difficult for her. I think that was a brilliant suggestion.

Yes, I did have some difficulty deciding how in-depth to go into depression. I wanted to be honest and I didn’t want to sugar coat what living with a mental illness is like. At the same time, I wanted the story to be gentle and hopeful. I hope I achieved that balance.

 

What did you learn while writing this book?

First of all, I learned that writing a whole book in verse is very hard! In my book, Stay, half of the chapters are written in verse. It was fun and not that hard, so I thought, “Let’s do a whole book that way!” Ha!

I also learned that, while Octopus Moon is inspired by my own experience with depression, this is really Pearl’s story. I gave her things I didn’t have at that age: a supportive family, and a wonderful therapist. But I did have a dog.

 

For Teachers

Are you doing school visits related to this book?

I love doing school visits! I can usually tailor my presentation to what the teachers would like me to talk about. My presentations are best suited for grades four and up.

How can we learn more about you?

You can visit me on my lovely website www.bobbiepyron.com

I can also be found on Facebook, Instagram, and Twitter under Bobbie Pyron.

 

Thanks for your time, Bobbie.