Author Interviews

Interview with Alex London for BATTLE DRAGONS, Plus Giveaway

By on July 23, 2021   /   Author Interviews  

Alex London is joining us on From the Mixed Up Files today to talk about the first book in his brand new middle-grade fantasy series BATTLE DRAGONS. Alex is the author of more than 25 books for children, teens and adults, including the middle-grade series DOG TAGS, TIDES OF WAR, WILD ONES, and ACCIDENTAL ADVENTURES. His latest series launches on Sept. 21 with BATTLE DRAGONS: CITY OF THIEVES, which is a super fun adventure. Here’s the description:

Cover of Battle Dragons: City of Thieves by Alex LondonIn a modern mega-city built around dragons, one boy gets caught up in the world of illegal dragon battles and a high-stakes gang war that could tear his family apart.

Once, dragons nearly drove themselves to extinction. But in the city of Drakopolis, humans domesticated them centuries ago. Now dragons haul the city’s cargo, taxi its bustling people between skyscrapers, and advertise its wares in bright, neon displays. Most famously of all, the dragons battle. Different breeds take to the skies in nighttime bouts between the infamous kins―criminal gangs who rule through violence and intimidation.

Abel has always loved dragons, but after a disastrous showing in his dragon rider’s exam, he’s destined never to fly one himself. All that changes the night his sister appears at his window, entrusting him with a secret…and a stolen dragon.

Turns out, his big sister is a dragon thief! Too bad his older brother is a rising star in Drakopolis law enforcement…

To protect his friends and his family, Abel must partner with the stolen beast, riding in kin battles and keeping more secrets than a dragon has scales.

When everyone wants him fighting on their side, can Abel figure out what’s worth fighting for?

Doesn’t it sound awesome? Until you can get your dragon paws on your own copy, let’s go behind the scenes of the book’s creation. And make sure you read to the end to enter the giveaway.

Samantha: Hi Alex! Welcome to From the Mixed Up Files. I loved BATTLE DRAGONS: CITY OF THIEVES. Tell us where you got the idea from?

Headshot of Alex London | Photo by Gina Clyne Photography

Alex London | Photo by Gina Clyne Photography

Alex: Thanks so much!  The short pitch is that it’s The Fast and The Furious meets How to Train Your Dragon, except that I hadn’t actually seen those movies or read those books when I began this project. Of course, I’ve corrected that oversight now (and am kind of obsessed with the gleeful story-telling chaos of the Fast and The Furious franchise.

As to my inspirations, there are endless sparks that ignite the ideas in any novel, but this one combined so many influences that fueled my imagination when I was a middle schooler. It combines my love of cyberpunk like Akira and Blade Runner with my love of fantasy, of dragon lore, and ultimately of stories set in that middle school time, when young people start to come into their own and realize how much bigger, complicated, and wonderful the world is than they ever dreamed. I wanted to write a story that would have appealed to me in middle school, but that would’ve also expanded my imagination for what kind of a world was possible.

There are sibling rivalries and new friends and high stakes souped-up dragon riding action. There are also, I hope, a lot of laughs!

Samantha: You’ve incorporated a lot of dragon story lore (with the dragons keeping a hoard, for example), but you’ve also expanded on the roles of dragons, like having them be taxis, school buses and cleaners. How did you decide what to keep and what to add for this story?

Alex: Writing a mash-up of genres gave me the freedom to pick and choose what dragon lore was useful or interesting to me. What of my main concerns was using the lore that would make the dragons feel familiar and recognizable, without being derivative or boxing me in to any narrative corners. So, flying and hoarding and breath weapons were a must, but speaking English to humans, as they do in some wonderful dragon tales, was not something I wanted.

Samantha: I love all the different types of dragons you’ve come up with for the story. What inspired each one?

Alex: I couldn’t possibly go into detail on each one here, but I did develop a basic dragon taxonomy when I began, essentially dividing them into Short-Wing, Medium-Wing, and Long-Wing dragons, each more suited to different jobs for humans, and within each category a wide variety of species, from Infernal Long wings whose fire their hot breath from high in the clouds, the short winged Blue Foot, which are like the Honda Accords of the Drakopolis. Then there are the different Reapers, medium winged dragons who make the best battlers with their wide variety of breath weapons and skills, and the related Wyvers, pulled straight from mythology, but in my story, used mostly by the secret police. It’s a lot of fun researching and inventing dragons and their abilities! I spend a lot of time thinking of it like a card game, Pokemon or Magic: The Gathering. In fact, I even invented a game just like that for the story!

Samantha: Abel and his brother Silas and sister Lina are all very different. Are you closest to one of them or do they all have similarities to you in different ways?

Alex: I’m probably most like Abel, with my ADHD and tendency to catastrophize, though, like Lina, I’m idealist who broke more than a few rules as a teenager, but like Silas, I can slip into an inflated sense of self-righteousness if I’m not careful. This is the first series I’ve written since becoming a parent, however, so I do find myself identifying a lot more with their parents than anyone else! I hope I could stand up the gangsters and the secret police as well his Abel’s parents do!

Samantha: If you were one of your dragons from Drakopolis, which one would it be and what would be your favorite thing to hoard?

Alex: Oh, I would want to be Karak, the Sunrise Reaper, because describing him was just so cool! The scene where he meets Abel and Roa was the first I thought of, even before I starting writing.  And I think I would probably hoard books…because I kind of do already!

Samantha: You’ve written both contemporary and fantasy books, but you said in an interview that the fantasy book Redwall helped you become an avid reader. As a writer, do you enjoy writing one genre more than another?

Alex: I like writing everything! As this fantasy-sci-fi mashup with real themes of middle school probably demonstrates, I can’t confine myself to just one genre. The world is so full of stories, I’d hate to limit myself to just one kind.

Samantha: Do you have any tips for teachers and librarians who are trying to encourage reluctant readers to read more?

Alex: Choice! Letting readers choose their own reading—even if it doesn’t seem like great literature to us—matters. I read far more Calvin and Hobbes as a kid than I did prose novels, and far more illustrated nonfiction magazines than ‘literature’ and far more “trashy novels’ than ‘great books’ and now I’m an avid and critical reader and a fairly prolific writer. People come to it in their own time and in their own ways, and I think we need to model following our interests and knowing when to put books down if they aren’t working for us. Life is too short and there are too many good books to force ourselves to read ones we hate. For every “reluctant reader’ out there, there are books that will feel like their were written just for them. They just need the chance to find them.

Aside from choice, I think removing the stigma from not loving to read could help. We put a lot of moral weight on reading, but I know brilliant people who don’t read much of anything and total monsters who are bookworms. I think reading is a source of great joy, insight, and inspiration, and I want to invite kids into it, but I don’t see any use for shaming them when they aren’t.

Samantha: Finally, can you give us a sneak peek at book 2 in the series? When is it coming out?

Alex: It will be called BATTLE DRAGONS: CITY OF SPEED. I don’t know the publication date, but I do know that there will be high stakes dragon races, new and wonderful breeds of dragons, and new friends and enemies for Abel and his crew. It’s gonna be a high stakes, high speed, high flying romp, that I hope readers love!

Samantha: I can’t wait!

Enter the giveaway below by July 30 for your chance to get one of three copies of BATTLE DRAGONS: CITY OF THIEVES plus a signed bookplate.

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Author Interview + Giveaway: THE VERDIGRIS PAWN by Alysa Wishingrad

By on July 12, 2021   /   Articles, Author Interviews, Giveaways  

We’re so pleased to welcome author Alysa Wishingrad to MUF, here to talk about her new middlegrade novel, THE VERDIGRIS PAWN. She tells us about the book, what the title means, and more about her career and journey to kidlit author.  

THE VERDIGRIS PAWN is the story of Beau, heir to the ruler of the Land, a man so frightening, people only dare call him Himself. Beau has been raised isolated and alone. And despite the harsh and judgmental treatment he gets from his father, Beau has no idea of the brutal tyranny Himself unleashes upon his subjects, and how hated and feared their family is.  This all changes when he meets Cressi, a young servant, who opens his eyes to the realities of life in the Land – especially about Mastery House, a terrible and brutal place where the children of the poor are sent to be raised and trained to be servants in exchange for payment of their families taxes.

The Verdigris Pawn by Alysa Wishingrad

This discovery of the truth sets Beau off on an epic adventure as he tries to undo the poisoned legacy of his family. But in order to restore fairness and equality to the Land, he must think of things like a real-life game of Fist (a board game similar to chess!)  But when you’re reviled throughout the Land and false heroes lurk around every corner, leading a rebellion is easier said than done.  This is a story about how appearances aren’t always what they seem and how real power can come from the most unlikely places.

MUF: What does the title mean?
AW: The title refers to the key game piece in Fist, in which either the king must knock the verdigris pawn off the board, or the pawn will unseat the king. As for Verdigris, it’s an alchemical reaction that turns copper and brass a beautiful blue-ish green color when it oxidizes. A great example that we can all call to mind is the Statue of Liberty. Just as the pawn in fist can be transformed into the king, Beau, Cressi and Nate, my three central characters, all also go through life-changing transformations.

MUF: This is your debut kidlit novel. What career path led you to write a book? Why MG?
AW:  I wanted to be a writer for as long as I can remember. I was constantly telling and writing stories as a kid. I graduated college with a degree in playwriting and moved back to NYC with the intention of writing plays. But life and work, and a measure of insecurity about my words, got in the way. I followed another career path for about 15 years, but writing would not leave me alone. It was when I moved up to the country to raise my kids that I got back to it.

As for why I write MG, simply put, I love this age. I think MG readers are truly some of the smartest and open people there are. It’s this beautiful knife’s edge time between childhood and the teen years, before the cynicism and deep seeded doubts can take hold. It’s a time of realizing you have a voice and striving to use it. This is fertile terrain both for telling stories and for learning about ourselves.

MUF: You say that your novel is, a “new take on the classic middle grade books we all grew up with.” Can you speak more to that? 

AW: There’s a very classic feel to this story, to the way it’s constructed, and I think in the writing as well. It might bring to mind classic fantasies such as the Chronicles of Prydain and Diana Wynn Jones’s work. But while it nods to those stories, it also poses questions that are urgently relevant to our world while challenging some deeply held cultural assumptions.

One of the themes the story explores is who gets to write history, and how is it even possible to tell the entire story from all sides. I like to think that the book will encourage readers to examine issues around power; what does it mean to have it, how can you claim your power when you feel powerless, and can power be wielded to enhance rather than sacrifice the greater good.

Author Alysa Wishingrad

MUF: Speaking of classics, what are a few of your favorite classic MG titles?
AW: I used to get lost in Mary Norton’s The Borrowers books for hours on end– oh, how I wanted to have little people living in the walls of my house. I loved how resourceful they were, how clever and united as a family they were, especially through all the very hard times they faced

This one I mention with a caveat that I haven’t re-read it in a very long time, and I’m sure there are elements that do not hold up today, but E.B. White’s Stuart Little was another book I re-read so many times. I loved that here was this mouse who was unconditionally welcomed into the family. That no one questioned that he was different was a picture of the world as it ought to be. And then somehow he aged at twice the rate of his sibling and was ready to go off and explore the world long before they were. There was so much hope and inspiration in that story for me. The blending of the world as we know it with the potential for the fantastical is still the terrain I like to explore as a writer.

MUF:  What new MG book(s) do you love? 

AW:  Oh gosh! How much time do we have?

I have been blown away by so many of my fellow 2021 debuts – but I’ll just stick to the fantasy titles for now since that’s where my heart lives.

Root Magic by Eden Royce is gorgeous, magical historical fiction.

The Gilded Girl by Alyssa Colman is a wonderful magical retelling of The Little Princess with a social conscious.

I love the infusion of mythology with adventure in Josephine Against the Sea by Shakirah Bourne.

And last but not least, The Wolf’s Curse by Jessica Vitalis, which will be out in September, is a lyrical and fantastic examination of grief, love and life.

MUF: Can you tell us one thing you learned while writing The Verdigris Pawn?
AW: I learned that white paging a book  (starting over from the blank page) is nothing to fear. In fact,  it’s incredibly liberating. Sometimes beginning anew is the best way to get to the heart of a story.

I’ll explain.

I had a meeting early on with my editors to address some issues on how the story was rolling out. The longer we talked the more I realized that I couldn’t patch it, I couldn’t revise my way to a fix. So, I metaphorically balled the book up into a giant 375 page wad, threw it over my shoulder and started over.

The arc of the story has always been the same, but how it rolled out changed – and so very much for the better!

That experience of doing what I once thought of as the unthinkable has made me more daring, and freer as a writer.

Find Alysa on Twitter @agwishingrad, on Instagram @alysawishingradwrites, and her website at www.AlysaWishingrad.com  (where you might find some Pawn-ish treats and facts).

Thank you so much for having me, I’ve loved chatting with you!

Enter for your chance to win a free copy of THE VERDIGRIS PAWN!

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Middle-Grade Fantasy story featuring strong South Asian Characters: Interview and Giveaway with Payal Doshi

By on July 9, 2021   /   Articles, Author Interviews  

 

Today, we are delighted to have with us, Payal Doshi, author of Rea And The Blood Of The Nectar (Mango & Marigold Press, 2021) with us.

Welcome to Mixed-Up Files, Payal!     

Thank you so much for having me!

Tell us about Rea and the Blood of the Nectar. What was your inspiration for the story?                                                                                                                                                     

           Rea and the Blood of the Nectar is the story aboutRea Chettri, an introverted but curious girl from Darjeeling, India, whose life gets turned on its head on the night of her twelfth birthday. After a fight with her twin brother Rohan, Rea discovers that he has gone missing. Her Amma is distraught and blames Rea for his disappearance. So, Rea along with her neighbor Leela visit the village fortune-teller whose powers of divination set them off on a thrilling quest to find Rohan where they must solve riddles to portal into an enchanted realm and travel to Astranthia, a land full of magic and whimsy! There, Rea must battle evil creatures, confront a ruthless villain, and find out why Rohan has been captured. But the heart of this adventure story lies in Rea’s relationships with the people in her life. Her brother who she was once inseparable from is now the popular kid in school and spends most of his time with his friends. Rea, on the other hand, has always struggled socially, but in her mission to find Rohan she must learn to trust others, find the courage within her, and understand the meaning of friendship and family.

I was inspired to write this story because as a kid, I loved to read but I never saw myself in books. A girl like me never got to be the hero, have magic, or save a realm. I wanted to change that. So, I decided to write a fantasy story rooted in Indian culture that had kids from India who went off on thrilling adventures and became heroes! It’s a story I would have loved to read as a kid and one in which I saw myself. This book has all the elements I loved reading about as a kid—there’s a mystery that needs solving along with an exciting quest, a ticking clock, dark family secrets, unforgettable friendships, a fantastical world, and my favorite, magic!

Could you share your publishing journey with us?

My road to publication was long and winding! I began querying in November 2018. At first, it was great. Most of my queries turned into full manuscript requests. But by mid-December, the rejections started to come in. One of the criticisms I kept hearing was that my book was too long for middle grade. Typically, the word count for middle grade novels is between 50,000-70,000 words while mine was 91,000. I was heartbroken. I had a choice to make: continue querying or pull my book out, edit it down by 20,000 words, and then give it another shot. If I chose to edit the book, I would have to significantly rewrite parts of it since I had to remove one of three POVs. Adding to the daunting prospect of a massive revision, I was pregnant!

         As hard as it seemed, I knew it was the right thing to do. During the last two months of my pregnancy, I cut down 23,000 words and rewrote large sections of the book. Once my baby arrived, I sent the manuscript back to my beta readers to see if the new revisions maintained plot, pace, and character growth. After I emerged from that newborn haze of hormones, sleepless nights, and baby cuddles, I dove back into my beta readers’ feedback and by September 2019, I began querying again. Long story short, I signed with my publisher on January 2nd, 2020! My publishing journey ends with the ever-important lesson: No matter how hard it gets, don’t give up.

What was your research process when you set the story in the foothills of the Himalayas and when you created the fantastical world of Astranthia?

When I was thinking about where to set the ‘India’ part of the story, I knew right away that I wanted to portray a region of India that was beautiful and underrated with respect to its landscape and people. The city of Darjeeling is a stunning hill station in the northeast part of the country ensconced within hills, the view of the majestic Himalayas, and rolling tea plantations. There was just so much beauty to be inspired by in terms of its landscape and culture. Since I had never been Darjeeling, I relied on online research especially the official government website for Darjeeling to get details about which trees, birds and animals could be found as well as tourist accounts on blogs and reputed travel websites. I bought books on Darjeeling to get an idea of the local cuisine and day-to-day life, I peered over every aspect of Google Maps to understand the topography of the land and keep it authentic to the story. After double and triple checking the details from my research, I felt pretty confident that everything I had included about Darjeeling was factual. However, it turns out it wasn’t all accurate! I’m so glad I decided to visit Darjeeling before sending my manuscript to agents because I found several inaccuracies in my descriptions and details and it was only after seeing the city, talking to the locals, and driving around that I was able to correct the inaccuracies and record factual details. So, my top tip for any writer who is writing about a place they have not themselves visited is to visit that place before submitting their work for publication!
Simultaneously, as I was inventing the realm of Astranthia, I wanted to capture that same lushness that Darjeeling exuded. When researching Astranthia, I drew inspiration from nature, the changing seasons, online research from fantasy illustrations and Indian and Celtic mythology. I love reading books in which the world feels like a character in itself and I wanted both settings of Darjeeling as well as the fantastical land of Astranthia to feel immersive, verdant, and magical. I find that descriptions of plants, leaves, trees, flowers, and animal life add greatly to the atmosphere of a place and make the reader feel like they are right there with the characters.

About Rea’s family and sibling relationships …

It was important for me to show Rea coming from a small, nuclear, and broken family – it’s just her mother, her grandmother, her brother, and herself. Stereotypically, Indian families are known to be big, joint families and rarely do we hear about divorce or unconventional family units. I wanted to change because the reality is that there are all kinds of family units and structures in India and as we have begun to talk more openly about it, we are seeing that there are so many kids who come from family structures that are different from that ‘one big, happy family’ narrative. Similarly, I wanted to shake the stereotype of the Indian mother as one who is always selfless, always generous, always making you and your friends eat, and just being wonderful and gregarious. Rea’s Amma is not that at all! She is aloof, cold, and battling her own demons, which Rea does not know about or can fully understand yet. Her relationship with her mother is strained and Rea craves the love and attention from her which she does not get. With respect to Rea and Rohan’s relationship, I based a lot of it on mine and my sister’s dynamic! It amazes me how siblings can be so different from each other, and I loved exploring those opposite qualities in Rea and Rohan. Rea has her insecurities but is a fierce girl who is on the hunt for answers to questions that plague her while Rohan is extroverted and the popular kid in school. They get compared all the time (as so many of us have experienced with our siblings!), much to Rea’s disdain. And as they’re growing into their own people, Rea and Rohan who used to be close as children, are now going their separate ways. I wanted to capture that sibling dynamic of rivalry, jealousy, envy but also fierce love, loyalty, and pride for each other.

Why was it important for you to write Rea’s story?
It was important for me to write Rea’s story because I wanted South Asian kids see themselves as main characters in books and know that they are worthy of going on exciting and joyful adventures as well as being heroes.My first draft which I wrote nearly ten years ago, all 70,000 words of it, was written with white characters who lived in the English countryside. It was only when my writing teacher pointed out my lack of Indian characters did I realize how much the books I had read growing up had subconsciously trained my mind into thinking those were the only types of stories people wanted to read. I wouldn’t change the books I read as a kid, but I sure would have loved to read books with characters that looked like me. This is why representation is important. Underrepresented kids should see themselves in books, see themselves as complex characters, and should grow up knowing that their stories are equally important and wonderful. Similarly, I want kids from other cultures and countries to relate with my characters and see that despite their different backgrounds, they share the same hopes, dreams, and fears.

What are some things you hope children will takeaway from Rea’s story?
South Asian representation is incredibly important to me and it has been my mission and passion in writing this book. What I most hope for is that young readers from all backgrounds see my book as an exciting fantasy story (not one only meant for South Asian kids) filled with characters that can relate to and hopefully love reading about. I believe all kids should see themselves represented in books because each kid should know that they can be the heroes of their own stories. I want South Asian kids to feel seen when they read my book, feel joy and pride for their culture, and know that their stories deserve to be celebrated. At the same time, I wanted to write a story that all kids would enjoy regardless of color, race, nationality, and culture.

Payal Doshi has a Masters in Creative Writing (Fiction) from The New School, New York. Having lived in India, the UK, and US, Payal Doshi noticed a lack of Indian protagonists in global children’s fiction and one day wrote the opening paragraph to what would become her first children’s novel. When she isn’t writing or spending time with her family, you can find her nose deep in a book with a cup of coffee or daydreaming of fantasy realms to send her characters off into. She loves the smell of old, yellowed books. Rea and the Blood of the Nectar is the first book in The Chronicles of Astranthia series. She lives in Minneapolis, Minnesota. For more information, visit her website, www.payaldoshiauthor.com, or follow her on Instagram @payaldoshiauthor and on Twitter @payaldwrites.

Want to own your very own signed copy of Rea And The Blood Of Nectar? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on July 16, 2021 and will be contacted via email and asked to provide a mailing address (US only) to receive a signed, personalized book.

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