Author Interviews

Blast Off with Author Suzanne Slade and her new Space Book

By on October 3, 2018   /   Articles, Author Interviews, STEM  
I am so excited to be interviewing author Suzanne Slade about her new book

 

Countdown: 2979 Days to the Moon (Peachtree Publishers)

 

           Powerful free verse and stunning illustrations tell the true story of the American effort to land the first man on the Moon. In 1961, President John F. Kennedy announced that the United States would try to land a man on the Moon by the end of the decade. During the two thousand nine hundred and seventy-nine days following his speech, eighteen astronauts climbed into spaceships; three of them died before even leaving the ground. Eight rockets soared into space. And four hundred thousand people―engineers, technicians, scientists, mathematicians, and machinists―joined Project Apollo in hopes of making the dream a reality.
Award-winning author and mechanical engineer Suzanne Slade joins up with New York Times best-selling illustrator Thomas Gonzalez to tell the powerful story of the successes, failures, triumphs, tragedies, and lessons from Apollos 1 through 10 that led to the first Moon landing.

 

Junior Library Guild Selection
Starred Review Booklist, Publisher’s Weekly, and School Library Journal

 

Thanks so much for joining us, Suzanne.

 

  What first drew you to this story? Why did you feel it needed to be told? 

 

The Apollo moon missions are of great personal interest to me — probably because I have a mechanical engineering degree and worked on rockets in an earlier career.
I decided to write COUNTDOWN: 2979 DAYS TO THE MOON because I wanted to convey the struggles, successes, and surprises of the early Apollo missions that led to the first moon landing. The book covers the details of 2979 incredible days: from President Kennedy’s announcement that America should land on the moon (May 25, 1961), to Neil Armstrong’s first step on the moon (July 20, 1969.) 

 

COUNTDOWN shares notable events including Apollo 1’s deadly fire and Apollo 8’s first glimpse of the far side of the moon, as well as lesser-known details such as why Apollo 7 staged a mutiny and refused to wear helmets, and how Jim Lovell made chocolate pudding in space.  

 

Is there a reason why you think this story is so pertinent now?

 

The 50th anniversary of the first moon landing is approaching soon — July 2019. I hope this true story of courage, ingenuity, and perseverance inspires readers as they join in the celebration.
Although the Apollo missions were decades ago, their discoveries are still relevant today and important for our future.
These missions helped us to learn about the moon (it’s history, geography, how it was formed, etc.), and they continue to help scientists today learn about space, space travel, Earth, other planets, and much more. 
(Fyi – Check out the Air and Space Museum’s   “Top Ten” Apollo discoveries  list. #2 is my favorite.)

 

 I understand that it took you 8 years to complete all of the research for this book. Can you speak to how you felt during that time?

 

With any nonfiction project, I expect the research to be comprehensive and time-consuming. Since COUNTDOWN is a middle grade (I usually write picture books) about a technical topic, the research was particularly tedious and intense.
My engineering degree, and experiences at McDonnell Douglas Space Systems working on rockets for NASA, provided a technical background which helped me understand the basics of the Apollo spacecraft (Saturn V rocket, command module, service module, lunar module), but I still had a  lot  to learn. 

 

To your question, during my research for the book I felt inspired, discouraged, curious, frustrated, overwhelmed, exhilarated, and many other things. But the overriding emotion was excitement. It was thrilling to delve into the details of this amazing time and discover fascinating facts about the missions and astronauts that I’d never heard before. It was especially rewarding to write this amazing story for curious readers. I think they’ll be blown away by the astounding Apollo missions.

 

Can you give a few insights into how you found your sources?  

 

 
Of course, I focused on primary sources — NASA transcripts*,  Apollo photo archives, NASA websites, and astronaut biographies. 
Email inquiries to astronauts resulted in interviews with Alan Bean (4th man on the moon) and correspondence with astronaut Walt Cunningham.  I was unable to find contact info. for some astronauts, and  a few didn’t reply to my emails . But I was very grateful for the many reliable sources I found, and to the experts who enthusiastically helped with the accuracy of the project.
[*NASA Transcripts are public domain. Discussions between astronauts in flight and mission control are found in the   Apollo Flight Journal.  Dialogue after landing on the moon is in the  Apollo Lunar Surface Journal .]
 
I also visited museums where I studied Apollo spacecraft and space suits first-hand.  After the manuscript was complete, I asked several experts to vet the story. Thankfully, Dr. Dave Williams (PhD from NASA), and three others lent their expertise to the project.  My “Sources Doc,” which contains all the sources for the facts in the story, ended up 51 pages long.
 

 

This book is in verse. Do you write all of your books in verse? And if not, why did you choose to do that for this one?

 

Only a few of my books are in verse.  Actually, I didn’t choose this format for COUNTDOWN, the story did. 
Here’s how it happened. After years of research it was finally time to start writing, so I sat down to pen Chapter 1. To my surprise, the words came out in short, energetic lines. The text felt powerful, tense, and urgent, just like the events they described. So I kept writing in free verse. With some books, it seems the story knows how it wants to be told and the author has to go with it.

 

 Do you have a particular passion for writing STEAM/STEM books? 

 

 
Science and math were my favorite subjects all through school. In my free time now, I find myself reading about new science discoveries, watching science documentaries, or asking my son about his latest research projects, so science seems to be one of my favorite topics to write about.
 

 

Why do you think young readers would find this book interesting? Important?

 

It’s been nearly 50 years since the first moon landing. This incredible event is often summarized in history books  with a few lines or paragraphs   that discuss the Apollo 11 landing and Neil Armstrong’s first step on the moon. 

I think readers will be fascinated to discover more about the details and determination it took to get to the moon. The accomplishment of the  Apollo team, who made countless sacrifices to put the first human on the moon,  is nothing short of a miracle!

I hope COUNTDOWN allows readers to gain a deeper understanding of the the inspiring 2979 days that led to the moon landing. Also, Thomas Gonzales’ illustrations are simply stunning!  His glorious art is detailed, powerful, and emotional — just like the missions.

 

 COUNTDOWN recently released on Sept. 1. How has the book been received?

 

 
COUNTDOWN is a 2018 Junior Library Guild Selection, and has received Starred reviews from Booklist and Publishers Weekly. I was invited to present the book at the National Book Festival in Washington, DC (which happened to be the day it released,) so that was exciting. 
​
 

 

 Any new works on the horizon that you can discuss? 

 

I have two more “space” picture books releasing March 2019, just in time for the 50th anniversary of the first moon landing:   A Computer Called Katherine: How Katherine Johnson Helped Put America on the Moon  (Little, Brown) and  Daring Dozen: The Twelve Who Walked on the Moon (Charlesbridge).

 

Those books sound fabulous, too. Congratulations on all your successes!
Suzanne is generously offering to giveaway a  COUNTDOWN book mark which contains an authentic moon rock!! To take advantage of this amazing opportunity, please leave a comment below.
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Author Interview: Shea Fontana

By on September 27, 2018   /   Author Interviews  
DC Superhero Girls: Out of the Bottle Cover

DC Superhero Girls: Out of the Bottle Cover

As a proud comic book nerd, one of the coolest things about my job as a collection development librarian is  the opportunity to preview the latest in the DC Superhero Girls series, OUT OF THE BOTTLE, which was released in August, and SEARCH FOR ATLANTIS, which hits bookstores on October 2nd.

OUT OF THE BOTTLE highlights Harley Quinn as the comic book character she’s created for Ms. Moone’s art class comes to life and wreaks havoc on Superhero High. SEARCH FOR ATLANTIS introduces Raven and Mera to the team. Mera is a new student at Super Hero High, and as she and Wonder Woman becomes friends, Bumblebee becomes anxious that she’s losing her best friend. When the heroes discover that Atlantis has been stolen, the girls have to work together to get it back.

DC Superhero Girls: Search for Atlantis Cover

DC Superhero Girls: Search for Atlantis Cover

Then, I had a chance to talk to author Shea Fontana about the series.

MUF: Every book in the DC Superhero Girls series deals with an important life lesson. For example, OUT OF THE BOTTLE stresses the importance of mental health care, and SEARCH FOR ATLANTIS deals with accepting change. Do you feel that the graphic novel format makes these issues more accessible for young readers? If so, how?

The graphic novel format really gives us the space and intimacy with the reader to dive into big ideas. Plus, having these awesome, well-known characters explore these topics makes it accessible for kids. Our heroes are aspirational for kids reading the books, and we want to show kids that even heroes face hardships. When kids deal with those types of things, like mental health care or accepting change in their friendship groups, it can feel very lonely and it helps to know that superheroes are dealing with it, too! My goal with these types of stories is to always help kids feel less alone and empower them — like they have a team of superheroes that can fight and win every battle with them.

MUF: SEARCH FOR ATLANTIS has a couple of new beginnings. Both Mera and Raven are introduced, and the Teen Titans were essentially formed. Which of these new beginnings were you most excited about introducing? Was it fun brainstorming new names for the Titans? Were there any rejected names that didn’t make it into the book?

I loved integrating both Mera and Raven into this graphic novel! Both are such wonderful, and very different characters. From the beginning of the series, I knew that I wanted to build up to the Teen Titans reveal, bringing together the traditional Titans that kids know from the TV show as well as the comic book version that includes Miss Martian and Bumblebee. The misnaming thread was a fun way to build the tension toward what everyone knows is coming — of course their group name should be the Teen Titans!

MUF: Why was Brainiac chosen as the villain for this story?

We knew that Brainiac got away at the end of the DC Super Hero Girls: Intergalactic Games animated movie, so he’s been waiting in the wings for his next attack. Since in the Legends of Atlantis movie, we meet Mera and Aquaman under water on their “turf,” I wanted to do something different, but still Atlantis-oriented with this story. So, I decided to bring Atlantis out of the water. Since Brainiac is a collector of bottled cities, it seemed the perfect fit.

MUF: What was your favorite part of the story? What was the most difficult to write? What was the most fun?

My favorite part of the story is how Miss Martian steps up as a leader. She’s not the regular kind of leader that the heroes expect — she doesn’t seem as bold as Wonder Woman or as outgoing as Supergirl. But she has a quieter style of leadership that is just as valid.
The ending on this one was difficult for me to write. I really felt for and related to Bumblebee!

MUF: Who’s your favorite superhero? Who’s the most fun to write about? Why?

I loved writing Raven in this story! Her personality is a great contrast to a lot of the other characters. She has an edge and attitude that we don’t often see in kid superhero stories and it’s fun to explore that. 

MUF: Conversely, who’s your favorite villain? Who’s your favorite to write about?

We have had so many fun villains in this series, both in the graphic novels and the animation. I think my favorite is Dark Opal, because he went into villainy as a back-up career when musical theater didn’t work out. Mera’s sister, Siren, who we meet in the Legends of Atlantis animated move, is also great. She’s so controlling and manipulative.

MUF: If you could teach any class at Superhero High, which one would you want to teach?

Power Naps 101.

MUF: Right there with you! I think that would be my favorite class to take. Is there a superhero or villain that you’d like to write about that you haven’t yet? Who?

It had been Batman, as he is my childhood favorite hero, and he is not featured in DC Super Hero Girls. But now I’ve had the chance to write him in BATMAN: OVERDRIVE which will be published under the upcoming DC Zoom middle grade imprint! I can’t wait for everyone to read it — it’s some of the most fun I’ve had writing.

MUF: And finally, do you have any advice for aspiring writers and writers who would love to work on graphic novels one day?

Read a lot and do a lot! The best way to get familiar with story structure, dialogue, and how graphic novels work is by reading. But the best way to come up with stories is by doing! While the old adage of “write what you know” isn’t true (I don’t know how to fly or shoot lasers out of my eyes), the more you experience, the more you’ll have to pull from when thinking of story ideas. Whenever I need the courage to do something new, I tell myself, “Well, it could be a good experience for a story…”

Shea Fontana is a writer for film, television and graphic novels.  Her credits include developing and writing the DC Super Hero Girls animated shorts, TV specials, movies and graphic novels; Polly Pocket, Doc McStuffins, The 7D, Whisker Haven Tales with the Palace Pets, Dorothy and the Wizard of Oz , the new Muppet Babies series; two Disney on Ice shows where she wrote new material for the worlds of Mickey Mouse, Inside Out, Disney Princesses, Finding Dori, Frozen, and other Disney and Pixar properties; and the feature film, Crowning Jules. Learn more about her and her writing at http://www.sheafontana.com/.

 

 

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Author Interview: Amanda Rawson Hill

By on September 10, 2018   /   Articles, Author Interviews, Giveaways, New Releases  

Happy Monday, everyone!

I’m excited about this author interview because it gives me a chance to introduce our Mixed-Up Files community to one of my favorite middle-grade writers, Amanda Rawson Hill. Her debut novel,  THE THREE RULES OF EVERYDAY MAGIC (Boyds Mills Press), drops on September 25.

And what’s more …. we get to give one lucky reader a copy of THE THREE RULES OF EVERYDAY MAGIC! After you read our interview with Amanda, scroll down and enter the Rafflecopter to win.

Author Interview with Amanda Rawson Hill

My son and I read THE THREE RULES OF EVERYDAY MAGIC at the same time, which allowed us the fun of collaborating on an author interview with Amanda about the amazing Kate and how her brand of magic came to be.

MUF: How did you come up with the concept for the Three Rules of Everyday Magic? And by that, we mean the theme of the book AND the three rules themselves?

Elizabeth Gilbert is a best-selling author and she wrote a book called BIG MAGIC that talked about the theory that ideas are actual THINGS that exist outside of a person and are just waiting to be found. That’s sort of what finding the theme and the three rules felt like. When I started writing the book, I didn’t know it was going to be about connecting with others through giving. I just knew it was about a girl and her grandma. When Grammy taught Kate how to knit a hat, that’s when I realized that the book was about giving. I actually worked on the book for about ten months before I did a major revision that added in the THREE RULES OF EVERYDAY MAGIC. I was writing while on a cross-country drive and all of a sudden my fingers typed out Grammy saying, “That’s the first rule of Everyday Magic. You have to believe.” It wasn’t in my head before I wrote it, but all of a sudden it was there on the paper. And I thought, “What are the other rules?” That’s when it all came to me. Like it was one of those ideas just floating around in the air waiting for someone to latch onto it.

So I guess that’s a long way of saying, “I don’t know.” Sometimes…most of the time…I don’t feel like I did come up with the rules. I feel like they kind of exist outside of me and were just waiting to be discovered.

MUF: Did you conceive of Kate before the book? Or did she grow along with it?

A bit of both. There are certain things about Kate that haven’t changed at all since the very first words of the first draft. Her love of karate, her hatred for the color pink, her secret crush on Parker. But there was a lot of her that I felt like I really didn’t know after the first draft. So I opened up a blank document and completely rewrote the entire book trying to really tap into WHO KATE IS. I ended up writing that version in epistolary format. The whole thing was told in letters to her dad. It didn’t stay that way, but doing so allowed me to really get to know Kate because letter writing requires a certain vulnerability which Kate didn’t really want to show me (and I still struggled to get her to open up to me all the way, even in much later drafts.) That’s what the symbolism of the pink is all about. Kate becoming comfortable with being vulnerable.

MUF: The poetry in this book is simply lovely and we just loved the way Kate’s teacher structured the history lesson with poetry and self-expression. Have you done this yourself as a homeschooling mother?

I’ve done poetry with my kids before, but I haven’t done this specific kind of poem with them yet. I got the idea for it at a writing conference I went where George Ella Lyon herself was presenting about how to write a ‘Where I’m From” poem and how to help children write one. It was such a great class, and everyone shared lines of their poems and I loved it so much that I knew I had to use it in my book.

MUF: Another special piece of the poetry in this book is that Jane’s poem was written by Joan He, a friend who is also a writer. How did you come by her poem?

I actually asked Joan and paid her to write it just for this book. It was important to me that Jane’s poem was authentic to her experience as a Chinese American, and I just didn’t feel like I could do that justice, even if it was just a few lines. I felt Joan’s knowledge and authenticity would really add something that I couldn’t bring to it, and I definitely think I was right about that because the poem is amazing and beautiful.

MUF: The themes of loss and depression are tough to write about – and poor Kate has to cope with some terrible losses. How did you approach writing these themes for a middle-grade audience?

I started out approaching them much more simply, with Kate simply referring to her father’s depression as “the sadness” and describing it all about his eyes and just lying in bed all day. But when it sold, my editor made me get much more specific about it. She had me refer to it by name, call it a sickness every time. She wanted me to show the slow development of it, other ways it manifested, etc. Which meant that I then went and talked to a lot of different people who had experienced it, so that I could show it in several true ways. I think that’s important. There are lots of kids dealing with depression, whether in their parents or themselves, and so naming it and accurately portraying it is absolutely vital, even if it’s hard because we’d like to just simplify and shield kids from it, right? But that doesn’t end up doing anyone any favors.

However, I did still have to filter all this information through the eyes of a child. I think that’s where the hope comes in. That quiet, undying hope that everything can and will get better eventually. And when you let hope color these hard topics, even when you face them and the pain head-on, it makes it approachable for a middle-grade audience. That’s the number one rule. Hope. Always.

MUF: What is your favorite passage?

Oh man! What a hard question! There are so many that I love. I think my absolute favorite though is, “Grammy said that magic happens when love becomes visible, when you give people something they can hold. But I think she was wrong about that. Because some things you can’t hold, not really. Like a firm squeeze that says it’s okay, or a song that makes you feel better. Like a family that’s always, always a family no matter what. You can’t knit that, or cook it, or draw it, or write it. But all those things are magic.”

Followed closely by this one that always makes me cry. “I’ve waited five months and twenty days to hear Dad say my name again, to say it like he knows me for real and forever, and when he does, it’s like somebody shaking up a root beer and pouring it over ice. All the foam comes spilling out from inside of me. ‘Daddy, please come home. Please come home. I can make you happy again. Mom will understand. I know you’re sad. But I’m sad too. And Mom’s sad. She needs you. We need you.'” (This passage hasn’t changed since the very first draft, which is kind of miraculous.)

MUF: We got chills AND tears in our eyes when we read that part, Amanda.

MUF: Congratulations to you, and good luck with your launch. And — thank you so much for offering to give away a copy of THREE RULES OF EVERYDAY MAGIC!

Amanda Rawson Hill

Amanda Rawson Hill grew up in Southwest Wyoming with a library right out her back gate. She got a degree in Chemistry from Brigham Young University and now lives in Central California with her husband and three kids. THE THREE RULES OF EVERYDAY MAGIC is her first novel.

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