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Reluctant Reader Meet Reluctant Writer

Young girl sitting at her desk with her head down in a book.

As educators, parents, and creatives, we are very familiar with the notion of the reluctant reader: young—and old—readers who dread picking up a book, yet alone finishing it! Educators struggle with recommending interesting stories to unmotivated readers. Parents struggle with unfinished library books that their children just HAD to have. Writers struggle with creating unique and binge-worthy tales for their audiences. While the concept of a reluctant reader is well known, its counterpart—the reluctant writer—may not be as popular. 

Some students may be labeled as reluctant writers because they have a deadly aversion to writing. Be it a short-answer response on their exams, or a creative story for an assignment, reluctant writers have zero desire to put their thoughts down on paper for whatever reason. This scenario happens to the best of us and I would proudly declare that I consider myself to be a reluctant writer. Even if I know I have amazing stories to tell, when it comes time to sit down and put pen to paper, my brain shuts down!

For many of us, the start of a new project is always exhilarating. It’s thrilling to sit up and think about new characters, new worlds, and new loves. The entire process is always exciting at the beginning. When you open up a fresh, blank document and start typing your first words, all of your ideas flow easily onto the page. The story starts off strong and your characters come to life while you document their trials and tribulations. Your plot thickens as you hit a groove and steadily add to your word count day after day after day. But then suddenly, it happens without warning ~ writer’s block. 

Clip art of a boy at his desk with his hand on this chin, staring into space.

Your ideas become stale, your writing stalls. Your blank pages stare back at you, judging your ineptitude. Your characters whisper behind your back and mock your inability to continue the story. Your world fades the longer you miss your streak and fail to add new words. Eventually, you stop opening the document and move on to a different project. Another manuscript sits in your folder, hoping to see the light of day again, but you both know that story is done. This vicious cycle of new stories, vigorous writing, stalled plotlines, and incomplete manuscripts lives at the heart of today’s truth. 

Writing is numbing. 

It’s extremely difficult to maintain a strict writing schedule when you have life coming at you from all sides. Plus, brilliance rarely strikes every day, so I believe it’s bad practice to force yourself to write every day. Burnout is real and so is the pain of being unable to complete your beloved manuscript. This pain becomes so numbing, you’re unable to do anything else. 

Yet knowing that inspiration comes when it wants, it’s very possible you’ll miss it if you don’t have a steady routine. I know this sounds very contradictory, but the writing process is not just about writing. There are so many other writing-related things you can do when you are caught in the middle of a creative drought. 

Learn to acknowledge the numbing feeling of writer’s block and look for ways to break free from it. Invention is the most difficult part of creation, regardless of the medium you work in. And it’s hard to find the right words to articulate the vision you have in your head. Oftentimes, the words don’t want to come or the scenes just don’t flow.

To trigger my creative side, I’ll take a break from forcing myself to write and wind down by reading or watching shows. Once inspiration hits, I’ll have a brainstorming session to help me get over my writer’s block. Nothing major or planned. Just a quick free write to jot possible ideas down on paper. Usually, this gives me a starting point for stalled manuscripts and I will feel ready to return to them.

Another helpful tip is having writer friends or accountability partners that understand what you’re going through and can pull you out of your self-inflicted misery. We all go through bouts of imposter syndrome, but it doesn’t mean you need to succumb to this malady. It’s important to acknowledge when we’re feeling this blockage and fight to find a way to step away from the numbing pain to seek another new beginning. 

Aerial shot of a group of writers sitting a table with their laptops, notepads, clipboard and drinks during a session.

The more you allow yourself to write without restraint, you’ll find the ideas flowing more freely. Eventually, you’ll find your creative groove and hopefully move away from being a reluctant writer to a productive one! Just know that we’ve all been there and if you ever need a positive push, my inbox is always open! Signing off from the trenches, I’m manifesting great writing sessions and envisioning everyone finding your voice and creating some amazing stories to inspire the next generation of reluctant readers and writers! 

Diversity in MG Lit #52 March & April 2025

I will start this month’s diverse books round up with two graphic novels who have some things in common. Both are great examples of the diverse friend group story. They used to be rare but now diverse friend groups are the norm in MG fiction. It also belongs to a growing category of diverse books in which the diversity of the characters is not the central plot of the story. And finally, both of these books highlight anxiety which is a dramatically growing problem for children of all ages. The graphic novels are The Cartoonist Club by Raina Telgemeier and Scott McCloud and Speechless by Aron Nels Steinke, both from Scholastic Graphix.
book cover The Cartoonist ClubThe Cartoonist Club is about a group of middle school kids who form a cartoon making club. Along the way they learn a lot about the craft of making comics from the fairly simple, how to cut and fold and 8 page zine, to the more challenging, how to make an infinite number of facial expressions by combining 6 core emotions.
book cover SpeechlessSpeechless is also a school based story about a girl who is so affected by her anxiety that she cannot speak aloud at school. Mira, the hero of Steinke’s graphic novel uses stop motion animation to express herself creatively and that medium of speaking through animation forms the spark of learning how to use her own voice.
book cover whale eyesThough it is not a graphic novel, Whale Eyes by James Robinson is a visually interesting and intimate look at what it is like to have a visual disability as a child. It’s fascinating and thoughtful, based on the Emmy Award winning film created by the author. Books on visual impairment are few and far between. Glad to have such a high quality option for young readers.

book cover Opal Watson

Opal Watson Private Eye by Brittany J Thurman is based on the Opal Watson podcast. Twelve year old Opal solves mysteries in her Chicago apartment building. Her voice is infectious and the mysteries reveal some aspects of her family history.

I love seeing more illustrated books in MG fiction. Afia in the Land of Wonders by Mia Araujo is a fresh spin on Alice in Wonderland. Afia meets a shapeshifter who takes her to a book cover Afia in the Land of Wondersmagical world which at first seems too good to be true, but in the end forces her to be true to herself and face her deepest fears. This is a debut from an author/illustrator I hope to see much more from.
The books I’ve reviewed here are strongly influenced by the ARCs that come to me at the bookstore. They are far from the only diverse books published in the last two months so if you have a favorite I missed, please mention it in the comments.

Interview with Sarwat Chadda, Author of STORM SINGER

In Storm Singer, twelve-year-old Nargis, who has the ability to communicate with elementals, is caught up in an epic struggle for the fate of the land of Bharat after she encounters Mistral, prince of the eagle garudas who rule over the kingdom. He’s on the run after a coup which imprisoned his parents. Nargis reluctantly agrees to aid him, thus setting the unlikely allies on a dangerous adventure.

The cover of the book Storm Singer. A girl with a crutch and a bird-like boy with wings pose against a storm.

 

MUF: Thanks for taking the time to speak with us. Storm Singer is a fascinating story, and I’m excited to learn more. What inspired this story? What elements led to the creation of the world and the characters?

SC: Nargis inspired it. I wanted a hero that represented the weakest and the most downtrodden, and show how someone like her can rise up and overthrow a tyranny. Ultimately what inspired it was the awareness of how unjust the world is, that it is overflowing with resources, and yet those resources are horded by the few. I wanted to write about climate change, but in a fresh way, and fancied creating a cool magic system!

MUF: While taking place in a secondary world, Storm Singer invokes the Arabian Nights and Hindu mythology in the form of the birdlike garudas. Can you tell us more about your use of folklore and myth, and how you adapted it for this tale?

SC: I wanted to create a whole fantasy world that was entirely eastern, but not too bound to one setting or another, hence mixing Indian mythology with the Arabian Nights. Plus I wanted to fill the tale with magic that didn’t owe anything to western/European fantasy. Ironically the concept of elves, dwarves, knights, dragons, etc are now so common they no longer feel ‘fantastical’. I wanted to bring that feeling of the weird and wonderful back, hence creatures like garudas and rocs.

MUF: Courtesy of a childhood accident, Nargis now uses a crutch to walk. What can you tell us about this aspect of her character?

SC: There’s not much to tell. It is just part of who she is. I took a lot of advice on how to portray her in a matter-of-fact, day to day way. Thematically it magnified the difference between her and Mistral, who can after all fly but is, for the most of the story, trapped on the ground as well.

MUF: You like to travel and to incorporate your experiences into your work. Did any of that come into play with Storm Singer? What sort of research or references did you use in developing this?

SC: I recently went to Morocco, so that will flavour the writing. But the main theme, the vast gap between those with wealth and power and those without, comes from the news, and just seeing what the world is. Covid certainly exposed many injustices between the classes, and that inspired Nargis’s story. The garudas in many ways represent the 1%, those rich enough to ignore the troubles of the world, while often being responsible for them.

MUF: What do you hope readers will take away from this story?

SC: Two things, love of the characters, and the awareness of injustice.

MUF: You’ve released 16 books in 16 years. How do you maintain such an impressive output in so many different genres and themes?

SC: I always say ‘yes’! Ask any freelancer and they’ll all tell you the same thing. You don’t turn down work. Themes come as you write, often they’re based on what’s happening in the world, but viewed through the distorted lens of fantasy. My first novel, Devil’s Kiss (2009), was written in response to the Iraq War and Storm Singer was heavily influenced by Covid, and the disparity between the haves and have nots. On top of the novels I’ve written Legend of Hanuman and Baahubali: The Lost Tales for Disney Hotstar and Amazon in India, about 12 seasons all in all. Now that I’ve been around quite a bit I do get editors approaching me with projects, and recently I’ve got jobs based on pitches and sample chapters, rather than having to write the whole thing. There are times when I do get burnt out, I must admit. But in the end I really like writing. There are so many different stages of the process. Research, first drafts, revisions, getting the cover art!

MUF: You’ve said that the best way to learn storytelling is to play role-playing games. Can you expand on that thought? What other advice would you give fledgling writers?

SC: RPGs are pure story-telling. I wrote my own adventures for years for our group, I still do. You can use them as testing grounds to your plots! Also, you have a live audience, your players. You can see what works and what doesn’t. They will ruthlessly exploit any plot holes! My other advice is FINISH. There are no more important words in a manuscript than ‘The End’.

MUF: You wrote a fantastic, apocalyptic Mesopotamian myth-inspired duology, The Adventures of Sik Aziz,for Rick Riordan Presents. What was it like working with that imprint, and is there any chance you’ll do more with them?

SC: IT WAS AWESOME! Rick and I had crossed paths previously, he was an early fan of my Ash Mistry trilogy and a huge supporter of my work throughout, plus we shared an editor, so there was a lot of overlap prior to being invited to join. I knew I wanted to write a Muslim protagonist, but the Arabian Nights angle had been done to death. The whole RRP gang are a great bunch, I’ve never felt such camaraderie amongst writers before. First time in my life I got to hang out with the ‘cool kids’. I do have something coming up soon, not quite RR-related, but VERY CLOSELY connected!

MUF: What’s next for you? Do you have anything else planned for the world or the heroes of this book?

SC: The sequel, The Crow’s Revenge! Oh, Sickle, my beloved crow assassin from the first book, has not finished with Nargis quite yet.

MUF: Bonus question: You’ve expressed a love of dragons as “boss-level creatures.” Which dragon from any aspect of literature, myth, or popular culture is your favorite?

SC: Easy! Tiamat! The goddess of chaos from Mesopotamian mythology out of whose corpse the universe was created. And, cough cough, the big bad in my novel, Fury of the Dragon Goddess

 

FURTHER INFORMATION:

Headshot of author Sarwat Chadda, a dapper bald man of medium age

Sarwat Chadda is the New York Times bestselling author of the City of the
Plague God duology, the Spiritstone Saga, the Ash Mistry trilogy, the Shadow
Magic trilogy, and the Devil’s Kiss duology. He has written for Star Wars and
Minecraft as well as the 39 Clues and Spirit Animals series. Sarwat is a first
generation Muslim immigrant of South Asian descent who loves writing over
the-top adventures. His work has received numerous starred reviews and was a
Goodreads Choice Best Middle Grade Award Nominee. He has been published
in over a dozen languages. Outside of novels, he’s written plays, comic books,
and TV shows, including The Legend of Hanuman for Disney+ Hotstar. Sarwat lives in
London. Feel free to drop him a line on X (previously known as Twitter) at @SarwatChadda
and Instagram at @Sarwat_Chadda or visit him at SarwatChadda.com.