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A look back, a thank you & a goodbye (for now!)…

Mixed-Up Files friends!

Hard to believe, but I’ve been here blogging with the wonderful folks at the MUFs as one of the original members for more than six years now. Yes, six years! A lot has happened during that time — I moved overseas and back (yay military life!), watched my kids go from little to not-so-little (*sniff!*), and went from being an unpublished, aspiring author to someone with almost a dozen books out in the world. It’s been quite a ride so far!

But, as I’ve learned in the last year with the publication of my debut YA novel, there’s an awful lot of work that happens after your book hits the shelves. (You know, once you’ve collected yourself from the floor after spotting that thing you wrote in the Barnes & Noble… ). I’ve been busy doing book signings, conferences, school visits, festivals… (No complaints, though! I absolutely love getting out and meeting readers!)

Of course, I still need to write… :). So, for that reason, I’ll be taking a break from blogging here. But before I go, I’d like to share my journey to becoming a published author. It’s a question I get a lot when I speak to groups. It’s a bit personal and a bit long — but I hope you’ll stick with me until the end.

I guess you could say, like most authors, I’d always dreamed of being a writer… someday. I wrote a lot as a kid, studied literature in college, went on to be a journalist, etc. And there was always that little voice in my head creating stories, nudging me to write. But the truth of the matter is, the thought of actually sitting down and writing a book, of putting myself out there open to criticism — well, it terrified me.

(Besides, life has a funny habit of getting in the way. New jobs, marriage, first kids… I’d always quiet that little voice by telling myself I could write that book later — when I was older/wiser/less busy/not afraid. I’d get to it someday.)

Then, my dad unexpectedly got sick.

It was ten years ago. I was a new mom with a young son when out of nowhere my dad fell ill. One day, he was vibrant, healthy, active; the next, he was struggling to breath, suffering from something called “idiopathic constrictive bronchiolitis.” Which, was basically a fancy medical way of saying the small airways in his lungs had become irreversibly inflamed, making it impossible to exhale — and nobody knew why.

It was progressive. It was debilitating. And there was no cure.

With my brother and my dad, my hero.

With my brother and my dad, my hero.

At the time, I lived outside DC, my dad lived in Vermont. I traveled to see him as much as possible, taking him to consult with doctors and specialists — always hopeful they’d find some way to help. Various experimental medications were tried, some with side effects that seemed worse than the disease. Swelling. Fatigue. Brittle bones. Physical therapy didn’t help. The only hope was a lung transplant, but he was ultimately deemed to sick to survive the surgery.

In the meantime, my brother was in the middle of his own someday — visiting our dad as much as possible while finishing his medical fellowship in upstate New York, and getting ready to come home to Vermont and get married.

We all kept hoping for a miracle. That Dad would get better. But as his health grew progressively worse, Dad became focused on just one goal: to get to his son’s wedding.

June came, my brother’s wedding weekend rolled around. It was a semi-destination type event at a resort on Lake Champlain in Vermont — the quaint sort of place with paddle boats, no televisions, no cell phone signal. My dad arrived, confined to a wheelchair, tethered to an oxygen tank. There were hairline fractures in his back, side effects of the heavy steroids that kept him breathing. But he was still optimistic, still smiling, still fixed on his goal. He bowed out of the rehearsal dinner that night — the one he’d paid for and helped plan — to save his energy for the big day.

He was going to make it to that wedding.

The morning of the ceremony, a huge storm blew across the lake — the type that topples trees and downs power lines. It would later seem incredibly symbolic that the oldest tree at the resort was uprooted that day. But at the time, we were all busy getting ready, hurrying to the church, having our pictures taken. A groomsman was charged with making sure my dad and stepmother got there safely.

But as the final guests arrived, my dad wasn’t among them. Time slowed to a crawl as we began to panic. There were several frantic calls to the resort, and to cell phones that went straight into voicemail because there was no service.

We all feared the worst.

Finally, we saw my dad’s car pull into the parking lot. I can’t even explain the relief that washed over me as the groomsmen rushed outside and wheeled him through the blustering wind and rain to the front door.

My dad had done it. He made it to the wedding.

And as he crossed the threshold, rolling safely inside, out of the storm — his head gently dropped to his chest.

And he took his last breath.

It was probably the most profound, sad, and life-changing moment I’ve ever experienced. In one instant, the lens through which I viewed the world shifted. It was the day I truly realized that time is finite, and I had to stop waiting for “someday.” It was the moment I realized I could be afraid, but I couldn’t let fear keep me from moving forward.

If my dad could make it to that church — if broken bones and oxygen tanks and wheelchairs couldn’t stop him — I could write a book.

So, I did. I wrote a book. And then I wrote another one. And then I wrote three more before finally landing an agent. That was eight years ago. And it took almost three years from then to land a deal with book packager Working Partners and see my first book published, and three more before my debut with Disney sold. It wasn’t easy.

But, if my dad could make it to that church — I could handle the rejection, the tough reviews, the waiting to hear on a submission.

I could make it to my own personal church.

And so can you. As I tell people during my speaking engagements — whatever your goal, wherever your church, whatever your destination, you can cross that threshold. You can make it.

Just don’t be afraid to take that first step.

So as I sign off here, I’d like to thank you for being part of my journey the last six years! It’s been a wonderful, inspiring ride so far. And, of course, I wish you all nothing but the best on your own travels through life!

(p.s. For those who are wondering, my brother did get married later that day, on the dance floor at what would have been the reception hall, circled by the guests holding hands, with my cousin singing Ave Maria a cappella. It was the most beautiful wedding I’ve ever attended, without a dry eye in the house, and I know Dad would be proud.)

Jan Gangsei won’t be blogging on the Mixed-Up Files anymore, but she’ll be hanging out in the comments every now and then, and you can find her at www.jangangsei.com, and on Facebook and Twitter. Someday, she might even post something on Instagram.

Hook your Reader with a TERRIFIC First Line

“It was a dark and stormy night.”

(A Wrinkle in Time by Madeleine L’Engle)

 

“Where’s Papa going with that ax?”

(Charlotte’s Web by E. B. White)

Some people call them “hooks”—that all important first line of a book. Imagine a fishing hook with a fat juicy wriggling worm on the end. That worm is much more appetizing to a fish swimming by than the metal hook will ever be dangling all by itself–and so will a juicy first line of a book to potential readers cruising the shelves in a bookstore or library.

A fishing rod and worms is how I describe the creation of story hooks when I do my Creative Diary writing workshop with kids. You want to throw that great, delicious hook out there, capture your reader, and then reel them in and not let them go until they reach THE END. As a writer or a librarian or a teacher trying to grab a child with a book, we want our potential reader to get intrigued, to *Get Hooked* and KEEP READING.

So just how important IS that opening first line or first page for Readers and how important are first lines for Writers?

Let’s go to our panel of experts:

Readers First!

Aubri, 15-years-old: “The cover of a book definitely draws me in first, but the first line makes or breaks it. I have to be intrigued, but I also like funny stories like the Junie B. Jones books that start out really funny and scary books where a character might be in prison and something is going to happen to them.”

Shelby, 12-years-old: “A first line makes me want to keep reading. If it’s boring, I’ll stop. I will probably read the whole first page, but unless I like it, I’ll stop reading the book. When I’m browsing the bookshelves, I read the synopsis on the jacket, too. And the Author stuff on the back.”

Milyssa, 16-years-old: “I like good first lines, but it’s more than that. The whole first paragraph has to be great.”

Writers Next! (Clicking on the author’s name will direct you to their website)

KIMBERLEY GRIFFITHS LITTLE (moi):

“I’m a sucker for great first lines. I also spend a lot of time thinking about my own first lines when I begin a book. Sometimes it takes until the end of drafting before I know what works best. Here’s the first line from my novel, When the Butterflies Came: ‘The first butterfly comes the day after the funeral.’ I hope it raises questions like “the first butterfly?” or “who just died and why are butterflies showing up?

Keep reading for more thoughts about First Lines and great books from some wonderful MG authors!

VIVIAN VANDE VELDE

“The first line needs to set the stage, giving us a glimpse into when and where the story takes place so we can immediately begin to picture things. Optimally, it should give us a meaningful glimpse at the main character–saying, thinking, doing something relevant to the story. (That is, I don’t think highly of stories that try to grab you with a cheap falsehood, as in: Terrified, Melanie screamed, convinced she was going to die. Of course, no one had ever died from seeing a mouse, but it COULD happen…) It should set the tone, giving us the voice of the character if it’s in 1st person.

And, if possible, hint at the conflict which will be at the heart of the story.

The story where I think I accomplished this most successfully is GHOST OF A HANGED MAN, which starts: “Pa said we were too young to go to the hanging.”

 

 

GREG LEITICH SMITH

“The voice has to grab you and make you want to continue and there should be some follow-through in the rest of the novel about the thing(s) that arose in the first line.

In NINJAS, I used, “I knew I was in trouble when I heard the cello,” which lets us know the protag is (a) in trouble and (b) is in some strange situation wherein that trouble is announced via a cello. And the “trouble” itself forms the basis for the main conflict.”

 

BARBARA O’CONNOR

“First lines set the tone for the story (funny, dramatic, etc). First lines are the front door of the story and should say “come on in”.

My new favorite first line is from The Fantastic Secret of Owen Jester coming out the end of August: “Owen Jester tiptoed across the gleaming linoleum floor and slipped the frog into the soup.”

 

HEATHER VOGEL FREDERICK

“The former journalist in me always thinks of first lines as the “lead” to a story. When I was writing for newspapers and magazines, I always found that once I got the lead right, the rest of the article flowed from there. It’s like building a house on a solid foundation.

My goal for the first line is to reach out and grab the reader by the lapels and pull them into the story.”

Favorite first line? Still my first-born, from The Voyage of Patience Goodspeed:

“‘Absolutely, positively not!’ roared my father in a voice meant to be heard through the teeth of a Cape Horn gale.”

 

 

BARBARA BROOKS WALLACE

“Tell him, Muddle! Tell him we’re not mice!”

The first sentence of The Barrel in the Basement is a first sentence that HAS to be followed by the second – which is even better!

“Pudding gazed with horror at the huge yellow cat who lay on his side daintily probing the mouth of the jar with his paw.”

LAURIE CALKHOVEN

“I often go back and change my opening after I’ve written the end. In Daniel at the Siege of Boston, 1776, my main character thinks in the end that the siege was like one long staring match between the British and the Patriots. I wasn’t happy with my opening, so I went back and decided to open with a staring match:

“I stared into Josiah Henshaw’s red brown eyes and vowed not to blink.”

“I wanted to open with action, and this sets the tone for the rest of the book.”

M. J. AUCH

“Here’s my favorite from a short story called “Witch’s Son”.”

“When Abigail Brewster brought her son, Hugh, back from the dead the first time, he looked all fragile and wispy, like morning mist on the village commons.”

SUE COWING:

“When the flying boat/returns to earth at last, /I open my eyes/ /and gaze out the round window./What is all the white? I whisper. /Where is all the world? ”

“This is from Katherine Applegate’s masterful novel-in-verse, HOME OF THE BRAVE. Civil war tears young Kek from his family and his cattle-herding village in the Sudan, and he is relocated in Minnesota in the middle of winter. He has never felt such cold, never seen or imagined snow or such a place as America. I love the way Applegate has this character express in such powerfully simple language experiences that he can barely comprehend, making the reader instantly curious and sympathetic.”

MICHAEL HAYS:

“He was the best of toms. He was the worst of toms.” – from THE CHESHIRE CHEESE CAT: A Dickens of a Tale by Carmen Agra Deedy & Ramdall Wright.

“This is a feline twist on A Tale of Two Cities in this great MG animal story told within the world of the inn where Charles Dickens spent quite a bit of time. Need I say more?”

T.P. JAGGER:

I’ve always liked the opening lines of SCHOOLED by Gordon Korman because it effectively introduces the 1st-person narrator’s voice while hinting at the plot enough to raise some questions that compel the reader (at least me!) to keep reading:

“I was thirteen the first time I saw a police officer up close. He was arresting me for driving without a license. At the time, I didn’t even know what a license was. I wasn’t too clear on what being arrested meant either.”

HILLARY HOMZIE, author of Queen of Likes:

“I love this first line because I just love Deborah Wiles writing: “I come from a family with a lot of dead people.”

It’s the first line of Each Little Bird That Sings by Deborah Wiles (MG Harcourt, 2005).

The next lines after that: “Great-uncle Edisto keeled over with a stroke on a Saturday morning after breakfast last March. Six months later, Great-great-aunt Florentine died–just like that–in the vegetable garden. And of course there are all the dead people who rest temporarily downstairs, until they go off to the Snapfinger Cemetery.”

And on that funny “morbid” note, I want to give a huge thanks to all of our reader and writer experts on the subject of First Lines and Hooks! Now Go forth! Find a Great Hook Today or Write a Great Hook  – and Fall In Love at First Line!

Since I adore first lines, please share your favorite First Lines below in the comments!

Kimberley Griffiths Little has been juggling book launch parties for her FORBIDDEN trilogy (Harpercollins) with her right hand, twirling a handful of new characters with her left while drafting new book proposals with her toes. Throw in too many cookies, a household that never sleeps . . .and you have a typical day in the life of a writer on deadline. See Kimberley’s beautiful new website here: www.KimberleyGriffithsLittle.com. Friend her on Facebook: https://www.facebook.com/kimberleygriffithslittle

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The Changelings by Christina Soontornvat

Author Christina Soontornvat says she spent her childhood behind the counter of her parents’ Thai restaurant in Weatherford, Texas with her nose stuck in a book, never dreaming that one day she’d become an author. She studied engineering, then planned to be a science museum educator, but while expecting her first child, she found she had lots of stories to tell. And today, Christina’s first middle grade novel, The Changelings, debuts! It’s the story of Izzy and her sister Hen, who vanishes in the forest. Izzy discovers that Hen has been stolen away to the land of Faerie and it’s up to Izzy to bring her home.

Q: Congratulations, Christina! Where did you get the idea for The Changelings? What inspired you to write this story?

A: I have always been intrigued by the Changeling myth that tells how fairies steal human babies and swap them out with a shape-shifter to fool the parents. That myth prompted so many questions for me: What do the fairies do with the human babies they steal? Why would a Changeling agree to leave Faerie and go live with boring old humans? My book imagines some of the answers. I started writing it as a story for my two nieces. The first time I told them the premise — that the little sister is kidnapped by the Pied Piper and her older sister has to go rescue her — my younger niece got scared and started crying! But my older niece was hooked. She asked me to keep going and write the whole thing down. So I did. I am so glad she asked!

ChangelingsCoverSmallQ: Do you have a favorite character? What do you love about him or her?

A: Oh, man, this is very hard for me because I feel like Izzy and the Changelings are real kids, and I love them all so much. But out of everyone, the Changeling girl, Dree, is extra near and dear to my heart. She looks different than all the others — her skin is translucent, so you can see straight through her. Dree is very self-conscious about this and longs to look “normal,” and she deals with her insecurities by being super sarcastic and catty to everyone. When she and Izzy first meet they are at each others’ throats. But by the end, they become so close. They risk their lives for each other. For me, those fierce friendships are a defining feature of the middle grade years. To this day, my dearest friends are the ones from my childhood.

Q: Is there a scene from the book that makes you tear up or laugh?

A: I have always loved the scene where the main character, Izzy, meets Lug (a Changeling) for the first time. Lug is so sweet and bighearted. He immediately considers Izzy to be a friend, but she is more than a little freaked out by him and by being in this strange new world. That dissonance made for a fun time writing the dialogue in the scene!

Q: Did you always want to be an author? Which books shaped and influenced you as a young reader, and today?

A: When I was growing up, I never dreamed that I would be an author. I always loved to read and tell stories, but for most of my young adulthood I was on track to be a mechanical engineer! I would get ideas for stories, but I would never write them down because I thought you had to be born with a certain talent to be a writer. When my first daughter was born, I realized just how fast time goes, and I decided that if I was ever going to do anything with writing I needed to get the courage and start.

When I was young, I loved reading fantasy. I gobbled up Roald Dahl, Tolkien, Susan Cooper, and the Narnia books, and also read tons of folktales and Greek myths. A fair amount of Calvin and Hobbes, too. I still tend to gravitate toward fantasy written for any age. The His Dark Materials series by Phillip Pullman, the Seraphina books by Rachel Hartman, and The Magicians series by Lev Grossman are some of my favorites.

Soontornvat_24Sep15_Cathlin McCullough PhotographyQ: Tell us about your writing routine. When do you like to write, and is there anything special you do to settle in, such as play music or drink tea?

A: Having a routine is so important for me now, but when I started out I just wrote whenever I could get a scrap of time between caring for a newborn and working a full time job! My brain works best in the morning, so I usually try to write first thing in the day and save all my other work for after lunch.

My writing day usually goes like this: 1. Drop the kids off at school. 2. Play my book playlist really loud on my drive back home. 3. Pour a fresh cup of coffee and get to work! 4. Lunchtime hits and I’m totally wiped. Unless I’m on a deadline and then I pour more coffee and force myself to keep going!

Q: Describe your creative process.

A: I don’t usually start writing a book until I know the ending. I have to write my character toward that end, but I usually don’t know exactly how to get them there. That discovery of everything that happens in the middle is something I really love about drafting. My kids help me when I’m working on something new. I usually tell them a version of the book out loud while we’re driving. Speaking the story and hearing their reactions help me a) get excited about the project and b) pinpoint where the pacing needs work.

Q: You live in Austin, Texas. Tell us about the vibrant writing community there and how it’s helped you as a writer.

A: Our SCBWI chapter is comprised of the best humans on earth. Everyone — from newbies to NYT bestselling authors — is very active in the meetings and events, and so supportive of each other. I’ve turned to the more experienced writers for wisdom and advice countless times. If I didn’t have them to lean on I would be lost in this crazy, confusing world called publishing!

Q: What are you working on next?

A: I just turned in the sequel to The Changelings. Writing a book on deadline was really different and really, really hard. I’m giving myself about a week to rest my overtaxed brain cells and then I’m going to start my next project. It’s the story of a boy who escapes the jail he was born in, and must take shelter in a temple to hide from the watchful eyes of the warden’s daughter. It’s set in a city modeled after Bangkok, Thailand, so I am really excited about it.

Q: And now some fun questions! Where would we find you on a Sunday afternoon? What’s your favorite ice cream flavor? And, do you have any pets?

A: Sundays I’m with the family, and because it’s usually sweltering in Austin we will probably be swimming. We have a few secret swimming holes that we love and I can’t tell you about. Sorry.

Green tea ice cream is my favorite. If you put adzuki beans and whipped cream on top you will be my best friend forever.

Tico is my only pet. He is a jaguar trapped in a tabby cat’s body.

 

Thank you Christina, for visiting with us today at the Mixed-Up Files! Please check out Christina’s website here for more info on her and The Changelings.

Michele Weber Hurwitz is the author of The Summer I Saved the World in 65 Days, Calli Be Gold (both Wendy Lamb Books) and the upcoming Makers Vs. Fakers (fall 2017 Aladdin Books). Find her at micheleweberhurwitz.com.