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STEM Tuesday Field Work — In the Classroom

Exploring “In the Field”

When you think of scientists working in the field, what do you imagine? I imagine them venturing to remote, possibly dangerous sites. Then again, some field work is closer to home, less rugged. And, as this month’s books reveal, modern field work can sometime mean anxiously awaiting data and video feeds while a specially equipped drone or other remote sensing device ventures far from home. No matter what the exact circumstances may be, this month’s titles transport readers to many places and offer exciting tales of passionate scientists eager to answer their questions. Let’s begin diving into this theme with a look at underwater archaeology.

Support Independent Bookstores - Visit IndieBound.orgSubmerge Yourself in a Science Mystery

Secrets of a Civil War Submarine is packed with possible science learning connections. Especially relevant to this month’s theme is the archaeological practice of studying objects in situ, carefully documenting and noting the physical relationships among the artifacts at a site. Readers witness  this practice as author Sally M. Walker takes them to the murky, underwater field where the 150-year-lost historic H.L. Hunley was discovered. Here scientists meticulously record the locations and orientations of the objects on the site before removing anything from the site. Later, scientists carefully record the sub’s interior objects’ spatial relationships before extracting them for study. The importance of preserving these details becomes clear when the data later prove important in answering scientists’ questions.

You can enhance students’ appreciation of the value of this information with a simple lesson involving different arrangements of a set of objects undergoing different events.

For example, imagine a site that includes a computer mouse, piece of paper, computer, glass, chair, desk. Ask students to sketch or create 3D scenes of these artifacts’ positions and orientations based on each of the following scenarios:

Scenario A: A left-handed person seated in front of a computer spilled a glass of water on a computer keyboard. Then the person jumped away from the desk, knocking over the chair.

Scenario B: A right-handed person seated in front of a computer fainted and fell out of the chair, knocking over a glass of water.

Scenario C: A left-handed person carrying a glass of water walked toward the desk, approaching it from the right, when a dog ran through the room from left to right, first toppling the chair, then bumping the person, which made the glass of water fall out of his/her hands.

Discuss how (and why) the layout of the artifacts varies in each of the representations, providing unique clues to each event. If you are feeling more adventurous, you might try either of these variations:

  • Before the activity, prepare secret assignment cards. On each card, print only one scenario but make sure A, B, and C are all represented in the class pile of cards. Randomly distribute the cards to student pairs, who must then sketch or use model artifacts to show the event. Next, each team can examine another team’s scene, making careful observations and beginning to make inferences about what happened to result in the objects’ arrangements.  After revealing the three scenarios, challenge students to infer which of the scenarios each student representation seems to match (and why). Discuss the observations and inferences that are related to the spatial relationships among the artifacts, and how they provide clues to a prior event.

 

  • For a more open-ended challenge, ask student pairs interpret other sketches as much as possible, without telling them what the three scenarios are. Support student thinking with questions such as:
    • What’s similar/different between the scene you are looking at and the one you just created? Do you think the scenario implied here is the same or different from the scenario that informed the scene you created? Why?
    • If different, what details about the event can you infer from the scene? What evidence supports your ideas? What is unexplained?

Looking at the entire set of scenes in the classroom, students might infer how many different scenarios are represented, using evidence to make arguments that support their claims. You might decline to tell students the answer, as archaeologists can never go back to the original witnesses and check their ideas.

 

Support Independent Bookstores - Visit IndieBound.orgStudy Primates in the Field

As a biography of a groundbreaking field scientist, Anita Silvey’s Untamed, the Wild Life of Jane Goodall covers a lot of territory, including an exciting glimpse into this pioneer’s experiences as a field scientist.

Help students envision a primate scientist’s field work by comparing their own daily routines to their understandings (based on the text) of Jane’s early work in the field. Students might log where they eat, what they have to do to get their food and water, and where and when they sleep. They can break the day down into an hour-by-hour log of activities. For comparison, they can read about Jane’s early field activities on pages 28-33. Pages 71 and 73-77 address some ways that chimpanzee scientists’ field work has changed. They won’t be able to make exact correlations between their days and details about the scientists’ experiences, but they’ll get a flavor of the differences. Ask students to reflect on what aspects of being a field-based primatologist might be most exciting and challenging.

An engaging way to convey the lure of primatologists’ field work is watching videos of primates in their habitats. Show students one or more of these clips (with or without the narration) and discuss their observations (what they see and hear) and inferences (what sense they or the narrator/scientists make of what is observed). You might use some of the ideas in December’s STEM Tuesday In the Classroom installment, which focused on zoology.

Individual animals’ “personalities” and their relationships with other group members are important.  Field scientists often learn to identify individuals by sight. Your students might enjoy trying to learn the names and details about the chimps pictured on pages 84-87, perhaps by creating flash cards with copies of their pictures on the front.

 

Support Independent Bookstores - Visit IndieBound.orgJourney into Meteorology and the Eye of the Storm

Of course, field studies extend beyond the bounds of biology, as you will see in Eye of the Storm: NASA, Drones, and the Race to Crack the Hurricane Code, by Amy Cherrix. While you might appreciate the extensive teacher’s guide  that offers many ideas for discussions and classroom activities, you might want to focus specifically on field work. If so, you might show NASA videos featuring drone missions to hurricanes, such as NASA Hurricane and Severe Storm Sentinel (HSE) – Studying Storms with the Global Hawk UAV. You can also sign up to connect your classroom to NASA’s airborne missions. If you do, you will gain access to the same video that NASA scientists see when they run the drone flights, and receive additional support.

As you might imagine, classic field-based weather observations make a great connection to this book. For example:

  • Your class might commit to participating in a citizen scientist group of weather watchers, (which may require modest investments in standard equipment), such as the CoCoRaHS Network.
  • For independent observing, students might build and use their own weather stations. Build Your Own Weather Station, published by the National Oceanic and Atmospheric Administration, offers instructions.
  • If you prefer, challenge students to engineer their own instruments (based on designs that they research), as described in a free Integrated STEM Lesson Plan by R. Bruno.

 

The books on this month’s list offer many opportunities to jump into field work. How might you involve your students in actual or simulated field studies? What suggestions do you have to expand upon the ideas in this post? Please share your comments and questions!


portrait of author Carolyn Cinami DeCristofanoSTEM author Carolyn Cinami DeCristofano is also a STEM education consultant who supports teachers, librarians, schools, and organizations by providing curriculum development and professional development services. Find out about her books at http://carolyndecristofano.com and her consulting at http://bhstemed.us.

Interview with Tami Charles, author of LIKE VANESSA

Like Vanessa, by Tami Charles

Welcome to the blog, Tami Charles! Charles’ debut middle grade novel, Like Vanessa, is out 3/13/18. This semi-autobiographical story is set in 1983, and 13-year-old Vanessa Martin’s life in Newark, NJ is not at all like the amazing, newly-crowned Miss America Vanessa Williams. The opportunity to be in the school beauty pageant pushes Vanessa to take risks, and she may learn to be as confident in her skin as her role model. “This debut is a treasure: a gift to every middle school girl who ever felt unpretty, unloved, and trapped by her circumstances. “—Kirkus Reviews, STARRED REVIEW

MIXED-UP FILES: So this is your debut middle grade novel. Congrats! What made you want to go back to this age and write a book for middle grade readers? What do you hope they will get out of reading Like Vanessa
TAMI CHARLES: It is my debut and thanks so much! For me, it was a no-brainer to write a story that fictionalized my early teen pageant years. My hope is that readers will follow Vanessa’s journey of self-love and become empowered to find their own talents and strengths.

MUF: Your press materials say that your book is semi-autobiographical. How is Vanessa Martin different from you at that age? 
TC: So much of this story is a reflection of my life and past experiences so this is a hard question for me. I think the biggest difference is that unlike Vanessa, I grew up with both my mother and father present in my life. Vanessa is raised by her grandfather and father, whom each have their own ways of showing their love for Vanessa.

Tami Charles

MUF: Can you talk a little bit about Vanessa Williams? What made her so important to you when she won Miss America, and what do think it means for a young girl to have a role model like Vanessa Williams for them? 

TC: Though I was very young at the time, I clearly remember when Vanessa Williams was crowned Miss America in 1983. It was a big deal to see a woman of color finally win a pageant that historically shut us out since its inception. For a young girl at the time to witness such a moment, it’s a life altering experience! Every year many girls of color watched Miss America faithfully, hoping and praying to see someone like them win. Vanessa Williams’s win, was a win for ALL of us!

MUF: How did THE ACTUAL VANESSA WILLIAMS come to endorse your book? That is so exciting! 
TC: This was such a dream come true for me! Thanks to the help of my writer friends, I was able to contact Vanessa’s agent, Brian Edwards, and tell him about my novel. I had tickets to see her perform at a local theater and Brian arranged for me to meet her backstage. I had the opportunity to have my picture taken and give her a copy of the novel, to which she said, “I can’t wait to read it!” A few months later, I received her glowing endorsement via email. I cried for a good ten minutes!

MUF: What are some of your favorite middle grade books?
TC: The One Crazy Summer trilogy, by Rita Williams-Garcia, is a favorite! I’m so honored that she has read and provided a blurb for Like Vanessa as well. I also really enjoyed The Ninth Ward by Jewell Parker Rhodes and Summer of the Mariposas by Guadalupe Garcia McCall. Right now, I’m reading The Way to Bea, by Kat Yeh, and I’m loving it!

MUF: If you were a tween today, who would be your celeb idol? 
TC: I’d have to go with Stephen Curry, mostly because my son is obsessed with him. We’re reading his biography together and I think Steph is a great role model for tweens.

MUF: If there’s anything else you’d like to add, please feel free! 
TC: Yes! I’d love to share my book trailer and an invitation to my book signing, being held Saturday, March 17th, from 4 – 6 p.m. at the Barnes & Noble in Edison, NJ. My special guest will be Karyn Parsons, famous for her role as “Cousin Hilary” on the iconic TV show, “The Fresh Prince of Bel Air!” If you’re local, come join us for conversation, treats, fun, and BOOKS!

Post-Apocalyptic vs Pre-Apocalyptic Fiction

I’ve blogged before about post-apocalyptic dystopian fiction. These are forward-looking horror stories that either extrapolate from present trends or presuppose some civilization-ending disaster, leading to a world that is darker and diminished from the one we recognize.

Books in this genre can help us to better appreciate the world we have and, in the best of cases, inspire us to action necessary to preserve and protect our actual future. They are prophecies that must not come true, and every time our society comes up with a fresh anxiety, the post-apocalyptic genre evolves to include it.

On a seemingly unrelated topic, I’ve been immersed in Greek mythology for the past few months for my current writing project. That’s not enough time to become an expert, but just enough to start making connections. The other day, it struck me that many stories of Greek mythology fall into a genre that’s the polar opposite of post-apocalyptic fiction. They are, if anything, pre-apocalyptic.

In the 8th Century BC, Hesiod defined five ages of mankind. He believed that he was living in the Fifth Age, and he regretted not being born instead into the Fourth Age, the Age of Heroes, where the bulk of classical Greek mythology is set.

In the works of Homer, there are constant references to how the Fourth Age heroes of the Trojan War were better, stronger, and more glorious than the Fifth Age men of living memory. The way Homer described it, three or four men of the Fifth Age would be required just to lift the weapons that Fourth Age heroes wielded to battle each other.

Hesiod and Homer were telling stories set in a past that was better than the present, before some civilization-ending disaster led to a world that’s now darker and diminished from the one that came before. They are writing about stories set on the other side of an apocalypse, but one that’s in the past instead of the future.

In stories of Greek mythology, the problems in heaven get resolved by the gods outsourcing their problems, and increasing human suffering in the process.

For example, the insubordination of Prometheus was a problem for Zeus. He couldn’t tolerate other immortals going behind his back, subverting his will, and gifting mortals with awesome new technologies like fire. Just punishing Prometheus, by having an eagle tear out his liver on a daily basis, was only a partial solution. To really fix the matter, Zeus created Pandora and her box of plagues in order to make mortal life more difficult.

The story of Pandora is the story of an apocalypse, told by people living after the fact.

Another problem for Zeus was a prophecy that Thetis would bear a son who would outshine his father. To avoid being overthrown exactly like he overthrew his father, and like his father overthrew his grandfather, Zeus breaks up with Thetis and introduces her to a mortal. The child of prophecy, Achilles, turns out to be greater than a man but less than a god, and Zeus’s kingship is saved, at the cost of a decade-long war that cost so much blood and treasure that all of human society collapsed.

The story of the Trojan War represents another apocalypse, and is also told by people living after the fact.

When archaeologists discovered Troy, the date of its destruction matched the time of the Late Bronze Age Collapse that toppled ancient civilizations like dominos from Italy to India. In the land that is now Greece, populations crashed, cities and farmland were destroyed or abandoned, technology regressed, culture regressed, skills and knowledge were lost, and writing all but disappeared.

The ensuing Dark Ages lasted for centuries. It was a post-apocalyptic time, during which the stories we know today as Greek mythology developed and spread through an oral tradition. These stories were a post-apocalyptic society’s backward look at the better, brighter times before the Late Bronze Age Collapse, and a means for which they tried to explain what happened and why.

These pre-apocalyptic stories weren’t meant for us, or for any audience at our position in civilization’s grand cycle of ebb and flow. We aren’t capable of fully relating to them. But still, something about them appeals to us.

Given the choice, any of us would rather be living in a Golden Age while reading about a post-apocalyptic age, rather than the other way around. It’s hard for us to even imagine being among a post-apocalyptic audience, hearing a tale that can only be told orally, because literacy is no longer a thing, about an actual Golden Age that has become a time of fading legends.

But maybe we need these stories as well, to remind us that history is a cycle. Unimaginable things have happened in the past, and can happen again if we ignore the warnings in our post-apocalyptic stories.

And on a less depressing note… Homeric trivia!

  • The Trojan Horse doesn’t actually appear in the Iliad. That scene happens in a separate part of the epic cycle that’s been lost to us.
  • Also not included in the Iliad, Achilles getting fatally shot in the ankle. That scene also happens in a part of the epic cycle that’s been lost to us.
  • The epic cycle included an army of women led across the plains of Troy by an Amazon queen named Penthesilia, and an African army led by King Memnon of Aethiopia. That has been lost to us as well.

So why does every adaptation of the Trojan War recreate the death of Achilles and the deployment of a giant wooden horse while completely ignoring the armies of Penthesilia and Memnon?

Discuss!