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Dealing with Mental Health Issues in Middle Grade Literature

Mental Health in Middle Grade Literature

Mental Health in Middle Grade Literature

(EDITED TO ADD: Responsibility in these kinds of topics is of the utmost importance. There are many books that do NOT handle issues like these appropriately–and some that increase stigmas rather than assuage them–so please make certain that books are informed whenever they assert any kind of mental illness. Familiarize yourself with the Diagnostic and Statistical Manual of Mental Disorders, build relationships with professionals, and be careful that books you recommend are supportive and empowering rather than detrimental. 

It is important to represent these children in the fiction they read, but it is essential that they be represented well.)

So I’ve been thinking a lot lately about mental health and neurodivergence in children’s literature.

As a bit of background, I’ve worked with teens and tweens in various capacities for most of my adult life, providing mentorship and guidance to kids from all sorts of backgrounds. And I’ve seen all types; enough to know that neurodiversity—that idea that everyone’s brain works differently—is the order of the day. Every child is different.

But in those differences, I’ve also seen a lot of hurt. Social structures come easy for some kids, but not for others. Some excel at math, while others look at numbers and see Greek. Many, many struggle with deep insecurities when they see the difference between themselves and those kids who are celebrated by the culture at large. And sometimes those differences in cognitive function provide enough pain and disruption to a kid’s life that they leave any sense of normalcy behind.

Some Kind of Happiness by Claire Legrand (image by Sean Easley)

Some Kind of Happiness by Claire Legrand (image by Sean Easley)

That’s a painful place to be. Students who find themselves on the margins of what we call “mental health” often experience an overwhelming sense of confusion and sadness as a result. They feel lost, adrift, and often, alone.

It’s part of our nature, I think, to believe that when hard times come, we are the only ones facing them. And when a child’s daily experience consists of a consistent string of hard times and marginalization—of any type—that sense of loneliness and hopelessness can grow even greater. As those feelings grow, so too does the gulf that these kids experience between them and the world at large.

This isn’t just something to only consider once a kid gets older and their “brain has developed,” as some might say. Statistics from the National Alliance on Mental Illness say that half of all mental health conditions begin by the time a child turns fourteen. Half. That means half of all people with these mental health issues are first experiencing these issues when they are readers of middle grade literature.

And yet, when I start seeking out books for this age group that feature these kinds of kids, the pickings are often slim. This is the time in these kids’ lives when they’re discovering what their life is going to be like—what they are going to be like—and they (and the adults in their lives) have to work hard to find examples of other kids coping with these experiences.

Insignificant Events in the Life of a Cactus by Dusti Bowling (image by Sean Easley)

Insignificant Events in the Life of a Cactus by Dusti Bowling (image by Sean Easley)

I’ve overheard parents say that they don’t want their kids reading “books like that,”—referring to those books that address mental health issues—because they don’t want their kids “exposed to that sort of thing.” This is exactly the problem, though. The kids whose parents want to shelter them from neurodiversity and neurodivergence often end up with distorted understanding of kids in their own schools who experience life differently from them. And a child who’s experiencing these feelings of differentness and otherness needs to know that their experience isn’t something to just discount. Their life has infinite value, even if they don’t realize or believe it yet.

That’s where the educators, librarians, and authors of middle grade come in. It’s our responsibility to give these kids access to books they can see themselves and learn that they fit in the world, just like anyone else. They need to know that it’s okay to claim a spot on the map and make it their own.

And I have been grateful to find more books and authors doing this lately. Books like the Alvin Ho series by Lenore Look and Kenneth Oppel’s psychological horror The Nest give us a look at kids exhibiting some OCD tendencies. Dusti Bowling’s Insignificant Events in the Life of a Cactus centers on a girl with physical challenges, but her close friend deals with his Tourette’s throughout the book in a very positive way. Patrick Ness’s A Monster Calls, Anne Ursu’s Breadcrumbs, and Claire Legrand’s Some Kind of Happiness all give heartfelt portrayals of depression. Donna Gephart’s Lily and Dunkin provides a deep rendition of a boy dealing with bipolar disorder. And Anne Ursu’s The Real Boy puts a beautiful fantasy twist on neurodiversity.

The Nest by Kenneth Oppel (image by Sean Easley)

The Nest by Kenneth Oppel (image by Sean Easley)

These are still only the tip of the iceberg. It’s important that kids with cognitive differences be normalized because—in reality—the existence of these kinds of differences IS normal. These kids are all around us. They are us. Librarians and teachers know how common those differences are, and often do a wonderful job of celebrating those books that will reach these kids where they’re at. And putting those books in the hands of kids who don’t have those cognitive “differences” will go a long way to building compassion, understanding, and acceptance of kids who feel unloved, confused, and unaccepted.

What books have you loved or recommended because they gave honest, normalizing portrayals of neurodivergence? Add your suggestions in the comments below!

STEM Tuesday Science in Fiction Books– Craft and Resources

There are two things you need to do to ensure proper use of science, technology, engineering, and mathematics (STEM) in fiction.

  1. Obtain an advanced degree in nuclear computational physics C++ programming or an equivalent field.
  2. Obtain a federal or privately funded grant to research the molecular neurological factors and biochemical pathways necessary for the incorporation of STEM into story.

Wait! Don’t leave!

I’m only joking. I’m a microbiologist, not a comedian (if you hadn’t noticed). I’m also a writer so the representation of science, technology, engineering, and mathematics is important to me. Nothing rings my own readerly bell more than a seamless use of STEM in fiction and I believe it is vital to show STEM topics outside of a nonfiction or textbook scenario.

Remember back in the day when you were in that algebra or physical science class? Do you recall the question that ran through your young, the-world-is-my-oyster brain?

WHEN AM I EVER GOING TO USE THIS STUFF IN REAL LIFE?

The answer is one we didn’t like back then and we probably still don’t like today…

You are going to encounter this STEM stuff all your life.

It’s everywhere. Even in our entertainment.

STEM in fiction further defines the subject through the power of story. That magic of story we Homo sapiens have shared from our first breath. Shared experience. Shared truths. Shared hopes. Shared knowledge.

STEM fiction is a gateway into the world of STEM for young readers. STEM-based fiction and science fiction show possibility. The melding of facts and story through our STEM lens peers forward to what can be. To explore possibilities. To dream. To take what we know and throw it into the pot to create a future built on past discovery.

BUT STEM IN MY FICTION? SERIOUSLY?

Okay, okay! I know! The STEM fields are based on fact. It’s using data and observation to draw conclusions about the world we live in. It’s formulas, white coats, statistical analysis, publications, lines of code, blueprints, lectures, etc. STEM has always been labeled as serious, strict, narrow, and just a tad bit snooty and full of itself. But is that all science and technology and engineering and mathematics are?

No way!

These STEM fields are living and breathing and growing and discovering. STEM is disciplined creativity at its finest. STEM skills enable one to ask, “Why?”, then go figure out “How”, and eventually figure out a better way to move forward.

This sounds very similar to classic fictional story structure.

Problem/Solution/Improve = Setup/Confrontation/Resolution.

How can we include STEM topics into fiction without it sounding like a 1950’s textbook pontificating that, maybe someday, we will explore our moon?

  1. Mix the STEM with the narrative.
    We don’t need to know all the details. It’s not a standard operating procedure manual. It’s a story. We don’t really need to know exactly how Ellie’s grandfather, Melvin, was transformed in Jennifer Holm’s THE FOURTEENTH GOLDFISH. We only need to know it had something to do with his work as a research scientist, a new species of jellyfish, and an unfortunate (or fortunate depending on which side of the fence you sit) experiment.
  2. Story Logic
    The science, technology, engineering solutions, and the mathematics using in the story world must be logical. It must make sense. This doesn’t mean it has to be true to what we know to be true. It means it has to be logical within its context and can’t just be thrown in to solve the story problem deux ex machina-style.
    Think about how well the magic system in the Harry Potter series work. Why? Because J. K. Rowling did such solid work behind the scenes to build the magical world, we don’t even question the validity of the system by the time we get through SORCERER’S STONE.
    Whatever the genre, STEM works! It can even be completely made up stuff. STEM principles work as long as they fit logically and are ground in the foundation of the story world.
  3. Setting
    A solid fictional setting is as much of a story’s character as an actual character. A good story environment is created by the author from information gleaned by observation of actual environments. STEM basics!
    Think about the setting Kate Milford constructs in GREENGLASS HOUSE. The architectural design of the house, the engineering principles of the lift, the meteorology, and the cartography. All crafted at such a stellar level, you can feel the impact of the setting as you read.
  4. Character
    Similar to the setting. Same rules apply. A fictional character is created from observations an author makes over time.The data is analyzed and manipulated to build the precise character needed.
  5. Plot
    The three-act storytelling structure is ingrained into our western culture psyche. It is almost as old as stories themselves. Our minds expect a story to follow a certain path and adhere to defined beats. Now, that sounds eerily similar to the way we do STEM, doesn’t it? Two of my favorite craft writing books are STORY ENGINEERING & STORY PHYSICS Physics by Larry Brooks. In both books, Mr. Brooks breaks down the nuts and bolts of how to build a story and how to make the story sing to the reader.
    The Hero’s Journey narrative pattern, made famous by Joseph Campbell, is built upon psychology. Carl Jung Swiss psychiatrist and psychoanalyst who founded analytical psychology first defined the archetype in literature.

 

 

 

 

 

 

As you can see, the observed data weigh heavily on the STEM inclusion side of the fiction argument. Science, technology, engineering, and mathematics fit into the world of fiction just as snugly as they fit into the nonfiction world. STEM not only adds depth to fiction, it also acts as a gateway to introduce readers to STEM topics. And that itself is as important as the entertainment value of a story.

STEM in fiction just makes good stories even better.

EXTRA! EXTRA! Breaking News from the STEM Tuesday news desk!

The National Science Teachers Association just released their Best STEM Titles list for 2018. Definitely worth the click to check out these great STEM books!

I hope you are enjoying the STEM Tuesday series on the Mixed-Up Files blog. I am! And as we highlight science in art, don’t forget to also put some art into your science. Science needs creativity as much as creativity needs science.

Until next time…STEM On!

Mike Hays


The O.O.L.F. Files

This month’s STEM Out Of Left Field (O.O.L.F.) Files looks at some cool ways science and technology work their way into our everyday lives. Everything from a blog series where experts weigh in on how to best use science to write sci-fi and fantasy to classic lectures from three heavyweights in their fields to a new annotated version of the classic book that birthed a genre.

Center for Science and the Imagination at Arizona State University. I don’t know where to even start with ASU’s CSI. So much crazy-awesome information, so little time! Check out CSI’s new version of Mary Shelley’s groundbreaking Frankenstein to celebrate the 200th anniversary of its publication. Particularly interesting are the discussions about gender and the trials Mary Shelley faced as a woman author in 1818.

The Science in SciFi blog series hosted by Dan Koboldt. A great resource for writers where experts weigh in on topics relevant to science fiction and fantasy. I’ve been fortunate enough to pen three posts for the series. Keep an eye out for Fall of 2018, when Writer’s Digest Books will publish an anthology of Science in SciFi blog posts titled, Putting the Science in Fiction.  I was fortunate to have two of my posts selected for the anthology.

How America’s Leading Science Fiction Authors Are Shaping Your Future by Eileen Gunn (May 2014) from Smithsonian Magazine.

From Science Fiction to Science Fact: How Design Can Influence the Future by Patrick Purdy (June 2013) from UXPA.

Science influenced by science fiction by Bruce Sterling (September 2010) from Wired.

And to wrap up the O.O.L.F. Files this month, a throwback to this 1985 look on science and society. THE IMPACT OF SCIENCE ON SOCIETY by James Burke, Jules Bergman, and Isaac Asimov (1985)  PDF link from NASA 

Mike Hays, O.O.L.F. Master


 

Be Good to Your Brain – Read!

You’ve no doubt heard this before, but it bears repeating — one of the best things you can do for your brain is read. Cereal boxes will do in a pinch, but mostly, it’s about books. This is especially important the older a person gets. I’ve been reading (haha) a lot about this topic and not just because I’m getting older (another haha). The truth is, reading is like a multi-faceted workout for our brains — weight training, cardio, yoga, and Pilates all in one. From mental stimulation to stronger thinking skills to memory improvement, the benefits for our brains are numerous.

One of the most interesting recent findings is that the storytelling aspect of a novel engages a broad range of brain regions. Neuroscientists have discovered that reading a novel can improve brain function by enhancing connectivity and increasing blood flow to the area of the brain associated with language. Even better — this area stays heightened for several days after reading.

When you read a book, especially a novel, your brain has to remember a variety of characters, their backgrounds and individual traits and nuances, as well as the arcs and subplots in the story. Every new memory forges new pathways in the brain and strengthens existing ones, which assists in short-term memory.

Researchers at the Yale School of Public Health found that people who read just 30 minutes a day lived on average two years longer than those who didn’t read at all. Reading, as well as a large vocabulary, may give us something called ‘cognitive reserve’ — the brain’s ability to repair damage caused by stroke, dementia, or decay. Studies also have shown that reading can slow the process of dementia, and possibly even prevent it.

A recent Psychology Today article cited a study in which researchers measured changes in brain connectivity before and after reading a novel. MRI scans revealed heightened connectivity after reading, specifically in the areas of the brain associated with language, comprehension, sensations, and movement. The movement finding was surprising, but the researchers thought that perhaps, the act of reading actually “puts” the reader in the body of the protagonist.

Reading has been shown to improve focus and concentration as well. Most of us check email, reply to a text, post something on social media, and work on a task all in the span of a few minutes. This type of multi-tasking behavior can raise stress levels, lessen focus, and cause brain overload, but reading does just the opposite. Reading allows our brains to concentrate on the words without other sensory input. And reading does something practically no other medium can do — in the absence of a spelled-out conclusion to a story, our brains automatically imagine and create one.

While novels have great benefits for our brains, so obviously do nonfiction books — filled with facts and knowledge — and poetry. A recent study on the effects of poetry on our brains found that it elicits strong emotional and physical responses in readers such as facial expressions and goosebumps. These responses occurred most frequently at the end of a stanza or at the end of the poem.

What more proof do you need? Open up a book and get your brain in shape for now, and the future!