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Author Spotlight: Jen Petro-Roy

Today is Valentine’s Day, but for middle-grade author Jen Petro-Roy, February 19 is the day to celebrate. Why? She has not one but TWO MG books launching that day, both from Feiwel & Friends: Good Enough, a contemporary middle-grade novel that explores a preteen’s recovery from anorexia, and You Are Enough, a self-help book for young readers who are struggling with eating and body-image issues. Here, Petro-Roy discusses why she chose to address the theme of disordered eating, and what she hopes readers will gain from her books.

MR: First, happy book(s) birthday, Jen! Publishing two books on the same day is a huge achievement—and highly unusual. What was your publisher’s strategy behind this? And what does it feel like to launch two books at once?

JPR: It is unusual—and exciting! I don’t think this is done very often in publishing, and I’m honored that Macmillan/Feiwel & Friends believed in me enough to market and publish these books together. Good Enough was the second book of my publishing contract (my MG debut, P.S. I Miss You, was published in 2018), and after I began writing it, I realized that besides the manuscript that I was writing, I wasn’t aware of many middle- grade books that featured a protagonist suffering from an eating disorder.

This made me realize that there weren’t many self-help books out there for teens and tweens with eating disorders, either–and that this disease, which seems to be starting earlier and earlier, is an all-too-common occurrence. When I was sick, the “recovery literature” was mainly geared towards college-aged kids or adults—either that, or to parents, and I really wanted there to be something out there that kids could turn to when they compared themselves to their friends; or saw their peers or parents going on a diet; or felt like their body was defective in some way. So I wrote up a proposal and my agent sent it on to my editors. They accepted, and I got to work!

MR: Let’s talk first about your contemporary MG, Good Enough. In this novel, 12-year-old Riley, an aspiring artist, is placed in an in-treatment facility for anorexia. I’ve read that the topic of disordered eating is a personal one for you. Can you tell us how this is reflected in your book?

JPR: Like Riley, I suffered from anorexia nervosa, with an accompanying exercise addiction. Unlike Riley, though, I got sick later in life, when I went to college. However, the feelings that I felt, both when I was sick and when I started to go through treatment and recovery, are universal. There’s fear and hope, bargaining, and doubt. There’s relapse and struggle and so much more. I have a huge stack of old journals from when I was sick, and like Riley, I wrote about what I went through and the people I met through treatment. I definitely cried at some points while writing this book, but I’m so glad that I reflected the journey accurately. I’ve heard from some readers who had once had an eating disorder that they related to Riley a lot.

MR: What most connects you most to your main character, Riley? How is she different from you? How is she the same?

JPR: Riley and I are definitely a lot alike. Like her, I struggled with running as a symptom of my disease and felt like my family didn’t understand how hard recovery was for me. I actually felt like no one understood what I was going through, which was a major reason I wanted to write this book; to assure kids that they aren’t alone, and to help others become more empathetic to the struggles of those dealing with an eating disorder. Riley and I are both highly internal and like to reflect on the world through words. She’s absolutely her own person, though; she has different insecurities than I do and her relationships play out in different ways. I love her so.

MR: Writing such a deeply personal book must have been an extremely emotional experience for you. How did you deal with the highs and lows? Were some sections/chapters harder to write than others?

JPR: Like I mentioned, I absolutely did tear up. I think that unpacking those emotions was really cathartic. I’ve gone through therapy but there’s always more to deal with, and it was interesting to be able to see my feelings and journey through Riley while also making her a unique character of her own. The beginning of the book, when she is more ambivalent and conflicted about recovery, was definitely more difficult for me to write. From my vantage point, I wanted to just tell her to get better; that life is so much more fulfilling on the other side! But I knew that for Riley, as for the many other kids who suffer from eating disorders, recovery is a process and she had to go through these struggles to move forward.

MR: What kind of research did you do for Good Enough? And what about for your self-help book, You Are Enough: Your Guide to Body Image and Eating Disorder Recovery?

JPR: I did so much research, and I honestly enjoyed every second of it. Above all, I wanted to make sure that You Are Enough was super inclusive, so I interviewed males who had suffered from eating disorders, those who identify as LGBQTIA+, people with chronic illnesses, and those who aren’t the size that stereotypically suffer from eating disorders. I also talked to people active in the fat-acceptance movement, to body-positive nutritionists, and to those who suffered from bulimia, binge-eating disorder, and more. The end result is that this book isn’t about the “typical” eating- disorder sufferer. It has lessons for anyone who is struggling with their self-image.

MR: Speaking of which, what is the main message behind You Are Enough? Do you consider it a companion to your novel?

JPR: I do consider You Are Enough a companion to Good Enough; in fact, I’m sure Riley would have gotten a lot of out of it! But the books can be read independently from each other, too. They’re connected in their message, though; that you don’t have to look a certain way, or act a certain way, or “seem” a certain way to have value. You don’t have to control your life through an eating disorder, because eventually it will come to control you. Deep down, you are enough just as you are. All you have to do is live…and BE.

MR: Finally, your first MG novel, P.S. I Miss You (Macmillan, 2018), garnered considerable controversy when schools and libraries, in both liberal and conservative parts of the country, declined visits from you, due to your book’s frank examination of sexual orientation, teen pregnancy, and religion. How did this affect you overall? And how did it affect your approach to writing Good Enough? Was it a help, or a hindrance?

JPR: I honestly don’t think the pushback that P.S. I Miss You received affected Good Enough in any way. Partly because the book was drafted by the time of my debut’s release, but mostly because I firmly believe that kids need books that deal with “tough” issues; books that talk about the sensitive issues that everyone deals with in some way. Every reader may not have an eating disorder, but they may know someone with one. Or they may struggle with another issue. It’s only by bringing the full range of humanity into the light that we can learn how to have to empathy for others and realize we are not alone.

For more about Jen Petro-Roy, visit her website and follow her on Instagram and Twitter.

Interview and Giveaway with Author Erica S. Perl, A Sydney Taylor Honor Award Winner!

The Mixed-Up Files is  thrilled to be a part of the Sydney Taylor Book Blog Tour:

Named in memory of Sydney Taylor, author of the classic All-of-a-Kind Family series, the STB award recognizes books for children and teens that exemplify high literary standards while authentically portraying the Jewish experience.

 

Huge congratulations to author Erica S. Perl for her Sydney Taylor Honor Award

in the Older Readers category for her book,

 

All Three Stooges  (Knopf BFYR) 

About the book: SYDNEY TAYLOR BOOK AWARD HONOREE FOR OLDER READERS!
WINNER OF THE NATIONAL JEWISH BOOK AWARD FOR CHILDREN’S LITERATURE!

An unforgettable coming-of-age story about comedy, loss, and friendship for fans of Jennifer L. Holm and Gary D. Schmidt.

Spoiler alert: This book is not about the Three Stooges. It’s about Noah and Dash, two seventh graders who are best friends and comedy junkies. That is, they were best friends, until Dash’s father died suddenly and Dash shut Noah out. Which Noah deserved, according to Noa, the girl who, annoyingly, shares both his name and his bar mitzvah day.

Now Noah’s confusion, frustration, and determination to get through to Dash are threatening to destroy more than just their friendship. But what choice does he have? As Noah sees it, sometimes you need to risk losing everything, even your sense of humor, to prove that gone doesn’t have to mean “gone for good.”

Equal parts funny, honest, and deeply affecting, All Three Stooges is a book that will stay with readers long after the laughter subsides.

 

Reviews:

“Perl has created a moving coming-of-age journey steeped in Jewish traditions and comedic history, elegantly balancing humor with an honest look at the impact of suicide. Noah’s genuine voice and tricky situation will have readers pulling for him.”–Publishers Weekly

“This novel is excellent on multiple fronts. A satisfying story that will appeal to all middle grade readers.”–SLJ

“Watching Noah repeatedly sliding on a banana peel (even, once, literally) gives readers plenty of occasions to wince, to chortle, and ultimately, to applaud.”–Booklist

“A welcome portrayal of a very difficult situation’s impact on someone not ready to deal with it—and there are plenty of funny moments to make it all easier to take.”–Horn Book

 

We are delighted to welcome to Erica  to the Mixed-Up Files blog:

Erica, Your book looks delightful. Can you tell us how you came up with this idea? Does it relate to anything growing up, etc?

 All Three Stooges is about two comedy-obsessed seventh grade boys, Noah and Dash. I started writing this book when my younger child was preparing to become a bat mitzvah. When she was little, her best friend’s father died by suicide. So, I knew very early on that Dash’s dad would take his own life and that his death would affect Noah as well as Dash. This allowed me to tell the story through Noah’s perspective and show him making a series of misguided choices in a desperate attempt to reconnect with Dash. Noah, whose comfort zone is being a funny guy, has to learn empathy and how to be a mensch through a painful trial-and-error process.

 

Tell us a little about the story and how your characters evolved. They seem so funny and real.  

I researched the book by hanging out at my temple’s mid-week religious school, taking notes and trying to be a fly on the wall. I also drove the Hebrew school carpool a lot. And I volunteered at a grief camp for kids, and interviewed several teens who had lost loved ones to suicide. It was important to capture their pain, but also to capture the levity that is a defining quality of most kids this age – even those who are grieving.

 

Your book deals with some pretty heavy topics, but does so with a bit of comedy. Do you feel its important to balance the emotions of the book? 

Absolutely. In writing All Three Stooges, I needed to make sure it never felt like I was trivializing loss or pain. But at the same time, I deeply believe in the power of laughter to connect people and to heal. At grief camp, our tradition is to start off by giving the kids cans of seltzer and letting them shake them up, then explode them on themselves and others. That release – of fizzy water as well as laughter – gives them permission to also let out the darker bottled up emotions. That was precisely the balance I wanted to strike in this book (and why I made seltzer Dash’s dad’s favorite beverage).

 

I have to ask, are you a Three Stooges fan? 

 Not exactly. BUT I do have favorite Stooges clips. And I discovered after the book came out that I had a relative named Paul “Mousie” Gardner who was one of many original Stooges in their vaudeville days (before the Three Stooges went on to stardom in Hollywood).

 

What does it mean to you to win the Sydney Taylor Honor Award? 

It means the world to me. When I was little, All of a Kind Family was one of the first books I read about a Jewish family (the other was The Carp in the Bathtub). As a writer and a reader, I care deeply about the importance of accurately showing the Jewish experience to the world, so to see a Sydney Taylor silver medal on All Three Stooges makes my heart soar.

 

The Sydney Taylor Book Award is sponsored by the Association of Jewish Libraries 

More information about the award  and a list of all of the winners can be found here: The Sydney Taylor Book Site

Learn about all of the Sydney Taylor Book Award winners by reading about them on the other Blog Tour sites listed here

 

But wait, there’s more, Erica has graciously offered to do a giveaway of her book. Please post your  comments about the book or congratulations to Erica below to be entered for a chance to win a free autographed copy of  All Three Stooges 

                                                                                                                                                     

STEM Tuesday– Taking a Look at Climate Change/Earth Science– In the Classroom

Tough Texts

As I discussed in last week’s In the Classroom blog, science text is tough because it is often dense–there are lots of ideas crammed into just a few sentences. Students often think of reading as an all-or-nothing proposition: either they read through and get it (success!) or they read through and didn’t (failure!). Academic text is more complicated than that. Just as they couldn’t unzip a duffle bag and instantly perceive everything inside, they won’t be able to understand most academic texts on the first read-through. They have to be like the guards at the stadium and unpack (or at least riffle through) the things inside the duffel bag.

In this month’s blog, I am going to walk through a set of unpacking tools that readers might use to work through a passage from Inside Biosphere 2: Earth Science Under Glass by Mary Kay Carson.

Before using this passage with your class, you should do a quick book-talk, explaining that the Biosphere 2 is a gigantic (multi-acre!) laboratory that reproduces several earth biomes in ways that allow scientists to control environmental variables such as the temperature, rainfall, wind, and the organisms present. One of the biomes is a tropical rainforest. Joost van Haren studies this biome.

Then present them with this passage from pages 24-25.

Highlight these strategies as you work through the passage with your students:

Chunking

Focus in on this sentence:

Coal, petroleum, and natural gas were once plants and animals full of carbon, like all living things.

There are actually three ideas in this sentence, that I have marked with slash marks (/) below.

Coal, petroleum, and natural gas were once plants and animals / full of carbon, / like all living things.

If your students are familiar with all three ideas, the sentence will be easy to read. But if some of these ideas are new, they may need to linger on them a moment, and think through what is being said and how it relates to their prior knowledge about fossil fuels.

This strategy is called chunking. Students tend to pause and think at points predetermined by the author: at commas, periods, or the ends of paragraphs. Sometimes, a reader needs to slow down and process smaller chunks of text. As Ruth Schoenbach explains in Reading for Understanding, nobody eats a pizza in one bite. Everyone has to break the pizza down, bit by bit, but different people take different sized bites.

Sketching/ Diagramming

This passage offers a whole series of causes and effects, a cascade of consequences. A quick sketch of the relationships between ideas could help keep them straight. This was my sketch through the text:

Look for surrounding supports

Many science ideas are easier to understand in diagram form, so when you encounter tough text, check surrounding pages for a diagram or illustration. In this case, some of the information in this paragraph is summarized in a diagram of a tree interacting with the environment on page 24.

Build your background

Sometimes, tough text is tough because the writer of the text assumes you already know something that you don’t already know. If you’ve tried to unpack the text, and its still tough, you may need to step back a level–not a “reading level” so much as a “knowledge level.” Read someone else’s account of the ideas, especially one aimed at a less knowledgeable audience, and see if that gives you the background for the more sophisticated text. Another book off this week’s list addressed some of these ideas in simpler form. Show students this passage from page 5 in Out of the Ice by Claire Eamer.

What information does this paragraph contribute to their understanding?

Skip it

Let students know that sometimes, its ok to just skip past a section of tough text! This can feel very freeing for struggling readers. It depends on your purpose for reading–I chose this passage because it gets at an important idea for Earth Science. But what if you are reading this because you want an overview of Biosphere 2? Or you are planning to visit, and want to know what to expect? Or you’re looking for an idea for a science project? You might not need to understand this particular section of text. In this particular book, there is a wealth of interesting information. You could skip this paragraph and still glean all kinds of great ideas from the book. Indeed, it may be that reading further clarifies this set of ideas for you.

(And as a side note make sure your students know that it can be ok to blame the author. Sometimes, text is tough because it is not well-written (not the case here, but sometimes)! Struggling readers tend to assume that reading struggles are all their fault. But many times, the fault lies with writer for not expressing ideas clearly.)


Jodi Wheeler-Toppen is a former science teacher and the author of the Once Upon A Science Book series (NSTA Press) on integrating science and reading instruction.  She also writes for children, with her most recent book being Dog Science Unleashed: Fun Activities to do with Your Canine Companion. Visit https://OnceUponAScienceBook.com for more information on her books and staff development offerings.