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Perfect Podcasts for Middle-Grade Fans

I am convinced that there is no possible way I will ever be able to consume all the information that’s available to me as an author, reader, and champion of middle-grade literature.  Every day, I add to my “saved” file another article, blog post, Twitter thread, interview, or You Tube video pertaining to topics of interest centering around reading, writing, sharing, and understanding middle-grade fiction and nonfiction. And that doesn’t even include the always-growing list of actual BOOKS I intend to read this week. month. year. before the heat death of the universe.

I also know that my work as an author puts me on the road a lot. I’m not sure why it took me until 2020 to realize that one of the most efficient ways to spend “road hours” might be listening to podcasts. Yes, podcasts. They are still there, despite fact that some people are sure the world has outgrown this audio-only form of information dissemination. I’ve really enjoyed listening to several podcasts recently, so I’m going to share a few below.

(To go the webpage associated with each podcast, just CLICK ON THE PICTURE.)

A podcast about reading and writing middle grade novels utilizing ninja stealth and skill. Rob Kent interviews fellow authors and various publishing professionals to discuss the craft and business of producing middle grade and young adult novels.

Upcoming episodes (subject to change) include:

February 22 – Episode 61 Author Barbara Shoup Returns
February 29 – Episode 62 Author Kaela Noel
March 7 – Episode 63 Author Sayantani DasGupta
March 14 – Episode 64 Author Avi
March 21– Episode 65 Author Mitali Perkins
March 28– Episode 66 Author Anna Meriano

Tune in as Julie Anne Grasso and Pamela Ueckerman chat about middle-grade books – that is, books for primary-aged children or thereabouts… it’s a grey area but who’s counting? What we love, why we love it and who we believe it would suit.If you’re a lover of middle-grade books, a librarian, a parent seeking book recommendations, or perhaps an author wading your way through the world of middle-grade fiction, then Middle Grade Mavens is the podcast for you.

Who doesn’t love great word play?  Literary agent Jennifer Laughran has a website called “Literaticat.”  So, when it came time to name a podcast, what else would she call it but “Literaticast?” That’s some word-bending genius right there, people.

While not solely middle-grade, this podcast covers a wide variety of children’s literature topics and Jennifer frequently interviews amazing middle-grade authors. It’s also a twist to hear it all from the perspective on one of the industry’s top agents.

Hosted by Matthew Winner, elementary school librarian and co-founder of All The Wonders. The Children’s Book Podcast features insightful and sincere interviews with authors, illustrators, and everyone involved in taking a book from drawing board to bookshelf. 

Beyond booklists and author interviews, this podcast takes a deep dive into some very interesting topics in children’s literature. Recent podcasts include Redefining the Boy Hero and Readers’ Thoughts on Reading.

Hosted by Travis Jonker and Colby Sharp, the Yarn aims to tell the inside story of children’s literature. According to the website, there are a few things you should know about The Yarn:

  • The Yarn debuted in August 2015.
  • Travis calls it a podcast, Colby calls it an audio show. They both mean the same thing.
  • All interviews for The Yarn are conducted in person.
  • One definition of “yarn” is “A narrative of adventures” – Travis and Colby like how that sounds.
  • It was all Colby’s idea.

 

These are a few of the podcasts that have captured my attention recently. Can you add to the list of children’s lit podcasts that offer something wonderful to those who read, write, and teach middle-grade literature?  If so, please do in the comments below.

STEM Tuesday– The Human Body — Writing Tips & Resources

STEM Tuesday CoSTEM Costume Contest

A Place for Primary Sources

Reading the books on this month’s booklist, the following quote from Carla Mooney’s HUMAN MOVEMENT: How the Body Walks, Runs, Jumps, and Kicks jumped out at me:

Support Independent Bookstores - Visit IndieBound.org“Primary sources come from people who were eyewitnesses to events. They might write about the event, take pictures, post short messages to social media or blogs, or record the event for radio or video. Why are primary sources important? Do you learn differently from primary sources than from secondary sources, which come from people who did not directly experience an event?” (p 41)

What a great question! Nonfiction authors typically use a mix of both primary sources and secondary sources (which are created after an event and often summarize and synthesize primary sources) in their books. And this month’s booklist provides fodder for a rich discussion about primary sources and how they are used in narrative and expository nonfiction.

 

Primary sources in narrative STEM nonfiction

Young writers may have more experience with primary sources in narrative nonfiction. These sources may include government documents, letters, diaries, and newspapers from a specific period.

 

Support Independent Bookstores - Visit IndieBound.orgFor a good example of how authors use primary sources in narrative nonfiction, look at Catherine Reef’s FLORENCE NIGHTINGALE: The Courageous Life of the Legendary Nurse, a biography of Florence Nightingale. The book itself is a secondary source. Reef wasn’t alive more than a hundred years ago when Nightingale lived. Instead, Reef’s book analyzes and synthesizes several sources including primary sources, and she identifies these sources in the bibliography. They include Nightingale’s collected writings, her letters from Egypt, and her notes on hospitals and nursing. Can you find others?

 

Authors use primary sources in narrative writing for many reasons. First, they reveal a character’s opinions, feelings, and inner thoughts. For example, using Nightingale’s own writings, we hear her say, “Why have women passion, intellect, moral activity – these three – and a place in society where no one of the three can be exercised?” (pp 5-6) You can tell from this quote that Nightingale wasn’t impressed with the typical gender roles assigned to women of the 1800s.

 

Primary sources also provide sensory details only first-hand observers might know. Reef quotes the cleric Sydney Osborne, who worked with Nightingale in a field hospital saying Nightingale had “‘a face not easily forgotten … pleasing in its smile, with an eye betokening great self possession, and giving when she wishes, a quiet look of firm determination in every feature.’” (Prologue) Unless we had a photograph of Nightingale, this description may give us the only information we have about how she looked. For writers, such detailed descriptions of characters, settings, and events provide the building blocks for writing scenes. And writing in scenes is how we make a book come alive for readers.

 

Activity

Look at the bibliography of FLORENCE NIGHTINGALE. What primary sources you can identify? The names of the authors, as well as the publication dates, might give you clues. You can look at the notes (just before the bibliography) to get more information.

 

Primary Sources in Expository STEM Nonfiction

When writing about scientific topics, authors use primary sources too, though their purposes might be different from narrative writers. Primary sources for science books include interviews with scientists, data from experiments, theses, specimens, lab notes, technical reports, patents, and some scientific journal articles if they describe original science research.

 

Let’s look again at Carla Mooney’s HUMAN MOVEMENT: How the Body Walks, Runs, Jumps, and Kicks again. Now turn to pages 93-94 and look for the PS icon. How does using information from the University of Texas scientists’ research add to your understanding of the topic?

 

In science writing, primary sources provide the most current information. This is especially critical since new evidence and discoveries in science upend old ideas all the time. When I was growing up, I didn’t learn that dinosaurs had feathers and are related to birds. Imagine if an author used a textbook from my childhood as a source for information about dinosaurs! They’d get things all wrong. Current information is critical.

 

Fortunately, primary sources like science journals are published several times a year whereas a science textbook may only be updated every few years. For their part, scientists read journals in their field and attend conferences with fellow researchers allowing them to keep up-to-date too. That’s why interviews with scientists can be a wonderful primary source.

 

Support Independent Bookstores - Visit IndieBound.orgAs one of this month’s books puts it: “For now, enjoy learning about what we do know — and by the time you’ve finished reading, scientists may have learned something new!”

— THE BRAIN: The Ultimate Thinking Machine (Science Comics) by Tory Woollcott and Alex Graudins

 

For more fun, grab some more of this month’s titles, flip to the bibliography, and see what types of sources you can find. Then discuss what you think using primary sources added to the book.

Kirsten W. Larson used to work with rocket scientists at NASA. Now she writes books for curious kids. She’s the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), CECILIA PAYNE: MAKING OF A STAR (SCIENTIST), illustrated by Katherine Roy (Chronicle, Fall 2021), along with 25 other nonfiction books for kids. Find her at kirsten-w-larson.com or on Twitter/Instagram @KirstenWLarson.


The O.O.L.F Files

 

 

Diversity in MG Lit #14 Girl-centered Sci Fi and Fantasy

In the last several months I’ve seen a crop of solid Sci Fi and Fantasy titles with diverse girl characters. Ever since I stepped through the wardrobe into Narnia with Lucy Pevencie, I have loved girl-centric fantasy and sci fi. Especially when it featured a familiar mythology or sacred story. So I’m so pleased to see fantastical stories based in a much broader group of tales. None of these books are a definitive or scholarly reproduction of their originating myths. Please look to non-fiction sources for instruction about originating myths.  Enjoy these books for the gems they are, hewn from the stone of a rich mythological tradition.
The Jumbie Gods Revenge by Tracy Baptiste
    When an out-of-season hurricane sweeps through Corinne’s seaside village, she believes Mama D’Leau, the powerful jumbie who rules the ocean, has caused the hurricane. But Corinne discovers the storms were caused by the angry god Huracan. Corinne races against time to find out what has angered Huracan and try to fix it before her island home is destroyed forever. The Jumbie God’s Revenge blends Caribbean and West African tales to present powerful themes of community and heroism and adventure.
Lintang and the Pirate Queen by Tamara Moss
    When a deadly mythie attacks Lintang’s village the same day the infamous Captain Shafira visits her island, Lintang gets her chance. She defends her village with bravery and earns her a place on the pirate queen’s ship. When Lintang discovers her best friend has stowed away she must choose. Telling Captain Shafira betrays her friend, but keeping the secret risks everything.
Love Sugar Magic: A mixture of mischief by Anna Meriano 
Leo Logroño of Rose Hill, Texas, wants to become a full-fledged bruja like the rest of her family. But she hasn’t discovered the true nature of her magical abilities. That isn’t the only bit of trouble in her life: Her family’s baking heirlooms have begun to go missing, and a new bakery called Honeybees has opened across town, threatening to run Amor y Azúcar right out of business.
Spirit Hunters: The Island of Monsters, by Ellen Oh
 For fans of scary stories, Spirit Hunters is a high-stakes middle grade mystery series. It features Harper Raine, the new seventh grader in town who must face down the dangerous ghosts haunting her younger brother.
Game of Stars, by Sayantani DasGupta
    When the Demon Queen shows up in her bedroom, surrounded by evil-looking bees, 12-year-old Kiranmala is uninterested. After all, it’s been four months since she last heard from her friends in the Kingdom Beyond, the alternate dimension where she was born as an Indian princess. But after a call to action over an interdimensional television station and a visit with some all-seeing birds, Kiran decides that she has to once again return to her homeland, where society is fraying, a reality show is taking over, and her friends are in danger.
Dragon Pearl, by Yoon Ha Lee
    Yoon Ha Lee’s space opera about thirteen-year-old Min, who comes from a long line of fox spirits. But you’d never know it by looking at her. To keep the family safe, Min’s mother insists that none of them use any fox-magic, such as Charm or shape-shifting. They must appear human at all times. Min is counting the days until she can follow her older brother, Jun, into the Space Forces and see more of the Thousand Worlds. When word arrives that Jun is suspected of leaving his post to go in search of the Dragon Pearl, Min knows that something is wrong. She decides to run away to find him and clear his name.
Race to the Sun by Rebecca Roanhorse
    Lately, seventh grader Nizhoni Begay has been able to detect monsters, like that man in the fancy suit who was in the bleachers at her basketball game. Turns out he’s Mr. Charles, her dad’s new boss at the oil and gas company, and he’s alarmingly interested in Nizhoni and her brother, Mac, their Navajo heritage, and the legend of the Hero Twins. Nizhoni knows he’s a threat, but her father won’t believe her. When Dad disappears the next day, leaving behind a message that says “Run!”, the siblings and Nizhoni’s best friend, Davery, are thrust into a rescue mission that can only be accomplished with the help of Diné Holy People, all disguised as quirky characters.
These are just some of the terrific new and diverse titles out there. Please mention any I’ve missed in the comments. -Rosanne Parry