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Cover Reveal: How to Get Away with Myrtle

By on May 21, 2020   /   Giveaways  

We’re excited to do a cover reveal today for How to Get Away with Myrtle by Elizabeth C. Bunce. You’ll have to scroll down to see the cover and find out about the FREE giveaways.

But first, let’s hear from Elizabeth about how she came up with the idea for the book.

I’ve been writing for as long as I can remember—even before I knew it was a job. The inspiration for the Myrtle Hardcastle Mysteries series came from a slip of the tongue one groggy morning as my husband and I staggered our way through breakfast, discussing the local news. I started to say something about “premeditated murder,” but it came out “Premeditated Myrtle” instead. We looked at each other for a moment, and I declared, “That is a middle-grade mystery!” Before I was even finished with Book 1, I knew I wanted to write more. As a lifelong fan of classics like The Lady Vanishes, a mystery set on a train seemed like the natural follow-up—and of course, How to Get Away with Myrtle was the only possible title. But England is not large enough to set an entire novel-length mystery just on the train, so Myrtle and company ended up in the next logical destination for a Victorian holiday: the seaside! Research for those two settings provided the seeds for the plot, and I will admit that my editor’s loathing of Aunt Helena in Book 1 made her a necessary component of Book 2. Sending Myrtle on her ill-fated holiday was just as much fun as I’d hoped, and I can’t wait for readers to go along on the journey with her!

Isn’t that a fun title? And here’s more about the book:

How to Get Away with Myrtle

Before the train has left the station, England’s most accomplished new detective already is on a suspect’s trail, and readers will be delighted to travel along.

Myrtle Hardcastle has no desire to go on a relaxing travel excursion with her aunt Helena when there are More Important things to be done at home, like keeping close tabs on criminals and murder trials. Unfortunately, she has no say in the matter. So off Myrtle goes—with her governess, Miss Judson, and cat, Peony, in tow—on a fabulous private railway coach headed for the English seaside.

Myrtle is thrilled to make the acquaintance of Mrs. Bloom, a professional insurance investigator aboard to protect the priceless Northern Lights tiara. But before the train reaches its destination, both the tiara and Mrs. Bloom vanish. When Myrtle arrives, she and Peony discover a dead body in the baggage car. Someone has been murdered—with Aunt Helena’s sewing shears.

The trip is derailed, the local police are inept, and Scotland Yard is in no rush to arrive. What’s a smart, bored Young Lady of Quality stranded in a washed-up carnival town to do but follow the evidence to find out which of her fellow travelers is a thief and a murderer?

Elizabeth C. Bunce grew up on a steady diet of Sherlock Holmes, Trixie Belden, and Quincy, M.E., and always played the lead prosecutor in mock trial. She has never had a governess, and no one has ever accused her of being irrepressible, but a teacher did once call her “argumentative”—which was entirely untrue, and she can prove it. She lives in Kansas City with her husband and their cats. Premeditated Myrtle is her first book for middle-grade readers.

And now. . . TA-DA! *drumroll* Here’s the cover you’ve been waiting for!

Doesn’t this cover make you excited to read the book?

Elizabeth’s publisher is giving away two gift packs of both Myrtle galleys per pack: Premeditated Myrtle & How to Get Away with Myrtle. To enter, all you need to do is comment below, and we’ll pick two random commenters to receive the gift packs. Winners will be chosen June 1, 2020.

Praise for Premeditated Myrtle: 

“A joyful thing to behold. Set in Victorian England, this mystery gleefully overturns sexist norms and celebrates independent women of intellect, with Myrtle Hardcastle leading the charge.”
—Booklist, starred review

“Bunce crafts a truly captivating murder mystery, throwing in a delicious mix of twists, red herrings, and relatives excluded from the family fortune. Myrtle is an entertaining protagonist, not afraid to get her hands dirty, sneak into mansions after dark to find a clue, or call out sexism of men toward her scientific interests or the racism toward her governess. The book will make readers yearn for more of Myrtle’s (mis)adventures.”
—Bulletin of the Center for Children’s Books

“A saucy, likable heroine shines in a mystery marked by clever, unexpected twists.”
—Kirkus Reviews

“[A] clever and lively Victorian English village murder mystery . . . Bunce does an excellent job of making Myrtle the lead actor but gives her a strong set of (mostly female) supporters.”
—The Horn Book

“In the tradition of heroines like Flavia de Luce and Harriet the Spy, Myrtle is a fine example of the Victorian scientific female—smart, inquisitive and fearless. Written with a terrific mixture of humor and suspense, Premeditated Myrtle is a perfect read for any budding detective.”
—Rhys Bowen, New York Times bestselling author of the Her Royal Spyness series

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The Most Important Thing About Children’s Books: For Readers and Writers During COVID-19

By on May 20, 2020   /   Articles, For Parents, For Teachers, For Writers, News, Writing, Writing  

Last night, my son asked for something extraordinary. He requested I read him a goodnight story. From my shelves, I pulled out a picture book, The Keeping Quilt by Patricia Polacco. At first glance, this might not seem that unusual.

Except my son is a ninth grade, a newly minted 15-year-old, and I couldn’t more proud. He wasn’t afraid to ask for what he needed– the comforting ritual of a bedtime story read aloud by a parent. He wasn’t embarrassed. His ears didn’t pinken. This wouldn’t have happened pre-COVID. Well, it would have but like six or seven years ago.

This was not an isolated incident.

My oldest son, who graduated from college last year and is a software engineer for a celebrated car company, is back home and after reading some non-fiction, picked up The Subtle Knife by Phillip Pullman. My son had first read this very book and the rest of His Dark Materials series when he was ten. He said he relished re-reading it even more because “there was so much that I didn’t understand” the first-time round.

My middle son, a 20-year-old, and college sophomore has been asking for back rubs after sitting in his chair digesting his third Zoom class for the day. He also has been introducing us to some of his favorite board games.

In fact, all three of my sons have asked that we play family games at least once a week. Our favorite is definitely Exploding Kittens, which is silly, involves a little strategy and a lot of luck.

I’m not trying to glorify sheltering-in-place. It’s been, at times, incredibly stressful and full of grief. Two of my students have lost their grandparents. Three of my students have been hospitalized. Childhood friends are struggling to recover from COVID-19. My youngest son may have had COVID-19 for a month in March, but at the time we couldn’t get him tested. But I don’t need to tell you of all this woe. We’ve all experienced heartbreak in one form or another, collective grief and loss in many forms.

So I’m really trying not to be a Pollyanna.

But I do feel like COVID-19 has helped me put priorities and values into sharper focus.

Health. Wow. That’s important.

Friends. Community. Books. All Vital.

And it’s clearer than ever before that children’s books are not just for one particular life period. And reading aloud shouldn’t have to stop when you’ve graduated from the HarperCollins I Can Read Level 4. Nope. The pleasure of children’s books are for every season of life. The idea, for example, that you read middle grade just when you’re 8-12 is merely a state of mind.

And as creators of children’s books, it’s especially imperative to embrace this perspective.

Next month, starting on June 15, I’ll be teaching Middle Grade Mastery, a four-week interactive, remote course for the The Children’s Book Academy with Rosie Ahmed (Penguin Random House/Dial Books) and Mira Reisberg (Clearfork/Spork). It’s a class I’ve taught for several years now, and one that I love. We focus on craft and mentor texts. But this year, I plan to remember what I’ve learned from this sheltering in-place. I want to emphasis more reading aloud at any age. And to remember that no one is ever too old for children’s books; they open hearts and minds, pose and answers questions, as well as (perhaps most importantly right now) mend and delight the spirit.

Hillary Homzie is the author of the Ellie May chapter book series (Charlesbridge, 2018), Apple Pie Promises (Sky Pony/Swirl, 2018), Pumpkin Spice Secrets (Sky Pony/Swirl, 2017), Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009) as well as the Alien Clones From Outer Space (Simon & Schuster Aladdin 2002) chapter book series. She’s also a contributor to the new Kate the Chemist middle grade series (Philomel Books/Penguin Random House 2020). During the year, Hillary teaches at Sonoma State University and in the summer she teaches in the graduate program in childrens’ literature, writing and illustration at Hollins University. She also is an instructor for the Children’s Book Academy. She can be found at hillaryhomzie.com and on her Facebook page as well as on Twitter.

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STEM Tuesday– Symbiotic Relationships– Writing Tips & Resources

By on May 19, 2020   /   STEM Tuesday, Symbiotic Relationships  

Field of California poppies

Photo by Nils Larson

The Writer’s Walk: Nurturing Creativity in Difficult Times

Every day, as part of my writing process, I take a walk outside among Joshua Trees and, in spring, golden California poppies. Often a writing problem weighs on my mind: an opening that’s not quite right, a subplot that’s stumbling, a structure that’s just not working. As my feet pound the ground, my brain is only partially occupied by the scurrying rabbits and calling quail. My mind wanders just as I do. And in those moments I often have a breakthrough, an “aha moment” that leaves me eager to return to my manuscript.

We are living during a difficult time when so many of us are encouraged to stay indoors to keep ourselves, our friends, and neighbors safe. Yet one thing we are still allowed to do is to go outside for exercise. And we need to. Humans have a symbiotic relationship with nature. We need nature, and it needs us.

Forest Talk by Melissa Koch

Even before I read Melissa Koch’s FOREST TALK, one of the books on this month’s booklist, I knew humans had a symbiotic relationship with trees. We breathe in oxygen released by trees. Trees use the carbon dioxide we exhale for photosynthesis. But here’s what Koch wrote that astonished me: “Trees don’t just make people physically healthier. They also improve our spiritual well-being.” 

Koch goes on to cite several studies that show being among trees or even simply seeing trees out a window helps us heal faster and reduce stress, blood pressure, anxiety, and negative thoughts. The Japanese government even coined the term “forest bathing,” which involves walking in the woods and using all your senses to take in your surroundings as a way to improve mental health. 

I’d argue this symbiotic relationship holds the key not just to our sanity but to our creativity too.

Starting a Writer’s Walk Practice

There’s no time like the present for starting a writer’s walk practice. Before you do, a few ground rules. 

  • First, leave your headphones at home, so your senses are fully engaged with the world around you. 
  • Leave your notebook at home too. The idea is to keep your body and your mind moving. 
  • When you begin, focus your attention on a few deep breaths in and out. Notice the feeling of the ground beneath your feet. 

Eventually, your mind may wander. This is good. When it does, magical things might happen. Things like:

  • Story sparks – As you walk, observe animals, even little insects. What kind of bird did you hear? Why is the sky suddenly filled with butterflies? What makes those wispy, thin clouds?  Back home, that wondering might turn into research and even writing about a new topic. But there’s no pressure if it doesn’t.
  • Storing up sensory details – Use your walk to closely observe your surroundings. Note not only the sights, but also the smells, sounds, and textures. What do things look like and sound like? Can you think of analogies? Now file those details away for future use. One day when you need to capture how the leaves rustled or the birds called, you’ll remember, and these details will reappear in your writing.
  • Poem practice – I love poems for their ability to capture a single moment in exquisite detail. When you observe something interesting on your walk, maybe an autumn leaf floating in a rain puddle, challenge yourself to craft a little poem in your mind. No need to write it down. It’s just an exercise in paying attention and noticing small details, a way to remind yourself to focus on individual moments and concrete details in your writing.
  • Solving problems – I can’t tell you the number of aha moments I’ve had during my daily walks. The key for me is to think about my problem right before I begin. Then I clear my mind and focus on my breath, the feel of my feet, letting my mind wander. If and when my brain is ready, it might wander back to my story and play with the problem.

So, if you are allowed, get outside and take a writer’s walk. Your mind, your body, and your writing will thank you!

O.O.L. F (Out of Left Field)

Can’t get outside right now? Relax by watching a nature webcam here.

Experience California’s golden poppies live on their own webcam:

The app Headspace is offering free meditations during the pandemic, including a 10-minute walking meditation, perfect for a writer’s walk.

ReadWriteThink shares a wonderful Poetry Walk lesson from Patrick Striegel.

Read more about how walking boosts writing with this article from Publication Coach.

The New Yorker reports on how walking helps us think.

Kirsten W. Larson used to work with rocket scientists at NASA. Now she writes books for curious kids. She’s the author of WOOD, WIRE, WINGS: EMMA LILIAN TODD INVENTS AN AIRPLANE, illustrated by Tracy Subisak (Calkins Creek, 2020), THE FIRE OF STARS, illustrated by Katherine Roy (Chronicle, Fall 2021), along with 25 other nonfiction books for kids. Find her at kirsten-w-larson.com or on Twitter/Instagram @KirstenWLarson.

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