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Agent Spotlight: Ameerah Holliday of Serendipity Literary Agency

By on December 31, 2021   /   Articles, Editor / Agent Spotlight  

For our final post of 2021, I’m delighted to introduce readers to Agent Ameerah Holliday from Serendipity Literary Agency.

Ameerah is a dancer and self-proclaimed poetess from San Diego, California. She received her bachelor’s degree in English Literature from San Diego State University and is a former editorial assistant intern for Poetry International. She currently serves as editorial director for the San Diego Poetry Annual and editor for Kids! San Diego Poetry Annual.

Here’s more about Serendipity, Ameerah, and what she’s looking for in the way of submissions.

Dorian: Welcome, Ameerah, to The Mixed-Up Files! Can you tell us a little bit about Serendipity Literary Agency and your role there?

Ameerah: Thanks so much for having me! Serendipity is a Black-owned literary agency with over 21 years in the industry. We represent everything from illustrators and board books up through adult nonfiction. Our president and lead agent Regina Brooks, is a phenomenon! She’s an author, an engineer, Vice President of the board of AALA (Association of American Literary Agents) . . . basically, she’s someone you want to know! Our team is very collaborative. We are constantly working together to make sure our clients receive our very best.

 

Dorian: Sounds fabulous! How have your experiences in dance and poetry influenced you and your desire to work in the publishing industry?

Ameerah: I love being involved in the arts! I’m the youngest in a large family and that tended to make me a pretty quiet kid, so I had to find new ways of expressing myself. Both dance and poetry helped me do that. One of the best things being a dancer taught me was how to take rejection and keep going. So often in performing you’re auditioning for a million things: companies, roles, solos, and so being told “no” just becomes a part of the game. The same thing can be said about publishing. Whether you’re querying or trying to sell a project you learn to just take the feedback and keep going. In working in publishing, one of my motivators has always been to look for stories or writers that may feel unseen and give them the spotlight. I’ve been a part of many ensembles in the past so I know how important everyone in the scene can be.

 

Dorian: Great insights! What middle-grade books inspired you as you were growing up?

Ameerah: My friends in school were really big readers, and it took me a while to warm up to books. Every now and then a teacher or a friend would recommend something to me and it would convince me that maybe they were on to something when it came to reading. My Granny gave me a copy of Are You There God? It’s Me, Margaret by Judy Blume the moment I started middle school, which immediately taught me that I could learn through fiction. I read The Cheetah Girls by Deborah Gregory right before the movie came out, and I was obsessed! However, if I had to choose one that really sparked an interest in what books could do, it would probably be Holes by Louis Sachar. I read it for class one year, and I distinctly remember every day being extremely thirsty by the time I put it down. It was my first real experience of having a story really pull me into the experience of someone different from me.

  

 

 

 

 

 

 

 

 

 

Dorian: What are some of your favorite middle-grade books now?

Ameerah: There are so many amazing books out or getting ready to come out! I never tire of going to the library to pick things up. The Last Cuentista by Donna Barba Higuera was such an amazing take on sci-fi/fantasy with elements of culture and storytelling that I loved. Love Double Dutch by Doren Spicer-Dannelly had me regretting the fact that I never learned to double dutch growing up. Fast Pitch by Nic Stone is great. I love a story about kids taking charge and shaking the table. Also, JD and the Great Barber Battle by J. Dillard because who doesn’t love a young entrepreneur!

   

 

 

 

 

 

 

 

Dorian: What genres, subjects, or themes would you be thrilled to receive?

Ameerah: I’m always open to taking a look at a story regardless of the genre. I am typically drawn in by intersectional and diverse experience or slice of life narratives. I’d love to see stories that highlight the trans and nonbinary experiences without being stemmed in trauma. In general, I love a good friendship story —  stories where a group of friends lean on each other to take on their worlds. I’m also a huge fan of the new Baby Sitters Club series on Netflix, diverse experiences of friends, and growing pains. I’d also love to see more about the awkward phase that comes with being a preteen, losing friends, changing schools, or simply that time of struggling to embrace the discomfort.

 

Dorian: Do you have any hobbies or special interests that you’d love to read about?

Ameerah: I’m always open to seeing stories that involve performing arts of any kind. I’m also big on community and cultural pride so, anything that gives you that feeling of a peek into someone’s life in their neighborhood or family.

 

Dorian: What changes do you think 2022 will bring in the way of children’s books?

Ameerah: What I love about the publishing community is that there is such a strong desire to expand our world and our understanding of who we are. Diversity comes in a range of topics now, and so many of them involve the celebration of being different. I think the children’s book space is a place where all of these ideas are still growing and evolving. I imagine 2022 will bring more BIPOC kids at the center of fantasy, neurodiversity in the experiences of characters (and authors), and joy, which we can always use more of.

 

Dorian: What tips do you have for writers ready to query an agent?

Ameerah: Make sure that your manuscript is the best it can be before you start to send it out. If that means taking a step back from it or calling on your friends and cousins for second reads then that’s okay. There’s never a rush when it comes to making sure you’re as confident as you can be in your work. Also, these things take time. If an agent doesn’t get back to you right away, it doesn’t automatically mean they aren’t interested. Publishing can be a waiting game sometimes so try to stay positive. You’ve got this!

 

Dorian: Great advice! Lastly, how can people follow you on social media and/or query you?

Ameerah: Our submissions portals are available through our website SerendipityLit.com. All of our agents are phenomenal but if you’re interested in submitting to someone specific just mention them in your query letter and it’s sure to get to the right person. You can follow us on all platforms @SerendipityLit.

Thanks so much for chatting with us, Ameerah. Wishing you lots of joy and good books in 2022!

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Reading and Writing Resolutions for 2022

By on December 29, 2021   /   Articles  

The new year is almost here, and it’s time for us at The Mixed-Up Files to share our reading and writing resolutions with you. We hope some of our aspirations will inspire you to make your own such resolutions. And we’d love to read about your hopes and dreams in the comments section so you can inspire us as well.

Here’s to a Happy New Year filled with joy and good reading!!

 

Andrea Pyros is the author of Pink Hair and Other Terrible Ideas and My Year of Epic Rock

Writing Resolution: “I am in the middle of writing two books. I’d like to finish first drafts of both in the next six months, which feels (I hope!) realistic and doable.”

Reading Resolution: “I feel guilty when I put a book aside instead of finishing it. I’m going to cut myself a break and stop if a book isn’t grabbing me after giving it a shot. Sometimes you’re the wrong reader at a particular moment, and that’s okay! It’s no fault of the book or the author, and there’s no shame in my saying, ‘Not right now’ if I can’t seem to finish something.”

 

Melissa Roske is the author of Kat Greene Comes Clean (Charlesbridge, 2017) and the short story “Grandma Merle’s Last Wish,” which will appear in the forthcoming Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman & Company, 4/19/22).

Writing Resolution: “In 2022, I vow to write every day, even if it’s just for ten minutes. The pandemic made sticking to a regular writing routine extremely challenging, but—to quote Gene Autry (and Aerosmith)—it’s time to get back in the saddle!”

 

 

Donna Galanti is the author of two middle grade series—Unicorn Island and Joshua and The Lightning Road.

Writing Resolution: “Since moving myself to a new area, my son to Hawaii, and my dad to assisted living this year—I completely lost my writing routine and motivation. My goal in 2022 is to find inspiration and order again. I want to create and follow through on a daily routine of writing that involves meditation, free writing, and crafting a new story close to my heart that involves autoimmune disorders. Also, as an added bonus, it would be a boost to complete two unfinished manuscripts.” 😊

Reading Resolution: “To read during the day—not just that fifteen minutes before I fall asleep! This mean setting aside focused, daily reading time to dive into more heartfelt, contemporary middle grade.”

 

Samantha M. Clark is the author of The Boy, The Boat, and The Beast, Arrow (Simon & Schuster) and American Horse Tales: Hollywood  (Penguin)

“2021 was a very busy year for me, and I didn’t have much time to stop and smell the roses. I want to make that time in 2022, to focus better, to relax better, and to read more. Reading more should always be a priority.”

 

 

 

Patricia Bailey is the author of The Tragically True Adventures of Kit Donovan.

“My reading and writing resolution for 2022 is the same—to be more playful.”

 

 

 

 

Mindy Alyse Weiss writes middle grade novels and picture books with humor, heart, and hope.

“My writing resolution is to write and/or revise something every day.”

 

Julie K. Rubini is the author of critically acclaimed biographies and recently served as the editor of Virginia Hamilton: Five Novels, published by the Library of America.

Writing Resolution: “I want to continue to be open to whatever opportunities the universe provides for my next writing projects. I’m hopeful that includes the sale of my latest proposal about an inspirational woman!”

 

 

 

Heather Murphy Capps’s debut novel, Indigo and Ida (Lerner/Carolrhoda Lab), will publish in spring of 2023. Capps is an upper MG author of color and is dedicated to supporting and creating equity in education and publishing.

Writing Resolution: “I am thrilled to be able to say for the first time that my resolution for 2022 is to complete edits on my debut novel by early spring, plus finish drafting my newest novel.”

Reading Resolution: “I have a TBR pile on my bedside table that is always threatening to topple from its sheer height. My resolution is to make a dent in that before buying new books. It’s very hard to resist the lure of the bookstore because so many fabulous books come out every year!”

 


Sue Cowing is a poet and author of middle-grade fiction.

Writing Resolution: “To go to the page every day with deeper attention and joy.”

Reading Resolution: “My resolution is to be clear about what I really want to read and write, not what I should.”

 

 

 

Dorian Cirrone writes fiction and poetry for all ages. Her most recent novel is The First Last Day (S&S/Aladdin).

Writing resolution: “I’m almost finished with the book I vowed to finish last year. It’s been fighting me to be longer and more complex, so this year, it’s on!”

Reading resolution: “Keep reading widely but not beat myself up if I don’t want to read a particular genre.”

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STEM Tuesday– Award-Winning MG STEM Titles– Your Turn: A Wish for 2022

By on December 28, 2021   /   Award-winning MG STEM Books, STEM Tuesday  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the last Tuesday of every month. Go Science-Tech-Engineering-Math!

Normally this would be the time of the month when I would choose an author from a list identified by our STEM Tuesday team and conduct an interview. This month’s theme was award winning books but I’ve been on both sides of that equation. So I decided, as we head into 2022 to do something different. I want to issue a call to action for those who don’t get awards instead.

Over the past two years authors I interviewed for STEM Tuesday have taught me about spider silk made from genetically modified goats, women who were denied a spot in the astronaut program despite performing better than their male counterparts, and implicit bias in archeology that may skew what we know about ancient civilizations. One author/illustrator judged an MIT contest showcasing implausible scientific ideas. Another learned to dive with a photographer in order to better understand the nature of ocean conservation. And while the world knows about the women showcased in Hidden Figures, one author published a book about fifty additional African American women whose STEM contributions changed the world.

If I were to ask you to name the above authors, would you be able to do it without looking at my interviews? That’s my concern in a nutshell. A select few of these authors have been recognized with awards, but most have not. Nonfiction is a staple for helping young readers develop executive functioning and learn more about the world around them, but the authors are not often celebrated in proportion to their contributions to children’s literature. Even with awards, most authors are still struggling to become household names let alone achieve financial stability.

Writing STEM is hard. The research often rivals an academic research paper. Many of us write for magazines, textbooks, trade publishers and educational publishers. What is often true is that authors need to log a lot of hours in the library, speaking to experts and researching in the field to determine how to best present the subject matter in a way a student can understand. In a sense, we have to do a deep dive to understand the material before we can explain it coherently to someone else. Unique to children’s publishing there are additional rules to follow. There’s an art to working within those constraints. I’ve been asked to do planet books of 4,000 words for upper elementary students and recast those same facts for a beginner readers using only 300 words. It’s not just the word count but the choice of words. For instance, with younger students we have to be mindful about sentence length, how many multisyllabic words in a sentence, and words common for that reading level and Lexile range.

After the books are printed and in circulation, awards are tricky. For every author that receives recognition, there are many equally skilled authors that don’t. And remember, the industry celebrates winners, not runners up. A different committee, on a different day, might have picked a different book entirely from the same pile. I know, because I’ve been on a number of awards committees. There are epic battles and painstaking discussions before a consensus is reached.  I’ve also noticed that the attention paid to award winning fiction authors is sustained much longer than for nonfiction authors. Those awards often translate into more work for fiction authors and higher compensation but not necessarily for their nonfiction counterparts.

I’ve been luckier than most of my peers in this respect. I’ve published more than 90 books for children and have more under contract. So I wanted to raise my voice to challenge the readers of this blog to change the nature of the game. The industry pays attention to where the money is flowing. Publishing pays attention to social media chatter and reviews. You can help my STEM peers by doing the following.

Once a month:

  1. Check out a book (or two) from the library. If you need a place to start, we have great recommendations on our STEM Tuesday site. Books that are checked out stay in circulation longer.
  2. If you’re in a school district, consider adding a book to the school library or classroom. I know budgets are small, but even one book is a boon for that author.
  3. Write a review. It only takes five minutes. Amazon, Goodreads, Barnes and Noble.
  4. Give a shout out to an author whose work you admire. Try to pick someone who isn’t getting a lot of marketing support from publishers. The ones the awards committees didn’t announce. I’m all for boosting underdogs. That shout-out will make an author’s day.

 

Win a FREE copy of the book of your choice.

It’s the holiday season so let’s do something positive to start 2022.

This month, instead of me telling you who I found fascinating…this time you tell me.

What nonfiction book have you loved?

What’s next on your wish list?

Enter the giveaway by leaving a comment below.

The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

Good luck!

 

Christine Taylor-ButlerYour host is Christine Taylor-Butler, MIT nerd and author of many nonfiction books for kids. You can read about her philosophy  on STEM in this article for the Horn Book. Christine has recently finished a short story for a speculative anthology on Marie Curie’s teen years (2023), a children’s afrofuturism book for Benchmark Publishing set in the Trappist-1 solar system (it exists, look it up!), and a new nonfiction series not yet announced. She is also the author of the middle grade sci-fi series The Lost Tribes. Follow @ChristineTB on Twitter and/or @ChristineTaylorButler on Instagram

 

 

 

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