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STEM Tuesday– Genetics– Interview with Author Christine Taylor-Butler


I’m delighted to be interviewing one of our own STEM Tuesday team members, the fabulous Christine Taylor-Butler!

Author Christine Taylor-Butler

Christine Taylor-Butler is the author of more than 80 fiction and nonfiction books for children. A graduate of MIT, she holds degrees in both Civil Engineering and Art & Design. Her current project is the speculative sci-fi fantasy series: The Lost Tribes. Her educational publishers and clients include Scholastic, Children’s Press, Pearson, Heinnemann, Cherry Lake, Lee and Low, Sterling and her favorite publisher: Move Books.

Christine has been a panelist and moderator at World Science Fiction Convention, North American Science Fiction Convention (NASFIC), ConQuest, Boskone, DragonCon, Snake River, and many others. In addition she has spoken at the American Library Association (ALA), National Council of Teachers of English (NCTE), Assembly on Adolescent Literature (ALAN), Missouri Writers Guild. She has served as a past literary awards judge for We Need Diverse Books and Society of Midland Authors.

She is an inaugural member of SteaMG – an alliance of middle grade science fiction authors.

 

She wrote this really cool book about genetics: Genetics book by Christine Taylor-Butler  which we’ll be talking about below.

 

What do you find fascinating about genetics? 

Oh – where to even begin with that. I’m a nerd, and lately people talk about STEM as if it is primarily computer coding. But genetics is also a type of mathematical coding that makes up every living thing on the planet. It’s not only the chemical building blocks of life in humans, but in animals, in plants, in bacteria and viruses. Although the foundation of genetics, DNA and RNA, for example stays surprisingly consistent among a species, the combinations of those codes are constantly changing and adapting. There is always something new being discovered every day. And those discoveries are being used to create medicines or to provide the clues needed to keep people from getting sick.

 

What is it important to  learn about genetics and biology?

My mother always taught me that you should pursue knowledge for the sake of it, not just for a career. People approach science as if preparing for a job assignment, or to pass a test. But that’s not what learning is about. Learning information outside of our primary interests helps us understand what’s going on in the world. For instance, the news has been filled with discussion of the pandemic and the ability of the Covid-19 virus to mutate. That’s genetics and biology. Understanding how cells replicate using the building blocks of life and how the codes can change over time.

A good example of studying genetic changes in people is NASA’s research with astronauts Scott and Mark Kelly. They are identical twins. That means their genes are also identical. Scott spent a year in space. Mark stayed on Earth during that time. Scientists then studied how Scott’s genetics had changed compared Mark’s.  Some of Scott’s gene’s changed but returned to normal when he came home. Others did not.

 

But closer to home, sometimes learning about genetics and biology is as simple as providing answers for why you don’t look exactly like your parents or siblings. Depending on what genes are passed down through your ancestors, there’s a lot of variation that can happen and that’s actually a good thing.
https://www.nasa.gov/feature/nasa-twins-study-confirms-preliminary-findings

 

 

Can you give us three things that you hope kids will learn from your book. 

First – let me give a shout out to women. When asked to write this book I was told to focus on “discoveries” and “discoverers.” But when I turned in an outline I was told to focus primarily on the men. Yes. That’s not a joke. So I said “okay” and then wrote the book by including as many women as I could fit in the word count to counter the idea that men were always ahead of the curve. There are some glaring omissions in the way we teach the history of science.  For example, we know that James Watson and Francis Crick received the Nobel Prize for discovering the structure of DNA were two strands in the shape of a spiral (also known as a helix). But their discovery was actually made by a woman, Rosalind Franklin. Her lab assistant didn’t like working with a woman so he stole her notes and photographs and secretly gave them to Watson and Crick. Another example is Nettie Stevens. In 1842 scientists discovered chromosomes, which are packets of DNA, but didn’t know what they did. Stevens made the connection in 1905. She discovered that chromosome pairs determined an animal’s biological sex at birth. She continued corresponding with her professor, Thomas Hunt Morgan, who began experimenting with fruit flies because the flies only had four pairs of chromosomes to track. He is given credit for mapping how chromosomes changed from parent to child. I even cover Dr. Mary-Claire King who discovered the gene that causes cancer in women. Companies tried to steal her research. One company filed a patent on the gene. They charged $3,000 every time a woman was tested for the gene with no money going to Dr. King. In 2013, the U.S. Supreme Court had to put a stop to that. Now there’s a law that says genetic material can’t be patented. And lastly, Dr. Elizabeth Blackburn sho discovered how an enzyme called telomerase is a factor in aging and that stress and trauma can make people age prematurely.

Second – understanding genetics helps to explain why we have laws that say you can’t marry a close relative. Scientists like Darwin noticed that plants that self-fertilize were less healthy. That’s because each time the plant is recycling the same DNA components. Scientists learned the same thing applies to people and animals. With all living things, it’s actually healthier for offspring to have DNA from more than one family line.

Third – We don’t know everything there is to know, even about our own bodies. In 1990 scientists created the Human Genome Project to create a map of our genes. It was finally completed in 2021. But that map was only created from a small group of volunteers. As the world changes and people adapt, we’re still learning about what every part of our genetic sequence does and how it impacts our health, even how long we live.
https://www.genome.gov/human-genome-project

 

You’ve written a lot of series for different publishers. Do you get to pick the topics in those series or are they assigned?

 

It’s a bit of both. Sometimes I find something interesting I want to explore and suggest it. More often than not, especially in educational publishing, the publisher has a series already in place and have topics they want me to research. The research is still intensive, but there’s a format I can follow in terms of word count, number of chapters, side bars and interesting facts to sprinkle throughout. Even so, I write those titles looking to include what’s not widely known in other texts. I tell students an “A” paper is surprising a teacher with a few fascinating facts they didn’t already know.

One of my most fun projects was when working with Editorial Directions, a former packager used by several publishers. Their client needed a template for a science book that other authors could follow for their own topics. I was given free rein to design a series template from scratch for “Think Like A Scientist.” For the prototype I included experiments young children could do in a gymnasium. I discussed how famous scientists had ideas that were often wrong but found the right answers through experimentation. I then guided students in conducting their own simple experiments to prove or disprove their ideas using the steps of the scientific method.

Can you give any tips to writers who want to break into nonfiction children’s books? Should they start with educational publishers like you have done? 

 

My answer today is a lot different than it would have been fifteen years ago. Before I would say “yes.” But now my answer is “maybe.” Educational publishers are an amazing way to build up a portfolio of titles if you enjoy research, documentation and deadlines. I remember being asked to write 13 books in the span of 5 months (American History and Health and the Human Body). Those books are still in print and although they were work-for-hire (no royalties) they paid really well.

But here’s the caveat now – educational publishers across the board in the educational market are paying a lot less than they did 15 years ago. In fact, my largest client is now offering a third or less of the previous rate with a much tightened timeline. So I have declined to work on future titles for them and I worry what low pay means for the accuracy of the content. Authors should know their worth and calculate the amount of time required to research and write a book correctly. Ideally, work-for-hire should pay at flat fee that mirrors the initial advance on a royalty paying book. But with so many people wanting to break into the business it’s not uncommon for a publisher to contact authors and offer $150 (that’s not a typo). One offered $700 for a lengthy researched book. And yet another publisher asked if I would consider writing a 12,000 word book on 50 African and African American historic figures. I explained that is fifty different research projects in a single book and asked what the compensation was. They wanted to pay $1,200 with no royalties (10 cents per word). I spent a half hour on the phone explaining why any author he hired would simply regurgitate Wikipedia. I am told he took my words to heart and significantly raised his rates.

Don’t discount pitching an idea for a picture or chapter book to a trade publisher. There’s so much more interest in STEM now than before that we’re not limited to educational publishers. The budgets for those books are bigger but it may take an agent or networking to be invited to submit. Don’t discount smaller, but well known publishers that don’t require an agent submission. Look at their list for the most recent two years to get a feel for what they’ve been publishing and then find out which editor was responsible for those books before contacting them. And as always, conferences around the country may yield clues.

So it’s not either one or the other, but both. But don’t sell yourself short. Take care of yourself and the reader. Build your portfolio with high quality works but with a publisher that respects your talent and your time.

What are you working on now? 

 

Save the Polar Bears book

 

I recently completed three titles in Chelsea Clinton’s Save the….(animals) series: Tigers, Blue Whales and Polar Bears. There was so much I didn’t know about the impact of human activity on animal species and how we are often the biggest threat to their survival through our actions (hunting, loss of habitat, climate change, pollution). But I’m hoping readers will use the books as a starting point for their own observations about the world. After writing Tigers, for instance, my observations of my own cats became much sharper in focus. The way kittens learn from older cats. The way birds and squirrels in my neighborhood interact, and how the youngest play in groups. I can see what I didn’t see in earlier observations before these books.

 

 

I also completed a short story that is STEM based in the YA anthology “The Hitherto Secret Experiments of Marie Curie.” In researching her teenage life, I realized there were similarities to the current Ukrainian situation and her life under Russian occupation. So we were asked to imagine what fantastical things she might have done and I gave my story, “Retribution,” a sci-fi theme using a black body experiment that absorbs all light. Going forward, I’ll be working on the final installment in The Lost Tribes series.

https://www.penguinrandomhouse.com/authors/2268475/christine-taylor-butler
https://www.blackstonepublishing.com/the-hitherto-secret-experiments-of-marie-curie-efya.html#541=1939506

 

 

If you could spend the day with any scientist or engineer, who would it be and why? 


Honestly, there are so many to choose from, I would want to spend a day with a NASA scientist. They have educational specialists who work with schools and libraries all the time. I recently had the pleasure of being on a panel with Dr. Jeanette Epps who is an aerospace engineer and is set to fly to space in 2024. I’d met her briefly years before but this was the first time I’d had an opportunity to talk to her. She holds such a wealth of knowledge about approaches to science and learning what things we need to consider to help the human body adapt when in space environments. Also fun stories about how space exploration leads to inventions we use now on Earth. I also watched her really engage with children at a conference. So if I had the option, and in honor of my late uncle who worked for NASA and once encouraged me to consider that as a career, I’d want to spend a day with Dr. Epps.

Christine Taylor-Butler and Astronaut Jeanette Epps

Christine Taylor-Butler and Astronaut Dr. Jeanette Epps

 

WOW! Spending a day with Dr. Epps would surely be amazing! Thanks for all of the amazing STEM books you’ve written, Christine. We can’t wait for your new ones to publish. GO STEM!

Learning To Write By Analyzing

I was chatting with a friend the other day about a picture book class they’re taking. My friend said they’d been instructed to type out the text of picture books they loved word for word. At first, they hadn’t thought much of the exercise, but they ended up very surprised at how effect it was. The act of writing out great picture book texts put that structure in their brain. While it would be hard to do use this technique for middle-grade novels, I realized that I have successfully used the same type of analyzing for my chapter books and middle-grade graphic novels.

Cover of Legends of Lotus Island written by Christina SoontornvatJumping into writing new types of books can be daunting. Children’s books aren’t like writing for adults. As well as genre, we have to consider the ages of our readers, their voice, language, vocabulary and more. And some book categories have specific things that traditional publishers are looking for. Early readers and chapters books are nearly always series, so the story has to be designed to continue in future stand-alone books. In middle-grade, there are younger middle-grade novels that are thinner, much like the AMERICAN HORSE TALES series, of which my HOLLYWOOD is one, and Christina Soontornvat’s new LEGENDS OF LOTUS ISLAND series. But there are also the longer, more complex middle-grade novels too. Analyzing what publishers are publishing, and readers are reading, can help us craft our best stories.

I used this technique a lot when I first started working on chapter books. I had the opportunity to audition for a new unicorn chapter book series. Since I hadn’t written a chapter book at that time (only middle-grade and young adult), I decided to do my homework. I sat in my local bookstore and read chapter book after chapter book. I borrowed a heap of chapter books from the library. Plus I bought a few that I knew I’d refer to again and again. But I didn’t just read them. I took my analysis a step further.

I made a spreadsheet with some of my favorite chapter books, including ones the publisher had suggested as comps. Then I noted things like: the number of chapters, number of words in the books, number of illustrations, on which pages they came, number of characters, number of settings, etc. I outlined the stories too, comparing them to the outlines I did for my middle-grade novels. And I even typed out the opening pages word for word to get a good idea of the voice, pacing and tone. I did this for multiple books in different genres, by different authors. This gave me a good sense of the category as a whole.

Cover of Gemstone Dragons: Topaz's Spooky Night written by Samantha M ClarkI didn’t get that job, but the next time I had the opportunity to audition for a chapter book series, I used that knowledge and analyzing technique again. This time, I won the contract, and I now have four books out in my GEMSTONE DRAGONS series.

I’m about to go out on submission to editors with a graphic novel manuscript, and I used the same analyzing technique when I was writing that too. I read a bunch of graphic novels, noted their page counts, and even wrote out their scripts in the form of:

Page 1 (5 panels)

Panel 1: MC does X

Panel 2…

Through this analysis, I could find the patterns and structures that are unique to graphic novels scripts. That made it a lot easier for me to create my own book, and so far, my agent loves it. (Fingers crossed it’ll have the same reception when it goes to editors.)

You’ve no doubt heard that reading is one of the best ways to learn how to write. I challenge you to take that one step further. You don’t have to type out an entire middle-grade novel, but consider ways that you can do more analyzing of those stories. Type out the first few pages or chapter. Note page counts and chapter numbers. See how your favorite authors start their stories and end them. Observe when they end a chapter. You can even catalog characters, their arcs and how their arcs intertwine.

Learning how to write by analyzing the stories you and millions of other readers already love will give you a key to unlock the tools those authors are using, so you can use them yourself.

Cover Reveal: Space Care

cover art shows an astronaut in full gear against a dark background with title in neon lettering

 

MUF cover reveal logo with critter and text saying "cover reveal"I am so excited to share the newest cover reveal for an awesome new space book by our own Mixed-Up Files Jennifer Swanson’s SPACE CARE: A Kid’s Guide to Surviving Space

Drum roll……….. here it is!

Cover Reveal

cover art shows an astronaut in full gear against a dark background with title in neon lettering

Publisher: Mayo Clinic Press Kids
Publish Date: July 18, 2023
PREORDER HERE:  https://bookshop.org/p/books/spacecare-medicine-in-microgravity-jennifer-swanson/18984952?ean=9798887700076

About Space Care:

Have you ever wondered how astronauts stay healthy in space? What if an astronaut gets sick on the space station? Does snot run in space? This fascinating photo-illustrated look at space and medicine explores how scientists and physicians study astronauts in space, how they help keep them safe, and what we’ve learned about the human body through space exploration. Questions from real kids and answers form from astronauts, along with photos from NASA, combine for an out-of-this-world exploration of health.

I’m so excited we got a chance to talk to Jen about her newest fabulous middle grade non fiction book.

Interview with Jen Swanson

HMC: Congratulations, Jennifer! Your book is one of a new group of  kid’s books being released by Mayo Clinic Press this year. How did you feel about writing this topic for them? 

JS: Space medicine? YES, please. At one time in my life, I wanted more than anything to be an
organ-transplant surgeon and an astronaut. Not that those two careers necessarily go together, but
maybe someday. 😊
In any case, I was thrilled to be asked to write this book for Mayo Clinic Press Kids. Not only do
I love space but I also live very close to the Mayo Clinic here in Jacksonville and often ride my
bike past it. It was the perfect book for me to do.

HMC: Can you share some cool details about what’s inside?

JS: This book is chock full of details about what humans go through while living in microgravity. There are facts about how astronauts sleep, what they eat, and yes, even a picture of the bathroom on the ISS. There is information about the garden where fruit and vegetables are grown in space and even a section about some of the cool medical research being done in microgravity. (Did you know that astronauts have to draw their own blood sometimes?)
The awesome photos give readers an up-close view of life on the ISS and even make them feel a little bit like they are their themselves.

HMC: What was the most exciting thing about writing this book?

JS: I got to zoom with Astronaut Megan McArthur! That was just so fun. Megan is fantastic and really smart. She wrote the foreward for the book, and gives the reader a great inside story of what it’s like to live in space. And yes, all of those answers in the book are from her. She and I chatted about them during our zoom session.

HMC: Will there be more books about space from you?

JS: Definitely! I’m working on a book right now called WHO OWNS THE MOON, that I’m co-writing with Cynthia Levinson for Margaret Quinlan Books. It is takes a much broader look at NASA’s Artemis missions and asks the question we are all wondering—how will different countries (and commercial companies) live and work together on the Moon? Packed with cool technology, discussions on space debris, governance, and more, this book will be a great resource for kids who want to learn as much as they can about space. It will publish in early 2025.

HMC: Where can everyone learn more about you and your other books about STEM?

JS: You can find information about me, my books, and tons of STEM resources including free teacher guides, videos for students, and learn about my podcast, Solve It! for Kids at my website: https://jenniferswansonbooks.com/