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Meet Literary Agent Leslie Zampetti

Leslie Zampetti

Leslie Zampetti is a former librarian with over 20 years’ experience in special, public, and school libraries. As a librarian, Leslie’s focus was always on the reader, on giving them the right book at the right time. She carries that focus over into her agenting work with a knack for matching client work to editors. Having negotiated with organizations from Lexis-Nexis to the elementary school PTA, she is able to come to terms that favor her clients while building satisfying relationships with publishers. And after cataloging rocket launch videos for NASA and model rocket ships for an elementary school, Leslie welcomes working with the unexpected challenges that pop up in publishing. 

As an author herself, Leslie is very familiar with querying from both sides of the desk. Recently, she took the bold step to open her own literary agency, Open Book Literary.

Welcome to the Mixed-Up Files, Leslie! Before we talk about Open Book Literary, fill us in on a little bit of your background. What was your path to becoming an agent?

I had been a librarian for several years and was writing middle grade novels when I attended a NJ-SCBWI conference. At the conference, several of us were mingling and chatting with John Cusick. When he left, I commented that agenting seemed like a fascinating job, and one of the other writers – who was agented and published — replied that if I were an agent, they’d be my client. I laughed and thanked them. But once I got home, I started thinking… What skills do I have that would transfer? How can I learn to be an agent? 

I was fortunate to get a place as a reader for Jenny Bent of The Bent Agency and then a part-time job with Jennie Dunham as her assistant. After working with Jennie for two years, I began representing my own clients.

And now you’ve opened your own agency, Open Book Literary. That is so exciting! Can you walk us through the experience?

It is exciting! But it’s much like starting any small business. If you mean you’d like to know more about how I decided to open my own agency, well, sometimes the path you’re on takes an unexpected turn. Working with Monica at Odom Media Management was wonderful, and without her mentorship, I don’t think I would have opened Open Book Literary. Her entrepreneurial spirit is contagious!

How would you describe the mission and vision of Open Book Literary?

As the name implies, I believe in partnering with authors, transparent and full communication, and welcoming under-represented voices into publishing, especially those voices centering on disability, poverty, women, neurodivergence, and Judaism, Islam, and non-western religions. I also advocate for work that explores the complexity of identity and the messiness of life.

We know that publishing is a highly competitive business, and as an agent, you have to pass on a lot of queries. What are the top reasons you might pass on a submission?

Sometimes writers send work of a type I don’t represent, such as work specifically for the educational market or high fantasy. (For the adult market, it’s often political thrillers.) Sometimes, the query or pitch is excellent, but the voice isn’t strong enough, or the voice is great, but I’m not especially interested in the premise. The worst is when I get manuscripts that are really well written, but I just don’t feel the spark necessary to offer representation. Usually, I haven’t continued thinking about the story after finishing or I just can’t put my finger on what it might need. That means I’m not a good fit for that author. The second worst is when I love something but I have a client whose work is very similar – I don’t like to have clients in direct competition, and it’s so hard to say no!

As you know, we are all about middle grade books. Tell us, what do you love most about middle-grade novels?

We all have an age we’re stuck at in our heads, and I’m 12. ;-). I love the middle grade audience, and I love that MG focuses on the first stirrings of independence and a young reader’s relationships, particularly with family and close friends. Even novels about dark or scary topics usually are suffused with hope, and that’s important for readers of all ages.

Which middle-grade book(s) influenced you most as a child?

That’s a great question! I don’t think middle grade was really much of a thing when I was growing up. It was all “children’s books.” I also learned to read very early and had free range at the library, so I often read books I probably wasn’t able to comprehend emotionally. 

I loved LITTLE WOMEN, partly because my grandmother gave me her copy of the book and then the sequels. I’ve always loved mysteries and read all of Nancy Drew, though even then some of the stereotypes made me uncomfortable. ALL OF A KIND FAMILY and its sequels, Madeleine L’Engle’s books, and HARRIET THE SPY were huge favorites!

What are some of your favorite current middle-grade novels?

Tracey Baptiste’s JUMBIES books, Sheila Turnage’s Mo LeBeau mysteries, Rita Williams-Garcia’s Gaither Sisters trilogy, the amazing anthologies like YOU ARE HERE and COMING OF AGE, Ann LeZotte’s wonderful Mary Lambert books… and of course, my clients’ books!

Where do you think the middle grade market is headed?

I’m hearing from editors that it’s a little oversaturated, particularly with contemporary. But as I always say, what goes down must come up! 🙂 The reality is that publishers need to keep publishing, and middle grade readers have a pretty big appetite for books of all kinds. They’re wide-ranging, too — from tentative to confident readers, fans of non-fiction or graphic novels or scary books or verse novels, etc.

Which genres/themes/subjects are you drawn to/not drawn to?

I’m drawn to mysteries, historical settings such as Hawai’i or Puerto Rico, books that explore difficult topics with heart and humor and hope. I’d love a young YA about the Challenger disaster along the lines of PLANET EARTH IS BLUE… I also would love to see books about interfaith families. I’m not a good fit for hyper-commercial books, fairies or high fantasy (though I love fabulism and magical realism), or stories of WWII / the Holocaust.

Are there any current projects you’re excited about?

I’m very excited about Lisa Schmid’s forthcoming HART & SOULS, a slightly spooky ghost story with an anxious drummer as its hero. I’m working to find these wonderful client projects their publishing home: a fabulist story set in Florida, a contemporary about the heroine trying to use her grandfather’s stories to make sense of her own experience and fight his dementia, and a historical about two children who emigrate from Kyiv to America through Galveston, Texas, and find that the Golden Land has its share of heartache, too.

Leslie Zampetti with Reynoso-Morris

Leslie Zampetti (right) with author-friend Alyssa Reynoso-Morris after a trip to Harriett’s Bookshop in Philadelphia

Would you describe yourself as an editorial agent?

Yes! (With the caveat that I am not an editor.) My job is to polish your manuscript so its potential shines for an editor who will have the vision for shaping it into the brilliant gem it’s meant to be. I do love brainstorming and working out character/plot puzzles with clients. That’s the fun part of agenting!

What advice do you have for authors who would like to send you a query?

I’ve found nearly all of my clients through my slush pile. It can feel intimidating, but the query is really just a business letter telling me about your story and a little bit about you. I also advise writers to make sure their full manuscript is ready and polished. I don’t mind waiting to get requested fulls, but it’s so disappointing when the first several pages are wonderful but then the rest is obviously a very rough draft. 

Do you respond to all the queries you receive?

I respond to all queries, but it often takes me some time, particularly if I’m considering requesting. Since I use QueryManager, it’s likely I’ll start being open to queries one week per month (and closed the other three) in the New Year, in hopes that I can  be more efficient and timely in making and reading requests.

We’ve learned a lot about Leslie Zampetti, the agent. Now tell us about some of your favorite things to do that have nothing to do with being an agent.

Walking around the neighborhoods of Philly and admiring the murals and street art, discovering new bookstores (used or new!), and enjoying delicious meals or snacks as I wander. I also enjoy baking. I’ll never be a contestant on GBBO, but my cookies and cakes are yummy if not fancy.

Leslie, it’s been so great chatting with you today. Where can our readers learn more about you?

I’m @literarylesliez on Instagram, Threads, Bluesky, Twitter, and Facebook. I’d love to be able to stick with just one, but the writing community is all over the place! (I usually repost the same information on various platforms.) You can find a link to my MSWL and submission guidelines at https://www.openbooklit.com/submissions.

Leslie, thank you so much. It’s been a pleasure getting to know you. Please know that we at the Mixed-Up Files wish you the best of luck with Open Book Literary!

STEM Tuesday: Snow and Ice– Writing Tips & Resources

 

Accordions and Information

The five-paragraph essay. Love it or hate it, it’s a thing. One of the reasons it is so hard to teach? Young writers rarely see pure examples in their pleasure reading. Still, this formulaic approach can help young writers learn to organize their thinking and writing.

So, how do we teach them to use this tool?

Step By Step

My favorite is the accordion method. Start by printing each of the sentences below on a separate sheet of colored paper.

Green paper:

  • Bugs have wicked cool mouthparts.
  • These mouthparts allow insects to chow down on their favorite food.

Yellow paper:

  • Some bugs have hypodermic needles for mouths.
  • A few insects use sponges for mouths.
  • And, others have strong grinding jaws.

Post those in random order on the board or wall. Challenge students to physically re-arrange them into a logical paragraph. This can be done together on the board or students can copy onto sticky notes and work individually on their desks.

Now, on the board, lay the sentences out with the yellow ones indented to look like an outline. Introduce the color scheme and provide examples from texts they are familiar with (textbooks, student writing, etc.):

Green = General topic

Yellow = Reason, detail or fact

Red = Example or explanation

Accordion it!

Next, demonstrate how a paragraph, like an accordion, can be lengthened if we add additional information. Show the new sentences below and have students move these examples into place on the outline.

Red paper:

  • The assassin bug stabs its sharp proboscis through the exoskeleton of other insects.
  • The house fly uses its labella to sop up spit-soaked food.
  • The mandibles of a cockroach crush with a force five times stronger than human jaws.

Rewrite on the board in standard paragraph form.

Once students are comfortable with the color scheme, challenge them to use highlighter markers to color-code pre-written paragraphs. You can write your own or use examples from textbooks or STEM Tuesday’s reading list. For example, Page 30 of What was the Ice Age:

“To have enough energy, Megatherium needed to eat a lot! It ate grasses, buts, and fruits. It dug roots out of the ground with its sharp claws. It stood on its hind legs to pull leaves from the highest branches. Some scientists think Megatherium might have even eaten meat.”

Once they are ready, have students use this color-coded sticky notes to create a paragraph about their favorite animal.  For some fun, let students swap yellow and red notes to create silly paragraphs.

Extension

To extend the lesson, demonstrate how a single paragraph can be lengthened like an accordion into a 5 paragraph essay, a section of a longer work, or an entire book. For example, in Ice: Chilling Stories from a Disappearing World students can study the introduction as one accordion and the entire book as another.

Finally, have students examine nonfiction trade books, magazines, and a variety of informational texts. Are super-structured paragraphs common? Discuss why and why not. Are they more common in one type of informational text? Is the formula more common in the over all text than as paragraphs? Do students prefer them or not?

________________________________________________

Prepared by:

Heather L. Montgomery writes books for kids who are wild about animals. She is author of 17 nonfiction books for kids, including What’s In Your Pocket? Collecting Nature’s Treasures and the upcoming Sick! The Twists and Turns Behind Animal Germs.

www.HeatherLMontgomery.com

Winter is Upon Us! (five winter themed middle grade novels)

I live in California so winter here means we can still get away with no socks, but I grew up in the east and I remember how exciting the first snow was and how we’d stare out the window, fingers crossed, just hoping for a snow day.

When I went looking for middle grade books that take place in the winter I was surprised by how few there were. Maybe it’s easier to write about kids when they have the freedom of summer break or can run around outside in the good weather.

But no matter what climate you live in, I think you’ll find this selection of winter themed novels plunges you right into the chilly heart of winter.

 

Dog Driven, by Terry Lynn Johnson

McKenna Barney is trying to hide her worsening eyesight and has been isolating herself for the last year. But at the request of her little sister, she signs up for a commemorative mail run race in the Canadian wilderness—a race she doesn’t know if she can even see to run.

Winning would mean getting her disease—and her sister’s—national media coverage, but it would also pit McKenna and her team of eight sled dogs against racers from across the globe for three days of shifting lake ice, sudden owl attacks, snow squalls, and bitterly cold nights.

A page-turning adventure about living with disability and surviving the wilderness, Dog Driven is the story of one girl’s self-determination and the courage it takes to trust in others.

 

The Girl Who Speaks Bear, by Sophie Anderson

“They call me Yanka the Bear. Not because of where I was found. Only a few people know about that. They call me Yanka the Bear because I am so big and strong.”

Discovered in a bear cave as a baby, 12-year-old Yanka dreams of knowing who she really is. Although Yanka is happy at home with her loving foster mother, she feels out of place in the village where the other children mock her for her unusual size and strength.

So when Yanka wakes up one morning to find her legs have become bear legs, she knows she has no choice but to leave her village. She has to find somewhere she truly belongs, so she ventures into the Snow Forest with her pet weasel, Mousetrap, in search of the truth about her past.

But deep in the forest there are many dangers and Yanka discovers that even the most fantastic stories she grew up hearing are true. And just as she draws close to discovering who she really is, something terrifying happens that could trap her in the forest . . . forever.

 

Icefall, by Matthew Kirby

Critically acclaimed author Matthew J. Kirby deftly weaves a stunning coming-of-age tale with chilling cleverness and subtle suspense that will leave readers racing breathlessly to the end.

Trapped in a hidden fortress tucked between towering mountains and a frozen sea, Solveig–along with her brother the crown prince, their older sister, and an army of restless warriors–anxiously awaits news of her father’s victory at battle. But as winter stretches on, and the unending ice refuses to break, terrible acts of treachery soon make it clear that a traitor lurks in their midst. Solveig must also embark on a journey to find her own path.

Yet, a malevolent air begins to seep through the fortress walls, as a smothering claustrophobia slowly turns these prisoners of winter against one another.Those charged with protecting the king’s children are all suspect, and the siblings must choose their allies wisely. But who can be trusted so far from their father’s watchful eye? Can Solveig survive the long winter months and expose the traitor before he manages to destroy a kingdom?

 

The Sea in Winter, by Christine Day

American Indian Youth Literature Award: Middle Grade Honor Book! In this evocative and heartwarming novel for readers who loved The Thing About Jellyfish, the author of I Can Make This Promise tells the story of a Native American girl struggling to find her joy again.

It’s been a hard year for Maisie Cannon, ever since she hurt her leg and could not keep up with her ballet training and auditions.

Her blended family is loving and supportive, but Maisie knows that they just can’t understand how hopeless she feels. With everything she’s dealing with, Maisie is not excited for their family midwinter road trip along the coast, near the Makah community where her mother grew up.

But soon, Maisie’s anxieties and dark moods start to hurt as much as the pain in her knee. How can she keep pretending to be strong when on the inside she feels as roiling and cold as the ocean?

 

Ruby in the Sky, by Jeanne Zulick Ferruolo

In Jeanne Zulick Ferruolo’s heartfelt middle-grade debut about family, friendship, and finding your own identity, Ruby Moon Hayes learns there’s more to a person’s story than what other people tell.

Twelve-year-old Ruby Moon Hayes does not want her new classmates to ask about her father. She does not want them to know her mother has been arrested. And she definitely does not want to make any friends. Ruby just wants to stay as silent and invisible as a new moon in the frozen sky. She and her mother won’t be staying long in Vermont anyway, and then things can go back to the way they were before everything went wrong.

But keeping to herself isn’t easy when Ahmad Saleem, a Syrian refugee, decides he’s her new best friend. Or when she meets “the Bird Lady,” a recluse named Abigail who lives in a ramshackle shed near Ruby’s house. Before long Ahmad and Abigail have become Ruby’s friends–and she realizes there is more to their stories than everyone knows.

As ugly rumors begin to swirl around the people Ruby loves, she must make a choice: break her silence, or risk losing everything that’s come to mean so much to her. Ruby in the Sky is a story of the walls we hide behind, and the magic that can happen when we’re brave enough to break free.