Posts Tagged writing

Children’s Book Festivals!

By on April 13, 2018   /   For Kids, For Librarians, For Parents, For Teachers, For Writers  

Little Annie looked at me across the table, her big brown eyes dancing. With a flick of my Sharpie, I finished signing a copy of Virginia Hamilton: America’s Storyteller for Annie. She took the book, her eyes even wider, thanked me, and then held it close to her, cradling it in her arms. A cherished gift for her.

And for me.

Book festivals allow these kinds of connections between reader and book creators. They provide the opportunity for attendees to meet their favorite authors and illustrators, and to purchase books and have them personally signed. These events also offer writers and artists to meet their fans and to talk about their work.

There are hundreds of literary festivals occurring in the United States annually. But did you know that there are many that cater to children and families?

As the founder of Claire’s Day, I thought I’d share other festivals (for the remainder of this year) that focus on children’s book authors and illustrators.

This partial listing serves as a resource for educators, media specialists and parents, as well as authors and illustrators!

The 17th annual Claire’s Day has three event dates this year, the first three Saturdays in May. A highlight of each event is the C.A.R.E. Awards, given to children nominated as being the most improved readers in their schools. Event includes school visits and fun Claire’s Night! www.clairesday.org

May 9: The Hudson Children’s Book Festival was established in 2009, and this year the featured author is none other than Kwame Alexander. https://hudsonchildrensbookfestival.com/

May 19: Children’s Festival of Reading in Knoxville, Tennessee offers storytelling, cuddly characters, science fun, and of course, authors and illustrators. This year Linda Sue Park and Eric Litwin are the featured authors. http://www.knoxlib.org/calendar-programs/childrens-festival-reading-2018

September 29: Chappaqua Children’s Book Festival features 90, count them, 90 children’s book authors and illustrators! To learn more, visit http://www.ccbfestival.org/

October 12-14 Sheboygan Children’s Book Festival’s theme this year is Here’s an Idea! The 9th annual event includes school visits and a two-day festival. http://www.sheboyganchildrensbookfestival.org/

November 3: Rochester Children’s Book Festival is still working on their invitation-only author list, but they’ve had incredible lineups in the past. To get updates, visit https://www.rcbfestival.com/

For a complete listing, I’d like to credit Laurie Renaud, a member of KidLit 411. Check it out: https://www.facebook.com/groups/KIDLIT411/permalink/2162580407290904/

 

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A Sense of Atmosphere

By on March 19, 2018   /   For Kids, For Librarians, For Parents, For Teachers, For Writers, Writing  

As an artistic quality, atmosphere is easy to spot—sometimes. A moment of high suspense in a scary movie, for example, is highlighted with an accompanying soundtrack; a musical comedy in a theatre might showcase brightly painted backdrops and set pieces. In literature, though, atmosphere must be conveyed through descriptive phrases and other text details. It might be a little more challenging to cultivate atmosphere in books, but it’s just as important for the audience. A convincing sensory environment in a story makes for a tale in which one can get lost, a quality sought by all readers—and certainly by middle grade. Memorable and fulfilling books allow the reader to step inside, breathe the air, sense the mood—these are books with atmosphere.

Since setting and atmosphere are so intertwined, let’s break down setting first: How does a writer create a setting that pulls the reader along for a trip outside their ordinary? It’s a skill worth practicing if you write middle grade, and one worth recognizing if you are a parent, teacher, or librarian. Setting is a lot more involved than its old standby definition you probably learned in elementary school (the time and place of the action). Setting is indeed time and place, but also consider:

  • Weather
  • Hour of day
  • Season and month of year
  • Landscape
  • Geography (natural and manmade)
  • Color, lighting, and shading (of outdoor or indoor light source)
  • Regionalism (the dialect, customs, traditions, and local setting characteristics in a story)
  • Communication systems, language, and vernacular
  • Environment
  • Character observations
  • Socioeconomic factors
  • Back and forth flow of time: impact of past (events, family) and expectations of future

Whew! And when used effectively, the setting details can help this necessary story element become an extraordinary component—one that allows a reader to sink in for a more fulfilling read. All of these setting characteristics work collectively to create the offshoot of a well-composed, well-built world: atmosphere.

Atmosphere is tricky to define, but most literary terminology sources suggest it has to do with the mood or overall “feel” of the scene, based on the setting description, tone, and other literary devices. The mood of the character can match this mood in the air of the scene, but it doesn’t have to. In fact, sometimes the actions and attitudes of the characters can serve as a literary foil to the atmosphere, heightening suspense or making a bittersweet mood even more poignant.

How does a writer cultivate atmosphere? Imagery, word choice, and connotation all contribute, as do character reactions and pace. Some figurative language devices like symbolism and metaphor can add to the developed atmosphere, as well. When seeking inspiration for establishing atmosphere, writers might use photographs, illustrations, history, music, colors, travel experiences, dreams, patterns, and nature.

From my to-be-read pile, I chose a few middle grade openings to think about in terms of atmosphere: one realistic, one sci-fi, and one fantasy.

The Ethan I Was Before by Ali Standish – In the opening chapters of this first-person novel, the atmosphere is heavy and uncomfortable, much like the oppressive heat in Ethan’s new town of Palm Knot, Georgia. As a twelve-year-old boy terribly conflicted over the loss of his best friend, his narration has few lengthy descriptive passages. But Standish provides all the right details through environment, weather, temperature, and observations about this sleepy locale (a rusty parked truck, an untended baseball field, a cracked highway, a murky bay) that readers need in order to feel like they’ve stepped into its atmosphere.

Last Day on Mars by Kevin Emerson – This middle grade science fiction offers up opening chapters with a crisp, tense, nervy atmosphere in which the conflict increases at an alarm-inducing pace. Set in Earth Year 2213, humans living in a Martian colony must evacuate the planet and its rapidly deteriorating conditions. A prelude serves up danger and emotion before delivering a fearful and mysterious clue; here, descriptions are futuristically foreign, yet technologically familiar enough to pull readers in. The main characters resist an acknowledgement of the danger throughout the first chapter, which only serves to increase the suspense. As a solar radiation storm begins to flare, protagonists Phoebe and Liam start a quest of discovery in an atmosphere of uncertainty and confusion.

A Single Stone by Meg McKinlay — This middle grade dystopian abounds with atmosphere from the first paragraph. Young protagonist Jena has a crucial job to perform for her isolated society—she is the leader of a small team of girls who must find harvests of mica inside the mountain. In the opening pages, Jena is crawling through a narrow, natural crevice with only a thin rope connecting her to the six other girls who follow her lead. In the dark, with the chilly rock of the mountain hugging her close on all sides, every movement and every touch seems amplified and intense; the reader immediately feels as if she too is crawling, squirming, wishing for a harvest spot, counting on having enough air to keep going. The dark, the mountain, even the bones Jena happens to grasp accidentally all work to establish a tangible, claustrophobic opening atmosphere—though, paradoxically, Jena seems to feel no such confinement.

The atmosphere of each title considered here had me invested as a reader from the opening chapters. Feel free to comment on the post if you know of a great, atmospheric MG to recommend, or with how-to ideas for writing settings and situations with strong atmosphere! Thanks for reading!

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STEM Tuesday Wild and Wacky Science — Writing Craft and Resources

By on February 20, 2018   /   For Writers, Fun!, STEM Tuesday, Writing  

Wild and Wacky (and Weird) Science

Wild & wacky science is all around us. One of the best examples I’ve ever personally encountered is the Titan arum, or corpse flower, that went full bloom last summer at the university where I work. Beautiful in its perfect weirdness. And, if you’ve never had the pleasure of a blooming corpse flower experience, its smell is just as wonderfully horrific as the name suggests. Think one hundred dead mice in a 90°F humidity chamber and you’re getting really close…

Sometimes in the STEM world, great discoveries are made through observations that, at first glance, are considered “wild” and/or “wacky”. And for argument’s sake, I’m going to add “weird” as the third “W”. Science is basically built on things which appear odd at first glance. Imagine the first person who ever looked at the four-legged ruminant chewing cud in the meadow next to the village and said, “Hey, I bet whatever’s inside that hangy-down, bag thing would go great with my PB&J sandwich.”

The wild, weird and wacky often leads to open doors in both thought and discovery. One notices a little thing like how annoying it is to pick the cockleburrs off the dog after every single trip to the field. And while struggling to pull the little !@#$s out of the dog’s fur as she sits so, so patiently, you notice the weird design details of the burr. The hooked barbs jutting out at the perfect angles to cover the maximum surface area. You notice how those hooks grab and hold tight. You also notice that for the umpteenth time today your preschool-aged offspring asks you to tie his or her shoes. BINGO! The observation of the weird natural design of the burr serves as a template for the invention of something awesome like Velcro; one of the greatest and most practical inventions of the 20th-century.

Odd triggers inquiry in our brain. We, as humans, are innately curious. We see something wild, weird, and/or wacky and, after our initial shock, begin to ask, “Why?”. “Why?” is the switch which fires the STEM mind. Once switched on, these STEM neural connections in the brain process the input observations and begin formulating the next question, “How?”.

The wild, the wacky, and the weird can lead to the WONDERFUL. Answering the “why” and the “how” questions unlocks the door to discovery. And this is the same in the laboratory as it is in the classroom, the library, or in the writing bunker. Wild and wacky things we observe in our universe spark inquiry. Inquiry leads to discovery. Discovery leads to more discovery and more creativity

An interest in certain wild and wacky and wonderful aspects of our universe also lends itself to social connection. People with like interests can bond over these seemingly off-the-wall interests.   

What halfway reputable STEM wild & wacky science blog post would omit a list of random wild and wacky science facts? Not this halfway reputable STEM blogger! So, for your STEM entertainment, here’s an eye-opening list of wild, wacky, weird, and wonderful science facts.

  • The human brain processes around 11 million bits of information every second but is aware of only 40.
  • 42 minutes and 12 seconds? That’s how long it would take to jump to the other side of the earth through a hole drilled straight through the center of our wonderful planet.
  • A light particle, called a photon takes only 8 minutes to travel from the Sun’s surface to Earth.
  • But it takes 40,000 years for that same light particle to travel from its origins in the Sun’s core to its surface.
  • A mid-sized, run-of-the-mill cumulus cloud weighs as much as 80 elephants.
  • A single bolt of lightning contains enough energy to cook 100,000 pieces of toast.
  • After removing all the empty spaces in all the atoms in every person on Planet Earth, the entire human race would fit into an apple.
  • Over the course of an average human lifespan, the skin completely replaces itself 900 times.
  • The air in an average-sized room weighs about 100 pounds.
  • In 20 seconds, a red blood cell can make a complete circuit through the body.
  • Tyrannosaurus rex lived closer in time to us than to Stegosaurus.

Dear student, teacher, writer, and/or librarian readers, your STEM Tuesday Wild and Wacky Mission for the week is to observe and record something odd in your everyday world. Be it animal, vegetable, mineral, or mechanical, write it down and then think about it.

  • The size.
  • The shape.
  • The function or niche.

Whatever you see, document it. Use the information to formulate the “why” and then the “how” questions. Finally, let your imagination and logic run loose in the spirit of discovery and invention to formulate an alternate use, function, or future for your odd observation. Repeat daily for one week to find out how much fun, and how functional, the wild, the wacky, and the weird science in your world can be.

I bet it’s wonderful!

Have a wild and wacky month!

THE O.O.L.F. FILES

My biggest question for this month was whether we even need the O.O.L.F. files in the month of Wild and Wacky Science since The O.O.L.F. File section is basically wild, wacky, and weird by design. After much deep thought and soul-searching, the issue was decided. Of course, we need an O.O.L.F. Files! One can never have too much wild, wacky, and weird STEM information, am I right?

  • Titan arum, the corpse flower, blooms!
  • Mitochondria run hot!
    • Our cellular power plants can operate at what temp? Is that even possible? I honestly can’t feel a thing in any of my 37 trillion cells. Can you?
  • What Baby Poop Says About Brain Development.
    • Can the composition of an infant’s intestinal microbiota have an effect on future cognitive abilities? 
  • A Virus With Black Widow DNA
    •  In order to find a new host Wolbachia bacterial cell, the WO bacteriophage must punch its way back into another insect cell and another Wolbachia. Viruses are masters of escape and infiltration, but WO can uniquely get through two sets of barriers—one bacterial, and one animal—by using genes picked up from the black widow venom’s toxin.  Think that’s freaky? So do I!
  • Keeping Cool With Drool
    • By drooling and then slurping up the drop of saliva, a blowfly keeps a cool head despite not having the ability to sweat. (This makes my inner middle school boy smile with joy.)

Mike Hays, O.O.L.F. Master

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