Posts Tagged Middle Grade

WNDMG Wednesday: A Celebration of Jewish American Heritage Month

In commemoration of Jewish American Heritage Month–and recognizing the importance of diversity in middle-grade literature–please enjoy this carefully curated collection of 26 middle-grade books that feature Jewish themes and characters, including contemporary and historical fiction, fantasy and magic realism, graphic novels, and anthologies.

Plus…

A GIVEAWAY!

Don’t miss a chance to win not one but TWO books on this oh-so fabulous list: Coming of Age: 13 B’nai Mitzvah Stories, edited by Henry Herz and Jonathan Rosen, and Kat Greene Comes Clean by Melissa Roske. Scroll down for details!

MG BOOKS WITH JEWISH THEMES & CHARACTERS

Contemporary Fiction

Not So Shy

Noa Nimrodi

Shai, 12, hates everything about moving to America from Israel. Determined to get back home, she starts weighing her options, including living with her grandparents or winning a drawing competition that offers a plane ticket to anywhere in the world as the grand prize. Meanwhile, Shai is forced to navigate seventh grade in an unfamiliar language. She also faces antisemitism but gains support from unexpected sources.

The Dubious Pranks of Shaindy Goodman

Mari Lowe

Twelve-year-old Shaindy, an Orthodox Jewish girl who struggles academically and has few friends at school, is jealous of Gayil, a popular classmate who lives next door. Shaindy and Gayil have little to do with each other, until one evening when Shaindy looks out her window and sees Gayil holding up a sign that reads: “Want to know a secret?” It turns out that Gayil has a key fob that allows after-hours access to their school. Before long, the girls are scheming harmless pranks. But under Gayil’s leadership, the mischief turns malicious, with the pranks targeted at specific girls. Shaindy is desperate to stop Gayil from terrorizing their classmates, but if she does, could she be the next target?

Honey and Me

Meira Drazin

Honey and Milla, who live in close-knit Jewish community, have been best friends for as long as Milla can remember. The girls do everything together, including delivering meals to their elderly neighbor, shopping at a local thrift store, celebrating the holidays, and going to their first Bat Mitzvahs while studying for their own. But when Honey enrolls in Milla’s school for sixth grade, it’s not as great as Milla expected. Not only does Milla feel overshadowed by her charismatic friend, she’s also worried that their friendship won’t be able to survive the ups and downs the year has in store for them. Will Milla find the courage to step out of Honey’s shadow and into her own spotlight—or will jealousy and fear get the better of her?

Repairing the World

Linda Epstein

Twelve-year-old Daisy’s life is shattered when her best friend, Ruby, is killed in a tragic accident. Now Daisy finds herself having to face the major challenges in her life, like starting middle school and becoming a big sister, without Ruby by her side. Despite her sadness—and thanks to new friends, new insights, and supportive family members—Daisy is able to see what life after Ruby can look like, and that friendship is eternal.

Ellen Outside the Lines

A.J. Sass

Thirteen-year-old Ellen Katz is neurodivergent and feels most comfortable when her life is well planned out. She attends temple with her parents every Friday and Saturday, and relies on her best friend, Laurel, to help her navigate social situations at school. Laurel has always made Ellen feel like being autistic, and liking girls, is no big deal, but lately Laurel has started making new friends and cancelling weekend plans with Ellen. A school trip to Barcelona seems like the perfect opportunity for Ellen to reconnect with Laurel, but it doesn’t—especially when a nonbinary classmate makes Ellen question her own, very binary way of seeing the world.

The Magical Imperfect

Chris Baron

Etan stopped speaking when his mother went away, and his father and grandfather don’t know how to help him. Neither do his friends, who have given up on him. And then Etan meets Malia Agbayani, known as “The Creature,” due to her acute eczema. Malia stopped going to school when the bullying became too much. As the pair become friends, Etan believes he might have a cure for Malia’s condition—if only he can convince his family, and hers, to believe it, too.

Sorry for Your Loss

Joanne Levy

Twelve-year-old Evie Walman’s family runs a Jewish funeral home, and she knows she’ll be a funeral director when she grows up. She loves dusting caskets, polishing pews, and offering her condolences to mourners. Evie doesn’t deal with the grieving families directly, until one day when her parents ask her to help with Oren, a boy who was in a car accident that killed both his parents. Although Oren refuses to speak and Evie, who is dealing her own private grief, Evie is determined to find a way to help her new friend deal with his loss.

Going Rogue (at Hebrew School)

Casey Breton

Ten-year-old Avery Green loves science, football, and Star Wars, which he’s seen 400 times. What he’s not so crazy about? Hebrew school. He’s asked his parents a million times why he has to go, but they haven’t managed to convince him. (“It’s tradition” just doesn’t cut it.) And then one day, Rabbi Bob shows up. Piecing together some unusual clues, Avery begins to suspect that this new rabbi might be a Jedi master.

Kat Greene Comes Clean

Melissa Roske

Eleven-year-old Kat Greene attends fifth grade at the Village Humanity school, a hippie-dippy progressive school in New York’s Greenwich Village. At the moment, Kat has three major problems: dealing with her boy-crazy best friend, Halle; partnering with the overzealous Sam in the class production of Harriet the Spy; and coping with her mother’s preoccupation with cleanliness, a symptom of her worsening OCD. With nowhere to turn–and hesitant to tell her dad, who’s busy with his new family uptown–Kat reaches out to Olympia Rabinowitz, the free-spirited psychologist at her school. Later, after many  soul-searching sessions with Olympia, Kat realizes that asking for help is the best way to clean up life’s messes.

Fantasy and Magic Realsm

Finn and Ezra’s Bar Mitzvah Time Loop

Joshua S. Levy

Finn and Ezra are trapped in a bar mitzvah time loop, reliving their celebrations in the same New Jersey hotel, over and over (and over) again. Ezra comes from a big family, with four siblings who seem to get all the attention, and Finn is an only child who’s tired of his parents’ constant focus, particularly on his bar mitzvah weekend. Teaming up, the boys try to break the loop, but nothing works. As their frustrations mount, real-life problems start to seep through the cracks. With all the time in the world, can Finn and Ezra figure out how to finally move forward?

The Color of Sound

Emily Barth Isler

Rosie Solomon, 12, is a musical prodigy whose synesthesia allows her to see music in colors. Her mom has always pushed her to become a concert violinist, but this summer Rosie wants a “normal” life and is sent to stay with her grandparents. While there, Rosie meets another girl her age–a girl who seems awfully familiar. Rosie quickly pieces it together and realizes that somehow, this girl is her mother, when she was twelve. Thanks to this glitch in time–plus her grandparents’ love, an improv group, and a new instrument–Rosie comes to understand her mother, herself, and her love of music.

Rebecca Reznik Reboots The Universe

Samara Shanker

Rebecca Reznik, 13, is knee deep in family drama. Her dad lost his job, her parents are fighting all the time, and her annoying brother, Jake, is acting out more than usual. Then, when a goblin turns her bedroom upside down—literally—Becca realizes that the bad juju in her house is more sinister, and more complicated, than she had first imagined. With her best friends, Naomi and Eitan, by her side—and armed with the lessons she learned from her last tussle with mythological creatures from Jewish lore in the 2022 sequel, Naomi Teitelbaum Ends the World—Becca will do whatever it takes to defend her family and save the Hanukkah.

Shira and Esther’s Double Dream Debut

Anna E. Jordan

Shira and Esther are shocked when they first meet: It’s like looking in a mirror! Despite the girls’ identical appearance, they couldn’t be more different. Shira dreams of singing and dancing onstage, but her father, a stern and pious rabbi, wants Shira to focus on her religious studies. Esther, on the other hand, dreams of studying Torah, but her glamorous, stage-performer mom, frowns on Esther’s studious ways. Then, thanks to Benny, a 14-year-old bellhop at Scheinfeld’s Resort and Cottages, the girls plan a Parent Trap-style switcheroo, to help the Shira and Esther make their dreams come true. Or sort of true…

Don’t Want to Be Your Monster

Deke Moulton

Adam and Victor are your average tweens… who happen to be vampires. Although Adam, 10, knows he has a higher purpose in life than drinking blood, his 14-year-old brother, Victor, enthusiastically accepts his vampirism. This is all well and good until bodies start appearing all over town, and the brothers realize that a vampire hunter may be on the lookout for their family. Can Adam and Victor work together to stop the killer before it’s too late—or will their differences get in the way?

The Witch of Woodland

Laurel Snyder

Life used to be simple for Zipporah “Zippy” Chava McConnell, a 13-year-old witch—that is, before her best friend, Bea, started acting funny and everyone at school thought she was weird. And to make matters worse, Zippy’s mom is making her prepare for a bat mitzvah, even though Zippy’s family barely goes to synagogue. But then one day Zippy finds a strange red book at the library and conjures a girl—a beautiful girl named Miriam, with no memory, and wings like an angel. Now it’s up to Zippy to help Miriam figure out what she is, and where she came from. And if can do that, maybe everything else in her life will make sense, too.

Black Bird, Blue Road

Sofiya Pasternack

Pesah has lived with leprosy for years, and he and his twin sister, Ziva, have spent most of that time working on a cure. Then Pesah has a vision: The Angel of Death will come for him on Rosh Hashanah, just one month away. So Ziva takes her brother and runs away to find doctors who can cure him. But when the twins meet and accidentally free a half-demon boy, he suggests paying his debt by leading them to the fabled city of Luz, where no one ever dies. It’s the one place Pesah will be safe. But can the twins run faster than The Angel of Death can fly?

The Button Box

Bridget Hodder and Fawzia Gilani-Williams; Harshad Marathe (illustrator)

In the aftermath of a bullying incident at school, where Jewish fifth-grader Ava and her cousin Nadeem, are called hateful names, the cousins’ Granny Buena shares with them a glittering crystal button box, packed with buttons that generations of Ava’s Sephardic ancestors have cherished. With the help of Granny’s mysterious cat, Sheba, the cousins discover that a button from the button box will take them back in time. Suddenly, they are in ancient Morocco, where Nadeem’s ancestor, Prince Abdur Rahman, is running for his life. Can the cousins help the prince escape to Spain and fulfill his destiny, creating a Golden Age for Muslims, Jews and Christians?

Historical Fiction

Code Name Kingfisher

Liz Kessler

When Liv finds a box hidden in her grandmother’s attic, saved from her childhood in Nazi-occupied Holland, circa 1943, she unearths a trove of family secrets—including the extraordinary story of her great-aunt Hannie, a Jewish undercover agent in the Dutch resistance. It’s a tale of bravery, betrayal, and daring defiance, and Liv wants to know more—starting with why her grandmother has kept Hannie a secret for so many years. (For more on Code Name KingFisher, check out Melissa Roske’s interview with Liz Kessler here.)

A Sky Full of Song

Susan Lynn Meyer

Eleven-year-old Shoshana and her family, Jewish immigrants who have fled persecution in the Russian Empire, start a new life on the North Dakota prairie. Shoshana is thrilled to forge a new American identity and hides her Jewish identity in the face of prejudice—unlike her older sister, Libke, who misses their Ukrainian village and insists they preserve their heritage. For the first time, Shoshana is at odds with her sister. But by listening to the music that lives in her heart, she finds new meaning in the Jewish expression, All beginnings are difficult.

The Summer We Found the Baby 

Amy Hest

In Belle Beach, Long Island, during World War Two, eleven-year-old Julie Sweet and her six-year-old sister, Martha, find a baby in a basket on the library steps. Meanwhile, Julie’s friend Bruno Ben-Eli, 12, is heading to the train station to catch a train to New York City, to carry out an important errand for his brother who is a soldier stationed overseas. When Bruno spies Julie leaving the library with a baby in her arms, he assumes she’s a kidnapper. But the truth is more complicated than what Bruno, Julie, or Martha know.

Anthologies

On All Other Nights: A Passover Celebration in 14 Stories

Edited by Chris Baron, Joshua S. Levy, and Naomi Milliner, with stories by Chris Baron, Ruth Behar, Adam Gidwitz, Veera Hiranandani, Amy Ignatow, Sarah Kapit, Joshua S. Levy, Mari Lowe, Naomi Milliner, Soifya Pasternack, R. M. Romero, A. J. Sass Laura Shovan, and Laurel Snyder

Passover, a Jewish holiday that has been celebrated for thousands of years, features the seder; a meal filled with rituals, special foods, and songs, where celebrants gather together to retell the story of the Exodus, when the Jewish people achieved freedom from Egypt. Yet the seder is about more than the ancient past. Its themes of freedom, joy, and tradition are timeless and universal. In this collection of short stories, 14 award-winning authors each reimagine a different step of the seder through historical and contemporary fiction, verse and prose, fiction and nonfiction.

Coming of Age: 13 B’Nai Mitzvah Stories

Edited by Jonathan Rosen & Henry Herz, with stories by Sarah Aronsohn, Nora Raleigh Baskin, Barbara Bottner, Stacia Deutsch, Debbie Reed Fischer, Debra Green, Henry Herz, Alan Katz, Nancy Krulik, Stacie Ramey, Jonathan Rosen, Melissa Roske, Laura Shovan, and a poem by Jane Yolen

Join thirteen diverse characters as they experience anxiety, doubt, and self-discovery while preparing for their B’nai Mitzvah, the ceremony in which they become adults in their faith. whether celebrating with a lavish party or in a rabbi’s study, the Jewish rite of passage remains the same. Filled with humor, hope, and history, there’s something in this anthology for every reader.

Graphic Novels and Adaptations

Two Tribes

Emily Bowen Cohen

Mia is still adjusting to life with her mom and stepfather, whose Jewish identity plays a strong role in their home. She’s also struggling to adjust at her Jewish day school, where she feels like she doesn’t fit in. Meanwhile, Mia yearns for a deeper connection with her Muscogee father, who lives with his new family in Oklahoma. Her mom doesn’t want to talk about him, but Mia can’t help but feel like she’s missing a part of herself without him. Because of this, Mia uses her Bat Mitzvah money to take a bus to Oklahoma—without telling her mom—to visit her dad and find the connection to her Muscogee side, which she knows is just as important as her Jewish side.

The Unfinished Corner

Dani Colman (author); Whitney Cogar (colorist); Rachel Tuna Petrovicz (illustrator); Jim Campbell (letterer)

In Jewish mythology, God created the universe and left one corner unfinished. It’s unclear why, but the Unfinished Corner is dangerous, and filled with monsters. Twelve-year-old Miriam doesn’t know about the Unfinished Corner—she’s too busy preparing for her Bat Mitzvah and wrestling with whether she even wants to be Jewish–until an angel appears, whisking Miriam, her two best friends, and her worst frenemy off to this monstrous land, with one mission: finish the Unfinished Corner.

Lauren Tarshis; Alvaro Sarraseca (illustrator)

When the Nazis invaded Max Rosen’s home country of Poland, all the Jewish people–including Max, his sister, Zena, and their papa–were forced to live in a ghetto. But two months ago, the Nazis took Pap away and now Max and Zena are on their own, with barely enough food to survive. Out of desperation, the siblings escape from Nazi soldiers into the nearby forest, where they are taken to a safe camp by Jewish resistance fighters. Soon, grenades are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion?

Anne Frank’s Diary: The Graphic Adaptation

Anne Frank; adapted by Ari Folman; illustrated by David Polonsky

Authorized by the Anne Frank Foundation in Basel, Anne Frank’s Diary captures the remarkable spirit of Anne Frank, who for a time survived the worst horror the modern world has seen yet remained heartbreakingly human, and remarkably optimistic, throughout her ordeal. Includes extensive quotations directly from the definitive edition.

GIVEAWAY!

 

For a chance to win Coming of Age: 13 B’Nai Mitzvah Stories, edited by Jonathan Rosen & Henry Herz, PLUS a copy of Melissa Roske’s Kat Greene Comes Clean, comment on the blog–and, if you’re on X, on the Mixed-Up Files X account for an extra chance to win! (Giveaway ends May 28, 2024, at midnight. U.S. only, please.)

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeen magazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach. In addition to her debut novel Kat Greene Comes Clean (Charlesbridge), Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories (Albert Whitman). Learn more about Melissa on her Website and follow her on  TwitterFacebook, and Instagram.

Middle Grade Voice: Speaking the Joyous/Painful/Ironic/Perfect Truth

Happy almost-summer to everyone! I love writing May posts for From the Mixed-Up Files of Middle Grade Authors because it calls to mind the excitement and fulfillment of the end of the school year. For teachers, parents, students, public or school librarians, and MG writers alike, the advent of summer is a time heady with the potential adventure, change, and insights of the coming months. New, thrilling stories are practically a guarantee. Whether you read them, write them, offer them to readers, or watch them inspire your own kids on breezy summer days, middle grade works can add a lot to  your summer season.

We often discuss on this site how various elements of a story impact readers in different ways. For example, a historical setting teaches readers about an era or event. Sci-fi and fantasy genre scenarios engage the imagination in a rigorous workout. A coming-of-age theme offers a hook almost all readers can relate to. Another important, impactful fiction factor is voice.

Voice is an element of fiction that can impact readers in several ways. So much more than point of view or perspective, a character’s voice ticks many boxes: It indirectly characterizes. It engages readers and controls the mood and pace. And it delivers thematic messages about life in ways that connect to our experiences and emotions—in other words, the truth.

Strong voice is particularly effective in MG fiction. There’s this interesting paradox that occurs with MG characters in “voicey” works: Though their world view may be limited by young age and lack of independence and experience, MG characters are often highly effective at revealing the truth. They might comment as an afterthought or make a passing observance… and ironically, that offhand remark is both significant and revelatory. Or, they share a just-learned lesson in their coming-of-age, but as it is communicated by their voice, additional ideas and truths are conveyed.

Summer, with its reduced emphasis on structured lessons, is the perfect time to think about this somewhat nebulous story trait. Gathered below are some examples of voice in MG fiction, a few writing projects for students experimenting with voice in their own writing, and (for writers of MG) a brief list of tips for “turning up” your story’s voice.

Middle Grade Voice Examples

Strong voice can seem like a you-know-it-when-you-read-it element. For practice in recognizing voice, study some examples before assigning yourself a search-and-find mission in some favorite and some brand-new titles. Here are a few handy examples of MG voice:

  • Jessica Vitalis’s self-assured protagonist Fud in Coyote Queen:

“That doesn’t mean I sat around crying about how things were, because I didn’t. And I certainly didn’t think twice about magic. I was too practical for that.”

  • Jennifer L. Holm’s witty main character Beans in Full of Beans:

“When someone says they’re gonna help you, they’re just waiting to stick their hand in your pocket and take your last penny. I should know. I got relatives.”

  • Any characters from Christopher Paul Curtis. Here’s Elijah speaking certain truth in Elijah of Buxton

“But classroom learning just don’t work the same as when something happens to you personal.”

Voice Activities in the Classroom

As the school year winds down, consider having your MG students experiment with the concept of voice in their own writing. You might begin by having readers search for examples in novels they read throughout the year. Introduce the idea of voice with some focusing questions: What line or lines have vocabulary, word choice, and phrasing that tell you right away what kind of a person this character is? What line would be spoken only by this protagonist? Where is a question or an exclamatory remark that highlights the voice?

With some examples at their side, students can then try their hand at voice by writing a real-time scene from the viewpoint of a selected, existing protagonist.  Writers already may be savvy with writing from a character’s perspective; try to direct their focus on the voice of the character through word choice, vocabulary, cadence, pace, and sentence length. For a scenario that also boosts excitement for the end of the school year, students might place their protagonist in a “summer vacation” scenario.

How Writers of MG Achieve Voice

These are some common strategies for practicing and assessing voice in your MG writing.

  • While middle grade characters certainly keep secrets and remain private about some things, they typically are more open with emotion than teen characters.
  • Defy stereotypes. Offer your characters traits that conflict with common assumptions.
  • Focus on the foundational blocks of a good story: themes, plot, detail, description, characterization. Voice is the conveyance system that communicates the story to the reader in the most effective, most “hearable” way.
  • Don’t allow the writer’s goals for sharing pithy truths to become the character’s goals. The character’s goal is to pursue their objective and resolve their conflict.
  • Stick with on-level vocabulary choices.
  • Who are your beta readers? Have a few middle graders in the mix to comment on MG characters’ believability.

Thanks for reading, and have a story-filled summer!

Author Spotlight: Adam Borba

Today, please welcome critically acclaimed MG author Adam Borba to the Mixed-Up Files! In addition to being the author of Outside Nowhere—which was hailed by Publishers Weekly as an “intriguing novel with a strong emotional core”—and The Midnight Brigade, described by Booklist as a “tongue-in-cheek frolic,” Adam develops and produces movies, many based on beloved children’s books, such as A Wrinkle in Time and Peter Pan & Wendy.

His latest MG novel, This Again? has been praised by School Library Journal as… charming… nostalgic and fresh” and is out now from Little, Brown Books for Young Readers. But before I chat with Adam…

This Again? A Summary

Noah Nicholson has solid grades, great friends, and he’s finally becoming closer with Lucy Martinez, his crush since second grade. He might also have a chance to be elected class president. But despite all that, Noah fixates on the belief that he can make his life perfect—and comes upon an opportunity to do just that.

At the local bowling alley, Noah runs into someone most unexpected: himself, from nine days in the future. This lookalike—who Noah nicknames “Future”—insists that if Noah does every ridiculous thing he says—from quacking like a duck in science class to painting himself green—the two of them can achieve their dream of perfection. Unfortunately, fate has other plans.…

Interview with Adam Borba

Melissa: Welcome back to the Mixed-Up Files, Adam—and huge congratulations on the publication of your latest novel!

Adam: Thank you! And thanks so much for having me back! I love this place. It’s such a wonderful resource for discovering amazing new books.

Melissa: Could you tell MUF readers a bit about This Again? and the inspiration behind it?

Adam: It’s a story in the spirit of Groundhog Day or Back to the Future about the misadventures of a kid attempting to orchestrate the perfect day with the help of his future self and a time machine. But more importantly, it’s a book about a kid wrestling with anxiety and perfectionism, learning to accept that life doesn’t always go according to plan and that he’s good enough.

About ten years ago I had an idea about a kid creating a time machine out of a blender and an exercise bike. It was a fun concept, but it wasn’t really a story. A few years later, I began jotting notes for a book about a boy running for class president who is wildly unqualified for the job. I didn’t know where that idea was going until I decided those two concepts could be parts of the same book: a kid traveling back in time to coach himself in a misguided attempt to win an election. Shortly after, I realized that Noah, the main character, should (like so many kids) be struggling with self-doubt and anxiety. Combining all those aspects clicked the story into place for me.

The Many Faces of Noah

Melissa: Noah, the protagonist, is a study in contradictions. He maintains a neat-as-a-pin appearance but his room is a mess; his parents are physicists yet he struggles with math; he’s a self-described geek, with little confidence and shaky social skills, yet he runs for president of his seventh-grade class. Tell us, Adam: What’s the deal with Noah?

Adam: As Noah explains early in the novel, “People are complicated and I’m a person.” So often, we say one thing and do another—but that doesn’t mean we can’t always mean well and be true to who we are. We’re all contradictions doing our best. Noah’s big problem is that he takes on more than he can handle. He wants to do it all because he believes that’s what his parents and older brother did. And he thinks it’s expected of him. Along the way, he’ll discover that most of the pressure he’s feeling is self-inflicted and that sometimes others can seem to have their lives more together than they actually do.

Quest for Acceptance

Melissa: An overarching theme in This Again? is the craving for visibility and acceptance. Not only does Noah want to be accepted by his high-achieving parents and athletic, brainy older brother, he craves recognition from the popular crowd at school. Noah will do anything to get it, too, including turning his back on his best friends. What were you trying to say about popularity–and the need for acceptance in general?

Adam: One of the underlying ideas in the story is that the rules for who gets to be popular in middle school can be absurd. Life isn’t always fair and sometimes it can be downright silly. Noah learns that one of the keys to popularity, and much more importantly general happiness, is accepting yourself. Be who you are and do what you enjoy. Liking and believing in yourself can go a long way in getting others to take notice and appreciate you, too.

Oh, Brother!

Melissa: Let’s talk about Noah’s relationship with his older brother, Paul. Noah feels as if he’s in Paul’s shadow, which is something Noah tries to overcome by striving to be just like his brother. We later discover, though, that Paul’s life isn’t as charmed as Noah thinks. Is this a statement on the unreliability of perception, the nature of sibling rivalry—or both?

Adam: Both! So often sibling rivalries arise from siblings believing that the other had it easier. And (especially) younger siblings believing that they must do something because their sibling did. I think it’s fair to say that everyone in this world is struggling with things that others aren’t aware of. We often focus on the challenges we have in our own lives and overlook the hardships faced by others.

When Noah meets a future version of himself, he sees it as an opportunity to avoid life’s challenges all together. A way to orchestrate a perfect day and make his seventh-grade dreams come true by following the instructions of someone who has been there before.

Back to the Future

Melissa: Another prominent theme in the novel is time travel, when Noah’s parents invent a time machine and Noah meets his future self–aka “Future.” What is the significance of Noah’s relationship with Future, and Future’s with Noah? Also, what is it about time travel that most of us find so fascinating? 

Adam: Without giving too much away, one of the big questions that emerges is how similar are Noah and Future. Future is older than Noah, but only by a matter of days. Though those days have resulted in a more jaded person. As time goes on, Noah recognizes more and more flaws in Future, and he begins to wonder whether he’s been overlooking those issues in himself.

And time travel—is there anything cooler? For me, I think it’s the wish fulfillment. Breaking laws of physics sure does open amazing possibilities: Go back in time to fix a mistake. Relive something wonderful. Experience something before or after your time. Or like Noah Nicholson in This Again, pull strings in an attempt to create a perfect life.

It’s Just a Fantasy

Melissa: This isn’t your first novel to include a hearty dash of fantasy. Your previous novels, Outside Nowhereand The Midnight Brigade, have fantastical elements as well (i.e., flying cows, magical farmland, monsters and trolls). What is it about fantasy that floats your boat?

Adam: I’m drawn to stories that are driven by heart, humor, and magic. And for me, it really is that “dash” of magic that I love. Where everything in the story feels grounded, real, and relatable except for one wondrous element. Magical realism. It’s the wish fulfillment idea that we were just discussing. The feelings that come when a character in the “real world” experiences the seemingly impossible and a reader can daydream about what life would be like if that incredible thing happened to them.

The Extraordinary Within Reach

Adam: In This Again it’s the time machine, while the world around Noah and all the internal and external conflicts he faces are grounded. My first book, The Midnight Brigade, was about a shy kid in Pittsburgh who befriends a troll living under a bridge, but again, everything else is grounded. And in my second novel, Outside Nowhere, we follow a fish-out-of-water city kid, a Ferris Bueller-type, who is forced to navigate life working on a farm that just happens to have one secret, magical element. I love that when you paint everything else as real and relatable you can suggest that enchantment and miracles can be found anywhere, and make the extraordinary feel within reach.

(For more on Outside Nowhere and The Midnight Brigade, check out Adam’s past MUF interviews here and here.)

At the Movies

Melissa: As stated in the intro, when you’re not writing for kids you’re developing and producing movies (Pete’s Dragon, Peter Pan & Wendy, A Wrinkle in Time). How does your job as a movie producer influence your writing? And vice versa?

Adam: While filmmaking offers the luxury of telling stories with pictures, it all starts with a screenplay, which is a relatively short document with a lot of blank space. Because scripts are so short, the storytelling on the page needs to be efficient. Every word matters. I try to take that approach with my writing: Cut out the boring stuff and anything that isn’t essential. I also try to be as clear and economical as possible with character arcs, so readers understand how and why a character changes and grows as cleanly and efficiently as possible.

Variations on a Theme

Adam: Theme is also something I learned how to implement from filmmaking. When I’m developing a movie, one of the early goals I have is to get to a one sentence message. Something universal. Something that each scene in the movie builds to. Something that sums up what the movie is really about. It’s rarely a line that’s said out loud in the film, but it’s always something that my colleagues, the director, and the film’s writers have agreed to.

A few examples: In Pete’s Dragon it was “Everyone belongs somewhere.” In Peter Pan & Wendy it was “Everyone grows up at their own pace.” And in a Wrinkle in Time it was, “Everyone is deserving of love.”

When I’m writing, I try to figure out the theme before I begin a rough draft, so I can tie it to narrative and character as much as possible. Universal, clear, relatable. And not something you need to hit your audience or readers over the head with–again, often the exact line isn’t ever spoken or written in the story, but the subtext is clear because all the scenes in the piece build to that idea. For This Again, it’s “No one can do everything” (even with a time machine).

It’s All About Structure

Adam: Structure is also something I learned from film development. My initial outlines for a movie or a book are about three pages, and they’re in traditional three act structure. As I write and work with my editor to revise, my drafts become longer as subplots are added and we dive deeper into character. So, while my final manuscript isn’t quite a traditional feature structure, because I started the novel that way the story remains structurally sound for me.

And as a producer, I’m always hunting for ideas for movies. I’m biased, but I think adaptations of books tend to make the best movies.

Adam’s Writing Routine

Melissa: What does your writing routine look like? Do you have any particular rituals?

Adam: I have a little office in my backyard that I sit in for eight to ten hours a day while I write, powered by green tea and diet soda. As I suggested, I like to begin a project with an outline, but I’m a strong believer in embracing the unexpected. I love being surprised by the details that emerge as characters and story lead the way.

My initial outlines will often have literal lines like, “And then something bad happens,” and that line could be followed by something like, “And then something happens that makes everything worse.” I’ll use those beats as placeholders to figure out the most unexpected ways to surprise myself (and my characters) to keep readers on their toes and turning pages. Because, hopefully, if I’m not entirely sure what’ll happen next, no one else will be either.

Adam’s Outlining Tips

When I start writing, my outline will be three pages of bullet points, but as I move forward, characters, subplots and drama will emerge, and that outline will grow with my manuscript. I keep both documents open while I’m writing to keep track of everything, make notes on things I want to call back to, and hopefully not go too far off the rails. So, what starts as a three-page outline is closer to twenty pages by the time I finish a draft of a manuscript. I also love listening to music while I write. I’ve found that lyrics can distract me, so often I’ll play movie scores from films with a similar feel to the project I’m working on.

Melissa: What are you working on now, Adam? Enquiring Mixed-Up Files readers want to know…

Adam: Still early stages, but I’m working on a project about a girl who befriends an alien.

Lightning Round!

And finally, no MUF interview is complete without a lightning round, so…

Preferred writing snack? Whatever my three-year-old is in the mood for. I pick her up from preschool around lunch and we’ll usually grab chicken nuggets or tacos.

Superpower?  Being about to fly would solve so many of life’s problems.

Time travel: Fact or fiction? Fact. I have a theoretical physicist friend who convinced me that someone will eventually figure it out. Depending on how you look at time they probably technically already have.

Favorite place on earth? A great bookstore.

Zombie apocalypse: Yea or nay? If it doesn’t happen, I’ve wasted so much time and money on my bunker.

If you were stranded on a desert island with only three things, what would they be? My wife and kids. (Hopefully they won’t be too mad at me for bringing them along.)

Melissa: Thank you for chatting with us, Adam. It was a pleasure to learn more about you and your book, and I’m sure MUF readers will agree!

Adam: Thanks again for having me! Hope everyone gets a chance to check out This Again and share it with their favorite young readers.

Bio

ADAM BORBA is the author of three middle-grade novels, This Again?, Outside Nowhere, and The Midnight Brigade. When he’s not writing, he spends his time developing and producing movies, most of which have been based on beloved children’s books like Pete’s Dragon, Peter Pan & Wendy, and A Wrinkle in Time. He is a graduate of Palm Springs High School, the University of Southern California, and the William Morris Agency mailroom. Adam lives in California with his wife and two young children. Learn more about Adam on his website and follow him on Instagram and Twitter.

Melissa Roske is a writer of middle-grade fiction. Before spending her days with imaginary people, she interviewed real ones as a journalist in Europe. In London she landed a job as an advice columnist for Just Seventeen magazine. Upon returning to her native New York, Melissa contributed to several books and magazines, selected jokes for Reader’s Digest (just the funny ones), and received certification as a life coach. In addition to her debut novel Kat Greene Comes Clean, Melissa’s short story “Grandma Merle’s Last Wish” appears in the Jewish middle-grade anthology, Coming of Age: 13 B’Nai Mitzvah Stories. Learn more about Melissa on her Website and follow her on  Twitter, and Instagram.