Posts Tagged MG

Spooky, Scary Stitchers

For those of you who love spooky, scary middle grade, I have a treat for you. The Stitchers (ABRAMS/Amulet 2020), by debut author Lorien Lawrence, releases this week, and alongside that spooky scary goodness, it’s SO. MUCH. FUN.

The Stitchers Cover

About The Stitchers:

Thirteen-year-old Quinn Parker knows there’s something off about her neighbors. She calls them “the Oldies” because they’ve lived on Goodie Lane for as long as anyone can remember, but they never seem to age. Are they vampires? Or aliens? Or getting secret experimental surgeries? Or is Quinn’s imagination just running wild again?

If her dad were still around, he’d believe her. When he was alive, they’d come up with all sorts of theories about the Oldies. Now, Quinn’s determined to keep the investigation going with the help of Mike, her neighbor and maybe-crush. They’ll have to search for clues and follow the mystery wherever it leads–even if it’s to the series pond at the end of the street that’s said to have its own sinister secrets. But the Oldies are on to them. And the closer Quinn and Mike get to uncovering the answers, the more they realize just how terrifying the truth may be.

Interview with Debut Author Lorien Lawrence

Welcome, Lorien Lawrence, to the Mixed-Up Files! As I often do, I shared your book with my son, who’s a middle grade and young adult reader.  He loved the Stitchers–which meant he and I got to collaborate on these interview questions.  NOTE: This interview has been edited slightly in order to group topics and transitions.

HMC: I am always curious about origin stories – where did you get the idea for the Stitchers?

LL I think I say this in another!er interview, but there’s nothing scarier than losing someone you love. I wrote this story after my dad suddenly died. I had just moved back to my hometown with my husband, and we would go for these really long walks and try to make sense of what happened. Eventually, my childhood streets brought back happy memories and feelings of nostalgia instead of sadness. And we started to play a “what if” sort of game, where we took turns wondering “what if that house was haunted?” or “what if that pond was magical?” Eventually, one of these “what ifs” turned into THE STITCHERS. So I guess writing Quinn’s story helped me come to terms with my own grief.

Writing About Loss for MG

HMC: (As you just mentioned,) your main character, Quinn, is coping with the loss of her father … and picking up where he left off, investigating the same mystery. Loss and fear are pretty scary subjects no matter how old you are … how did you balance respecting your middle-grade readers’ maturity with knowing when the subject matter needed to be age-appropriate?

Finding this balance was probably the most difficult part of the writing experience for me. I knew I needed to show Quinn coming through the other side, so to speak. She doesn’t miss her dad any less, but she learns how to live a new kind of normal. Her dreams continue, her friendships continue, even though she herself has changed. But the change isn’t all bad: she’s stronger. She’s braver. She’s more determined and more vulnerable. And she realizes that she’s still surrounded by people who love her.

Questions from HMC’s Son

HMC’s Son: What was your favorite part of this book to write? 

LL: Great question! My favorite part to write was the scene in the basement of the funeral home. I won’t give it away, but it was delightfully gruesome and fun to imagine!

HMC’s Son: What did you like most about Quinn? 

LL: Another great question! I like that Quinn is flawed. She lies. She hides the truth. She hides her true feelings. But these are things that normal 12 year olds do. And by the end of the book, she makes things right.

HMC’s Son: This book is the beginning of a series. Can you give us any hints about what is coming up next for Quinn and Mike?

LL: The next book in the series is called THE COLLECTORS, and it comes out next fall. It follows Quinn once again as she and Mike launch into a new supernatural investigation – but I don’t want to give too much away! 😊 I can say that it picks up directly where THE STITCHERS leaves off.

Stitchers Fan Art

                                                                                Stitchers Fan Art, by Elle Jauffret

Eternal Youth, Monsters, and Witches

HMC: Another interesting theme in your book is about the eternal quest for youth … and how it can make people do strange things. (!!) What takeaways do you think this element in your plot has for the middle-grade reader?

I think I was inspired by the day-old conundrum of kids wanting to be older, and adults wanting to be younger. In reality, we need to just learn to appreciate where we are in the moment.

HMC: In this book, I found lots of literary and theater connections, from Frankenstein to the Crucible. Did any of those influence your writing?

LL: Oh my gosh, I’m thrilled that you noticed! YES! I’ve always been taken with Frankenstein and The Crucible – really the whole idea that society creates the monsters, not the other way around.

Open Mic Question

HMC: What do you want us to know about The Stitchers that we haven’t asked?

LL: A quick fun fact: I have tiny clues hidden in THE STITCHERS and THE COLLETORS that hint towards future books in the series!

THE PANDEMIC QUESTIONS

HMC: I’ve begun a new line of pandemic questions in all my interviews because I’m curious about how we as kidlit authors are going to handle the pandemic in our writing going forward. You’re a middle school teacher in New England – will you be going back into the classroom to teach this fall, or will you be teaching virtually?

LL: As of right now, I still don’t know where or how I will be teaching. I am assuming that I’ll be teaching virtually as I did in the spring. I’m from Connecticut, and our state got hit with the virus early, so my school closed in early March and remained closed for the year. Whatever I end up doing, I’ll try to make the best of it!

HMC: How has the coronavirus pandemic affected your writing life?

LL: I grew up with (and still struggle) with anxiety, and writing has always been a coping mechanism for me. So I’ve actually been writing a lot! I wrote two new manuscripts during quarantine. I don’t know if these books will ever see the light of day, but it helps me to throw myself in a made-up world when times are scary.

HMC: Will Quinn and Mike have pandemic related conversations in your new book?

LL: This is a great question! I honestly don’t know the answer! They won’t be talking about it in the first two books in the series, but if I’m able to publish more adventures of Quinn and Mike, I’ll have to have a serious think about what to do with that. Maybe I’ll ask my students if they would be interested in reading about something so scary and recent. I’m sure they’ll have strong opinions either way!

((More about pandemic writing in this archived post on Writing Prompts for a Pandemic))

HMC: Thanks so much, Lorien. Congratulations on your debut and best of luck to you!

Debut Author Lorien Lawrence

Lorien Lawrence

Lorien Lawrence is a writer and middle school English teacher from Connecticut. When she’s not reading or writing, she can be found hunting ghosts with her family. The Stitchers is her debut novel.

Where to find the Stitchers:

  1. Bookshop.org
    1. Click on this link, then search for THE STITCHERS — or any other book.
  2. Amazon

Writing for TV and the movies – Interview with author Robert Cochran, and Giveaway

We’re thrilled to have Robert Cochran on Mixed-Up Files today. Robert co-created the international hit television series 24, for which he received six Emmy nominations and two wins. Before that, he had written and/or produced a number of other popular shows, including L.A. Law, Falcon Crest, JAG, The Commish, and La Femme Nikita. Prior to becoming a writer, he was a lawyer and a management consultant, careers he considers highly useful because they convinced him that he didn’t want to be a lawyer or a management consultant.  He lives with his wife in Monterey, California.

Robert talks to us about The Sword and the Dagger – his first novel and his career of writing for TV.  Be sure to check out the giveaway at the end of the post.

 

  1. How did you start your career in tv and writing in general?

From as early as I can remember, I always wanted to be a writer, though I have to say it took me a while to get started! I was a lawyer for several years, then a management consultant, but always writing in my spare time. One day, a friend of mine, a screenwriter, showed me one of his scripts. It was the first time I’d seen the screenwriting format, and I instinctively felt it was something that would come more naturally to me than prose fiction, which I’d been concentrating on previously. This turned out to be true, and after a few false starts, it eventually led to a career in television. Now, with The Sword and the Dagger, I feel I’ve come full circle back to prose fiction.

 

  1. Tell us about the first time you thought about writing for children and young adults. What made you decide that, yes, this is a story I want to write for a broader audience?

I’d come across the historical figure of the Old Man of the Mountain and found him and his era fascinating. His trained assassins were mostly quite young, and I wondered what would happen if one of them became emotionally involved with the intended victim and couldn’t bring himself to carry out the assassination. It seemed probable that the intended victim would also be young (making the bond more likely), so the main points of view were those of young people, and it just seemed natural to write the story for young people as well. You might say, I didn’t really make the decision to write for young adults — the story made it for me!

  1. Can we look forward to more novels from you in the children and young adult space? What are you excited about?

I don’t have any immediate plans for another novel — at least nothing specific. I love history, though, and if I write another young adult novel, it will probably be historical and probably again set during the Middle Ages, or perhaps a little earlier — maybe about Vikings. They did some pretty crazy things and are easy to get excited about!

 

  1. Tell us about your protagonist. How long did it take for you to figure out your main character and her motivations?

It took a while! I think you only really get to “know” your characters by writing them — your view of them changes as the story goes along. Elaine is born to privilege, but it’s privilege that feels like a cage. She’s surrounded by people, mainly men, telling her how she should behave and how she should think, and she sees no chance that this will ever change. She wants to rebel, to be free, to have adventures! And she does — she breaks free of her cage. But the adventures she has help her to understand that her privilege also carries obligations. Many people, an entire nation, will be affected by the decisions she makes. She has to find a way to be true to herself while still protecting those who depend on her, and this struggle forms her character and leads to decisions that change her life and the lives of her companions.

 

  1. How does your experience in TV affect your process of writing for young adults?

Writing for television teaches you about structure and keeping the story moving — you don’t want people changing the channel! But all adults, of whatever age, are interested in the same fundamental things: love, relationships, loyalty, courage, family, a person’s place in society, how to find purpose and meaning in life, and so forth. A story geared for young adults may tend to delve into such themes slightly less deeply than works targeted at an older audience, and while violence and sexuality aren’t ignored by any means, scenes involving them are presented less graphically. (I’d point out that there are many books and movies intended for young adults that older adults enjoy just as much, and vice-versa!)

 

  1. What advice would you give writers who want to write novels that have the potential to be made into movies or TV shows?

I actually think that just about any novel with a good story and strong characters has the potential to be made into a movie or TV show. So I would advise writers not to write with that goal in mind but just write the best novel they can possibly write. I’d also suggest, especially when you’re starting out, don’t worry too much about what’s popular or what’s selling at the moment. Write what moves you, what interests you, what you believe in, what you feel passionate about. That’s your best chance of coming up with something that’s authentic and original, and, therefore, your best chance of getting interest from film or television!

 

  1. Is there anything you’d like to say to readers?

Keep reading — then read some more! We don’t all have the time or the resources to visit different places or meet people who live different lives than ours, but the next best thing is to read about them, whether in fiction or nonfiction. Every time we experience the world through the eyes of another, we gain a little more understanding and compassion. It may sound corny, but I really believe a world full of readers is a better world.

 

Thanks, Robert! 

Want to have your own copy of The Sword And The Dagger? Enter our giveaway by leaving a comment below! 

You may earn extra entries by blogging/tweeting/facebooking the interview and letting us know. The winner will be announced here on Friday, August 30, 2019 and will be contacted  via email and asked to provide a mailing address (US/Canada only) to receive the book.

 

Query Cowbells, Yard Art, and Other Ways Authors Celebrate (and Why)

I’ve been reminded lately that celebration is something we should do more often. In the writing world, we are happy when we get to make big announcements – book deals, releases, signing with an agent. Those announcements almost always lead to a celebratory dinner, a launch party, a champagne toast, or a hearty round of “Huzzah!” on social media.

But those BIG announcements can be a long time coming. Some writers are still waiting and working toward them.

That’s why I was so excited when critique partner and illustrator Jane Dippold presented our critique group members with Query Cowbells.

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According to Jane’s detailed instructions for use, one should:

  • Ring the Query Cowbell once with extreme exuberance upon hitting “send” on any email query. Twirl in a circle like a puppy and settle into your favorite spot. You did it!
  • Shake the Query Cowbell vigorously two times upon receiving any form rejection: once for perseverance and once for your amazing, but not yet accepted, manuscript.
  • Upon receiving a personal rejection with vague but important revision suggestions, put the Query Cowbell down and REVISE!  Ring the Query Cowbell softly, once, when you finally go to bed at 3 A.M.
  • There are many more Query Cowbell instructions, but you get the idea. If you are submitting, you have reasons to celebrate! 

soup

Author Sarah Aronson has one of my favorite reasons for celebrating. “Every time I get to page 100 of a draft, I make this soup,” she says.  100-Page Party Soup. Why not? Click here for her recipe and you can make it yourself.

Author/Illustrator Lita Judge celebrates in really BIG way. She explains, “I have always felt a strong connection to Stonehenge and other ancient rock circles. I fell upon the idea that I would erect my own stones, adding a pillar each time I finish a book. When I step into the yard or look out my windows the pillars remind me of all the projects I have been fortunate enough to create. Each one is hard won and will stand for my lifetime. They are my special way of celebrating this rich life of creating.” 

Lita’s husband Dave sets an 800-pound stone in their yard.

Lita poses with three of her celebratory monuments.

Author Nancy Roe Pimm also celebrates each book with an addition to her garden.  “I always loved concrete lawn ornaments, even before the well-dressed geese began making appearances on lawns throughout the country. I would never buy a lawn statue for myself, because let’s face it- it’s not a real “need.” When I found the winged fairy reading a book, it suddenly felt like a need. I had two books out that year, Colo’s Story and the Daytona 500 book. I decided to celebrate and treat myself to the book reading fairy.”
There are so many reasons to celebrate.
You finished a draft.
You started a draft!
You conquered that revision.
You found a critique partner.
You’ve signed up for your first writing conference.
Don’t wait for the big stuff. Celebrate every step along the way.
This has me thinking. I’ve just completed a blog post!
Champagne, anyone?