Posts Tagged diversity

Celebrating Multicultural Literature for Children

By on December 12, 2018   /   Articles, Diversity  

I had the honor of presenting at the 34th annual Virginia Hamilton Conference on Multicultural Literature for children this past year. This is the longest running event of its kind…focusing solely on multicultural literature for young readers.

The conference was established by professors at Kent State University while the beloved and most honored author of children’s literature, Virginia Hamilton, was alive.

Sixteen years after her death, Virginia would be thrilled that this conference is not only alive and well, but other initiatives are taking place across the country to celebrate and champion multicultural works.

One such event is Multicultural Children’s Book Day, (MCBD) celebrated on January 25, 2019.

The celebration was born out of frustration by two women in not being able to find diverse or multicultural children’s books for their families. Bloggers Valarie Budayr from Jump Into a Book and Mia Wenjen from Pragmatic Mom took matters into their own hands by creating the event in January 2012.

The mission from the beginning has been to not only raise awareness around children’s books that celebrate diversity, but to also get more of these types of books into classrooms and libraries.

“Kids need to ‘see themselves’ in the pages of the books they read,” noted Budayr. “We are determined to not only shine the spotlight on all of the multicultural books available but also offer visibility for the amazing authors and publishers who create them.”

Now in its sixth year, the MCBD online celebration attracts thousands of supporters, over 700 book reviewers and dozens of quality authors and publishers.

There are many ways that educators, media specialists, authors and families can become involved in the initiative and celebrate diverse works with young readers.

Some actionable ideas include encouraging students to bring a multicultural book to share with students in class, creating a MCBD book display in the classroom or library, or focusing on books that address social topics such as poverty, or civil rights.

Children’s book authors (including yours truly!) are supporting the initiative by becoming sponsors, intending to create awareness about our works and to support the cause.

The upcoming January 25, 2019 event promises to be the MCBD’s biggest yet!

To learn more, visit http://www.MulticulturalChildrensBookDay.com

 

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So, Why Realistic Fiction?

By on December 5, 2018   /   Articles, Book Lists, Common Core & NGSS, Fiction, For Librarians, For Parents, For Teachers, Teacher Tips  

Realistic Fiction in the Classroom

By Robyn Gioia

A genre that is not front and center in today’s stories of zombie, vampires, unicorns, and fairies is the world of realistic fiction. My class and I recently studied realistic fiction and what I learned was surprising.

The root word “real” in realism says it all. Are the characters regular people? Do they have problems? Do they make mistakes? Do they have real emotions? Do they grapple with pain, feel love, become utterly depressed, or bubble over with serendipity? Is the world real or is it a fantasy world with three moons and purple mountains? If it’s a made-up world, does it follow the rules of physics? If a character walks off a cliff, do they get hurt?

Plot

Probably the biggest element to examine is plot. Is it believable? Although circumstances may be extraordinary at times, is it something that could really happen? How do the characters deal with real problems? Are the solutions something that can really happen?

I noticed my students were so firmly rooted in fantasy, that when we studied our unit on realistic fiction, it took a lot of examination to decide if something could really happen. They argued that a character who miraculously survived a plane crash could climb the highest mountain, and walk a hundred miles to the next village without any food or water.

When I added that there are no super powers in realistic fiction, they stared at me. Then came the explanations. Maybe the survivor was in shape, they said. Maybe this person had a big dinner before the crash. Then the next set of “maybes” became even grander, without text evidence I might add. Maybe someone gave the person a ride. Maybe the person found a bunch of  power drinks. The “maybe” syndrome continued.

After our discussion, things got better. I breathed a sigh of relief when I heard the different reading groups asking each other, “Can it really happen and where is the evidence?”

So, why realistic fiction?

This brings us to the question. Why teach realistic fiction when other genres are vastly more popular?

Realistic fiction grounds students in real life. It lets them experience real life situations through cause and effect. It shows them the complexity of problems and how humans might react. It helps them to understand relationships. It helps students see life through the perspective of others.  It shows them how problems may or may not be solved. It exposes them to the vast differences in cultural beliefs and interactions between others.

To sum it up, realistic fiction helps students understand the way life works.

At the end of our study, something I did not expect was a comment from one of my brightest. “I haven’t found any books that I like. But I just learned that I like realistic fiction.” Grinning from ear to ear, he pulled out a copy of Hatchet by Gary Paulsen and settled down to read.

 

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Diverse MG Lit #4 American Indian Books

By on November 16, 2018   /   Diversity  
November is traditionally the month of focus on American Indian history, and fortunately there is much to celebrate this year. It was my very great pleasure to hear many Indigenous authors and poets reading and discussing their work at the Portland Book Festival. One among them was Tommy Orange the author of the National Book Award nominee THERE, THERE. It’s not a book designed for the MG audience but it is within reach of strong readers who are looking for hard-hitting contemporary realism. I think many seventh and eighth grade readers would find much to love. It is the intertwined story of twelve people on their way to a powwow in Oakland and offers plenty of ideas for the thoughtful reader to absorb and discuss.
It was also my great pleasure to hear a reading and discussion of their poetry from Trevino Brings Plenty, Laura Da’, and Layli Long Soldier. They are all three contributors to the anthology NEW POETS OF NATIVE NATIONS edited by Heid Erdrich. This is also a book published for the adult market. But of all adult writing I think poetry can be the most accessible to younger readers. Here is a snippet of example from a poem called Passive Voice by Laura Da’ a middle school teacher and Eastern Shawnee.

Passive Voice

Laura Da’

I use a trick to teach students
how to avoid passive voice.
Circle the verbs.
Imagine inserting “by zombies”
after each one.
Have the words been claimed
by the flesh-hungry undead?
if so, passive voice
This poem goes on and becomes even more searing and evocative with each line, talking about how the crimes of the past against indigenous people are usually reported in the passive voice. Now there’s a conversation I’d love to have in the classroom. I am beyond excited to read all the poems in this anthology and to follow the literary careers launched there.
On the more traditional side of MG publishing Joseph Bruchac has a new novel TWO ROADS. Much has been written about the abuses of the Indian Boarding Schools and it’s easy, if you don’t live in the west, to think that Indian boarding schools are a thing of the past. Although most of them closed 80 to 100 years ago, some operated much longer and under slightly reformed conditions. Bruchac’s story takes place in 1932 and is about a Creek Indian boy, Cal Black, and his father a WWI veteran who live a transient life. When the father decides to join a protest with other veterans in Washington to demand their wartime bonuses, he decides to leave his son at the Challagi Indian School in Oklahoma. The most brutal practices of the Indian schools are past at the time of this story, still there is much hardship to endure. Even so Cal learns about his own culture and gains the strength of knowing other young men of his tribe.  This resonates with the stories I have heard from elders who attended Indian schools in the 1930s and 40s. They found much hardship there, but they also found their voice as Native people and a community that would go on to become part of many of the movements, AIM and others, that lead to the recent pipeline protests. Two Roads is an important book and one that I hope will be widely read.
Also on the topic of Indian schools but originating in Canada is SPEAKING OUR TRUTH: A Journey of Reconciliation by Monique Gray Smith. It is a larger format, photo illustrated work of non-fiction about the journey of reconciliation addressing Canada’s past, present and future relationship with its First Nations People. Monique Gray Smith asks her readers to leave behind these attitudes
  • I’ve heard this all before
  • Reconciliation doesn’t involve me or my friends or my family
  • History isn’t important
  • I, as one person, can’t make a difference
She organizes her book according to Seven Sacred Teachings: Honesty, Respect, Love, Courage, Truth, Humility, and Wisdom. The book is packed with information. It’s a book to read slowly. Every few pages there is a spot illustration of a drum and an invitation to reflect. Definitions are placed on the page where the words first occur in addition to a glossary in the back. I thought the book would make me feel sad and ashamed but because so much of it is focused on things everyone can do now to make it better I felt much hope by the end. This book is rooted in Canadian history but the issues are so similar to American ones that I think you could use it in the US. But I’d love to see and American version of this concept too.
And finally I want to call attention to a group of picture book legends. Many teachers are looking for authentic indigenous legends to use in the curriculum and want to make sure they are using books of the best quality. I think when it comes to traditional tales, the way to get the authentic versions we are looking for is to have the tribes publish themselves. The Sealaska Heritage Institute does just this. Their award winning books are produced from start to finish by professional indigenous storytellers, world-class indigenous artists and indigenous publishers. They have an imprint called Baby Raven Reads which focuses on stories from the Tlingit, Tsimshian, and Haida traditions. There are many beautiful books in this imprint. I’m going to highlight Shanyaak’utlaax—Salmon Boy edited by Johnny Marks, Hans Chester, David Katzeek, Nora Dauenhauer and Richard Dauenhauer and illustrated by Michaela Goade. It is the Tlingit story of a boy who disrespects the salmon his mother gives him and is swept away into the ocean to meet the Salmon People. It is written in Lingít and English with a Lingít audio available on line. Michaela Goade is a Tlingit Raven from the Kiks.ádi clan of Sitka, Alaska. These books are not available through the normal channels but don’t be discouraged you can get them through Taku Graphics in Juneau, AK. Email Katrina Woolford at orders@takugraphics.com for more information. Learn more about Baby Raven Reads at www.sealaskaheritage.org.
If you have a favorite book with Native American characters, please share it in the comments.
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