Posts Tagged diversity

Diversity in MG Lit #54: Jan & Feb 2026

By on February 18, 2026   /   Articles   /   Leave a comment
Here are seven titles from January and February, curated by Rosanne Parry, by diverse authors. Watch for in-depth interviews with several of the authors in the months ahead!

Hail Mariam

Hail Mariam by Huda Al-Marashi
Often in a MG book when the character belongs to a faith community the book centers the cultural aspects of that religion–the holidays, the cultural practices, the historical hardships. Here is a rare book which delves into Mariam’s actual experience of faith, her prayer life, consolation, and discernment. And its explores the interfaith experiences of a Muslim girl attending a Catholic school. (A more common experience than you might think. In my parents Catholic schools about a third of the student body was Jewish. My local Catholic high school had a Muslim student body president last year. It’s student body is a third religions other than Catholicism and a third students with no religious affiliation.) It’s refreshing to see religion addressed with such care and authenticity. Mariam’s thoughtfulness and moral courage as she navigates the new school and her sister’s illness makes for an appealing read.

Mythspeaker

Mythspeaker by Christopher Roubique
Roubique is an indigenous person, not enrolled in a tribe, who has written a work of fantasy inspired by the indigenous cultures of North America. This debut novel a sweeping adventure featuring a daring heist, a band of misfits and many magical creatures. I think it would appeal to the fans of Rick Riorden.

Goodbye, French Fry

Goodbye, French Fry by Rin-Rin Yu
Ping-Ping is a Chinese American. Like many two culture kids she feels not American enough for her school friends and not Chinese enough for her parents. But she does find physical, emotional, and social strength in the practice of taekwondo and in her piano lessons.

The Last Resort Books

This is the second in a new series, the first was The Last Resort by Erin Entrada Kelly. They are mystery puzzle stories with an interactive virtual element. Readers use their phone to see the pictures come to life and interact with the ghosts in the book to solve an additional mystery. It’s an exciting concept and I’m eager to see if readers at our bookstore respond.

A Year Without Home

A Year Without Home by V.T. Bidania
Set in Laos at the end of the Vietnam War, Bidania has written an ambitious tale spanning years and hundreds of miles from wartime Laos to the refugee camps of Thailand. The use of verse keeps the story accessible, emotionally vivid, and fast moving.

Hattie Mae Begins Again

Hattie Mae Begins Again by Sharon G. Flake
A novel in verse set in the Great Migration of the 1930s when many African American families moved from the rural south to cities in the north. Hattie Mae’s is new to Philadelphia and finding both new friends and new ambitions.

Nadia Islam, On the Record

Nadia Islam, On the Record, words by Adiba Jaigirdar art by Avani Dwivedi
Nadia is a student journalist, a growing environmental activist, and a celebrating her first Ramadan when she will fast just like the other grown ups. And then her family decides to go to visit relatives in Bangladesh for the whole month of Ramadan. Trepidation becomes opportunity as Nadia finds an opportunity to report on environmental issues abroad.
This is only a small sample of the diverse books published in the last two months. Please add any Rosanne missed in the comments.
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Daring to Make a Difference: Five Characters Fighting For Justice

By on January 30, 2026   /   Book Lists, Fiction  

As a ten year old, I spent half my time wanting to change the world and the other half wanting to hide from it. My grandmother marched for Civil Rights in the South. When my mother took me to a demonstration in New York City, I thought more about my sore feet than about fighting to fund the public library. Marching in a protest with thousands of others wasn’t for me. I wanted to do something that would make a tangible difference.

Today, young readers are faced with a broken world. The activist titles in this list are glimmers of light in the darkness, illuminating ways young characters can make a difference in their worlds.

 

The Incredibly Human Henson Blayze

The Incredibly Human Henson Blayze by Derrick Barnes

The mostly white town of Great Mountain Mississippi, goes ga-ga over their prize Black football player, Henson Blayze. On his first day of eighth grade, this talented athlete, who is joining the high school team, is greeted with a parade of fans, a gourmet steak meal in the cafeteria, and special treatment from the strictest of teachers. Henson is considered to be a hero – until he walks off the field in the middle of a game in order to be with Menkah, his young friend who was unjustly beaten by the police. When the town turns against Henson, he remains steadfast in refusing to play and continues to stand up against racial injustice. This experience opened Blaze’s eyes as to how he, and other Black bodies, are seen only as entertainment. Historical background, fantastical elements, and a tender love story bring hope and perspective to a hard topic.

 

 

Unfadeable

Unfadeable by Maurice Broaddus

Bella, aka Unfadable, is accustomed to taking care of herself. She’s been unhoused ever since her father died and her schizophrenic mother was taken away. Bella spends her time tagging graffiti, sketching, and living under the radar. When she makes a pitch for a public art class at a town meeting, she discovers some shady goings on with the community’s finances. With support from an unlikely crew she fights the misuse of their resources. This personal story of how gentrification affects lives is an action-packed mystery which is relevant to young readers.

 

 

 

Noodle & Bao

Noodle & Bao by Shaina Lu

Inspired by real-life community organizing in American Chinatowns, this graphic novel tells the story of Momo, her best friend Bao, and their ah-ma, Noodle. These friends band together to save their neighborhood, Town 99, from changing. When Ms. Jujube transforms the neighborhood with her Fancé hotel, she evicts Noodle and her popular restaurant. After some struggles, Moma and Bao garner neighborhood support to fight gentrification. The descriptions of food, colorful illustrations and quirky characters make this an entertaining read.

 

 

 

BLUE STARS

Blue Stars: The Vice Principal Problem by Kekla Magoon and Cynthia Leitich Smith

When Maya learns that she and her cousin Riley will be sharing a room while they are staying at their grandmother’s house in Urbanopolis, she feels like her dream has come true. But it turns out that outgoing, robotics-loving Maya, who is Black, and her shy gymnast cousin Riley, who is from Muscagee Nation, rub each other the wrong way. It takes a villain to bring them together. The two girls are furious that Vice Principal Balderdash is siphoning funds from after-school programs to buy portable classrooms to increase detention space. The inventive tactics the cousins devise when they team up to fight injustices are clever. This satisfying graphic novel, first in a series, celebrates unlikely friendships and community activism.

 

Lotus Bloom and the Afro Revolution

Lotus Bloom and the Afro Revolution by Sherri Winston

Talented violinist Lotus is excited for her seventh-grade year at her new artsy magnet school. She’s been singled out to join the main orchestra and has a chance to join an international orchestra and visit her father in Paris. She rocks her own ’70’s fashion style and is especially proud of her impressive Afro. After some boys who are jealous of Lotus for being chosen as the concertmaster, throw spit balls and paper airplanes into her Afro, she is unfairly cited for violating the dress code. At first, Lotus agrees to compromise and change her hairstyle, but eventually her friend Rebel, an activist who is protesting the fact that the fancy magnet school gets all the resources while her regular public school is underfunded, persuades Lotus to fight back. This realistic story illustrates how dress codes discriminate against Black girls and the prevalence of inequitable funding of schools for Blacks and minorities.

 

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WNDMG Author Interview: Khushboo Patel on her Verse Novel ALL THAT CHANDNI KNOWS

By on December 10, 2025   /   Author Interviews, Diversity, WNDMG  

 

Author Interview – Khushboo Patel

I’m so excited to be able to introduce you to author Khushboo Patel today. Khushboo is a debut author of a gorgeous new middle grade novel in verse as well as a couple picture books, and I had the honor of reading (and blurbing) her gorgeous MG book! Her title is called “All That Chandni Knows” which launches from G.P. Putnam’s Sons Books for Young Readers/ Penguin Kids on March 31, 2026.

I absolutely loved every bit of this book— the verse, the plot, the character, the voice. I find myself always searching for new verse novels, and I promise you—this one is magical!

 I was enthralled from the very first page of the book, and I know everyone will adore it too!

I encourage everyone to buy a copy for themselves and their classrooms and libraries.

About ALL THAT CHANDNI KNOWS:

Description taken from online:

A powerful middle-grade novel in verse set in India at the turn of the millennium that follows a 12-year-old girl as she navigates new beginnings, difficult truths and a crush.

Perfect for fans of The Night Diary; Red, White and Whole; and Remember Us. 

For twelve-year-old Chandni, 1999 is the year everything must be perfect. And why shouldn’t it be?

Her parents are well-respected doctors in the community, she’s the leader of her friend group, and her crush is even hinting at liking her back. She also has her sights set high on a spot at India’s most prestigious boarding school for girls. If she stays focused and works hard, the dream just may be in reach.

But as the boarding school selection looms closer, Chandni is overwhelmed by a devastating secret that’s threatening to tear her family apart. With life and relationships spiraling around her, Chandni will have to decide between pursuing her ambitions and protecting her family.

Set against the vibrant turn of the millennium in India, this debut middle-grade novel in verse is a beautiful and vulnerable story about the seismic events that life throws at us and the love that helps us brave it all.

Interview with Khushboo:

I loved getting to talk to Khushboo about her new book and I know you will enjoy meeting her and Chandni as well.

 

SSS: What a wonderful book. I was interested right away, from the very first page and Chandni’s teasing of her secret! What is the inspiration behind Chandni’s tale (and only what you feel comfortable sharing) ?

KP: Thank you, Shifa! I so appreciate the care with which you asked this question.

This story started for me with these questions: What happens when the world as we know it is upended? What do we fear? What do we rely on? Where do we find comfort or relief? How do we navigate the push-pull between ambition and protection, and acceptance and agency, and perfection and freedom?

And as I was writing, more questions showed up (some that I wasn’t expecting), and I loved exploring and grappling with them. 

This book is very much a work of fiction, but like Chandni, I grew up in Vadodara in the late ‘90s, and I struggled with some of the things she struggles with. And while it is a story of pain, it is also a celebration of so many things I love—coming-of-age stories, mother-daughter stories, first-person stories, poetry, music, my childhood city, language, food and culture, middle-grade friendships and crushes, all the games we played, and just getting to show kids today—a life before the internet.

SSS: As a mom of three girls, I wanted to reach out and hug Chandni! Her voice and her personality are so sweet, and yet full of strength, and the clear care you took to craft a story that was both important and compelling was absolutely remarkable! How did you balance such a strong voice with such a heart-wrenching story?

KP:I think when you are dealing with some pain, it is easy for the character to slip into a complaining or whining tone. And when you are trying to write a flawed character, it can sometimes come across as brash or annoying. It’s all so tricky! I certainly see that now when I look back at the beginning of my first draft, and I think that’s normal because setting up the story is so hard craft-wise, and in the first draft, you are just trying to figure out the characters and the story problem on the page. Good thing we get to revise and revise and revise!

Voice can be such an elusive and inexplicable thing and it’s so often a writer’s unique way of looking at and expressing things, but I think a part of it is also working on craft and story.

I think what helped the voice here is the fact that Chandni is a complex character. She has such different roles at home and at school and so much is changing around and within her, that she is forced to act, even if she is doing some things all wrong. I think it helps to have a character with agency and enough things happening with the plot, which are not things one would usually think of when thinking about voice. Chandni came into her own when I put her through the wringer, and she had to react and do things.

And I am forever grateful to my brilliant critique partner and friend Lisa Carter, who told me that the trick is going to be conveying this story through the eyes and voice of a protagonist who is in pain, YET is innately positive, proactive, and making the best of her situation. It’s advice that I held close while revising.

SSS: I loved reading all the details about Chandni’s life, her food, her culture, and even the historical time frame that was so relatable to myself as a kid growing in America in the 90s/2000s!

How does Chandni’s setting of 1999 India impact her life, her friendships, and her family?

KP: This is such a good question, because the fact is that the story would not have worked if it was not set in this time period in this particular society. She would probably not have kept this secret as long as she did, or would maybe have felt less scared of societal expectations and norms, and then the stakes just wouldn’t be there in the same way.

And yet, the story also lives in a place that maybe feels liminal and timeless and relatable because a lot of these societal conversations (colorism, women’s safety, patriarchy, religious tensions, etc.) are still relevant today, not just in India, but in many parts of the world.

 

SSS: I absolutely loved how the mother was a doctor! I loved how you both critiqued society for the misogyny present in some spaces but also showed the resilience and strength of women that have always persevered and taken up space throughout any time and place. How did you strike this balance?

KP: I loved exploring that in this book—that mirroring of ambition and the pull of dreams, and staying true to oneself, even for the mother. How the conditions are always difficult, but we try to push boundaries for ourselves and future generations. And also, the tension of how that sits alongside the demands of motherhood. Life and society are not perfect, so then, what is the perfect choice? Which also ties into one of the main themes of the book.

 

Link to order here.

Writing Process

 

SSS: When did you start writing the story and was the process a long one?

KP: I wrote just one chapter in prose in September, 2022 and shared it and the premise with Joyce (my lovely agent), who immediately cheered it on. Then the story mostly just sat in my head and in the form of a list of scenes as notes. In February, 2023, I did a workshop with SCBWI on beginnings and endings, and I then started drafting more seriously, this time in verse. From there, the first draft came out pretty quickly, and I shared it with some writing friends and then with Joyce in April, 2023, who loved it. I also sent it out for more critiques and then again, I just sat with the feedback and the story. So much of writing for me is also just thinking about the story and the many directions it could go in and working things out in my head before I put them on paper. I wasn’t feeling ready to put it out and wanted to revise more, but didn’t know how to begin, and I was also working on my other picture books and taking more courses and learning craft. Simone (my brilliant editor) acquired it in May, 2024, and it went through several intense rounds of revisions after that! Writing is never easy for me, but the whole process has been so rewarding, and I will forever cherish these years I spent working on it.

 

SSS: How is the process of writing a historical novel in verse? Was there anything specific you had to research, or did you write it from mostly your personal memories?

KP: Since it’s not a fact/history-heavy story, it was mostly from personal memories and mining memories of friends and family. It was so fun to go down memory lane! In terms of research, I did do some general search to nail down the specific year that would work best for the story, and I also spent a lot of time listening to music from that time, to find exactly what I needed for certain scenes.

SSS: Any advice for fellow middle-grade authors?  

KP: I’m not sure I know enough to give advice, but one thing that has really helped me is the support of my writing friends, so I’d say, find your writing community.

The writing process is so personal, so the best advice seems to be—try different things and do what works for you.

And here are some things I routinely tell myself:

Just try. This is a long game, rejection/ block is a part of the process, and endurance/ giving yourself grace is key. Read deep and wide and engage with different types of art (paintings, music, architecture, movies, etc.). See what you like, don’t like, lean into your taste, and trust your gut. Try new things and keep your mind open. Keep learning craft. Do the deep work. Ask for help. Let go of perfection, get past the cringe, and be okay with ‘failing’ publicly. And don’t forget to have fun!

All easier said than done!

Bonus!

SSS: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

KP: No, I think you covered it all. You asked such great, thoughtful questions!

SSS: What else can we look forward to from you?

KP: My picture book Stolen Colors, illustrated by Tara Anand (who also did the beautiful cover art for Chandni!) is out from Levine Querido on March 3, 2026. It is a book about body safety and consent, and I can’t wait for the world to see Tara’s stunning, powerful art.

And I have another picture book My House is a Muddy River coming out from Putnam/ Penguin Kids in Spring 2027, illustrated by Lavanya Naidu, which was actually my first book deal!  It’s a flood story set in India and I recently got to see the gorgeous first sketches.

I feel so grateful to get to work with such amazing artists and editors.

 

Thank you Khushboo for joining us- and again, I reiterate to everyone to go READ THIS BOOK!!!

 

KP: Thank you for having me! I so appreciate your kind words and support. You and your work are an inspiration, Shifa! All my best to you.

 

About Khushboo Patel:

Khushboo Patel is an Indian American author of children’s books. Before she found the courage to write, she was a lawyer and an entrepreneur. She currently lives in Florida with her husband and two children. All That Chandni Knows is her debut novel.

 

Website: https://www.khushboo-patel.com/

INSTAGRAM: https://www.instagram.com/khushboo_.patel._/

Bluesky: https://bsky.app/profile/khushboopatel.bsky.social

 

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