Posts Tagged craft

STEM Tuesday Exploration— Writing Craft and Resources

By on January 23, 2018   /   Common Core & NGSS, Cross-Curricular, Curriculum Tie-in, Exploration, For Writers, STEM Tuesday, Writing  

How-To

From how to trouble shoot your printer to how to complete your tax forms, we all use procedural texts every day. Some procedural writing is boring, rigid, and downright miserable. Ugh. But it doesn’t have to be.

Discovering a brand new, fuzzy, four-legged species, exploring a volcano on the barren desert called Mars, escaping quicksand — scientific exploration is full of procedures packed with fun!

You’d think writing down the steps to a process would be easy, but – as any educator who has survived the first week of school knows – teaching “how to” is a bit more challenging than teaching “what.”

You pick: teach someone what the Large Hadron Collider is (a machine for speeding up particles so scientists can study them) or how it works (umm . . .).

See, it can be kind of intimidating. You have to really know what you are talking about. No wonder young (and old) writers struggle. Even writing about something a little easier, like dissecting a roadkill skunk, requires lots of decisions. Hard decisions about who the audience is, what to include, and how to present the information.

Never fear, STEM Tuesday is here.

Support Independent Bookstores - Visit IndieBound.orgThis month’s book list includes fantastic examples of writing about processes. Consider a multi-step, safety-critical process like blasting off to Mars presented by Pascal Lee in Mission: Mars (page 14). Some of the techniques used include: simplified numbered steps, sequential art, and detail-rich explanations. Lee re-uses these techniques on page 24 for the steps of landing on Mars.

Some questions for close reading:

  • How does the use of numbered steps add to procedural writing?
  • What aspects of page design help the reader?
  • Why might an author repeat techniques in order to explain additional processes in one text?
  • Is the author’s purpose primarily description or exposition? What leads you to that conclusion?

Support Independent Bookstores - Visit IndieBound.orgThe passages in Mission can be compared with more familiar approaches to procedural writing such as a fun submersible-building activity in Jennifer Swanson’s Astronaut-Aquanaut: How Space Science and Sea Science Interact (page 24) and/or a passage on how to pull a leech off your skin in Not for Parents: How to be A World Explorer (page 14).

Some questions for close reading:

  • What common elements of procedural writing do these authors use?
  • How are illustrations used in these examples?
  • What words, techniques, or signals indicate that these texts are instructional as opposed to descriptive? (For ideas, compare to pages 14 and 24 of Mission: Mars.)

Support Independent Bookstores - Visit IndieBound.orgFor a different take, check out a graphic novel. Starting on page 39 of Smash! Exploring the Mysteries of the Universe with the Large Hadron Collider, author Sara Latta and illustrator Jeff Weigel present their version of how the Large Hadron Collider works (see, it is possible). Their trick for turning the super technical into something readable while avoiding snores? Sequential art, characters who themselves need thorough explanations, and labeled diagrams. Breaking the complex process down into chunked steps, spread over several pages, didn’t hurt either.

Some questions for close reading:

  • What common elements of procedural writing are found in this text?
  • How does this passage differ from more traditional procedural writing?
  • How does this explanation compare to that of another complex sequence, such as that on page 14 in Mission: Mars.

Try it Yourself

  • Study an example of procedural writing. Identify a technique used by the author. Re-write the passage using a different technique. For example, convert the passage on leech removal into graphic novel form or write it without numbered steps.
  • Re-write a piece of procedural writing with a different point of view. Does that change the impact of the passage?
  • Write the steps for a familiar activity (eating pizza, shooting a basketball, cleaning up dog poop). The first time, write it in 5 steps. Re-write, providing only 3 steps. Re-write again with 10 steps. What’s different? Which was hardest? What audience might need each version? Which do you prefer?

—

Heather L. Montgomery writes for kids who are WILD about animals. She reads and writes while high in a tree, standing in a stream, or perched on a mountaintop boulder. www.HeatherLMontgomery.com

THE O.O.L.F. FILES

This month, The Out Of Left Field (O.O.L.F.) Files look at some not-so-ordinary ways STEM skills aid in exploration and expanding our knowledge base.

In addition to generating new knowledge, mind-blowing discoveries, and amazing high tech innovations, exploration can cause damage. One concern: pee and poop. From designing a space suit to handle six-days of pee to turning poop into plastic, people are getting creative to solve this problem.

  • Invisible Universe Revealed: A NOVA episode on the Hubble Telescope, its use in exploring the universe, and how an observation at home became a solution to fix Hubble’s “poor eyesight”.
  • Data Exploration: The digital revolution has allowed massive amounts of information to be collected, stored, and shared. Below are a few examples of how this data allows deeper exploration of the world around us.
    • Sabermetrics: The science and analysis of baseball data has changed the game of baseball forever.
    • Bioinformatics: The accumulation AND sharing of genomic sequences from all types of life have revolutionized life science.
    • FiveThirtyEight.com is a data-driven outlet that studies news, politics, sports, and society. (Their real-time election analysis & discussion is fabulous.)
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Sparking the Imagination with Written Imagery

By on December 13, 2017   /   Book Lists, children's bookstores, Common Core & NGSS, Cross-Curricular, Curriculum Tie-in, Fiction, For Librarians, For Parents, For Teachers, For Writers, independent bookstores, Nonfiction, Writing  

As a classroom teacher of upper MG readers, I’ve been wondering lately on the constant technological pummeling we get from images—gaming, TV, movies, computers, tablets, phones. Screened devices have a powerful attention-grabbing effect on kids, and with so many stimulating colors, photos, Snapchat animations, and videos to look at, the modern-day imagination is contending with a very different ball of yarn than in decades past. It’s great that we can Google-Machine “Roman Empire ruins” and see hundreds of pictures, and it’s fun to test our eye-hand coordination by slashing air-borne fruit, chopping ropes, or helping a chicken across a road. But for many readers, after all that color and movement and music, the imagination may balk a bit when given black words on a white page.

For that reason, it might be pretty difficult for a middle grade teacher, parent, librarian, or writer to hook readers on books with descriptive passages, figurative language, or a generally more literary bent. But instead of avoiding imagery, it may be more important than ever to give readers an opportunity to envision and imagine through the words on the page. We should strive to provide work-out routines and fitness centers for the imagination in our stories through language and description. Inclusion of imagery in MG stories will complement the reader’s experience and ultimately improve and enhance the reader’s imagination. And imagination is important in any setting, as it drives flexible thinking and creative problem solving.

So, in order to spark readers’ imaginations, how do you recognize good imagery in MG works, and how do you write your own? Here are some qualities typically associated with imagery:

  • Imagery is language that employs a mental use of the five senses.
  • It can use certain figurative language devices like similes and metaphors, personification, and hyperbole, but it can exist without any other lit devices being present, too.
  • Good imagery isn’t fluffy or fancy or filled with words you’d find on the SAT. Sometimes, in fact, incredibly simple syntax and short phrases make up excellent imagery.
  • Imagery lets you see, touch, taste, hear, and smell the surroundings  in the character’s world, and it draws the reader in with those experiences.
  • Most importantly, good imagery leads the imagination off-leash—it guides, but never forces. The imagination has to be allowed to run free, if it’s to grow strong.

Here are some scenes in three works of MG fiction with imagery to consider:

Madeleine L’Engle’s A Wrinkle in Time. The description of Camazotz is brilliantly creepy in its simplicity. L’Engle’s choice of short, clipped words and phrases reflect the vision concocted in the reader’s imagination of this austere town where anomalies are forbidden:

Below them the town was laid out in harsh angular patterns. The houses in the outskirts were all exactly alike, small square boxes painted gray. Each had a small, rectangular plot of land in front, with a straight line of dull-looking flowers edging the path to the door.

Things get more eerie with the rhythmical description of the kids outside all those houses, girls jumping rope and boys bouncing balls:

Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers.

The imagery prompts our imaginations to not only see Camazotz but to hear and feel its driving beat, too.

Sarah Jean Horwitz’s Carmer and Grit, Book One: The Wingsnatchers. Big, immediate conflicts or surprised exclamations from characters can work beautifully as openers in MG fiction and nonfiction. But atmospheric imagery can be used just as masterfully to hook the reader into the story. In this book, the two-and-a-half-page opener has no dialogue and no loud clatter of forces. But the tone of mystery, the discordant sounds, and the symbolic light/darkness imagery all work together to pull the reader in:

At the South Gate, just outside the winding iron bars, the Autocat waits. Its jeweled eyes gleam in the darkness. It watches as each golden lantern on the pathway blinks out, one by one, and it growls–a rough, scraping sound like metal on metal, a sound never heard in the garden before. The creature slinks off into Skemantis’s black night, its mission accomplished.

Karen Hesse’s Letters from Rivka. Good imagery keeps firmly in the voice of the 1st person character, in this case, a young Russian refugee fleeing to America in 1919 and seeing Poland for the first time:

The same crooked cottages, the same patchy roads, the same bony fences leaning in to the dust. Looking out from the train, we see people dressed like us, in browns and blacks; people wrapped in layers of clothes.

Thanks for reading! Please feel free to share thoughts you have on imagery in MG writing, or name some writers you enjoy who do a great job at sparking readers’ imaginations.

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STEM Tuesday Science in Fiction Books– In the Classroom

By on December 12, 2017   /   Common Core & NGSS, Cross-Curricular, Curriculum Tie-in, For Teachers, MUF Contributor Books, Science in Fiction, STEM Tuesday  

We’ve taken a few of the titles from last week’s book list – Science in Fiction Books – and found some fantastic ways to use them in the classroom. There are lots of links and places for teachers, students, and parents to go from here!  Have fun!

The Reinvention of Edison Thomas   by Jacqueline Houtman

Science comes easily to Eddy (Edison) Thomas. Social relationships? Not so much. On her website, Houtman shares a number of classroom activities which will prod middle-grade readers toward deeper discovery and understanding. Here are a couple.  See more cross-curricular classroom activities here. 

Design an experiment to test Fact Number 28 (p. 73): Listening to slow music can lower your heart rate, while music with a faster tempo can increase your heart rate. Who would be your subjects? How would you measure heart rate? What other factors might affect your experiment? How would you make sure that you are only measuring the effect of the music?

Find out how the special effects in your favorite science fiction or fantasy movie were done. (Many DVDs come with special feature discs that explain how the effects were achieved, or you can use the Internet.) How have special effects in movies changed in the last 10 years? 30 years? 50 years? How did they do special effects before there were computers and computer animation?

Eye of the Storm  by Kate Messner

A summer at science camp turns into a life-or-death situation for Jaden and her new friends Risha and Alex in this thrilling science-packed middle-grade novel.  Teachers can find a thorough Eye of the Storm Discussion Guide on author Kate Messner’s website as well as a link to a gallery of Eye of the Storm Resources on Pinterest. 

Is there a Placid Meadows in your state?  Use data from the national weather service to look at where tornados or super storms have occurred in your state in the past year. Map locations and decide if there is a spot that, like the fictional Placid Meadows, seems immune from such disasters. Or, is there a “tornado alley” or path that seems to attract severe weather time and time again?

Using gripping fiction like  Eye of the Storm in conjunction with nonfiction books about climate change and super storms can add a personal element to research and discussion of these topics.

The Same Stuff as Stars by Katherine Paterson

Truly a story of discovery, this novel takes readers along with Angel, the 11-year-old main character, on a journey in which she’ll find out things about herself and about the universe that she never believed possible.

The National Children’s Book and Literacy Alliance (NCBLA) has created a wonderful teacher’s resource for The Same Stuff as Stars here.  (Scroll past the resources for one of Paterson’s other books, but tuck those away for another day!)

As Angel learns more about the constellations, teachers and parents can help young readers do the same with websites such as KidsAstronomy.com and NASA Kids Club.

The Great Hibernation by Tara Dairman

Every great story and every great scientific discovery have started with the same question:  “What if?” So, what if every adult in the whole town of St. Polonius fell asleep and the children were left to run the town?

There’s so much fun to be had with a story that mixes science and problem-solving with  politics and mystery.

The Investigative Process and Premise –  Scientists begin their investigative process by asking questions.  Authors create a premise before drafting a novel. They are both asking and answering the “What if” question. Take a look at the books your class had read this year. What is the “what if” question posed by the author. Now, take a look the science topics you’ve discussed this year. What questions did the scientists ask for their investigations?  Now ask your students the following questions:   Can your science topics lead to new fictional story ideas?  Can fiction stories lead you to further investigate a science topic?

What is hibernation? Using the unexpected hibernation of the adults in St. Polonius to launch a study of real hibernation. Which animals hibernate and why? Where and when do animals hibernate?  Use facts found at How Stuff Works  to chart your findings on graphs or maps.

Add to the list!  If you have a classroom activity to accompany a sciencey-fiction book you’ve read, post it in the comments below. We love sharing your ideas!

Michelle Houts is the author of ten books for young readers. Her Lucy’s Lab series is another example of science-filled fiction. Find Lucy’s Pinterest page with classroom activities and experiments here.

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