Posts Tagged contemporary realistic middle-grade fiction

Paired Texts: Inspired by Classics

Need a last-minute gift idea for a middle grade bookworm? Or maybe you’re a teacher, librarian, or homeschooling parent on the lookout for some fresh literature lists or features for the new year? Consider pairing together a retelling, sequel, or inspired tale with the title that preceded it.

  • Reading paired texts is a great workout for MG readers’ critical thinking skills, especially when they think critically about the context of the classic work (such as the time period in which it was written).
  • The comparing/contrasting of two stories is a lesson goal that can be tailored to a wide variety of learning styles and levels.
  • Reading two related texts fulfills important core standards in educational settings.

Or if someone on your gift list simply enjoys thinking about stories and writers in cool and comparative ways, reading a modern retelling, sequel, or companion novel alongside its classic predecessor might be a cozy way to spend some winter afternoons. Here are some ideas for paired titles you might consider for your classroom, library, or personal gift-giving.

Hena Khan’s More to the Story is inspired by Louisa May Alcott’s Little Women. In More to the Story, a modern American Muslim family faces challenges that compare to the March family’s conflicts of a century-and-a-half ago in Alcott’s classic.

Rajani LaRocca’s Midsummer Mayhem is subtly inspired by Shakespeare’s A Midsummer’s Night’s Dream. Midsummer Mayhem features Indian American protagonist Mimi who uses both culinary skill and magic to solve the mysterious goings-on in her household and town. For the Elizabethan classic, consider an introductory adaptation like this comics-style version if your middle graders aren’t ready for Shakespearean verse. This author also wrote Much Ado About Baseball, a companion piece to Midsummer Mayhem which Kirkus calls an “homage” to the bard’s Much Ado About Nothing.

Lou Kuenzler’s Finding Black Beauty is a spin on the story of Anna Sewell’s classic Black Beauty, retold from the perspective of groom Josephine who masquerades as a boy in order to find the horse she loves when they become separated.

Sequels to children’s classics The Secret Garden and A Little Princess by Frances Hodgson Burnett include Holly Webb’s Return to the Secret Garden and The Princess and the Suffragette. Hilary McKay’s Wishing for Tomorrow is a sequel to A Little Princess as well.

A variety of writers compile new perspectives on Alice’s adventures in Return to Wonderland, a collection of retellings of Alice’s Adventures in Wonderland by Lewis Carroll.

The Three Musketeers by Alexandre Dumas sees a modern-day retelling and new perspective from young protagonist and time traveling teen Greg Rich in Stuart Gibbs’s The Last Musketeer.

Wishing everyone the best in your holiday seasons and new year!

Author Spotlight: Daphne Benedis-Grab + a GIVEAWAY!

Today, author Daphne Benedis-Grab chats about her latest middle-grade novel, I KNOW YOUR SECRETout from Scholastic tomorrow, December 7–and shares her writing secrets. She also tells us all about her role as a public-school librarian (spoiler alert: she loves it) AND and there’s a chance to win a copy of Daphne’s book if you enter the giveaway. Scroll down for details! 👇👇👇

Summary of I Know Your Secret

The email arrives Sunday night: Do exactly what I say, when I say it, or I will reveal your secret.

On Monday morning, seventh graders Owen, Gemma, Ally, and Todd, who have nothing in common and barely know each other, must work together and follow the instructions of an anonymous blackmailer. None of them want to go along with the blackmailer’s instructions, but each of them have a secret they must protect at all costs.

Set during a single day of school, the students race against the clock to complete a disquieting set of tasks, with fast-paced chapters detailing each moment of the day interspersed with a later interview-style recording made by the quartet.

Interview with Daphne Benedis-Grab

MR: Welcome to the Mixed-Up Files, Daphne! Thanks for joining us today.

DBG: I am completely delighted to be here! I am a longtime fan of Mixed-Up Files.

Book Inspiration

MR: First, I need to tell you how much I enjoyed I Know Your Secret—so much so, I gobbled it up in one sitting. What was the impetus for writing it?

DBG: It makes my heart sing to hear this! I wanted to write a book that was hard to put down, and I was inspired by Lois Duncan to try and write such a book. When I was growing up, her thrillers kept me up all night–even the second (and third) readings. So, two-and-a-half years ago, when I began a graduate program to become a school librarian and suddenly found it hard to write stories, I realized I needed to create a story idea I’d find so fun that it would always pull me back in–even after long days with my kiddos, and my homework. I thought about what I’d loved when I was middle-grade age, and that was when I decided I wanted to try my hand at writing a thriller. My goal was to work on a story that was hard to put down while writing it—and that readers would find it hard to put down, too!

Dancing Dialogue

MR: As above, your novel is fun to read and incredibly fast-paced, with loads of twists and turns along the way. What is the secret to writing a book that kids (and MG-loving adults 🙂) can’t put down?

DBG: Thank you so much for that! I think writing a story that is fun to work on every day, that has bits of dialogue dancing in your head when you are on the subway or washing dishes and that makes you happy to think about, is my secret. Another element that makes a book un-put-downable to me is characters who struggle with real things, who are flawed and feel different but come to see that those flaws help them grow—and that those differences are what make them gloriously unique and essential to the world. So, working to create such characters is writing secret number two.

Multiple narrators: Owen, Todd, Ally, and Gemma

MR: The book is written from the perspective of four seventh-grade characters: Owen, Todd, Ally, and Gemma. Each has a secret, and each is terrified of having his or her secret exposed. How did you come up with these four characters? And how were you able to make their voices distinct?

DBG: I discovered when writing a previous MG novel, The Angel Tree, that I love creating books with multiple narrators. As humans when an event takes place, we tend to think we see all sides of it; that our narrative is the narrative. This is in fact almost never true. Any event has multiple perspectives, elements we may not see, and a past leading up to it that we are completely unaware of. With multiple narrators, I can show different sides of the same story so that readers see the complexity of any given event or person.

Talking about Todd…

Todd came to me first; he’s seen by the other characters (and everyone at his school) as a violent kid who lashes out with little provocation. We see this version of the narrative from Gemma, Owen, and Ally—but then we learn Todd’s story: what he is dealing with, why his fuse is so short, and how desperately he needs help. The readers get to see this early on, and then have the satisfaction of the other characters slowly coming to see it too—and seeing how learning Todd’s story changes their narratives and reshapes everything. I started with each character thinking they know the whole story but come to see how much is actually missing, both in their perceptions of each other and the bigger story at play: who is blackmailing them, and why. When they are finally honest with each other, they are able to understand each other as nuanced, complex, and vulnerable beings.

…and Ally, and Owen, and Gemma

Todd is inspired by a boy I knew in elementary school who I always thought was misunderstood and pigeonholed unfairly. I wish I’d done something about it then, and maybe having him in this book is my way of apologizing. Ally is made up of my love of animals as well as grief I have experienced in my life (Ally lost her parents twice: first her birth parents and then the parents who adopted her). Owen is my goofy, silly, over-eager but well intended side. And Gemma is who I wanted to be when I was in middle school: grounded, confident, and never afraid to speak up. Each of them having their own story helped their voices stay distinct. And then there’s that bigger story: who is behind the sinister messages, and why. But that stays secret until you read the book!

Shh…It’s a Secret

MR: Speaking of secrets, the theme of secret keeping—hence, the title—is equally important. What is it about secrets that fills most of us with anxiety and dread? Also, what were you trying to say about secrets in general?

DBG: Ages ago I took a psychology class where we read an article about how evil grows in hidden darkness. The point was that the secrets we hide inside ourselves don’t shrink or disappear; they grow bigger and stronger inside us, revealing feelings that don’t serve us like isolation and shame. The thought of being exposed can be terrifying, but when we share secrets with people we trust, the power those secrets hold over us withers in the bright of day. Quite often we discover we are not alone, either in the feelings or experience, and that the people who care about us will still care about us, and do all they can to help us through.

Stamping Out Bullying

MR: Bullying is another important theme in your book. Although I’d like to think most schools are aware of the problem—and address it as best they can—it’s clearly a prevalent and ongoing problem. While doing research for the book, did you come across any anti-bullying strategies in schools that seemed particularly effective?  

DBG: This is such a good and important question! What can be especially challenging about bullying is that it happens in those liminal times when teachers are distracted. And that makes fear of payback for telling an adult very real. Because of that, I find the most effective strategies to be community based. Schools that value, teach, and embody inclusion tend to have fewer incidents of kids being bullied. Schools that educate about bullying, compassion, and teaching kids to be allies, are also places that have less bullying. I may be biased, but I think schools with libraries and librarians are in the best position to foster these kinds of communities. Few things cultivate compassion, inclusion, and allyship like books! {For another MG author’s insight on bullying, check out Melissa Roske’s interview with Helen Rutter here.}

Inspiration Behind Daphne’s Books

 

MR: Turning back to books and writing, I Know Your Secret is your fifth published middle-grade novel, and you’ve written a YA novel too. You’ve also published short stories. Where do you get your ideas and inspiration for your various projects? Is there a secret sauce you can share with Mixed-Up Files readers?

DBG: Ha, that question is wonderful! But I’m worried my answer may not be all that helpful to others, because I have a brain that does not turn off. I am always thinking, mulling things over, going off on thought tangents, wondering endlessly about everything… And the way I make sense of it all is by creating narratives. If a headline or a student’s actions or an exchange I overhear on the subway baffle me, I create a narrative to help me understand it. I also create narratives imaging how something that has happened—either in my life or the world or a book or movie—might have gone differently. And some of those many narratives are seeds of books!

The Writing Librarian

MR: In addition to being a children’s book author, you are a public-school librarian. How do you juggle your writing career with your day job? What does your writing routine look like? Do you have any particular writing rituals?

DBG: Honestly, I am still figuring that out. My kids are seniors in high school, so I try to be with them as much as possible—which leaves less time for other things. But I absolutely love being a librarian. I love my school. I love my administration. And I love, love, love my students! Work makes me very happy, even when it’s hard. And being happy makes me a better, more engaged writer. Plus, my students influence my writing, which is motivating as well. I try to write at least a little every day. I am more productive, and able to go deeper into my story, when writing is a habit: a muscle I use regularly.

My first draft ritual is to reread whatever I wrote the day before, and polish it a bit before breaking new ground. This is a less intimidating place to start, and it gets me back into the characters. I will also confess to another secret ritual: No matter how little time I have to write, I cannot start until I’ve messed around on the internet a bit—checking my socials and reading the latest Entertainment Weekly stories. I’d probably have written twice as many books if I’d managed to drop this particular ritual!

What’s Next for Daphne

MR: What are you working on now, Daphne? Enquiring minds want to know!

DBG: Details are still a secret, but I am writing a follow-up middle-grade thriller set in Snow Valley, where I Know Your Secret takes place. More to come soon!

Lightning Round!

MR: Finally, no MUF interview is complete without a lightning round, Daphne, so…

Preferred writing snacks?

Dark chocolate and granola bars.

Coffee or tea?

I like tea a lot but adore my coffee!

 Cat or dog?

Forever a cat lady (but like dogs a lot too).

Favorite mystery novel?

For the past five years or so that spot has been held by Kate Milford’s Greenglass House. The atmosphere is deliciously spooky, the plotting excellent, the characters realistic, and the main character, Milo, is adopted, which I love to see in books because my kids are adopted.

 Zombie apocalypse: Yea or nay?

It’s coming.

 Superpower?

Teleportation. I love to travel but am not a big fan of airplanes. I wouldn’t mind a faster commute to work either!

 Favorite place on earth?

Provincetown, Cape Cod, Massachusetts. As with the books of Lois Duncan, it has been a lifelong love affair. My parents started taking me when I was six months old (there was an unfortunate sand-eating incident, but otherwise it was a smooth trip), and we started bringing our kids when they were three.

If you were stranded on a desert island with only three things, what would they be?

Dark chocolate, an e-reader with an undying battery, and sunscreen (redheads burn super easily).

MR: Thank you for chatting with us, Daphne—and congratulations on the publication of I Know Your Secret. I thoroughly enjoyed it, and I know MUF readers will too!

DBG: Thank you so much for having me. This has been a thrill!

And now…

A GIVEAWAY!

For a chance to win a copy of I KNOW YOUR SECRET,  comment on the blog–and, if you’re on Twitter, on the Mixed-Up Files Twitter account, for an extra chance to win! Giveaway ends on Wednesday, December 8, at midnight EST. U.S. only, please.

About the Author

Daphne Benedis-Grab is the author of middle-grade books including Clementine for Christmas and The Angel Tree, and young-adult books including The Girl in the Wall. Her short stories have appeared in American Girl magazine. She earned an MFA at The New School and a School Media Library Specialist degree from the Palmer School of Library and Information Science. She lives in New York City with her husband, kids, and cat, and spends her days writing and being the librarian at PS32 in Brooklyn. Learn more about Daphne on her website and follow her on Facebook, Twitter and Instagram.

Shining Light Onto Death: Interview and GIVEAWAY with Joanne Levy, author of SORRY FOR YOUR LOSS

Our instinct is often to want to shield kids from death, despite death being something that is difficult for adults to understand any better. And despite the chances that children will encounter it in some form—whether it’s the passing of a loved one or a close friend’s loved one, or even a tangential acquaintance.

Enter SORRY FOR YOUR LOSS, a new middle grade novel by Joanne Levy, about a girl whose family runs a funeral home. Besides being a brilliant idea, Joanne pulls it off with just the right balance between heartfelt, moving, sad, funny and respectful, as the main character Evie must navigate a friendship with Oren whose parents have just been killed in a horrific car accident. I’m so honored and excited to welcome Joanne to our blog.

MD: Hi, Joanne–welcome to …From the Mixed Up Files!

JL: Thank you so much for having me! I’ve been following along almost since the beginning so it’s a great honor to be here. And thank you so much for the kind words about SORRY FOR YOUR LOSS—I’m so pleased it resonated with you!

MD: Absolutely. Joanne, I had to laugh when your email subject line to me was “The book whose title doesn’t do well as a subject line.” I definitely can see that when you’re cold calling people to promote your book offering them condolences (“Sorry for your loss”) might get you off on the wrong foot! It’s both a funny joke but also feels like perhaps it is a metaphor for the complicated business of writing a children’s book—or any book for that matter—that is about death and the rituals and procedures surrounding it. Beyond avoiding putting the title in email subject lines, what were other challenges or complications you had to navigate when writing SORRY FOR YOUR LOSS?

JL: It wasn’t until I started sending out emails about the book that it quickly occurred to me that I might alarm people with a subject line containing the title! Of course, that pitfall was easily avoided. What was more difficult to navigate was including the right content in the book. You’re right that writing a book with such difficult topics (not just for kids, either, since as you say above, adults also struggle with death, grief, and loss) is complicated business. I didn’t want to scare kids or be overly graphic, but at the same time, I felt it was really important to be honest and pull back the curtain on death and funerals in a way that would satisfy readers’ curiosity without crossing the line into nightmare territory. I made very conscious decisions in what details to include and which to leave out and hope that I found that right balance. Even so, I recognize that some readers are going to wish there were more details and some might wish there were fewer and some won’t pick up the book at all. That’s perfectly okay, especially when it comes to difficult topics.

Still, as I’m writing this response to your question, I’ve only gotten feedback about the book from adult readers so I am very nervously holding my breath, waiting to hear from kids.

MD: Evie’s family runs a Jewish funeral home and Evie opens up to the reader (myself included) many of the mysteries of the rituals and practicalities surrounding death and burial –whatever the religion–that are often shrouded in mystery and whispers, deemed too morbid or “gory” to think about. I personally found it refreshing and eye-opening and I think other readers, young and old, will too. Were there parts though that you originally put in but had to take out?

JL: As I mentioned above, I was very conscious of the details I included in the book. I wanted to make sure that each was organic to the story and not just there for shock value. So I don’t think I had to back out any details but I will say that I struggled a little with how far I wanted to go with respect to Evie and Oren seeing a body. Slight spoiler: It wasn’t until I wrote the scene where they open the fridge that I even knew for sure what was going to happen there. Looking back, it feels inevitable that it would play out the way it did (and I strongly feel I made the right choice) but just to give you that little behind-the-scenes insight into how it happened, it took until that moment for me to know what was going to happen even though I’d known for weeks that the scene was coming.

Sidebar: if anyone is interested in my research, I have put a page on my website that tours the funeral home my dad manages – with pictures and further reading links. You’ll find it here.

MD: Great, thank you. In general, how did you balance writing a book about death and funerals with writing a book for children?

JL: My number one consideration when writing for kids is being absolutely honest. That doesn’t mean I need to put every single detail about death and funerals on the page, but I’m not hiding them, either. Kids are curious and resilient and want to know what happens to us when we die. That said, this book is about so much more—friendships and bullying and finding little joys in life, even in dark moments.

Also, I looked at the story through Evie’s eyes and how she would see the things around her. She sees funerals nearly every day and it’s just a part of her life and family business, so while many of us shy away from death and grief, for her, elements that we find taboo or strange are mundane. Caskets? She sees them as dust-collecting furniture she has to polish. It’s through her perspective that we can get past the scary symbols and rituals to the feelings underneath.

MD: To what extent did you draw from your own experiences? You mention in the promotional materials that you did research by “touring” the funeral home your father manages. Did your family manage the funeral home when you were growing up too? If so, like Evie, did you help out? And did you find that other children had difficulty accepting you and/or understanding the vital role your family played in the community? 

JL: Actually no, my parents came to the funeral business later in life. My great aunt was a member of the group of volunteers that prepares bodies for burial and I believe she recruited my dad who, in turn, recruited my mom. The manager of my hometown Jewish funeral chapel retired and my father took over that role and I believe by then he was in his sixties. So I didn’t grow up entrenched in the business the way Evie does in the book. But I’ve always been fascinated by the industry and had I been born to it, I have a feeling I’d have been the one dusting caskets and giving out tissues.

MD: One of the points that come up several times throughout the novel is the idea of respect, especially the importance of respecting the body of the person who has died. Can you talk about that?

JL: Not only is it built right into the ritual of caring for the body—there are even specific prayers that require those preparing the body for burial to beg forgiveness for any inadvertent wrongdoing–but this is how my father looks at his role. He takes great pride and care in what he does and that respect—both for the deceased and their families—never wavers. Knowing that gave me great comfort when we laid my mom to rest because I knew everyone taking care of her would treat her with that same respect. I never had to worry and I felt that it was really important for readers to know that the people behind the scenes really, really care about what they do and take it very seriously.

 

On Writing:

MD: This is your 6th published book. Congratulations! Did you find the process of writing this one similar or different to your previous book? Did you feel more experienced having gone through the writing, editing and publishing process before?

JL: Every book feels like its very own mountain to climb but I will say that with every book I trust my process more. That doesn’t mean books are easier to write, just less anxiety-inducing and I know that even when I feel blocked, it’ll come back and I’ll get it done. I just need to trust that process and get out of my own head (or house – long dog walks are great to unstick plots!).

That said, this book was a huge challenge because of how important it was to me to get it right. I was committed to making it readable and entertaining and maybe even educational for kids, same as all my books. But SORRY FOR YOUR LOSS is also a tribute to my dad and those like him who do such important work. I also wanted it to be accurate, accessible, and interesting to non-Jews as well. I have never worked harder, done so much research on a project, or sent out to so many beta readers for feedback, but I’m proud of the result and it feels like a job well done.

 

On Crafting (and writing!):

MD: I follow you on Instagram and adore all the crafty things you make and sell on Etsy. Do you find there is a connection between being a writer and the other creative things you do?

JL: That’s a great question and I think that indirectly there is a connection and it’s that creativity piece. I was always a crafty kid and I love being creative and making things with my hands. But crafting things out of wool or some other tangible medium is different than crafting worlds and characters out of thin air. Still, I think that creativity begets creativity and one type can influence another and crafts have woven their way into my books – quilling in for SORRY FOR YOUR LOSS, knitting in FISH OUT OF WATER.

That said, repetitive crafts, like needle felting (stabbing wool with special needles), give my brain space to wander while my hands are busy. I’ve detangled many a plot issue while my hands were occupied with other things. I think a lot of writers turn to other artistic pursuits either as a respite from a constantly whirling mind, or to give that mind space to work in the background.

Hmm. That feels like a convoluted answer to a very straightforward question. Let’s just say yes.

MD: Haha. As a knitter, crocheter and needlepointer myself I am smiling at that answer! 🙂

MD: Joanne, when I first met you it was at breakfast my first morning as a fellow of TENT: Children’s Literature, a week-long writing residency  I was a 2019 fellow and you was a past fellow, returning to use the time as a retreat as well as mingle and meet the new crew of authors writing children’s literature with Jewish content. I was jet lagged and bleary-eyed from my journey but I’ll never forget how I perked up when you told me you were writing a novel that is set in a Jewish funeral home, based somewhat on your own experience of being part of a family who manages a Jewish funeral home. I thought it was a brilliant idea, with so much potential, not to mention something that would definitely fill a hole in kidlit, with the practicalities of death in any religion not something often covered.

I was delighted this past month to read the finished result.  I think that readers will laugh and cry with Evie and Oren and that SORRY FOR YOUR LOSS will open up many important discussions about respect in death as well as the procedures and customs surrounding it regardless of faith or religion. Scroll down for a chance to win your own copy. Joanne, thank you so much for joining us on MUF today 🙂

JL: Meira, I remember that breakfast well and despite your jet lag and long journey, you were a joy to talk to! Thank you so much for your kind words about SORRY FOR YOUR LOSS. It means so much to me that the book resonated with you. While I wrote it from a Jewish perspective, I wrote it for ALL readers, hoping they would find relatable characters and lots to discuss. Thank you for this opportunity to chat about it here and share it with you and the MUF community!

MD: Thanks, Joanne!

Joanne can be found at www.joannelevy.com and https://www.instagram.com/joanne_levy_/

SORRY FOR YOUR LOSS came out October 10th and can be found here and wherever fine books are sold.

Giveaway!!!

Joanne has offered to send an author-signed copy of SORRY FOR YOUR LOSS to one lucky winner!

Enter here for your chance to win! Entries close October 28th 2021. US & Canada only.

a Rafflecopter giveaway

UPDATE! Congratulations to Danielle Hammelef who has won a signed copy of SORRY FOR YOUR LOSS!